Publications of the Department of Music
2024
Bruder, C., Frieler, K., & Larrouy-Maestri, P. (2024). Appreciation of singing
and speaking voices is highly idiosyncratic. Royal Society Open Science,11(11):
241623. doi:10.1098/rsos.241623.
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Will, J. K., Roeske, T. C., & Degé, F. (2024). Corrigendum: Development of tonality
and consonance categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1460303. doi:10.3389/fpsyg.2024.1460303.
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Fink, L., Fiehn, H., & Wald-Fuhrmann, M. (2024). The role of audiovisual congruence
in aesthetic appreciation of contemporary music and visual art. Scientific Reports,14: 20923. doi:10.1038/s41598-024-71399-y.
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Gernandt, E., Lange, E. B., & Merrill, J. (2024). Die Ästhetik des Musikgeschmacks.
In F. C. Thiesen (
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Lange, E. B., & Frieler, K. (2024). Systematische Effekte bei der Evaluierung von
Musik durch unterschiedliche, verbale Fragebögenformen. In F. C. Thiesen (
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Buren, V., Müllensiefen, D., & Degé, F. (2024). Reliabilität und Validität des
Child Musicality Screenings zur Erfassung kindlicher Musikalität. In F. C. Thiesen (
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Wojtecki, L., Cont, C., Stute, N., Galli, A., Schulte, C., & Trenado, C. (2024).
Electrical brain networks before and after transcranial pulsed shockwave stimulation in Alzheimer’s patients.
GeroScience. doi:10.1007/s11357-024-01305-x.
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Lübbert, A., Sengelmann, M., Heimann, K., Schneider, T. R., Engel, A. K., & Göschl, F. (2024).
Predicting social experience from dyadic interaction dynamics: The BallGame, a novel paradigm to study social engagement. Scientific Reports,14: 19666. doi:10.1038/s41598-024-69678-9.
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Wald-Fuhrmann, M. (2024). Empirische Studien zum Erleben im Gottesdienst: Einige allgemeine
Überlegungen und zwei Beispiele. Liturgisches Jahrbuch,74(1),
19-35.
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Gernandt, E., & Merrill, J. (2024). Schlager vs. Techno: Style-specific rationales
for musical taste. Music & Science,7. doi:10.1177/20592043241268726.
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Teng, X., Larrouy-Maestri, P., & Poeppel, D. (2024). Segmenting and predicting
musical phrase structure exploits neural gain modulation and phase precession. The Journal of Neuroscience,44(30): e1331232024. doi:10.1523/JNEUROSCI.1331-23.2024.
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Tschacher, W., Greenwood, S., Weining, C., Wald-Fuhrmann, M., Ramakrishnan, C., Seibert, C., & Tröndle, M. (2024).
Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes.
Scientific Reports,14: 16412. doi:10.1038/s41598-024-67455-2.
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Trenado, C., Nikolov, P., Slotty, P. J., Vesper, J., Schnitzler, A., & Groiss, S. J. (2024).
Intraoperative DBS targeting of the globus pallidus internus by using motor evoked potentials. Journal
of the Neurological Sciences,463: 123141. doi:10.1016/j.jns.2024.123141.
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Wörner, F. (2024). Rezension: Theodor W. Adorno. Musikalische Briefwechsel Band II.
Theodor W. Adorno / Rudolf Kolisch. Briefwechsel 1926–1969: Berlin: Suhrkamp 2023, 859 S.; ISBN 9783518588024.
Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,18(3), 398-400.
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Wald-Fuhrmann, M. (2024). Music in Christian services as a means to induce religious
feelings. In G. Corbett, & S. Moerman (
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Nuttall, T., Serra, X., & Pearson, L. (2024). Svara-forms and coarticulation in
Carnatic music: an investigation using deep clustering. In D. M. Weigl (
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Will, J., Roeske, T. C., & Degé, F. (2024). Development of tonality and consonance
categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1270114. doi:10.3389/fpsyg.2024.1270114.
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Degé, F., Frischen, U., & Schwarzer, G. (2024). Musikunterricht und kognitive Entwicklung.
