Publications of the Institute

The MPG PublicationRepository (PuRe) offers you an overview of all institute publications. Apart from browsing through the institute's complete output, you can choose to view publication lists sorted by departments or researchers.

MPG.PuRe: Empirical Aesthetics

 

2019

Mehr, S. A., Singh, M., Knox, D., Ketter, D. M., Pickens-Jones, D., Atwood, S., Lucas, C., Jacoby, N., Egner, A. A., Hopkins, E. J., Howard, R. M., Hartshorne, J. K., Jennings, M. V., Simson, J., Bainbridge, C. M., Pinker, S., O’Donnell, T. J., Krasnow, M. M., & Glowacki, L. (2019). Universality and diversity in human song. Science,366(6468): eaax0868. doi:10.1126/science.aax0868.
PuRe

Teng, X., Cogan, G., & Poeppel, D. (2019). Speech fine structure contains critical temporal cues to support speech segmentation. NeuroImage,202: 116152. doi:10.1016/j.neuroimage.2019.116152.
PuRe

Bruder, C., & Wöllner, C. (2019). Subvocalization in singers: Laryngoscopy and surface EMG effects when imagining and listening to song and text. Psychology of Music. doi:10.1177/0305735619883681.
PuRe

Czoschke, S., Henschke, S., & Lange, E. B. (2019). On-item fixations during serial encoding do not affect spatialworking memory. Attention, Perception & Psychophysics,81(8), 2766-2787. doi:10.3758/s13414-019-01786-5.
PuRe PDF

García-Rosales, F., Röhrig, D., Weineck, K., Röhm, M., Lin, Y.-H., Cabral-Calderin, Y., Kössl, M., & Hechavarria, J. C. (2019). Laminar specificity of oscillatory coherence in the auditory cortex. Brain Structure and Function,224(8), 2907-2924. doi:10.1007/s00429-019-01944-3.
PuRe

John, D., Schlee, W., Schlotz, W., Schobel, J., Kraft, R., Spiliopoulou, M., Langguth, B., Reichert, M., O'Rourke, T., Peters, H., Pieh, C., Lahmann, C., & Probst, T. (2019). Exploring the time trend of stress-levels while using the crowdsensing mHealth platform TrackYourStress and the influence of stress reactivity. JMIR mHealth and uHealth,7(10): e13978. doi:10.2196/13978.
PuRe

Isik, A. I., & Vessel, E. A. (2019). Continuous ratings of movie watching reveal idiosyncratic dynamics of aesthetic enjoyment. PLoS One,14(10): e0223896. doi:10.1371/journal.pone.0223896.
PuRe PDF

Pallavicini, C., Vilas, M. G., Villarreal, M., Zamberlan, F., Muthukumaraswamy, S., Nutt, D., Carhart-Harris, R., & Tagliazucchi, E. (2019). Spectral signatures of serotonergic psychedelics and glutamatergic dissociatives. NeuroImage,200, 281-291. doi:10.1016/j.neuroimage.2019.06.053.
PuRe

Wald-Fuhrmann, M. (2019). Die private Muse? Zur weltlichen Musik am Mecklenburg-Schweriner Hof unter Friedrich II. und Friedrich Franz I. In S. Avischag Müller, & A. Waczkat (Eds.), Utopie und Idylle: Der Mecklenburg-Schweriner Hof in Ludwigslust (1764-1837) (pp. 221-258). Hildesheim: Olms.
PuRe

Jacoby, N., Undurraga, E. A., McPherson, M. J., Valdés, J., Ossandón, T., & McDermott, J. H. (2019). Universal and non-universal features of musical pitch perception revealed by singing. Current Biology,29(19), 3229-3243.e12. doi:10.1016/j.cub.2019.08.020.
PuRe

Polak, R. (2019). Jembe music. In H. Feldman, D. Horn, J. Shepherd, & G. Kielich (Eds.), Bloomsbury encyclopedia of popular music of the world. Vol. 12: Genres: Sub-Saharan Africa (pp. 315-319). London: Bloomsbury Academic.
PuRe

Tavano, A., Schröger, E., & Kotz, S. A. (2019). Beta power encodes contextual estimates of temporal event probability in the human brain. PLoS One,14(9): e0222420. doi:10.1371/journal.pone.0222420.
PuRe PDF

Pöhls, V. (2019). Literatur und Zensur: Transnationale Implikationen. In D. Bischoff, & S. Komfort-Hein (Eds.), Handbuch Literatur & Transnationalität - Handbücher zur kulturwissenschaftlichen Philologie 7 (pp. 216-228). Berlin: de Gruyter.
PuRe

Peviani, V., Melloni, L., & Bottini, G. (2019). Visual and somatosensory information contribute to distortions of the body model. Scientific Reports,9: 13570. doi:10.1038/s41598-019-49979-0.
PuRe PDF

Knoop, C. A., Blohm, S., Kraxenberger, M., & Menninghaus, W. (2019). How perfect are imperfect rhymes? Effects of phonological similarity and verse context on rhyme perception. Psychology of Aesthetics, Creativity, and the Arts, Advance online publication. doi:10.1037/aca0000277.
PuRe

Omigie, D., Frieler, K., Bär, C., Muralikrishnan, R., Wald-Fuhrmann, M., & Fischinger, T. (2019). Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates. Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000271.
PuRe

Vessel, E. A., Isik, A. I., Belfi, A. M., Stahl, J. L., & Starr, a. G. G. (2019). The default-mode network represents aesthetic appeal that generalizes across visual domains. Proceedings of the National Academy of Sciences of the United States of America. doi:10.1073/pnas.1902650116.
PuRe

Ayoub, M.-R., Larrouy-Maestri, P., & Morsomme, D. (2019). The effect of smoking on the fundamental frequency of the speaking voice. Journal of Voice,33(5), 802.e11-802.e16. doi:10.1016/j.jvoice.2018.04.001.
PuRe

Raz, C. (2019). Operatic fantasies in early nineteenth-century psychiatry. In D. Trippett, & B. Walton (Eds.), Nineteenth-Century opera and the scientific imagination (pp. 63-83). Cambridge: Cambridge University Press. doi:10.1017/9781316275863.004.
PuRe

Akkermans, J., Schapiro, R., Mullensiefen, D., Jakubowski, K., Shanahan, D., Baker, D., Busch, V., Lothwesen, K., Elvers, P., Fischinger, T., Schlemmer, K., & Frieler, K. (2019). Decoding emotions in expressive music performances: A multi-lab replication and extension study. Cognition & Emotion,33(6), 1099-1118. doi:10.1080/02699931.2018.1541312.
PuRe

Raz, C. (2019). Colloquy: Talking to the hand: The “Hysterical Epistemology” of the migrating sensorium. Journal of the American Musicological Society,72(2), 552-557. doi:10.1525/jams.2019.72.2.541.
PuRe

Brittan, F., & Raz, C. (2019). Introduction to: Colloquy. Attention, anxiety, and audition's histories. Journal of the American Musicological Society,72(2), 541-546. doi:10.1525/jams.2019.72.2.541.
PuRe

Kraxenberger, M. (2019). Klang und Emotionsperzeption in Gedichten: Drei empirische Beispielstudien. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 17-34). Berlin, Boston: De Gruyter.
PuRe

Knoop, C. A. (2019). Empirische Zugänge zur Erforschung sprachlicher Rhythmen in der Literatur. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 58-76). Berlin, Boston: de Gruyter.
PuRe

Scharinger, M. (2019). Melodie. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 35-57). Berlin, Boston: De Gruyter.
PuRe

Menninghaus, W. (2019).Aesthetics after Darwin - The multiple origins and functions of the arts. (A. Berlina, Trans.). Boston, Brookline: Academics Studies Press.
PuRe

Lei, J., Conradi, N., Abel, C., Frisch, S., Brodski-Guerniero, A., Hildner, M., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2019). Cognitive effects of rhythmic auditory stimulation in Parkinson’s disease: A P300 study. Brain Research,1716, 70-79. doi:10.1016/j.brainres.2018.05.016.
PuRe

Assaneo, M. F., Rimmele, J. M., Orpella, J., Ripollés, P., de Diego-Balaguer, R., & Poeppel, D. (2019). The lateralization of speech-brain coupling is differentially modulated by intrinsic auditory and top-down mechanisms. Frontiers in Integrative Neuroscience, 13:28. doi:10.3389/fnint.2019.00028.
PuRe PDF

Hoshi, H., Kwon, N., Akita, K., & Auracher, J. (2019). Semantic associations dominate over perceptual associations in vowel–size iconicity. i-Perception,10(4). doi:10.1177/2041669519861981.
PuRe PDF

Fayn, K., Silvia, P. J., Dejonckheere, E., Verdonck, S., & Kuppens, P. (2019). Confused or curious? Openness/intellect predicts more positive interest-confusion relations. Journal of Personality and Social Psychology, Advance online publication. doi:10.1037/pspp0000257.
PuRe

Wald-Fuhrmann, M. (2019). Komplement und Korrektiv: Empirie als Teil einer transdisziplinären Musikästhetik. Musik & Ästhetik,23(91), 84-88.
PuRe

Schlotz, W. (2019). Investigating associations between momentary stress and cortisol in daily life: What have we learned so far? Psychoneuroendocrinology,105, 105-116. doi:10.1016/j.psyneuen.2018.11.038.
PuRe

Rimmele, J. M., Gudi-Mindermann, H., Nolte, G., Roeder, B., & Engel, K. A. (2019). Working memory training integrates visual cortex into beta-band networks in congenitally bind individuals. NeuroImage,194, 259-271. doi:10.1016/j.neuroimage.2019.03.003.
PuRe PDF

Forster, F., Weinmann, T., Gerlich, J., Schlotz, W., Weinmayr, G., Genuneit, J., Windstetter, D., Vogelberg, C., von Mutius, E., Nowak, D., & Radon, K. (2019). Work-related stress and incident asthma and rhinitis: Results from the SOLAR study. International Archives of Occupational and Environmental Health,92(5), 673-681. doi:10.1007/s00420-019-01402-x.
PuRe

