Aesthetic experience of music in social contexts

While existing research, particularly in music psychology, has primarily investigated the combined effect of the individual’s and the stimulus features to better understand evaluative, emotional, or behavioral responses to music, we are also investigating the influences of frames. Frames can be places (e.g., living rooms, cars, concert halls), situations (e.g., commuting to work, a romantic dinner, a church service), and also discursive contexts (such as a culture’s general art and music concepts, the aesthetics of specific musical styles, and genres), all of which are socioculturally determined.

Currently, we are investigating the precise influence of situational frames on experiencing music and on music listening behavior in two large-scale projects. One project examines the classical concert, the emblematic frame for listening to autonomous art music as it has developed in Europe since the end of the 18th century, with a complicated interaction between composition history and aesthetic and sociocultural changes. The other, complementary, project examines a frame that, until the rise of autonomy aesthetics, was the most important heteronomous context for art production and reception: the church.

 

Research Section: The Concert

Concert Research

The research project, supported by the Volkswagen Foundation, investigates aesthetic experience in a classical concert within an interdisciplinary multi-method setting, together with our cooperation partners Hauke Egermann (York), Martin Tröndle (Friedrichshafen), Wolfgang Tschacher (Bern) and Folkert Uhde (Berlin).  

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Research Section: Religious Practices

"Aesthetic effects of liturgical practices" (acronym: WæL)

"Aesthetic effects of liturgical practices" (acronym: WæL) examines the perception and impact of aesthetic practices and objects in the socio-cultural framing of religious performances, with a special focus on the Roman Catholic liturgy.

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Publications

Seibert, Ch., Toelle J., & Wald-Fuhrmann, M. (2018). Live und interaktiv: ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In: Martin Tröndle (Hrsg.): Das Konzert. Neue Aufführungskonzepte für eine klassische Form. Dritte, erweiterte Auflage.

Dannecker, Klaus Peter & Wald-Fuhrmann, Melanie (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch. Vierteljahreshefte für Fragen des Gottesdienstes 68 (2), 83 - 108.