In G. Bernatzky, & G. Kreutz (
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Tan, Y., Sun, Z., Teng, X., Larrouy-Maestri, P., Duan, F., & Aoki, S. (2024). Effective
network analysis in music listening based on electroencephalogram. Computers and Electrical Engineering,117: 109191. doi:10.1016/j.compeleceng.2024.109191.
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Forman, R. K. C., & Wald-Fuhrmann, M. (2024). The body of “the Body of Christ”:
An introduction to hyperscanning research and a discussion of its possible implications for understanding social experiences
during religious gatherings. Pastoral Psychology. doi:10.1007/s11089-024-01142-x.
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Egermann, H., Siebrasse, A., Weining, C., O’Neill, K., Tröndle, M., & Wald-Fuhrmann, M. (2024).
Developing digital classical concert stream offerings: A typology of audience preferences. The Journal
of Arts Management, Law, and Society,54(3), 125-141. doi:10.1080/10632921.2024.2347397.
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Ozaki, Y., Tierney, A., Pfordresher, P. Q., McBride, J., Benetos, E., Proutskova, P., Chiba, G., Liu, F., Jacoby, N., Purdy,
S. C., Opondo, P., Fitch, W. T., Hegde, S., Rocamora, M., Thorne, R., Nweke, F., Sadaphal, D. P., Sadaphal, P. M., Hadavi,
S., Fujii, S., Choo, S., Naruse, M., Ehara, U., Sy, L., Parselelo, M. L., Anglada-Tort, M., Hansen, N. C., Haiduk, F., Færøvik,
U., Magalhães, V., Krzyżanowski, W., Shcherbakova, O., Hereld, D., Barbosa, B. S., Correa Varella, M. A., Van Tongeren, M.,
Dessiatnitchenko, P., Zar Zar, S., El Kahla, I., Muslu, O., Troy, J., Lomsadze, T., Kurdova, D., Tsope, C., Fredriksson, D.,
Arabadjiev, A., Sarbah, J. P., Arhine, A., Meachair, T. Ó., Silva-Zurita, J., Soto-Silva, I., Millalonco, N. E. M., Ambrazevičius,
R., Loui, P., Ravignani, A., Jadoul, Y., Larrouy-Maestri, P., Bruder, C., Teyxokawa, T. P., Kuikuro, U., Natsitsabui, R.,
Sagarzazu, N. B., Raviv, L., Zeng, M., Varnosfaderani, S. D., Gómez-Cañón, J. S., Kolff, K., Vanden Bos der Nederlanden, C.,
Chhatwal, M., David, R. M., I. Putu Gede, S., Lekakul, G., Borsan, V. N., Nguqu, N., & Savage, P. E. (2024).
Globally, songs and instrumental melodies are slower, higher, and use more stable pitches than speech: A registered report. Science Advances,10(20): eadm9797. doi:10.1126/sciadv.adm9797.
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Bruder, C., Poeppel, D., & Larrouy-Maestri, P. (2024). Perceptual (but not acoustic)
features predict singing voice preferences. Scientific Reports,14:
8977. doi:10.1038/s41598-024-58924-9.
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Meinel, L. S., Bullerjahn, C., Lindau, A., & Wald-Fuhrmann, M. (2024). Capturing
differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument. Frontiers in Psychology,15: 1339168. doi:10.3389/fpsyg.2024.1339168.
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Wörner, F. (2024). Rezension: Martin Zenck und Volker Rülke: Kontroverse Wege der Moderne.
Der exilierte Komponist und Pianist Eduard Steuermann in seinen Briefen. Korrespondenz mit Arnold Schönberg, Theodor W. Adorno
und René Leibowitz: München: edition text + kritik 2022; 730 S. + CD; ISBN 9783967071849. Die Tonkunst:
Magazin für klassische Musik und Musikwissenschaft,18(2), 281-282.
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Bär, C. (2024). Musikdiskurse: Sprachliche Muster, Dichte, Diversität im Sound populärer
Musikrezensionen. PhD Thesis, De Gruyter, Berlin. doi:10.1515/9783111323930.