Menninghaus, W., Wagner, V., Kegel, V., Knoop, C. A., & Schlotz, W. (2019). Beauty, elegance, grace, and sexiness compared. PLOS ONE,14(6), e0218728. doi:10.1371/journal.pone.0218728.
PuRe PDF

Sonuga-Barke, E., Kennedy, M., Golm, D., Knights, N., Kovshoff, H., Kreppner, J., Kumsta, R., Maughan, B., O'Connor, T. G., & Schlotz, W. (2019). Adoptees’ responses to separation from, and reunion with, their adoptive parent at age 4 years is associated with long-term persistence of autism symptoms following early severe institutional deprivation. Development and Psychopathology, Advance online publication. doi:10.1017/S0954579419000506.
PuRe

Lewis, G. A., Poeppel, D., & Murphy, G. L. (2019). Contrasting semantic versus inhibitory processing in the angular gyrus: An fMRI study. Cerebral Cortex,29(6), 2470-2481. doi:10.1093/cercor/bhy118.
PuRe

Omigie, D., Pearce, M., Lehongre, K., Hasboun, D., Navarro, V., Adam, C., & Samson, S. (2019). Intracranial recordings and computational modeling of music reveal the time course of prediction error signaling in frontal and temporal cortices. Journal of Cognitive Neuroscience,31(6), 855-873. doi:10.1162/jocn_a_01388.
PuRe

Tavano, A., & Poeppel, D. (2019). A division of labor between power and phase coherence in encoding attention to stimulus streams. NeuroImage,193, 146-156. doi:10.1016/j.neuroimage.2019.03.018.
PuRe

Doelling, K. B., Assaneo, M. F., Bevilacqua, D., Pesaran, B., & Poeppel, D. (2019). An oscillator model better predicts cortical entrainment to music. Proceedings of the National Academy of Sciences of the United States of America,116(20), 10113-10121. doi:10.1073/pnas.1816414116.
PuRe PDF

Auracher, J., Scharinger, M., & Menninghaus, W. (2019). Contiguity-based sound iconicity: The meaning of words resonates with phonetic properties of their immediate verbal contexts. PLOS ONE,14(5), e0216930. doi:10.1371/journal.pone.0216930.
PuRe PDF

Toelle, J., & Sloboda, J. A. (2019). The audience as artist? The audience’s experience of participatory music. Musicae Scientiae. doi:10.1177/1029864919844804.
PuRe

Menninghaus, W. (2019). Empirische Ästhetik der Sprache und Literatur: Was kann sie besser als die herkömmliche Literaturwissenschaft – und was nicht? [Gengo to bungaku no keikenbigaku: Kyūrai no bungaku kenkyū yori umaku syori dekirukoto, sosite dekinaikoto ha nanika?] (S. Ito, Trans.). In Y. Sakamoto, J. Tanaka, & Y. Takemine (Eds.), Image Studies Today: From Aby Warburg’s Mnemosyne Atlas to neurological Bildwissenschaft (pp. 433-454). Tokyo: University of Tokyo Press.
PuRe

Sakamoto, Y., Tanaka, J., & Takemine, Y. (Eds.). (2019).Image Studies Today: From Aby Warburg’s Mnemosyne Atlas to neurological Bildwissenschaft. Tokyo: University of Tokyo Press.
PuRe

Knoop, C. A. (2019). Momentaufnahmen der Begegnung mit Literatur. Annäherung an einen Erlebnisbegriff für die empirische Literaturwissenschaft. In M. Lessau, & N. Zügel (Eds.), Rückkehr des Erlebnisses in die Geisteswissenschaften? Philosophische und literaturwissenschaftliche Perspektiven (pp. 59-76). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG.
PuRe

Flinker, A., Doyle, W. K., Mehta, A. D., Devinsky, O., & Poeppel, D. (2019). Spectrotemporal modulation provides a unifying framework for auditory cortical asymmetries. Nature Human Behaviour,3(4), 393-405. doi:10.1038/s41562-019-0548-z.
PuRe

Rowland, J., Kasdan, A., & Poeppel, D. (2019). There is music in repetition: Looped segments of speech and nonspeech induce the perception of music in a time-dependent manner. Psychonomic Bulletin & Review,26(2), 583-590. doi:10.3758/s13423-018-1527-5.
PuRe

Larrouy-Maestri, P., Harrison, P. M. C., & Müllensiefen, D. (2019). The mistuning perception test: A new measurement instrument. Behavior Research Methods,51(2), 663-675. doi:10.3758/s13428-019-01225-1.
PuRe

Schindler, I. (2019). Is it morally good to admire? Psychological perspectives on the potentials and limits of admiration and elevation. In A. Archer, & A. Grahle (Eds.), The moral psychology of admiration (pp. 181-199). London: Rowman & Littlefield.
PuRe

Greb, F., Steffens, J., & Schlotz, W. (2019). Modeling music-selection behavior in everyday life: A multilevel statistical learning approach and mediation analysis of experience sampling data. Frontiers in Psychology,10: 390. doi:10.3389/fpsyg.2019.00390.
PuRe PDFLocator 1

Kraxenberger, M. (2019). Erotic Romances: An Emerging Subgenre Succeeding Fifty Shades. In A. Brock, J. Pflaeging, & P. Schildhauer (Eds.), Genre emergence: Developments in print, TV and digital media (pp. 13-28). Berlin: Peter Lang.
PuRe

Wallot, S. (2019). Multidimensional Cross-Recurrence Quantification Analysis (MdCRQA) – A Method for Quantifying Correlation between Multivariate Time-Series. Multivariate Behavioral Research,54(2), 1-19. doi:10.1080/00273171.2018.1512846.
PuRe PDF

Polak, R. (2019). Celebration. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture (pp. 476-480). Thousand Oaks, California: SAGE reference.
PuRe

Belfi, A. M., Vessel, E. A., Brielmann, A., Isik, A. I., Chatterjee, A., Leder, H., Pelli, D. G., & Starr, G. (2019). Dynamics of aesthetic experience are reflected in the default-mode network. NeuroImage,188, 584-597. doi:10.1016/j.neuroimage.2018.12.017.
PuRe

Bevilacqua, D., Davidesco, I., Wan, L., Chaloner, K., Rowland, J., Ding, M., Poeppel, D., & Dikker, S. (2019). Brain-to-brain synchrony and learning outcomes vary by student-teacher dynamics: Evidence from a real-world classroom electroencephalography study. Journal of Cognitive Neuroscience,31(3), 401-411. doi:10.1162/jocn_a_01274.
PuRe

Menninghaus, W., Wagner, V., Wassiliwizky, E., Schindler, I., Hanich, J., Jacobsen, T., & Koelsch, S. (2019). What are aesthetic emotions? Psychological Review,126(2), 171-195. doi:10.1037/rev0000135.
PuRe

Kappert, M. B., Wuttke-Linnemann, A., Schlotz, W., & Nater, U. M. (2019). The Aim Justifies the Means—Differences Among Musical and Nonmusical Means of Relaxation or Activation Induction in Daily Life. Frontiers in Human Neuroscience,13: 36. doi:10.3389/fnhum.2019.00036.
PuRe PDFLocator 1

Wallot, S., & Grabowski, J. (2019). A tutorial introduction to Recurrence Quantification Analysis (RQA) for key-logging data. In Observing Writing - Insights from Keystroke Logging and Handwriting (pp. 163-189). Leiden: Brill. doi:10.1163/9789004392526_009.
PuRe

Wallot, S., Lee, J. T., & Kelty-Stephen, D. G. (2019). Switching between reading tasks leads to phase-transitions in reading times in L1 and L2 readers. PLOS ONE,14(2), e0211502. doi:10.1371/journal.pone.0211502.
PuRe PDF

Kuijpers, M., Douglas, S., & Kuiken, D. (2019). Personality traits and reading habits that predict absorbed narrative fiction reading. Psychology of Aesthetics, Creativity, and the Arts,13(1), 74-88. doi:10.1037/aca0000168.
PuRe

Kentner, G., & Franz, I. (2019). No evidence for prosodic effects on the syntactic encoding of complement clauses in German. Glossa: a journal of general linguistics,4(1), 1-29.
PuRe PDF

Kraxenberger, M. (2019). Zum Stil einer digital geprägten Leserealität. Eine Untersuchung der Fifty Shades of Grey-Trilogie mittels Dargestelltem und Darstellung. Orbis Litterarum. Advance online publication.doi:10.1111/oli.12219.
PuRe

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2019). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Scientific Reports,9: 593. doi:10.1038/s41598-018-37561-z.
PuRe PDF

van Dyck-Hemming, A., & Hemming, J. (Eds.). (2019).Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017. Wiesbaden: Springer VS. doi:10.1007/978-3-658-23767-7.
PuRe

Mencke, I., Omigie, D., Wald-Fuhrmann, M., & Brattico, E. (2019). Atonal music: Can uncertainty lead to pleasure? Frontiers in Neuroscience,12: 979. doi:10.3389/fnins.2018.00979.
PuRe PDF

Zschauer, A. (2019). Inter als aisthetische Qualität. Polylog: Zeitschrift für interkulturelles Philosophieren,40, 37-51.
PuRe

Esteban, O., Markiewicz, C. J., Blair, R. W., Moodie, C. A., Isik, A. I., Erramuzpe, A., Kent, J. D., Goncalves, M., DuPre, E., Snyder, M., Oya, H., Ghosh, S. S., Wright, J., Durnez, J., Poldrack, R. A., & Gorgolewski, K. J. (2019). fMRIPrep: A robust preprocessing pipeline for functional MRI. Nature methods,16(1), 111-116. doi:10.1038/s41592-018-0235-4.
PuRe

Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung,28: e18. doi:10.5964/jbdgm.2018v28.18.
PuRe PDF

Ackermann, T. (2019).Disliked music: Merkmale, Gründe und Funktionen abgelehnter Musik (PhD Thesis, kassel university press, Kassel, 2019). doi:10.19211/KUP9783737650885.
PuRe Locator 1

2018

Fischinger, T., Kaufmann, M., & Schlotz, W. (2018). If it’s Mozart, it must be good? The influence of textual information and age on musical appreciation. Psychology of Music. doi:10.1177/0305735618812216.

