Publications of the Department of Music
2026
Wald-Fuhrmann, M., & van Dyck-Hemming, A. (2026).Grundlagentexte
zur Musikwissenschaft: Edition und Kommentar. Kassel, Heidelberg: Bärenreiter, J.B. Metzler.
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Wald-Fuhrmann, M., Herget, A.-K., Kreutzer, M., & Egermann, H. (2026). Concert
formats influence how audiences experience live classical music. Humanities and Social Sciences Communications.
doi:10.1057/s41599-025-06461-9.
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Degé, F., Frischen, U., & Schwarzer, G. (2026). Music and Cognitive Development.
In G. Kreutz, & G. Bernatzky (
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2025
Weining, C., Wald-Fuhrmann, M., Stielow, S., Kreuzer, M., & Tröndle, M. (2025).
Streaming classical concerts: Overview on research and practice. Convergence: The International Journal
of Research into New Media Technologies. doi:10.1177/13548565251410661.
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Pearson, L., Nuttall, T., & Pouw, W. (2025). The Co-Structuring of Gesture-Vocal
Dynamics: An Exploration in Karnatak Music Performance. Cognitive Science,49(11):
e70137. doi:10.1111/cogs.70137.
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Bruder, C., Breda, P., & Larrouy-Maestri, P. (2025). Attractive synthetic voices. Computers in Human Behavior,6: 100211. doi:10.1016/j.chbah.2025.100211.
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Vaquero, L., Groves, K., Muñoz-Vida, E. L., James, K., Marlor, J. L., McIntyre, C., Ostiai, L., Sirota, S., Shields, L., Degé,
F., García-Mingo, E., & Ripollés, P. (2025). Studying the effects of digital arts-based
interventions on teenagers’ social media usage, brain connectivity, and mental health: Study protocol of the SMART project. European Journal of Psychotraumatology,16(1): 2550079. doi:10.1080/20008066.2025.2550079.
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Fink, L. T., & Lange, E. B. (2025). Beginning, middle, end: Perception of temporal
functions in sonata form. Music Perception. doi:10.1525/mp.2025.2327163.
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Knoop, C. A., & Blohm, S. (2025). Literarinesses — A bag of three-sided coins. Literature,5(3): 21. doi:10.3390/literature5030021.
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Gernandt, E., Lange, E. B., & Merrill, J. (2025). What elevates music to a ‘favorite’?
On the aesthetics of music from the perspective of musical taste. Empirical Studies of the Arts.
doi:10.1177/02762374251365160.
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Rai, L. A., Lee, H., Becke, E., Trenado, C., Abad-Hernando, S., Sperling, M., Vidaurre, D., Wald-Fuhrmann, M., Richardson,
D. C., Ward, J. A., & Orgs, G. (2025). Delta-band audience brain synchrony tracks
engagement with live and recorded dance. iScience,28(7):
112922. doi:10.1016/j.isci.2025.112922.
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Lange, E. B., Gernandt, E., & Merrill, J. (2025). Categorizing music by genres. Annals of the New York Academy of Sciences. doi:10.1111/nyas.15404.
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Larrouy-Maestri, P., Poeppel, D., & Pell, M. D. (2025). The sound of emotional
prosody: Nearly 3 decades of research and future directions. Perspectives on Psychological Science,20(4), 623-638. doi:10.1177/17456916231217722.
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Wörner, F. (2025). Stefan Keym (Hrsg.): Kreative Missverständnisse oder universale
Musikprinzipien?: Hugo Riemann und der internationale Wissenstransfer. Die Musikforschung,78(2), 180-182. doi:10.52412/mf.2025.H2.5065.
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Nuttall, T., Serra, X., & Pearson, L. (2025). Svara-Forms in Carnatic Music: Contextual
influences on the performance of Svara. In Proceedings of the 2025 IEEE International Conference on
Acoustics, Speech, and Signal Processing Workshops (ICASSPW). Piscataway, NJ: IEEE. doi:10.1109/ICASSPW65056.2025.11011084.
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Krempien, L., & Wald-Fuhrmann, M. (2025). Der erste Professor für Musikwissenschaft?:
Heinrich Carl Breidenstein (1796–1876) in Bonn. Archiv für Musikwissenschaft,82(2),
149-178. doi:10.25162/afmw-2025-0007.