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Christensen, J. F., Khorsandi, S., & Wald-Fuhrmann, M. (2024). Iranian classical
dance as a subject for empirical research: An elusive genre. Annals of the New York Academy of Sciences,1533(1), 51-72. doi:10.1111/nyas.15098.
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Wald-Fuhrmann, M., & Fuhrmann, W. (2024). Carl Dahlhaus’ Dissertation über Josquins
Messen: Zeit- und fachgeschichtlicher Kontext und Forschungsbeitrag. Jahrbuch für Renaissancemusik:
troja,19(2021), 77-101. doi:10.25371/troja.v20213866.
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Omigie, D., & Mencke, I. (2024). A model of time-varying music engagement. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895). doi:10.1098/rstb.2022.0421.
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Wald-Fuhrmann, M. (2024). Freude, Dankbarkeit, Mitleid: Empathie und Affekt-Erregung
in oratorischen Leben-Jesu Oratorien. In W. W. Müller (
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Larrouy-Maestri, P., Poeppel, D., & Pell, M. D. (2024). The sound of emotional
prosody: Nearly 3 decades of research and future directions (Ahead of Print). Perspectives on Psychological
Science. doi:10.1177/17456916231217722.
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Grüny, C. (2024). Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z. PAJ: A Journal of Performance and Art,46(1(136)), 55-65.
doi:10.1162/pajj_a_00696.
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Kadavá, Š., Pearson, L., Trujillo, J., & Pouw, W. (2024). Towards a movement science
of communication. In L. K. Samuelson, S. L. Frank, M. Toneva, A. Mackey, & E. Hazeltine (
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Georgakopoulou, N., Kosti, M. V., Diplaris, S., Benayoun, M., Camurri, A., de Gelder, B., Wald-Fuhrmann, M., Koulali, P.,
Valsamidou, K., Bronner, K., Wanner, L., Gaki, F., Vrochidis, S., & Kompatsiaris, I. (2024).
ReSilence: Retune the soundscape of future cities through art and science collaboration. In E. Tibloux (
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Wörner, F. (2024). Rezension: Christian Utz, Unerhörte Klänge. Zur performativen Analyse
und Wahrnehmung posttotaler Musik und ihren historischen Voraussetzungen, Hildesheim u. a.: Georg Olms Verlag 2023.
Die Musikforschung,77(2), 195-198.
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2023
Pearson, L., & Manickavasakan, B. (2023). Annotating Karnataka music: Encounters
between a musical tradition and computational tools. In F. Bonini Baraldi (
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PDFLocator 1
Wald-Fuhrmann, M., & van Dyck-Hemming, A. (
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (2023). Musikwissenschaftliche Gesellschaften
und Zeitschriften: Zur Einführung. Die Musikforschung,76(4).
doi:10.52412/mf.2023.H4.3109.
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Wörner, F. (2023). Schönberg und die Musiktheorie. In M. Frank, T. Muxeneder, &
U. Scheideler (
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Meier, D., O’Neill, K., Tschacher, W., Tröndle, M., & Egermann, H. (2023). Digital concert experience: An online research project on live streaming during the
Pandemic. In S. Lepa, R. Müller-Lindenberg, & H. Egermann (
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Merrill, J., Ackermann, T.-I., & Czepiel, A. (2023). Effects of disliked music
on psychophysiology. Scientific Reports,13: 20641.
doi:10.1038/s41598-023-46963-7.
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Bruder, C., & Larrouy-Maestri, P. (2023). Classical singers are also proficient
in non-classical singing. Frontiers in Psychology,14:
1215370. doi:10.3389/fpsyg.2023.1215370.
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Floridou, G. A., Mencke, I., Caprini, F., & Müllensiefen, D. (2023). The genesis
of a tune in the mind: An interview study about novel involuntary musical imagery repetition. Music
& Science,6. doi:10.1177/20592043231202331.
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Tschacher, W., Greenwood, S., Ramakrishnan, S., Tröndle, M., Wald-Fuhrmann, M., Seibert, C., Weining, C., & Meier, D.