Raz, C., & Finger, S. (2018). Musical glasses, metal reeds and broken hearts: Two cases of melancholia treated by new musical instruments. In P. Gouk, J. Kennaway, & P. Jacomien (Eds.), The Routledge companion to music, mind, and well-being (pp. 77-91). New York: Routledge.

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2018). Measuring Optimal Reading Experiences: The Reading Flow Short Scale. Frontiers in Psychology,9: 2542. doi:10.3389/fpsyg.2018.02542.

Knoop, C. A. (2018).Franz Kafka. Baden-Baden: Tectum-Verlag.

Wallot, S., & Leonardi, G. (2018). Analyzing multivariate dynamics using Cross-Recurrence Quantification Analysis (CRQA), Diagonal-Cross-Recurrence Profiles (DCRP), and Multidimensional Recurrence Quantification Analysis (MdRQA) – A tutorial in R. Frontiers in Psychology, 9:2232. doi:10.3389/fpsyg.2018.02232.

Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.

Urbanek, N., & Wald-Fuhrmann, M. (Eds.). (2018).Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie. Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-04654-3.

Getz, H., Ding, N., Newport, E. L., & Poeppel, D. (2018). Cortical tracking of constituent structure in language acquisition. Cognition,181, 135-140. doi:10.1016/j.cognition.2018.08.019.

Bosker, H. R., & Ghitza, O. (2018). Entrained theta oscillations guide perception of subsequent speech: Behavioural evidence from rate normalisation. Language, Cognition and Neuroscience,33(8), 955-967. doi:10.1080/23273798.2018.1439179.

Wallot, S., & Menninghaus, W. (2018). Ambiguity effects of rhyme and meter. Journal of Experimental Psychology: Learning, Memory, and Cognition.,44(12), 1947-1954. doi:10.1037/xlm0000557.

Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds.), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler.

Liu, A., Vöröslakos, M., Kronberg, G., Henin, S., Krause, M. R., Huang, Y., Opitz, A., Mehta, A., Pack, C. C., Krekelberg, B., Berényi, A., Parra, L. C., Melloni, L., Devinsky, O., & Buzsáki, G. (2018). Immediate neurophysiological effects of transcranial electrical stimulation. Nature Communications,9: 5092. doi:10.1038/s41467-018-07233-7.

Kentner, G. (2018). Jan Michalsky. 2017. Frageintonation im Deutschen. Zur intonatorischen Markierung von Interrogativität und Fragehaltigkeit (Linguistische Arbeiten 566). Zeitschrift für Rezensionen zur germanistischen Sprachwissenschaft,10(1-2), 155-160. doi:10.1515/zrs-2018-0019.

Menninghaus, W., Wagner, V., Knoop, C. A., & Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. PLoS One,13(11), e0205980. doi:10.1371/journal.pone.0205980.

Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences on the functions of music listening. Psychology of Music,46(6), 763-794. doi:10.1177/0305735617724883.

Booth, C. R., Brown, H. L., Eason, E. G., Wallot, S., & Kelty-Stephen, D. G. (2018). Expectations on hierarchical scales of discourse: Multifractality predicts both short- and long-range effects of violating gender expectations in text reading. Discourse Processes,55(1), 12-30. doi:10.1080/0163853X.2016.1197811.

Polak, R., Tarsitani, S., & Clayton, M. (2018). EMP Malian Jembe. Open Science Framework. doi:10.17605/OSF.IO/M652X.

Auksztulewicz, R., Schwiedrzik, C. M., Thesen, T., Doyle, W., Devinsky, O., Nobre, A. C., Schroeder, C. E., Friston, K. J., & Melloni, L. (2018). Not all predictions are equal: "What" and "when" predictions modulate activity in auditory cortex through different mechanisms. The Journal of Neuroscience,38(40), 8680-8693. doi:10.1523/JNEUROSCI.0369-18.2018.

Caletti, E., Delvecchio, G., Andreella, A., Finos, L., Perlini, C., Tavano, A., Lasalvia, A., Bonetto, C., Cristofalo, D., Lamonaca, D., Ceccato, E., Pileggi, F., Mazzi, F., Santonastaso, P., Ruggeri, M., Bellani, M., & Brambilla, P. (2018). Prosody abilities in a large sample of affective and non-affective first episode psychosis patients. Comprehensive Psychiatry,86, 31-38. doi:10.1016/j.comppsych.2018.07.004.

Belfi, A. M., Kasdan, A., Rowland, J., Vessel, E. A., Starr, G. G., & Poeppel, D. (2018). Rapid timing of musical aesthetic judgments. Journal of Experimental Psychology: General,147(10), 1531-1543. doi:10.1037/xge0000474.

Kuijpers, M. M., & Hakemulder, F. (2018). Understanding and Appreciating Literary Texts Through Rereading. Discourse Processes,55(7), 619-641. doi:10.1080/0163853X.2017.1390352.

Vessel, E. A., Maurer, N., Denker, A. H., & Starr, G. G. (2018). Stronger shared taste for natural aesthetic domains than for artifacts of human culture. Cognition,179, 121-131. doi:10.1016/j.cognition.2018.06.009.

Rimmele, J. M., Morillon, B., Poeppel, D., & Arnal, L. H. (2018). Proactive sensing of periodic and aperiodic auditory patterns. Trends in Cognitive Sciences [Special Issue: Time in the Brain],22(10), 870-882. doi:10.1016/j.tics.2018.08.003.

Teng, X., Tian, X., Doelling, K., & Poeppel, D. (2018). Theta band oscillations reflect more than entrainment: Behavioral and neural evidence demonstrates an active chunking process. European Journal of Neuroscience: European Neuroscience Association,48(8), 2770-2782. doi:10.1111/ejn.13742.

Raz, C. (2018). An Eighteenth-Century theory of musical cognition? John Holden's essay towards a rational system of music (1770). Journal of Music Theory,62(2), 205-248. doi:10.1215/00222909-7127670.

Raz, C. (2018). Anne Young’s introduction to music (1803): Pedagogical, speculative, and ludic music theory. SMT-V: The Society for Music Theory Videocast Journal, 4.3. doi:10.30535/smtv.4.3.

Penn, L. R., Ayasse, N. D., Wingfield, A., & Ghitza, O. (2018). The possible role of brain rhythms in perceiving fast speech: Evidence from adult aging. The Journal of the Acoustical Society of America,144(4), 2088-2094. doi:10.1121/1.5054905.

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2018). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Annals of Neurology,84(S22), S235-S236.

Larrouy-Maestri, P., & Pfordresher, P. Q. (2018). Pitch perception in music: Do scoops matter? Journal of Experimental Psychology: Human Perception and Performance,44(10), 1523-1541. doi:10.1037/xhp0000550.

Kraxenberger, M. (2018). Gelesen wie gesprochen: Überlegungen zur Gedichtrezeption als prosodisches (Text-)Gerede im Inneren. In D.-C. Assmann, & N. Menzel (Eds.), TEXTGEREDE Interferenzen Von Mündlichkeit und Schriftlichkeit in der Gegenwartsliteratur (pp. 147-160). Paderborn: Fink.

Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.

Wallot, S., & Mønster, D. (2018). Calculation of Average Mutual Information (AMI) and False-Nearest Neighbors (FNN) for the Estimation of Embedding Parameters of Multidimensional Time Series in Matlab. Frontiers in Psychology,9: 1679. doi:10.3389/fpsyg.2018.01679.

Raz, C. (2018). Anne Young’s musical games (1801): Music theory, gender, and game design. SMT-V: The Society for Music Theory Videocast Journal, 4.2. doi:10.30535/smtv.4.2.

Teng, X., Sun, Y., & Poeppel, D. (2018). Temporal order judgment reveals local-global auditory processes. SI,104(5), 817-820. doi:10.3813/AAA.919231.

Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018). Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.

Schwiedrzik, C. M., Sudmann, S. S., Thesen, T., Wang, X., Groppe, D. M., Megevand, P., Doyle, W., Mehta, A. D., Devinsky, O., & Melloni, L. (2018). Medial prefrontal cortex supports perceptual memory. Current Biology,28(18), R1094-R1095. doi:10.1016/j.cub.2018.07.066.

Cohen, D. E. (2018). Rhythm, number, and Heraclitus’ river. History of Music Theory.

Gwilliams, L., Linzen, T., Poeppel, D., & Marantz, A. (2018). In spoken word recognition, the future predicts the past. The Journal of Neuroscience,38(35), 7585-7599. doi:10.1523/JNEUROSCI.0065-18.2018.

Wallot, S., & Leonardi, G. (2018). Deriving inferential statistics from recurrence plots: A recurrence-based test of differences between sample distributions and its comparison to the two-sample Kolmogorov-Smirnov test. Chaos: An interdisciplinary journal of nonlinear science,28(8): 085712. doi:10.1063/1.5024915.

Kraxenberger, M., & Menninghaus, W. (2018). Mimologische Träumereien? Über ikonische Assoziationen von Klang und Gefühlswahrnehmung in Gedichten. In D. Scherf, & A. Bertschi-Kaufmann (Eds.), Ästhetische Rezeptionsprozesse aus didaktischer Perspektive (pp. 72-88). Weinheim, Basel: Beltz Juventa.

Lange, E. B., Pieczykolan, A., Trukenbrod, H. A., & Huestegge, L. (2018). The rhythm of cognition: Effects of an auditory beat on oculomotor control in reading and sequential scanning. Journal of Eye Movement Research,11(2): 9. doi:10.16910/jemr.11.2.9.

