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Analyzing joint-action and group-dynamics with Recurrence Quantification Analysis (RQA) in R
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Department of Language and Literature
Poetic and rhetorical language use
Aesthetic Emotions
Fundamental concepts of aesthetics
Department of Music
Fundamentals
Projects
Aesthetic Absorption
Absorption
Perceived and felt
Beautiful Passages in Music
[Singing]
The Pleasure of the Unpredictable - Aesthetic Experience of New Music
Neural Correlates of Contemporary Classical Music: Can Uncertainty lead to Pleasure?
Social and Cultural Variations
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Informiertes Hören
[Listening to music]
MyAesthetics
“Sweet Sounds”: The Verbalization/Conceptualization of Music, Sound, and Aesthetic Experience
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Musical motion
WAEL
Rhythm across cultures
Musical Taste
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Disliked Music
Situational Factors Influencing the Functions of Music and Everyday Music Listening Behavior
[Key experiences]
Concert Research
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SAMPLE – Situated Aspects of Musical Practice in a Longitudinal Examination
SAME – Situated Aspects of Musical Experience
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Lexicon of Writings on Music
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Department of Neuroscience
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Bilingualism
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Linguistic Decoding
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Speech-specific Processing
Speech chunking
Timing and Perception
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Matthias Projekt
Birdsong
Are you in sync with yourself?
Predictive Coding
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Neural Mechanisms
Sensory Sharpening Effects
Aesthetic Experience
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Exploring network
test project
Singing Voice Preferences
Multiple Visual Domains
Hedonic Preferences
Are you speaking to me?
Research Group
Histories of Music, Mind, and Body
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Histories of Rhythmic Theories, 1600-present
Histories of Music, Mind, & Body Colloquium
Seminar: Jean-Philippe Rameau’s Code de musique pratique (1760)
Future Histories of Music Theory
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Computational Auditory Perception
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Externally Funded Research
The prosodic syntax of German
Apparent Motion
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Reading time regularity
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