(2023). Audience synchronies in live concerts illustrate the embodiment of music experience. Scientific Reports,13: 14843. doi:10.1038/s41598-023-41960-2.
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Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2023). Aesthetic
and physiological effects of naturalistic multimodal music listening. Cognition,239: 105537. doi:10.1016/j.cognition.2023.105537.
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Merrill, J., & Ackermann, T.-I. (2023). “Like static noise in a beautiful landscape”:
A mixed-methods approach to rationales and features of disliked voices in popular music. Psychology
of Aesthetics, Creativity, and the Arts,17(5), 562-580. doi:10.1037/aca0000376.
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Locator 1
Langley, M. D., & McBeath, M. K. (2023). Vertical attention bias for tops of objects
and bottoms of scenes. Journal of Experimental Psychology: Human Perception and Performance,49(10), 1281-1295. doi:10.1037/xhp0001117.
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Czepiel, A. (2023).Assessing real-world music listening in
concerts: Aesthetic experiences and peripheral physiological responses (PhD Thesis, Maastricht University, Maastrich,
2023). doi:10.26481/dis.20231002ac.
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Trenado, C., Trauberg, P., Elben, S., Dimenshteyn, K., Folkerts, A.-K., Witt, K., Weiss, D., Liepelt-Scarfone, I., Kalbe,
E., & Wojtecki, L. (2023). Resting state EEG as biomarker of cognitive training
and physical activity’s joint effect in Parkinson’s patients with mild cognitive impairment. Neurological
Research and Practice,5: 46. doi:10.1186/s42466-023-00273-5.
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Pearson, L., & Ramanujacharyulu, T. K. V. (2023). Handwritten notation in Karnatak
music: Memory and the mediation of social relations. In F. Celestini, & S. Lutz (
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Coretta, S., Casillas, J. V., Roessig, S., Franke, M., Ahn, B., Al-Hoorie, A. H., Al-Tamimi, J., Alotaibi, N. E., AlShakhori,
M. K., Altmiller, R. M., Arantes, P., Athanasopoulou, A., Baese-Berk, M. M., Bailey, G., Sangma, C. B. A., Beier, E. J., Benavides,
G. M., Benker, N., BensonMeyer, E. P., Benway, N. R., Berry, G. M., Bing, L., Bjorndahl, C., Bolyanatz, M., Braver, A., Brown,
V. A., Brown, A. M., Brugos, A., Buchanan, E. M., Butlin, T., Buxó-Lugo, A., Caillol, C., Cangemi, F., Carignan, C., Carraturo,
S., Caudrelier, T., Chodroff, E., Cohn, M., Cronenberg, J., Crouzet, O., Dagar, E. L., Dawson, C., Diantoro, C. A., Dokovova,
M., Drake, S., Du, F., Dubuis, M., Duême, F., Durward, M., Egurtzegi, A., Elsherif, M. M., Esser, J., Ferragne, E., Ferreira,
F., Fink, L., Finley, S., Foster, K., Foulkes, P., Franzke, R., Frazer-McKee, G., Fromont, R., García, C., Geller, J., Grasso,
C. L., Greca, P., Grice, M., Grose-Hodge, M. S., Gully, A. J., Halfacre, C., Hauser, I., Hay, J., Haywood, R., Hellmuth, S.,
Hilger, A. I., Holliday, N., Hoogland, D., Huang, Y., Hughes, V., Isasa, A. I., Ilchovska, Z. G., Jeon, H.-S., Jones, J.,
Junges, M. N., Kaefer, S., Kaland, C., Kelley, M. C., Kelly, N. E., Kettig, T., Khattab, G., Koolen, R., Krahmer, E., Krajewska,
D., Krug, A., Kumar, A. A., Lander, A., Lentz, T. O., Li, W., Li, Y., Lialiou, M., Lima, R. M. J., Lo, J. J. H., Otero, J.