Greb, F. (2018). Determinants of music-selection behaviour: Development of a model. PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.

Blohm, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. Poetics,69, 41-56. doi:10.1016/j.poetic.2018.04.005.

Gudi-Mindermann, H., Rimmele, J. M., Nolte, G., Bruns, P., Engel, A. K., & Röder, B. (2018). Working memory training in congenitally blind individuals results in an integration of occipital cortex in functional networks. Behavioural Brain Research,348, 31-41. doi:10.1016/j.bbr.2018.04.002.

Belfi, A. M., Vessel, E. A., & Starr, G. G. (2018). Individual ratings of vividness predict aesthetic appeal in poetry. Psychology of Aesthetics, Creativity, and the Arts,12(3), 341-350. doi:10.1037/aca0000153.

Wassiliwizky, E. (2018). At the root of the paradox: Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al. Physics of Life Reviews,25, 136-138. doi:10.1016/j.plrev.2017.12.008.

Kraxenberger, M., Menninghaus, W., Roth, A., & Scharinger, M. (2018). Prosody-Based Sound-Emotion Associations in Poetry. Frontiers in Psychology,9: 1284. doi:10.3389/fpsyg.2018.01284.

Larrouy-Maestri, P. (2018). “I know it when I hear it”: On listeners’ perception of mistuning. Music & Science,1, 1-17. doi:10.1177/2059204318784582.

Schwiedrzik, C. M., Melloni, L., & Schurger, A. (2018). Mooney face stimuli for visual perception research. PLoS One,13(7): e0200106. doi:10.1371/journal.pone.0200106.

Nix, S., & Schoof, K. (2018). Spitzenservice für Experten: Spezialbibliotheken im digitalen Zeitalter. Politik & Kultur,4, 7.

Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (Eds.), Facetten gegenwärtiger Bildtheorie: Interkulturelle und interdisziplinäre Perspektiven (pp. 261-283). Wiesbaden: Springer VS.

Toelle, J. (2018). Applaus. In D. Morat, & H. Ziemer (Eds.), Handbuch Sound: Geschichte - Begriffe - Ansätze (pp. 178-182). Stuttgart: J.B. Metzler.

Herrera, R., Markevych, I., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., Heinrich, J., & Radon, K. (2018). Greenness and job-related chronic stress in young adults: A prospective cohort study in Germany. BMJ Open,8: e021599. doi:10.1136/bmjopen-2018-021599.

Wieland, L. M., Grunschel, C., Limberger, M. F., Schlotz, W., Ferrari, J. R., & Ebner-Priemer, U. W. (2018). The ecological momentary assessment of procrastination in daily life: Psychometric properties of a five-item short scale. North American journal of psychology,20(2), 315-339.

Wallot, S., & Kelty-Stephen, D. G. (2018). Interaction-dominant causation in mind and brain, and Its implication for questions of generalization and replication. Minds and machines: journal for artificial intelligence, philosophy and cognitive science,28(2), 353-374. doi:10.1007/s11023-017-9455-0.

Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (Ed.), Das Konzert II: Beiträge zum Forschungsfeld der Concert Studies (pp. 425-447). Bielefeld: Transcript.

Fink, L. K., Lange, E. B., & Groner, R. (2018). The application of eye-tracking in music research. Journal of Eye Movement Research,11(2): 1. doi:10.16910/jemr.11.2.1.

Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.

Pearson, L. (2018). Cultural heritage, sustainability and innovation in South Indian art music. In B. Norton, & N. Matsumoto (Eds.), Music as heritage: Historical and ethnographic perspectives (pp. 238-257). London: Routledge.

Cohrdes, C., Wrzus, C., Wald-Fuhrmann, M., & Riediger, M. (2018). “The sound of affect”: Age differences in perceiving valence and arousal in music and their relation to music characteristics and momentary mood. Musicae Scientiae. doi:10.1177/1029864918765613.

Werth, A., Rocholl, M. J., Henrich, K., Lanwermeyer, M., Schnell, H., Domahs, U., Herrgen, J., & Schmidt, J.-E. (2018). The Interaction of vowel quantity and tonal cues in Cognitive processing: An MMN-study concerning dialectal and standard varieties. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (Linguistische Arbeiten 567) (pp. 183-211). Berlin: de Gruyter.

Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.

Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors. Music & Science,1, 1-17. doi:10.1177/2059204318755950.

Scharinger, M. (2018). Neural bases of phonological representations: Empirical approaches and methods. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (pp. 241-272). Berlin, Boston: Walter de Gruyter GmbH. doi:10.1515/9783110542899-010.

Tian, X., Ding, N., Teng, X., Bai, F., & Poeppel, D. (2018). Imagined speech influences perceived loudness of sound. Nature Human Behaviour,2(3), 225-234. doi:10.1038/s41562-018-0305-8.

Hoshi, H., & Menninghaus, W. (2018). The eye tracks the aesthetic appeal of sentences. Journal of Vision,18(3), 1-22. doi:10.1167/18.3.19.

Kaufmann, M. (2018). The nymph's voice as an acoustic reflection of the self. In K. A. E. Engelke, & A. Traninger (Eds.), The figure of the nymph in early modern culture (pp. 396-418). Leiden: Brill. doi:10.1163/9789004364356_014.

Lakens, D., Adolfi, F., Albers, C. J., Anvari, F., Apps, M. A. J., Argamon, S. E., Baguley, T., Becker, R. B., Benning, S. D., Bradford, D. E., Buchanan, E. M., Caldwell, A. R., Calster, B. V., Carlsson, R., Chen, S.-C., Chung, B., Colling, L. J., Collins, G. S., Crook, Z., Cross, E. S., Daniels, S., Danielsson, H., DeBruine, L., Dunleavy, D. J., Earp, B. D., Feist, M. I., Ferrell, J. D., Field, J. G., Fox, N. W., Friesen, A., Gomes, C., Gonzalez-Marquez, M., Grange, J. A., Grieve, A. P., Guggenberger, R., Grist, J., van Harmelen, A.-L., Hasselman, F., Hochard, K. D., Hoffarth, M. R., Holmes, N. P., Ingre, M., Isager, P. M., Isotalus, H. K., Johansson, C., Juszczyk, K., Kenny, D. A., Khalil, A. A., Konat, B., Lao, J., Larsen, E. G., Lodder, G. M. A., Lukavský, J., Madan, C. R., Manheim, D., Martin, S. R., Martin, A. E., Mayo, D. G., McCarthy, R. J., McConway, K., McFarland, C., Nio, A. Q. X., Nilsonne, G., de Oliveira, C. L., de Xivry, J.-J.-O., Parsons, S., Pfuhl, G., Quinn, K. A., Sakon, J. J., Saribay, S. A., Schneider, I. K., Selvaraju, M., Sjoerds, Z., Smith, S. G., Smits, T., Spies, J. R., Sreekumar, V., Steltenpohl, C. N., Stenhouse, N., Świątkowski, W., Vadillo, M. A., Assen, M. A. L. M. V., Williams, M. N., Williams, S. E., Williams, D. R., Yarkoni, T., Ignazio, Z., & Zwaan, R. A. (2018). Justify your alpha. Nature Human Behaviour,2(3), 168-171. doi:10.1038/s41562-018-0311-x.

Sarkhosh, K. (2018). Kurz und kernig statt lang und erbärmlich? Einige Beobachtungen zum Verhältnis von Erfolg, Staffellaufzeiten und narrativer Dichte in aktuellen ›Quality TV‹-Serien. In M. Baßler, & M. Nies (Eds.), Short Cuts. Ein Verfahren zwischen Roman, Film und Serie (pp. 217-247). Marburg: Schüren.

Assaneo, M. F., & Poeppel, D. (2018). The coupling between auditory and motor cortices is rate-restricted: Evidence for an intrinsic speech-motor rhythm. Science Advances,4(2): eaao3842. doi:10.1126/sciadv.aao3842.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (2018). Editorial: Brain oscillations in human communication. Frontiers in Human Neuroscience, 12:39. doi:10.3389/fnhum.2018.00039.

Toelle, J. (2018). Mission soundscapes: Demons, Jesuits and sounds in Antonio Ruiz de Montoya’s Conquista Espiritual (1639). In D. Hacke, & P. Musselwhite (Eds.), Empire of the senses: Sensory practices of colonialism in early America (pp. 67-87). Leiden: Brill. doi:10.1163/9789004340640_004.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (Eds.). (2018).Brain oscillations in human communication. Lausanne: Frontiers Media. doi:10.3389/978-2-88945-458-7.

Haider, T., & Kuhn, J. (2018). Supervised Rhyme Detection with Siamese Recurrent Networks. In B. Alex, S. Degaetano-Ortlieb, A. Feldman, A. Kazantseva, N. Reiter, & S. Szpakowicz (Eds.), Proceedings of the Second Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature (pp. 81-86).

Menninghaus, W. (2018).Sei no nakaba: Hoeldelin shigaku ni matsuwaru shiron (=Japanese translation of Hälfte des Lebens: Versuch über Hölderlins Poetik, Frankfurt: Suhrkamp, 2005). Translated by Yoshikazu Takemine. Tokio: Getsuyousha Limited.

Fischinger, T. (2018). Vorreiter einer empirischen Ästhetik: Anmerkungen zur Studie «Die natürliche Stimmung in der modernen Vokalmusik» (1893) von Max Planck. Neue Zeitschrift für Musik, (1), 27-29.

Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte für Fragen des Gottesdienstes,68(2), 83-108.

2017

Kumsta, R., Schlotz, W., Golm, D., Moser, D., Kennedy, M., Knights, N., Kreppner, J., Maughan, B., Rutter, M., & Sonuga-Barke, E. (2017). HPA axis dysregulation in adult adoptees twenty years after severe institutional deprivation in childhood. Psychoneuroendocrinology,86, 196-202. doi:10.1016/j.psyneuen.2017.09.021.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences,40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.