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Bruder, C., & Larrouy-Maestri, P. (2025). CoVox: A dataset of contrasting vocalizations. Behavior Research Methods,57: 142. doi:10.3758/s13428-025-02664-9.
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PDFLocator 1
Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Tröndle, M., & Egermann, H. (2025).
Western classical music concerts are more immersive, intellectually stimulating, and social, when experienced live rather
than in a digital stream: An ecologically valid concert study on different modes of liveness. Music
& Science,8. doi:10.1177/20592043251333995.
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Wald-Fuhrmann, M., & Sieroka, N. (2025). Musik als Zeitkunst. In P. Nickl, P. M.
Steiner, & A. Verrone (
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Keitel, A., Pelofi, C., Guan, X., Watson, E., Wight, L., Allen, S., Mencke, I., Keitel, C., & Rimmele, J. M. (2025).
Cortical and behavioral tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise.
Annals of the New York Academy of Sciences,1546(1), 120-135. doi:10.1111/nyas.15315.
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Knowles, K. L., Patten, K. J., Durojaye, C., Dada, B. O., & McBeath, M. K. (2025).
Yorùbá Speech surrogacy with the Dùndún Talking Drum: Recognition accuracy is a function of language familiarity and music
training. Music Perception,42(2), 287-310. doi:10.1525/mp.2025.2327968.
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Tröndle, M., Weining, C., Wald-Fuhrmann, M., & Tschacher, W. (2025). Classical
concert visitor types: Attendance motivation, expectation, and experience. The Journal of Arts Management,
Law, and Society,55(1). doi:10.1080/10632921.2025.2480585.
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Kohler, N., Czepiel, A., de Manzano, Ö., Novembre, G., Keller, P. E., Villringer, A., & Sammler, D. (2025).
Distinct and content-specific neural representations of self- and other-produced actions in joint piano performance. Frontiers in Human Neuroscience,19: 1543131. doi:10.3389/fnhum.2025.1543131.
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Buren, V., Müllensiefen, D., & Degé, F. (2025). Screening musicality in children:
Development and initial validation of a new tool for rapid assessment of musical profiles. PLOS ONE,20(3): e0317962. doi:10.1371/journal.pone.0317962.
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Degé, F. (2025). Musikalische Entwicklung und Musikunterricht in der Schule. In G.
Brunner, D. Fiedler, & S. Schmid (
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Eisinger, M., Weiser, M., Degé, F., Heye, A., & Müllensiefen, D. (2025). Übung
macht den Meister: Growth Mindset für den Musikunterricht. In G. Brunner, D. Fiedler, & S. Schmid (
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Modestini, P., & Weining, C. (2025). Affordances and experiential dimensions of
digital concerts: Closer the eye, farther the crowd. Music Perception,42(3),
269-285. doi:10.1525/mp.2024.aa005.
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Weining, C., Meier, D., Wald-Fuhrmann, M., & Tröndle, M. (2025). From structural
listening to daydreaming: Listening modes influence the individual experience in live concerts (OnlineFirst).
Psychology of Music. doi:10.1177/030573562413108.
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Czepiel, A., Fink, L., Scharinger, M., Seibert, C., Wald-Fuhrmann, M., & Kotz, S. A. (2025).
Audio-visual concert performances synchronize an audience's heart rates. Annals of the New York Academy
of Sciences. doi:10.1111/nyas.15279.
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Patten, K. J., & McBeath, M. K. (2025). Scat singing and vocal winging: Vowel phoneme
timbre dimensions reflect physical natural regularities. Auditory Perception & Cognition,8(1), 1-33. doi:10.1080/25742442.2024.2435235.
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Bruder, C. (2025). Investigating voice preferences with a multilevel empirical approach.
PhD Thesis, OPUS - Schriftenserver der Hochschule für Musik Freiburg, Freiburg.
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Locator 1
2024
Knoop, C. A., Nehrlich, T., Aristei, S., Lubrich, O., Stark, K., Enge, A., Sommer, W., & Rahman, R. A. (2024).
The usual miracles: How narrative style affects the processing of counterintuitive concepts (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000730.supp.