C. L., Mackay, B., MacLeod, B., Mallard, M., McConnellogue, C.-A.-M., Moroz, G., Murali, M., Nalborczyk, L., Nenadić, F.,
Nieder, J., Nikolić, D., Nogueira, F. G. S., Offerman, H. M., Passoni, E., Pélissier, M., Perry, S. J., Pfiffner, A. M., Proctor,
M., Rhodes, R., Rodríguez, N., Roepke, E., Röer, J. P., Sbacco, L., Scarborough, R., Schaeffler, F., Schleef, E., Schmitz,
D., Shiryaev, A., Sóskuthy, M., Spaniol, M., Stanley, J. A., Strickler, A., Tavano, A., Tomaschek, F., Tucker, B. V., Turnbull,
R., Ugwuanyi, K. O., Urrestarazu-Porta, I., van de Vijver, R., Engen, K. J. V., van Miltenburg, E., Wang, B. X., Warner, N.,
Wehrle, S., Westerbeek, H., Wiener, S., Winters, S., Wong, S.-G.-J., Wood, A., Wottawa, J., Xu, C., Zárate-Sández, G., Zellou,
G., Zhang, C., Zhu, J., & Roettger, T. B. (2023). Multidimensional signals and
analytic fexibility: Estimating degrees of freedom in human-speech analyses. Advances in Methods and
Practices in Psychological Science,6(3). doi:10.1177/25152459231162567.
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Pearson, L., Nuttall, T., & Pouw, W. (2023). Motif-gesture clustering in Karnatak
vocal performance: A multimodal computational music analysis. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui, M. Okano,
& H. Shoda (
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Saxena, S., Fink, L., & Lange, E. B. (2023). Deep learning models for webcam eye
tracking in online experiments. Behavior Research Methods. doi:10.3758/s13428-023-02190-6.
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Fink, L. (2023). Eye movement patterns when playing from memory: Examining consistency
across repeated performances and the relationship between eyes and audio. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui,
M. Okano, & H. Shoda (
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Gibbs, H. J., Czepiel, A., & Egermann, H. (2023). Physiological synchrony and shared
flow state in Javanese gamelan: Positively associated while improvising, but not for traditional performance.
Frontiers in Psychology,14: 1214505. doi:10.3389/fpsyg.2023.1214505.
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Baltes, F., Chemnitz, L., & Lange, E. B. (2023). Pleasantness of nonlinear distortion
in isolated triads of synthetic timbre. The Journal of the Acoustical Society of America,154: 2, pp. 1028-1040. doi:10.1121/10.0020667.
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Langley, M. D., Van Houghton, K., McBeath, M. K., & Lucca, K. (2023). Children
and adults exhibit a common vertical attention bias for object tops and scene bottoms. Developmental
Psychology,59(8), 1377-1388. doi:10.1037/dev0001553.
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Bürgel, M., Mencke, I., Benjamin, A., Dechert, M., Derks, D., Gerdes, K., Hake, R., Jacobsen, S., & Siedenburg, K. (2023). Unifying concert research and science outreach (OnlineFirst).
Musicae Scientiae. doi:10.1177/10298649231182078.
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Lange, E. B., & Fink, L. (2023). Eye blinking, musical processing, and subjective
states—A methods account (Earlly view). Psychophysiology, e14350. doi:10.1111/psyp.14350.
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Plaja-Roglans, G., Nuttall, T., Pearson, L., Serra, X., & Miron, M. (2023). Repertoire-specific
vocal pitch data generation for improved melodic analysis of Carnatic music. Transactions of the International
Society for Music Information Retrieval,6(1), 13-26. doi:10.5334/tismir.137.
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Bär, C. (2023). Zwischen Diskurs und Ästhetik; Aspekte vor einem diskurslinguistischen
Hintergrund. Zeitschrift für Diskursforschung = Journal for Discourse Studies,10(2),
128-136. doi:10.3262/ZFD2202128.
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Fink, L., Simola, J., Tavano, A., Lange, E. B., Wallot, S., & Laeng, B. (2023).
From pre-processing to advanced dynamic modeling of pupil data. Behavior Research Methods.
doi:10.3758/s13428-023-02098-1.
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Merrill, J., & Niedecken, T. (2023). Music and boredom: A first insight into an
unexplored relationship. Music & Science,6. doi:10.1177/20592043231181215.