Elvers, P., & Steffens, J. (2017). The sound of success: Investigating cognitive and behavioral effects of motivational music in sports. Frontiers in Psychology, 8:2026. doi:10.3389/fpsyg.2017.02026.

Blohm, S., Menninghaus, W., & Schlesewsky, M. (2017). Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence. Frontiers in Psychology,8: 1887. doi:10.3389/fpsyg.2017.01887.

Scharinger, M. (2017). Are there brain bases for phonological markedness? In B. D. Samuels (Ed.), Beyond Markedness in Formal Phonology (pp. 191-218). Amsterdam/Philadelphia: John Benjamins Publishing Company.

Teng, X., Tian, X., Rowland, J., & Poeppel, D. (2017). Concurrent temporal channels for auditory processing: Oscillatory neural entrainment reveals segregation of function at different scales. PLoS Biology,15(11): e2000812. doi:10.1371/journal.pbio.2000812.

Auracher, J. (2017). Sound iconicity of abstract concepts: Place of articulation is implicitly associated with abstract concepts of size and social dominance. PLOS ONE,12(11): e0187196. doi:10.1371/journal.pone.0187196.

Kennedy, M., Kreppner, J., Knights, N. H., Kumsta, R., Maughan, B., Golm, D., Hill, J., Rutter, M., Schlotz, W., & Sonuga-Barke, E. (2017). Adult disinhibited social engagement in adoptees exposed to extreme institutional deprivation: examination of its clinical status and functional impact. The British Journal of Psychiatry,211(5), 289-295. doi:10.1192/bjp.bp.117.200618.

Hosoya, G., Schindler, I., Beermann, U., Wagner, V., Menninghaus, W., Eid, M., & Scherer, K. (2017). Mapping the Conceptual Domain of Aesthetic Emotion Terms: A Pile-Sort Study. Psychology of Aesthetics, Creativity, and the Arts,11(4), 457-473. doi:10.1037/aca0000123.

Bauer, S., van Alphen, N., Becker, A., Chiocchetti, A., Deichmann, R., Deller, T., Freiman, T., Freitag, C. M., Gehrig, J., Hermsen, A. M., Jedlicka, P., Kell, C., Klein, K. M., Knake, S., Kullmann, D. M., Liebner, S., Norwood, B. A., Omigie, D., Plate, K., Reif, A., Reif, P. S., Reiss, Y., Roeper, J., Ronellenfitsch, M. W., Schorge, S., Schratt, G., Schwarzacher, S. W., Steinbach, J. P., Strzelczyk, A., Triesch, J., Wagner, M., Walker, M. C., von Wegner, F., & Rosenow, F. (2017). Personalized translational epilepsy research — Novel approaches and future perspectives: Part II: Experimental and translational approaches. Epilepsy & Behavior,76, 7-12. doi:10.1016/j.yebeh.2017.06.040.

Lafon, B., Henin, S., Huang, Y., Friedman, D., Melloni, L., Thesen, T., Doyle, W., Buzsáki, G., Devinsky, O., Parra, L. C., & Liu, A. A. (2017). Low frequency transcranial electrical stimulation does not entrain sleep rhythms measured by human intracranial recordings. Nature Communications,8: 1199. doi:10.1038/s41467-017-01045-x.

Herrera, R., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., & Radon, K. (2017). Chronic Stress in Young German Adults: Who Is Affected? A Prospective Cohort Study. International Journal of Environmental Research and Public Health,14(11), 1325. doi:10.3390/ijerph14111325.

Powell, D. J. H., Liossi, C., Schlotz, W., & Moss-Morris, R. (2017). Tracking daily fatigue fluctuations in multiple sclerosis: ecological momentary assessment provides unique insights. Journal of Behavioral Medicine,40(5), 772-783. doi:10.1007/s10865-017-9840-4.

Ding, N., Patel, A., Chen, L., Butler, H., Luo, C., & Poeppel, D. (2017). Temporal modulations in speech and music. Neuroscience & Biobehavioral Reviews,81(Part B), 181-187. doi:10.1016/j.neubiorev.2017.02.011.

Lange, E. B., Zweck, F., & Sinn, P. (2017). Microsaccade-rate indicates absorption by music listening. Consciousness and Cognition,55, 59-78. doi:10.1016/j.concog.2017.07.009.

Kelty-Stephen, D., & Wallot, S. (2017). Multifractality versus (mono)fractality in the narrative about nonlinear interactions across time scales: Disentangling the belief in nonlinearity from the diagnosis of nonlinearity. Ecological Psychology,29(4), 259-299. doi:10.1080/10407413.2017.1368355.

Ding, N., Melloni, L., Yang, A., Wang, Y., Zhang, W., & Poeppel, D. (2017). Characterizing neural entrainment to hierarchical linguistic units using electroencephalography (EEG). Frontiers in Human Neuroscience,11: 481. doi:10.3389/fnhum.2017.00481.

Merk, J., Schlotz, W., & Falter, T. (2017). The Motivational Value Systems Questionnaire (MVSQ): Psychometric Analysis Using a Forced Choice Thurstonian IRT Model. Frontiers in Psychology,8: 1626. doi:10.3389/fpsyg.2017.01626.

Menninghaus, W., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Knoop, C. A. (2017). The emotional and aesthetic powers of parallelistic diction. Poetics,63, 47-59. doi:10.1016/j.poetic.2016.12.001.

Scharinger, M., Steinberg, J., & Tavano, A. (2017). Integrating speech in time depends on temporal expectancies and attention. Cortex,93, 28-40. doi:10.1016/j.cortex.2017.05.001.

Wassiliwizky, E., Koelsch, S., Wagner, V., Jacobsen, T., & Menninghaus, W. (2017). The emotional power of poetry: Neural circuitry, psychophysiology, compositional principles. Social Cognitive and Affective Neuroscience,12(8), 1229-1240. doi:10.1093/scan/nsx069.

Sarkhosh, K. (2017). Trash, Boom, Bang: Ein Forschungsüberblick. In J. Nesselhauf, & M. Schleich (Eds.), Banal, trivial, phänomenal. Spielarten des Trash (pp. 11-42). Darmstadt: Büchner.

Tiihonen, M., Brattico, E., Maksimainen, J., Wikgren, J., & Saarikallio, S. (2017). Constituents of music and visual-art related pleasure: A critical integrative literature review. Frontiers in Psychology,8: 1218. doi:10.3389/fpsyg.2017.01218.

Merrill, J., & Larrouy-Maestri, P. (2017). Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire. Frontiers in Psychology, 8:1108. doi:10.3389/fpsyg.2017.01108.

Wiesecke, J. (2017). Samuel Pepys and his experiences of music at Restoration theatres. In H. Barlow, & D. Rowland (Eds.), Listening to music: People, practices and experiences. Retrieved from http://ledbooks.org/proceedings2017/#sec_245_h1.

Ishizu, T., & Sakamoto, Y. (2017). Ugliness as the fourth wall-breaker: Comment on “Move me, astonish me.. delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative, and neurophysiological correlates” by Matthew Pelowski et al. Physics of Life Reviews,21, 138-139. doi:10.1016/j.plrev.2017.06.003.

Tal, I., Large, E. W., Rabinovitch, E., Wei, Y., Schroeder, C. E., Poeppel, D., & Golumbic, E. Z. (2017). Neural entrainment to the beat: The “Missing-Pulse” phenomenon. The Journal of Neuroscience,37(26), 6331-6341. doi:10.1523/JNEUROSCI.2500-16.2017.

Isik, A. I., Naumer, M. J., Kaiser, J., Buschenlange, C., Wiesmann, S., Czoschke, S., & Yalachkov, Y. (2017). Automatized smoking-related action schemata are reflected by reduced fMRI activity in sensorimotor brain regions of smokers. NeuroImage: Clinical,15, 753-760. doi:10.1016/j.nicl.2017.06.021.

Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., & Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLOS ONE,12(6), e0178899. doi:10.1371/journal.pone.0178899.

Gemma, M. L., Glorieux, F., & Ganascia, J.-G. (2017). Operationalizing the colloquial style: Repetition in 19th-century American fiction. Digital Scholarship in the Humanities,32(2), 312-335. doi:10.1093/llc/fqv066.

Håkonsson, D. D., Mitkidis, P., & Wallot, S. (2017). Team Emotions and Team Learning. In L. Argote, & J. M. Levine (Eds.), The Oxford Handbook of Group and Organizational Learning. Advance online publication. Oxford, GB: Oxford University Press. doi:10.1093/oxfordhb/9780190263362.013.14.

Bonhage, C. E., Meyer, L., Gruber, T., Friederici, A. D., & Mueller, J. L. (2017). Oscillatory EEG dynamics underlying automatic chunking during sentence processing. NeuroImage,152, 647-657. doi:10.1016/j.neuroimage.2017.03.018.

Dikker, S., Wan, L., Davidesco, I., Kaggen, L., Oostrik, M., McClintock, J., Rowland, J., Michalareas, G., Van Bavel, J. J., Ding, M., & Poeppel, D. (2017). Brain-to-brain synchrony tracks real-world dynamic group interactions in the classroom. Current Biology,27(9), 1375-1380. doi:10.1016/j.cub.2017.04.002.

Wallot, S. (2017). Recurrence quantification analysis of processes and products of discourse: A tutorial in R. Discourse Processes,54(5-6), 382-405. doi:10.1080/0163853X.2017.1297921.

Sonuga-Barke, E. J. S., Kennedy, M., Kumsta, R., Knights, N., Golm, D., Rutter, M., Maughan, B., Schlotz, W., & Kreppner, J. (2017). Child-to-adult neurodevelopmental and mental health trajectories after early life deprivation: The young adult follow-up of the longitudinal English and Romanian Adoptees study. The Lancet,389(10078), 1539-1548. doi:10.1016/S0140-6736(17)30045-4.

