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The Institute
Mission Statement
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Music & Eye-Tracking – Conference 2020
ArtLab live
Growing Up in Academia
The Westend Lectures on Brain and Cognition
IDEA Lectures
Das Konzert in der Forschung
CLaME
Fechner Lectures
Family Playdates with Refugee Families
Past Events
Vorlesetag 2019
Flow Symposium
The Brain on Screen
Geschichten im ArtLab
Tagung: Resonanzen
Max-Planck-Tag 2018
Visual Neuroaesthetics Symposium (VisNA)
Analyzing joint-action and group-dynamics with Recurrence Quantification Analysis (RQA) in R
Research Concert with the IEMA
Music & Eye-Tracking – Conference 2017
Neural Oscillations in Speech and Language Processing – Berlin 2017
People
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Studentische Hilfskraft m/w /d für den Einkauf
Labormanager m/w/d
PhD Candidate Music Department
Research
Department of Language and Literature
Poetic and rhetorical language use
Aesthetic Emotions
Fundamental concepts of aesthetics
Publications
Department of Music
Fundamentals
Projects
Aesthetic Absorption
Absorption
Perceived and felt
Beautiful Passages in Music
[Singing]
The Pleasure of the Unpredictable - Aesthetic Experience of New Music
Neural Correlates of Contemporary Classical Music: Can Uncertainty lead to Pleasure?
Social and Cultural Variations
Projects
Informiertes Hören
[Listening to music]
MyAesthetics
“Sweet Sounds”: The Verbalization/Conceptualization of Music, Sound, and Aesthetic Experience
Mission
Musical motion
WAEL
Rhythm across cultures
Musical Taste
Projects
Disliked Music
Situational Factors Influencing the Functions of Music and Everyday Music Listening Behavior
[Key experiences]
Concert Research
Projects
SAMPLE – Situated Aspects of Musical Practice in a Longitudinal Examination
SAME – Situated Aspects of Musical Experience
Participation
Applause
Mimic and Gesture
Experimental Concert Research
Lexicon of Writings on Music
History of Musicology
Academic Degrees
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Department of Neuroscience
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Speech, Language, Brain
Projects
Bilingualism
Speech computations
Psychophysical study
Screams
Tracking of music
Cortical Tracking
Prosodic Perception
Neural Oscillations
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Linguistic Decoding
Subjective experience
Robustness of rhythmic perception in audition
Auditory Processing
Speech-specific Processing
Speech chunking
Auditory perceptual constraints
Brain Rhythms change
Timing and Perception
Projects
The Persistence of Time
Implicit segmentation
Theories of consciousness
Neural basis
Visual and somatosensory
Metric Biases
Perceived Size
Matthias Projekt
Birdsong
Are you in sync with yourself?
Computational Trajectories
Predictive Coding
Projects
Neural Mechanisms
Methods development
Predictive Processes
Sensory Sharpening Effects
Aesthetic Experience
Projects
Electrophysiological Correlates of Aesthetically Moving Experiences
Aesthetically Moving Experiences and Creative Inspiration
Exploring network
test project
Singing Voice Preferences
Multiple Visual Domains
Hedonic Preferences
Are you speaking to me?
VisNA Lab
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Histories of Music, Mind, and Body
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Computational Auditory Perception
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Neural and Environmental Rhythms
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Externally Funded Research
The prosodic syntax of German
Apparent Motion
Focused Information
Reading time regularity
INHABIT – Artist-in-Residence
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