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Green, O., Sturm, B. L. T., Born, G., & Wald-Fuhrmann, M. (2024). A critical survey
of research in music genre recognition. In International Society for Music Information Retrieval (
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Bruder, C., Frieler, K., & Larrouy-Maestri, P. (2024). Appreciation of singing
and speaking voices is highly idiosyncratic. Royal Society Open Science,11(11):
241623. doi:10.1098/rsos.241623.
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Will, J. K., Roeske, T. C., & Degé, F. (2024). Corrigendum: Development of tonality
and consonance categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1460303. doi:10.3389/fpsyg.2024.1460303.
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Fink, L., Fiehn, H., & Wald-Fuhrmann, M. (2024). The role of audiovisual congruence
in aesthetic appreciation of contemporary music and visual art. Scientific Reports,14: 20923. doi:10.1038/s41598-024-71399-y.
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Gernandt, E., Lange, E. B., & Merrill, J. (2024). Die Ästhetik des Musikgeschmacks.
In F. C. Thiesen (
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Lange, E. B., & Frieler, K. (2024). Systematische Effekte bei der Evaluierung von
Musik durch unterschiedliche, verbale Fragebögenformen. In F. C. Thiesen (
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Buren, V., Müllensiefen, D., & Degé, F. (2024). Reliabilität und Validität des
Child Musicality Screenings zur Erfassung kindlicher Musikalität. In F. C. Thiesen (
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Wald-Fuhrmann, M. (2024). Empirische Studien zum Erleben im Gottesdienst: Einige allgemeine
Überlegungen und zwei Beispiele. Liturgisches Jahrbuch,74(1),
19-35.
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Gernandt, E., & Merrill, J. (2024). Schlager vs. Techno: Style-specific rationales
for musical taste. Music & Science,7. doi:10.1177/20592043241268726.
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Teng, X., Larrouy-Maestri, P., & Poeppel, D. (2024). Segmenting and predicting
musical phrase structure exploits neural gain modulation and phase precession. The Journal of Neuroscience,44(30): e1331232024. doi:10.1523/JNEUROSCI.1331-23.2024.
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Tschacher, W., Greenwood, S., Weining, C., Wald-Fuhrmann, M., Ramakrishnan, C., Seibert, C., & Tröndle, M. (2024).
Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes.
Scientific Reports,14: 16412. doi:10.1038/s41598-024-67455-2.
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Wörner, F. (2024). Rezension: Theodor W. Adorno. Musikalische Briefwechsel Band II.
Theodor W. Adorno / Rudolf Kolisch. Briefwechsel 1926–1969: Berlin: Suhrkamp 2023, 859 S.; ISBN 9783518588024.
Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,18(3), 398-400.
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Wald-Fuhrmann, M. (2024). Music in Christian services as a means to induce religious
feelings. In G. Corbett, & S. Moerman (
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Nuttall, T., Serra, X., & Pearson, L. (2024). Svara-forms and coarticulation in
Carnatic music: an investigation using deep clustering. In D. M. Weigl (
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Will, J., Roeske, T. C., & Degé, F. (2024). Development of tonality and consonance
categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1270114. doi:10.3389/fpsyg.2024.1270114.
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Degé, F., Frischen, U., & Schwarzer, G. (2024). Musikunterricht und kognitive Entwicklung.
In G. Bernatzky, & G. Kreutz (
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Tan, Y., Sun, Z., Teng, X., Larrouy-Maestri, P., Duan, F., & Aoki, S. (2024). Effective
network analysis in music listening based on electroencephalogram. Computers and Electrical Engineering,117: 109191. doi:10.1016/j.compeleceng.2024.109191.
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Saxena, S., Fink, L., & Lange, E. B. (2024). Deep learning models for webcam eye
tracking in online experiments. Behavior Research Methods,56,
3487-3503. doi:10.3758/s13428-023-02190-6.
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Forman, R. K. C., & Wald-Fuhrmann, M. (2024). The body of “the Body of Christ”:
An introduction to hyperscanning research and a discussion of its possible implications for understanding social experiences
during religious gatherings. Pastoral Psychology,73,
379-394. doi:10.1007/s11089-024-01142-x.