Reichert, M., Tost, H., Reinhard, I., Schlotz, W., Zipf, A., Salize, H. J., Meyer-Lindenberg, A., & Ebner-Priemer, U. W. (2017). Exercise versus nonexercise activity: E-diaries unravel distinct effects on mood. Medicine & Science in Sports & Exercise,49(4), 763-773. doi:10.1249/mss.0000000000001149.

Neuhoff, H., Polak, R., & Fischinger, T. (2017). Perception and evaluation of timing patterns in drum ensemble music from Mali. Music Perception,34(4), 438-451. doi:10.1525/mp.2017.34.4.438.

Larrouy-Maestri, P., Morsomme, D., Magis, D., & Poeppel, D. (2017). Lay listeners can evaluate the pitch accuracy of operatic voices. Music Perception,34(4), 489-495. doi:10.1525/mp.2017.34.4.489.

Mitkidis, P., Ayal, S., Shalvi, S., Heimann, K., Levy, G., Kyselo, M., Wallot, S., Ariely, D., & Roepstorff, A. (2017). The effects of extreme rituals on moral behavior: The performers-observers gap hypothesis. Journal of Economic Psychology,59, 1-7. doi:10.1016/j.joep.2016.12.007.

Drews, H. J., Wallot, S., Weinhold, S. L., Mitkidis, P., Baier, P. C., Roepstorff, A., & Goeder, R. (2017). "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders,2017: 8140672, pp. 5. doi:10.1155/2017/8140672.

Kandylaki, K. D., Henrich, K., Nagels, A., Kircher, T., Domahs, U., Schlesewsky, M., Bornkessel-Schlesewsky, I., & Wiese, R. (2017). Where Is the Beat? The Neural Correlates of Lexical Stress and Rhythmical Well-formedness in Auditory Story Comprehension. Journal of Cognitive Neuroscience,29(7), 1119-1131.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences,40: e347. doi:10.1017/S0140525X17000309.

Kaiser, J., Rieder, M., Abel, C., Peters, B., & Bledowski, C. (2017). Pre-encoding gamma-band activity during auditory working memory. Scientific Reports,7: 42599. doi:10.1038/srep42599.

Wassiliwizky, E., Jacobsen, T., Heinrich, J., Schneiderbauer, M., & Menninghaus, W. (2017). Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology,8: 41. doi:10.3389/fpsyg.2017.00041.

Kokinous, J., Tavano, A., Kotz, S. A., & Schröger, E. (2017). Perceptual integration of faces and voices depends on the interaction of emotional content and spatial frequency. Biological Psychology,123, 155-165. doi:10.1016/j.biopsycho.2016.12.007.

Krakauer, J. W., Ghazanfar, A. A., Gomez-Marin, A., MacIver, M. A., & Poeppel, D. (2017). Neuroscience needs behavior: Correcting a reductionist bias. Neuron,93(3), 480-490. doi:10.1016/j.neuron.2016.12.041.

Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.

Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.

Kaufmann, M. (2017). Giovanni Battista Doni: Compendio del trattato. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 119-122). Kassel; Stuttgart: Bärenreiter; Metzler.

Elvers, P. (2017). Aristides Quintilianus: De musica. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 28-30). Kassel; Stuttgart: Bärenreiter; Metzler.

Toelle, J. (2017). Italienische Opernindustrie global: Theater und Verlag. In R. Erkens (Ed.), Giacomo-Puccini-Handbuch (pp. 39-46). Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-05441-8_4.

Sarkhosh, K. (2017). Confectioning World Literature. Reader’s Guides and the Uniformity of Taste. In A. Tomiche (Ed.), Le comparatisme comme approche critique/Comparative literature as a critical approach (pp. 63-72). Paris: Classiques Garnier.

Grimm, H., & Wald-Fuhrmann, M. (Eds.). Lexikon Schriften über Musik. Kassel; Stuttgart: Bärenreiter; Metzler.

Elvers, P. (2017). Aristoxenos von Tarent: Elementa harmonica. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 30-32). Kassel; Stuttgart: Bärenreiter; Metzler.

Wald-Fuhrmann, M. (2017). Ursprungsmythen als Wesensbestimmungen in der Musik. In S. Wegner (Ed.), Über den Ursprung von Musik: Mythen, Legenden und Geschichtsschreibungen (pp. 39-48). Würzburg: Königshausen & Neumann.

Kaufmann, M. (2017). Flavius Magnus Aurelius Cassiodor: Institutiones. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 81-83). Kassel; Stuttgart: Bärenreiter; Metzler.

Haider, T., & Palmer, A. (2017). Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In Proceedings of the Workshop on Stylistic Variation, EMNLP 2017 (pp. 74-84). Copenhagen, Stroudsburg, PA: Association for Computational Linguistics.

Merrill, J. (2017). Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica,89(1), 95-117.

Sarkhosh, K. (2017). Wenn die Wirklichkeit aus den Fugen gerät. Über das konfliktbeladene Aufeinandertreffen inkompatibler Glaubens- und Erkenntnissysteme in drei britischen fantastischen Filmen des Jahres 1973 (›The Legend of Hell House‹, ›Don’t Look Now‹, ›The Wicker Man‹). In S. Klimek, T. Lambrecht, & T. Kindt (Eds.), Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945 (pp. 77-101). Heidelberg: Universitätsverlag Winter.

Omigie, D. (2017). Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies,8(1-2), 35-38. doi:10.4407/jims.2016.12.101.

Auracher, J., & Hirose, A. (2017). The influence of reader’s stereotypes on the assessment of fictional characters. Comparative Literature Studies,54(4), 795-823. doi:10.5325/complitstudies.54.4.0795.

Poeppel, D. (2017). The influence of Chomsky on the neuroscience of language. In J. A. McGilvray (Ed.), The Cambridge companion to Chomsky (2, pp. 155-174). Cambridge: Cambridge University Press.

Kuijpers, M. M., & Hakemulder, F. (2017). Narrative absorption: Introduction and overview. In F. Hakemulder, M. M. Kuijpers, E. S. Tan, K. Bálint, & M. M. Doicaru (Eds.), Narrative Absorption (pp. 1-10). Amsterdam: John Benjamins Publishing.

Ding, N., Melloni, L., Tian, X., & Poeppel, D. (2017). Rule-based and statistics-based processing of language: Insights from neuroscience. Language, Cognition and Neuroscience,32(5), 570-575. doi:10.1080/23273798.2016.1215477.

Sarkhosh, K. (2017). »The Land of Lost Content« – Ökokritik im Zeichen von Utopie, Alterität und Nostalgie in Nicolas Roegs Filmen ›Walkabout‹ (1971) und ›The Man Who Fell to Earth‹ (1976). In C. Sollte-Gresser, & C. Schmidt (Eds.), Literatur und Ökologie: Neue literatur- und kulturwissenschaftliche Perspektiven (pp. 213-226). Bielefeld: AISTHESIS.

Greb, F., Elvers, P., & Fischinger, T. (2017). Trends in empirical aesthetics: A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the Arts,35(1), 3-26. doi:10.1177/0276237415625258.

Frieler, K., & Lange, E. B. (2017). Chancen und Risiken des Computereinsatzes in der Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 187-191.

Kaufmann, M. (2017). Euklid: Sectio Canonis. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 129-131). Kassel; Stuttgart: Bärenreiter; Metzler.

Merrill, J. (Ed.). (2017).Popular music studies Today: Proceedings of the International Association for the Study of Popular Music 2017. Wiesbaden: Springer VS. doi:10.1007/978-3-658-17740-9.

Kaufmann, M. (2017). Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,11(2), 185-195.

Ackermann, T., Fiedler, D., & Schaal, N. (2017). 14th International Conference on Music Perception and Cognition (ICMPC), 05.-09. Juli 2016; San Francisco, USA. Musikpsycholoie: Akustik und musikalische Hörwahrnhemung [Monograph]. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 234-238.

Hanich, J., & Menninghaus, W. (2017). Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies,56(4), 76-101. doi:10.1353/cj.2017.0041.

Larrouy-Maestri, P. (2017). The influence of non-musical variables on the evaluation of vocal pitch accuracy. CFMAE Interdisciplinary Journal for Music and Art Pedagogy, Special Issue on Singing & Voice,9, 123-141.

Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.

Elvers, P. (2017). Nikomachos von Gerasa: Encheiridion. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 348-349). Kassel; Stuttgart: Bärenreiter; Metzler.

2016

Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. PLOS ONE,11(12): e0168306. doi:10.1371/journal.pone.0168306.

Uppenkamp, B., & Wald-Fuhrmann, M. (Eds.). (2016).Musikalische Kunst: Ein Führer durch die Staatlichen Museen zu Berlin. Kön: Böhlau.

Menninghaus, W. (2016). Caprices of fashion in culture and biology: Charles Darwin’s aesthetics of "ornament". In G. Matteucci, & S. Marino (Eds.), Philosophical Perspectives on Fashion (pp. 137-150). London, New York: Bloomsbury Academic.

Elvers, P. (2016). Zum Verhältnis von Musik und Sprache in der griechischen Antike. Rhetorik,35(1), 9-24. doi:10.1515/rhet.2016.003.

Wallot, S., Roepstorff, A., & Mønster, D. (2016). Multidimensional Recurrence Quantification Analysis (MdRQA) for the analysis of multidimensional time-series: A software implementation in MATLAB and its application to group-level data in joint action. Frontiers in Psychology,7: 1835. doi:10.3389/fpsyg.2016.01835.

Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology,7: 1779. doi:10.3389/fpsyg.2016.01779.

Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase,22(6), 496-504. doi:10.1080/13554794.2016.1237660.

Teng, X., Tian, X., & Poeppel, D. (2016). Testing multi-scale processing in the auditory system. Scientific Reports,6: 34390. doi:10.1038/srep34390.

Conradi, N., Abel, C., Frisch, S., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2016). Actively but not passively synchronized motor activity amplifies predictive timing. NeuroImage,139, 211-217. doi:10.1016/j.neuroimage.2016.06.033.

