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Martina Wülfert
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The Institute
Mission Statement
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Fechner Lectures
Growing Up in Science
IDEA Lectures
The Westend Lectures on Brain and Cognition
Das Konzert in der Forschung
Visual Neuroaesthetics Symposium (VisNA)
Family Playdates with Refugee Families
Archiv
Music & Eye-Tracking – Conference 2017
Research Concert with the IEMA
Neural Oscillations in Speech and Language Processing – Berlin 2017
Analyzing joint-action and group-dynamics with Recurrence Quantification Analysis (RQA) in R
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Studentische Hilfskraft m/w Bereich Verwaltung
Studentische Hilfskraft m/w Bereich Bibliothek
PhD Postion Language and Literature
Studentische Hilfskräfte m/w für das ArtLab
Studentische Hilfskraft m/w für Abteilung Neurowissenschaften
Research
Department of Language and Literature
Poetic and rhetorical language use
Aesthetic Emotions
Fundamental concepts of aesthetics
Department of Music
Fundamentals
Projects
Aesthetic Absorption
Absorption
Music as a Stimulus
Perceived and felt
Beautiful Passages in Music
Emotions and musical structure
[Singing]
Situated Approaches to the Aesthetic Experience of Music
Systematic Review
The Pleasure of the Unpredictable - Aesthetic Experience of New Music
Neural Correlates of Contemporary Classical Music: Can Uncertainty lead to Pleasure?
Social and Cultural Variations
Projects
Informiertes Hören
[Listening to music]
MyAesthetics
Self-enhancement Through Musical Experience: Musical Subjectivity, Empathy, and Feelings of Self-esteem
“Sweet Sounds”: The Verbalization/Conceptualization of Music, Sound, and Aesthetic Experience
Mission
Cultural Variation in Rhythmic Prototypes
Ensemble Synchronisation in West African Percussion Music
Aesthetic evaluation of metric timing patterns in cross-cultural perspective
Musical motion
WAEL
Musical Taste
Projects
Disliked Music
Situational Factors Influencing the Functions of Music and Everyday Music Listening Behavior
Do Expert Listeners have Special Musical Preferences? A Study of the Musical Taste of Musicology Students
The Heterogeneity of Musical Taste
A Comparison of Reported Musical Taste and Music Listening Behavior
[Key experiences]
Concert Research
Projects
SAMPLE – Situated Aspects of Musical Practice in a Longitudinal Examination
SAME – Situated Aspects of Musical Experience
Participation
Applause
Mimic and Gesture
Experimental Concert Research
Lexicon of Writings on Music
History of Musicology
Department of Neuroscience
News
Events
Speech, Language, Brain
Projects
Bilingualism
Screams
Cortical Tracking
Prosodic Perception
Neural Oscillations
Projects
Linguistic Decoding
Auditory Processing
Speech-specific Processing
Speech chunking
Timing and Perception
Projects
Matthias Projekt
Birdsong
Are you in sync with yourself?
Predictive Coding
Projects
Neural Mechanisms
Sensory Sharpening Effects
Aesthetic Experience
Projects
Exploring network
test project
Singing Voice Preferences
Multiple Visual Domains
Hedonic Preferences
Are you speaking to me?
Research Group Carmel Raz
Projects
Events
Seminar: Jean-Philippe Rameau’s Code de musique pratique (1760)
Future Histories of Music Theory
Arbeitsgruppen
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Externally Funded Research
The prosodic syntax of German
Apparent Motion
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