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van Dyck-Hemming, A. (2023). Carl Dahlhaus. Briefe 1945-1989. Hrsg. von Tobias Robert
KLEIN. Kassel/Berlin: Bärenreiter/J.B. Metzler 2022. 701 S. Die Musikforschung,76(2),
196-200.
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Kalustian, K. (2023). Spotify Charts Scraper: Vorstellung einer Web-App zur Abrufung
von täglichen Top 200 Spotify-Charts inklusive Audio-Features in Echtzeit. In P. Moormann, & N. Ruth (
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Siebrasse, A., & Wald-Fuhrmann, M. (2023). You don’t know a person(’s taste) when
you only know which genre they like: taste differences within five popular music genres based on sub-genres and sub-styles. Frontiers in Psychology,14: 1062146. doi:10.3389/fpsyg.2023.1062146.
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Ringer, H., Schröger, E., & Grimm, S. (2023). Perceptual learning of random acoustic
patterns: Impact of temporal regularity and attention (Early View). European Journal of Neuroscience.
doi:10.1101/2023.03.13.532336.
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Larrouy-Maestri, P., Kegel, V., Schlotz, W., van Rijn, P., Menninghaus, W., & Poeppel, D. (2023).
Ironic twists of sentence meaning can be signaled by forward move of prosodic stress (Online First Posting).
Journal of Experimental Psychology: General. doi:10.1037/xge0001377.
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Wald-Fuhrmann, M., O’Neill, K., Weining, C., Egermann, H., & Tröndle, M. (2023).
The influence of formats and preferences on the aesthetic experience of classical music concert streams (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000560.
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Merrill, J., Frieler, K., & Ackermann, T. (2023). The structure of musical dislikes
(Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000565.
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Orgs, G., & Cross, E. S. (2023). Dancing robots: Social interactions are performed,
not depicted. Behavioral and Brain Sciences,46: e40.
doi:10.1017/S0140525X2200156X.
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Tschacher, W., Greenwood, S., Egermann, H., Wald-Fuhrmann, M., Czepiel, A., Tröndle, M., & Meier, D. (2023).
Physiological synchrony in audiences of live concerts. Psychology of Aesthetics, Creativity, and the
Arts,17(2), 152-162. doi:10.1037/aca0000431.
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Cracco, E., Linthout, T., & Orgs, G. (2023). The role of objecthood and animacy
in apparent movement processing. Social Cognitive and Affective Neuroscience,18(1):
nsad014. doi:10.1093/scan/nsad014.
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van Rijn, P., & Larrouy-Maestri, P. (2023). Modelling individual and cross-cultural
variation in the mapping of emotions to speech prosody. Nature Human Behaviour,7,
386-396. doi:10.1038/s41562-022-01505-5.
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Høffding, S., Heimann, K., & Martiny, K. (2023). Editorial: Working with others’
experience. Phenomenology and the Cognitive Sciences,22,
1-24. doi:10.1007/s11097-022-09873-z.
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Wald-Fuhrmann, M. (2023). Du holde Kunst: Trost als Funktion des Musikhörens und Musizierens
während der Corona-Pandemie. In T. Bulang (
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Trenado, C., Boschheidgen, M., N’Diaye, K., Schnitzler, A., Mallet, L., & Wojtecki, L. (2023).
No effect of subthalamic deep brain stimulation on metacognition in Parkinson’s disease. Scientific
Reports,13: 10. doi:10.1038/s41598-022-26980-8.
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Merrill, J., Modestini, P., & Wald-Fuhrmann, M. (2023). Live vs. Stream: Ein Konzert-Experiment
der Kammerphilharmonie Frankfurt. Ergebnisbericht. Kammerphilharmonie Frankfurt. Retrieved
from https://kammerphilharmonie-frankfurt.de/wp-content/uploads/2023/04/Kammerphilharmonie-Experiment_Ergebnisbericht_030423.pdf?swcfpc=1.
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2022
Wörner, F., & Wald-Fuhrmann, M. (
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Pearson, L. (2022). A social aesthetics and ethics of imperfection: Insights from Karnatak
Music, Jazz and free improvisation. In P. Cheyne (
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