Menninghaus, W. (2016).Disgusto. Teoria e storia di una sensazione forte. (= Italian translation of Ekel. Theorie und Geschichte einer starken Empfindung). A Cura di Serena Feloj. Milano: Mimesis.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Vessel, E. A., Biederman, I., Subramaniam, S., & Greene, M. R. (2016). Effective signaling of surface boundaries by L-vertices reflect the consistency of their contrast in natural images. Journal of Vision,16(9): 15. doi:doi:10.1167/16.9.15.

Zhou, H., Melloni, L., Poeppel, D., & Ding, N. (2016). Interpretations of frequency domain analyses of neural entrainment: Periodicity, fundamental frequency, and harmonics. Frontiers in Human Neuroscience,10: 274. doi:10.3389/fnhum.2016.00274.

Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in the brain. Journal of Comparative Neurology. doi:10.1002/cne.23854.

Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.

Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.

Tian, X., Zarate, J. M., & Poeppel, D. (2016). Mental imagery of speech implicates two mechanisms of perceptual reactivation. Cortex,77, 1-12. doi:10.1016/j.cortex.2016.01.002.

Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.

Scharinger, M., Monahan, P. J., & Idsardi, W. J. (2016). Linguistic category structure influences early auditory processing: Converging evidence from mismatch responses and cortical oscillations. NeuroImage,128, 293-301. doi:10.1016/j.neuroimage.2016.01.003.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H. R., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2016). Effects of empathic social responses on the emotions of the recipient. Brain and Cognition,103, 50-61. doi:10.1016/j.bandc.2015.11.004.

Steinberg Lowe, M., Lewis, G. A., & Poeppel, D. (2016). Effects of part- and whole-object primes on early MEG responses to Mooney faces and houses. Frontiers in Psychology, 7:147. doi:10.3389/fpsyg.2016.00147.

Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.

Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement. Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.

Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207. doi:10.1075/ssol.6.2.02bal.

Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.

Knoop, C. A. (2016). Criticism or ressentiment? Literary studies and the politics of interdisciplinarity. In J. Riou, & M. Gallagher (Eds.), Re-thinking ressentiment. On the limits of criticism and the limits of its critics (pp. 149-166). Bielefeld: transcript.

Wald-Fuhrmann, M. (2016). "Instar Bibliothecae instructissimae": Zum enzyklopädischen Zugriff auf Musik im 16. und frühen 17. Jahrhundert. Musiktheorie: Zeitschrift für Musikwissenschaft,31(1), 78-90.

Knoop, C. A. (2016). Ausgangspunkte neu erzählen: Der Raum der Herkunft in Jean Genets Journal du Voleur. In M. Benz, & K. Dennerlein (Eds.), Literarische Räume der Herkunft. Fallstudien zu einer historischen Narratologie (pp. 311-335). Berlin, Boston: De Gruyter.

Sakamoto, Y. (2016). Hifu, Soshite Bisyouhyoushou he no Tabi [= Grenzgänge der Wahrnehmung. Zur Neurologie der petites perceptions.]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 51-75.

van Dyck-Hemming, A., & Wald-Fuhrmann, M. (2016). Vom Datum zum historischen Zusammenhang: Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank. In S. Bolz, M. Kelber, I. Knoth, & A. Langenbruch (Eds.), Wissenskulturen der Musikwissenschaft. Generationen – Netzwerke – Denkstrukturen (pp. 261-278). Bielefeld: transcript.

Almeida, D., Poeppel, D., & Corina, D. (2016). The processing of biologically plausible and implausible forms in American Sign Language: Evidence for perceptual tuning. Language, Cognition and Neuroscience,31(3), 361-374. doi:10.1080/23273798.2015.1100315.

Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (Eds.), Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA.

Seibert, C. (2016).Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft.

Greb, F., Schlotz, W., & Steffens, J. (2016). Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 834).

Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.

Lanwermeyer, M., Henrich, K., Rocholl, M. J., Schnell, H. T., Werth, A., Herrgen, J., & Schmidt, J. E. (2016). Dialect Variation Influences the Phonological and Lexical-Semantic Word Processing in Sentences. Electrophysiological Evidence from a Cross-Dialectal Comprehension Study. Frontiers in Psychology,7: 739. doi:10.3389/fpsyg.2016.00739.

Scharinger, M., Domahs, U., Klein, E., & Domahs, F. (2016). Mental representations of vowel features asymmetrically modulate activity in superior temporal sulcus. Brain and Language,163, 42-49. doi:10.1016/j.bandl.2016.09.002.

Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics,56, 35-49. doi:10.1016/j.poetic.2016.02.001.

Ruccius, A. (2016). Phonomorphie von Klang und Bild: Drei Motive in den Klangskulpturen Stephan von Huenes. In A. Symanczyk, D. Wagner, & M. Wendling (Eds.), Klang - Kontakte: Kommunikation, Konstruktion und Kultur von Klängen (pp. 175-190). Berlin: Reimer.

Toelle, J. (2016). Das Baumol’sche Gesetz (Fallstudie "Opernbetrieb"). In V. Kalisch (Ed.), Musiksoziologie (pp. 79-86). Laaber: Laaber-Verlag.

Grimm, H. (2016). Lobgesang: Eine Symphonie-Cantate nach Worten der Heiligen Schrift op. 52. In M. Geuting (Ed.), Felix Mendelssohn Bartholdy: Interpretationen seiner Werke (Vol. 2) (pp. 130-149). Laaber: Laaber.

Kennedy, M., Kreppner, J., Knights, N., Kumsta, R., Maughan, B., Golm, D., Rutter, M., Schlotz, W., & Sonuga‐Barke, E. J. S. (2016). Early severe institutional deprivation is associated with a persistent variant of adult attention‐deficit/hyperactivity disorder: clinical presentation, developmental continuities and life circumstances in the English and Romanian Adoptees study. Journal of Child Psychology and Psychiatry, and Allied Disciplines,57(10), 1113-1125. doi:10.1111/jcpp.12576.

Sakamoto, Y. (2016). Shinkeikei Jinbungaku Josetu [= Einführung in die neuronalen Geisteswissenschaften]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 6-18.

Greb, F., Schlotz, W., & Steffens, J. (2016). How do the functions of music listening vary across situations and persons? In B. Burger, J. Bamford, & E. Carlson (Eds.), Proceedings of the International Conference of Students of Systematic Musicology 16: Programme, abstracts & proceedings. Jyväskylä: Department of Music, University of Jyväskylä & Finnish Centre for Interdisciplinary Music Research.

Sarkhosh, K. (2016). Rezension zu Jeff Thoss: When Storyworlds Collide. Metalepsis in Popular Fiction, Film and Comics (Studies in Intermediality 7) Leiden/Boston: Brill-Rodopi, 2015. Arbeiten aus Anglistik und Amerikanistik,41(2), 93-97.

O'Brien, B. A., & Wallot, S. (2016). Silent reading fluency and comprehension in bilingual children. Frontiers in Psychology,7: 1265. doi:10.3389/fpsyg.2016.01265.

Steffens, J., Greb, F., & Schlotz, W. (2016). Why listen to music right now?: Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 842).

Scharinger, M. (2016). Ungestörte Lautverarbeitung. In U. Domahs, & B. Primus (Eds.), Handbuch Laut, Gebärde, Buchstabe (pp. 163-181). Berlin: Mouton de Gruyter.

Ding, N., Melloni, L., Zhang, H., Tian, X., & Poeppel, D. (2016). Cortical tracking of hierarchical linguistic structures in connected speech. Nature Neuroscience,19(1), 158-164. doi:10.1038/nn.4186.

Toelle, J. (2016). Todas las naciones han de oyrla: Bells in the Jesuit reducciones of Early Modern Paracuaria. Journal of Jesuit Studies,3(3), 437-450. doi:10.1163/22141332-00303005.

Merrill, J. (2016).Die Sprechstimme in der Musik: Komposition, Notation, Transkription. Wiesbaden: Springer VS.

Poeppel, D. (2016). Sprache hören und verstehen. In H. Böttger, & M. Sambanis (Eds.), Focus on evidence: Fremdsprachendidaktik trifft Neurowissenschaften (pp. 53-76). Tübingen: Narr Francke Attempto.

Lyby, M., Mehlsen, M. Y., Wallot, A., & Wallot, S. (2016). Perspektiver inden for teknologisk-assisteret indsamling af data i psykologisk forandring - rammesat af den synergetiske psykologi [Möglichkeiten der technologiegestützten Datenerfassung psychischer Veränderungsprozesse – Methoden der synergetischen Psychologie]. Psyke & Logos,37, 144-170.

Futterlieb, K., & Schoof, K. (2016). That special place. In K. Umlauf, K. U. Werner, & A. Kaufmann (Eds.), Strategien für die Bibliothek als Ort: Festschrift für Petra Hauke (pp. 189-202). Berlin: De Gruyter Saur.

Larrouy-Maestri, P. (2016). Justesse en voix chantée: Bien évaluer pour bien guider. In C. Klein-Dallant (Ed.), De la voix parlée au chant (pp. 515-522).

Auracher, J., & Bosch, H. (2016). Showing with words. Scientific Study of Literature,6(2), 208-242. doi:10.1075/ssol.6.2.03aur.

2015

Doelling, K. B., & Poeppel, D. (2015). Cortical entrainment to music and its modulation by expertise. Proceedings of the National Academy of Sciences of the United States of America,112(45), E6233-E6242. doi:10.1073/pnas.1508431112.

Wassiliwizky, E., Wagner, V., Jacobsen, T., & Menninghaus, W. (2015). Art-elicited chills indicate states of being moved. Psychology of Aesthetics, Creativity, and the Arts,9(4), 405-416. doi:10.1037/aca0000023.

Sarkhosh, K. (2015). Schuld, Geld und Vergeltung in Arthur Schnitzlers Traumnovelle und Stanley Kubricks Eyes Wide Shut. Arcadia: International journal of literary culture,50(2), 366-388. doi:10.1515/arcadia-2015-0026.

