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The Institute
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Tagung: Resonanzen
Max-Planck-Tag 2018
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Music & Eye-Tracking – Conference 2017
Research Concert with the IEMA
Neural Oscillations in Speech and Language Processing – Berlin 2017
Analyzing joint-action and group-dynamics with Recurrence Quantification Analysis (RQA) in R
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Research
Department of Language and Literature
Poetic and rhetorical language use
Aesthetic Emotions
Fundamental concepts of aesthetics
Department of Music
Fundamentals
Projects
Aesthetic Absorption
Absorption
Perceived and felt
Beautiful Passages in Music
[Singing]
The Pleasure of the Unpredictable - Aesthetic Experience of New Music
Neural Correlates of Contemporary Classical Music: Can Uncertainty lead to Pleasure?
Social and Cultural Variations
Projects
Informiertes Hören
[Listening to music]
MyAesthetics
“Sweet Sounds”: The Verbalization/Conceptualization of Music, Sound, and Aesthetic Experience
Mission
Musical motion
WAEL
Rhythm across cultures
Musical Taste
Projects
Disliked Music
Situational Factors Influencing the Functions of Music and Everyday Music Listening Behavior
[Key experiences]
Concert Research
Projects
SAMPLE – Situated Aspects of Musical Practice in a Longitudinal Examination
SAME – Situated Aspects of Musical Experience
Participation
Applause
Mimic and Gesture
Experimental Concert Research
Lexicon of Writings on Music
History of Musicology
Academic Degrees
Department of Neuroscience
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Speech, Language, Brain
Projects
Bilingualism
Psychophysical study
Screams
Cortical Tracking
Prosodic Perception
Neural Oscillations
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Linguistic Decoding
Auditory Processing
Speech-specific Processing
Speech chunking
Timing and Perception
Projects
Matthias Projekt
Birdsong
Are you in sync with yourself?
Predictive Coding
Projects
Neural Mechanisms
Sensory Sharpening Effects
Aesthetic Experience
Projects
Exploring network
test project
Singing Voice Preferences
Multiple Visual Domains
Hedonic Preferences
Are you speaking to me?
Research Group
Histories of Music, Mind, and Body
News
Events
Histories of Musical and Poetic Meter
Histories of Rhythmic Theories, 1600-present
Seminar: Jean-Philippe Rameau’s Code de musique pratique (1760)
Future Histories of Music Theory
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Research Group
Computational Auditory Perception
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Externally Funded Research
The prosodic syntax of German
Apparent Motion
Focused Information
Reading time regularity
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