Gagliardi, C., Brenna, V., Romaniello, R., Arrigoni, F., Tavano, A., Romani, M., Valente, E. M., & Borgatti, R. (2015). Cognitive rehabilitation in a child with Joubert Syndrome: Developmental trends and adaptive changes in a single case report. Research in Developmental Disabilities,47, 375-384. doi:10.1016/j.ridd.2015.09.013.

Hemming, J., & Merrill, J. (2015). On the distinction between involuntary musical imagery, musical hallucinosis, and musical hallucinations. Psychomusicology,25(4), 435-442. doi:10.1037/pmu0000112.

Sarkhosh, K. (2015). Die Macht der Filmbilder. Literaturgeschichte(n) und visuelle Evidenz im Kontext des populären Buchmarktes. In A. Hölter, & M. Schmitz-Emans (Eds.), Literaturgeschichte und Bildmedien (HERMEIA) (pp. 203-230). Heidelberg: Synchron Publishers GmbH.

Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.

Wald-Fuhrmann, M., & Wiesenfeldt, C. (Eds.). (2015).Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817) Gattungen. Werke. Kontexte. Köln: Böhlau.

Larrouy-Maestri, P., Magis, D., Grabenhorst, M., & Morsomme, D. (2015). Layman versus professional musician: Who makes the better judge? PLoS One,10(8): e0135394. doi:10.1371/journal.pone.0135394.

Omigie, D. (2015). Music and literature: Are there shared empathy and predictive mechanisms underlying their affective impact? Frontiers in Psychology,6: 1250. doi:10.3389/fpsyg.2015.01250.

Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers in Psychology,6: 1252. doi:10.3389/fpsyg.2015.01252.

Arnal, L. H., Flinker, A., Kleinschmidt, A., Giraud, A.-L., & Poeppel, D. (2015). Human screams occupy a privileged niche in the communication soundscape. Current Biology,25(15), 2051-2056. doi:10.1016/j.cub.2015.06.043.

Tavano, A., & Scharinger, M. (2015). Prediction in speech and language processing. Cortex,68, 1-7. doi:10.1016/j.cortex.2015.05.001.

Zarate, J. M., Tian, X., Woods, K. J., & Poeppel, D. (2015). Multiple levels of linguistic and paralinguistic features contribute to voice recognition. Scientific Reports,5: 11475. doi:10.1038/srep11475.

Chait, M., Greenberg, S., Arai, T., Simon, J. Z., & Poeppel, D. (2015). Multi-time resolution analysis of speech: Evidence from psychophysics. Frontiers in Neuroscience,9: 214. doi:10.3389/fnins.2015.00214.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal. pone.0128451.

Koelsch, S., Jacobs, A. M., Menninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., & Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life Reviews, (13), 1-27. doi:10.1016/j.plrev.2015.03.001.

Overath, T., McDermott, J. H., Zarate, J. M., & Poeppel, D. (2015). The cortical analysis of speech-specific temporal structure revealed by responses to sound quilts. Nature Neuroscience,18 (6), 903-911. doi:10.1038/nn.4021.

Powell, D. J., Moss-Morris, R., Liossi, C., & Schlotz, W. (2015). Circadian cortisol and fatigue severity in relapsing-remitting multiple sclerosis. Psychoneuroendocrinology,56, 120-131. doi:10.1016/j.psyneuen.2015.03.010.

Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.

Muralikrishnan, R., Schlesewsky, M., & Bornkessel-Schlesewsky, I. (2015). Animacy-based predictions in language comprehension are robust: Contextual cues modulate but do not nullify them. Brain Research,1608, 108-137. doi:10.1016/j.brainres.2014.11.046.

Pfordresher, P. Q., & Larrouy-Maestri, P. (2015). On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience,9: 271. doi:10.3389/fnhum.2015.00271.

Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5). doi:10.1371/journal.pone.0124550.

Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.

Rimmele, J., Zion Golumbic, E., Schröger, E., & Poeppel, D. (2015). The effects of selective attention and speech acoustics on neural speech-tracking in a multi-talker scene. Cortex,68, 144-154. doi:10.1016/j.cortex.2014.12.014.

Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.

Lewis, G. A., Poeppel, D., & Murphy, G. L. (2015). The neural bases of taxonomic and thematic conceptual relations: An MEG study. Neuropsychologia,68, 176-189. doi:10.1016/j.neuropsychologia.2015.01.011.

Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.

Skoluda, N., Strahler, J., Schlotz, W., Niederberger, L., Marques, S., Fischer, S., Thoma, M. V., Spoerri, C., Ehlert, U., & Nater, U. M. (2015). Intra-individual psychological and physiological responses to acute Iabaratory stressors of different intensity. Psychoneuroendocrinology,51, 227-236. doi:10.1016/j.psyneuen.2014.10.002.

Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 393-411). Gifkendorf: Merlin.

Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.

Fischinger, T. (Ed.). (2015). Special Issue on Rhythm Production and Perception [Special Issue]. Timing & Time Perception,3(1-2).

Poeppel, D. (2015). Speech perception. In M. Liebermann, & A. W. Toga (Eds.), Brain mapping: An encyclopedic reference (pp. 429-434). Amsterdam: Elsevier. doi:10.1016/B978-0-12-397025-1.00264-5.

Poeppel, D. (2015). On Giacometti’s sculpture Chariot. Gilded Birds.

Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie. Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60, 39-51.

Hickok, G., & Poeppel, D. (2015). Neural basis of speech perception. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 149-160). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00008-1.

Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 217-239). Gifkendorf: Merlin.

Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren. In N. Schwindt (Ed.), Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse (pp. 363-397). Laaber: Laaber.

Arnal, L. H., Poeppel, D., & Giraud, A.-l. (2015). Temporal coding in the auditory cortex. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 85-98). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00005-6.

Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.

Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.

Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.

Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.

Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.

Wald-Fuhrmann, M. (2015). „Musica veteris specimen": Falsche und fehlende Exempla in der Musik. In K. Zimmer (Ed.), Rezeption, Zeitgeist, Fälschung – Umgang mit Antike(n): Akten des Internationalen Kolloquiums am 31. Januar und 1. Februar 2014 in Tübingen (pp. 155-166). Rahden, Westf.: Leidorf.

Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.

Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.

Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.

Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.

Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.

Sarkhosh, K. (2015). Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin: Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia,50(1), 227-233.

Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761–1817): Gattungen. Werke. Kontexte. (pp. 166-188). Köln; Wien: Böhlau.

Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (Ed.), Aisthetics of the spirits: Spirits in early modern science, religion, literature and music (pp. 213-243). Göttingen: V&R unipress.

Poeppel, D., & Hickock, G. (2015). Electromagnetic recording of the auditory system. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 245-255). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00014-7.

Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht, Entrückung und absolute Musik. In G. Oesterle, & T. Valk (Eds.), Riskante Geselligkeit: Spielarten des Sozialen um 1800 (pp. 293-310). Würzburg: Königshausen & Neuman.

Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817): Gattungen. Werke. Kontexte. (pp. 189-212). Köln; Wien: Böhlau.

Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.

Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb Meißner und Joseph Schuster. In G. Poppe, & S. Voss (Eds.), Joseph Schuster in der Musik des ausgehenden 18. Jahrhunderts (pp. 285-306). Beeskow: Ortus-Musikverlag.

Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (Eds.). epiFaNIen - Frühe Neuzeit interdisziplinär. Göttingen: V & R Unipress.

2014

Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.

Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins. In C. Storch (Ed.), Die Musik- und Theaterpraxis der Jesuiten im kolonialen Amerika: Grundlagen, Desiderate, Forschungsperspektiven (pp. 75-92). Sinzig: Studiopunkt Verlag.

Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik : Bildwelten des Wissens (10,2). Berlin: De Gruyter.

Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.

Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.

Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.

Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.

Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.

Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.

Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene in komponierte Musik. In W. G. Schmidt (Ed.), Faszinosum 'Klang': Anthropologie - Medialität - kulturelle Praxis (pp. 136-155). Berlin: De Gruyter.

Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (Ed.), Musikalische Performanz und päpstliche Repräsentation in der Renaissance (pp. 139-155). Kassel: Bärenreiter.

Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.

Ruccius, A. (2014). Empirical studies including noise of two leading journals in music research: A review. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 568-570 ).

Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414).

Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 78-84).

Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 238-243).

Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.

Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.

Ruccius, A. (2014). The history of musical iconography and the influence of art history: Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The Making of the Humanities: Vol. 3. The modern humanities (pp. 403-411). Amsterdam: Amsterdam University Press.

Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45(0), 64-75. doi:10.1016/j.wocn.2014.03.006.

Schmidt-Kassow, M., Zink, N., Mock, J., Thiel, C., Vogt, L., Abel, C., & Kaiser, J. (2014). Treadmill walking during vocabulary encoding improves verbal long-term memory. Behavioral and brain functions,10(1): 24. doi:10.1186/1744-9081-10-24.

Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.

Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in Magdeburg. In L. Lütteken (Ed.), Das ungeliebte Frühwerk: Richard Wagners Oper "Das Liebesverbot" (pp. 27-44). Würzburg: Königshausen & Neumann.

Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.

Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.

Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.

Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.

Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.

Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.

Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In E. Aschermann, & M. Kaiser-el-Safti (Eds.), Gestalt und Gestaltung in interdisziplinärer Perspektive (pp. 109-124). Frankfurt am Main: Peter Lang.

van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.

Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 93-106). Basel: Schwabe.

Wald-Fuhrmann, M. (Ed.). (2014).Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis. Basel: Schwabe.

Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 107-129). Basel: Schwabe.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.

2013

Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.

Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.

Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.

Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (Eds.), Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte (pp. 371-386). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.

Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.

Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.

Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260, pp. 1-13. doi:10.3389/fpsyg.2013.00260.

Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek (Eds.), Historische Musikwissenschaft: Grundlagen und Perspektiven (pp. 289-306). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.

Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.

Pietschmann, K., & Wald-Fuhrmann, M. (Eds.). (2013).Der Kanon der Musik: Theorie und Geschichte: Ein Handbuch. München: edition text + kritik.

Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 22).