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Egermann, H., Siebrasse, A., Weining, C., O’Neill, K., Tröndle, M., & Wald-Fuhrmann, M. (2024).
Developing digital classical concert stream offerings: A typology of audience preferences. The Journal
of Arts Management, Law, and Society,54(3), 125-141. doi:10.1080/10632921.2024.2347397.
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Ozaki, Y., Tierney, A., Pfordresher, P. Q., McBride, J., Benetos, E., Proutskova, P., Chiba, G., Liu, F., Jacoby, N., Purdy,
S. C., Opondo, P., Fitch, W. T., Hegde, S., Rocamora, M., Thorne, R., Nweke, F., Sadaphal, D. P., Sadaphal, P. M., Hadavi,
S., Fujii, S., Choo, S., Naruse, M., Ehara, U., Sy, L., Parselelo, M. L., Anglada-Tort, M., Hansen, N. C., Haiduk, F., Færøvik,
U., Magalhães, V., Krzyżanowski, W., Shcherbakova, O., Hereld, D., Barbosa, B. S., Correa Varella, M. A., Van Tongeren, M.,
Dessiatnitchenko, P., Zar Zar, S., El Kahla, I., Muslu, O., Troy, J., Lomsadze, T., Kurdova, D., Tsope, C., Fredriksson, D.,
Arabadjiev, A., Sarbah, J. P., Arhine, A., Meachair, T. Ó., Silva-Zurita, J., Soto-Silva, I., Millalonco, N. E. M., Ambrazevičius,
R., Loui, P., Ravignani, A., Jadoul, Y., Larrouy-Maestri, P., Bruder, C., Teyxokawa, T. P., Kuikuro, U., Natsitsabui, R.,
Sagarzazu, N. B., Raviv, L., Zeng, M., Varnosfaderani, S. D., Gómez-Cañón, J. S., Kolff, K., Vanden Bos der Nederlanden, C.,
Chhatwal, M., David, R. M., I. Putu Gede, S., Lekakul, G., Borsan, V. N., Nguqu, N., & Savage, P. E. (2024).
Globally, songs and instrumental melodies are slower, higher, and use more stable pitches than speech: A registered report. Science Advances,10(20): eadm9797. doi:10.1126/sciadv.adm9797.
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Bruder, C., Poeppel, D., & Larrouy-Maestri, P. (2024). Perceptual (but not acoustic)
features predict singing voice preferences. Scientific Reports,14:
8977. doi:10.1038/s41598-024-58924-9.
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Meinel, L. S., Bullerjahn, C., Lindau, A., & Wald-Fuhrmann, M. (2024). Capturing
differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument. Frontiers in Psychology,15: 1339168. doi:10.3389/fpsyg.2024.1339168.
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Wald-Fuhrmann, M. (2024). "Hoc facite in meam commemorationem": Musik als Medium und
Praxis von Memoria im Spätmittelalter. In U. Tadday (
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Wörner, F. (2024). Rezension: Martin Zenck und Volker Rülke: Kontroverse Wege der Moderne.
Der exilierte Komponist und Pianist Eduard Steuermann in seinen Briefen. Korrespondenz mit Arnold Schönberg, Theodor W. Adorno
und René Leibowitz: München: edition text + kritik 2022; 730 S. + CD; ISBN 9783967071849. Die Tonkunst:
Magazin für klassische Musik und Musikwissenschaft,18(2), 281-282.
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Bär, C. (2024). Musikdiskurse: Sprachliche Muster, Dichte, Diversität im Sound populärer
Musikrezensionen. PhD Thesis, De Gruyter, Berlin. doi:10.1515/9783111323930.
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Christensen, J. F., Khorsandi, S., & Wald-Fuhrmann, M. (2024). Iranian classical
dance as a subject for empirical research: An elusive genre. Annals of the New York Academy of Sciences,1533(1), 51-72. doi:10.1111/nyas.15098.
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Bürgel, M., Mencke, I., Benjamin, A., Dechert, M., Derks, D., Gerdes, K., Hake, R., Jacobsen, S., & Siedenburg, K. (2024). Unifying concert research and science outreach. Musicae Scientiae,28(1), 187-191. doi:10.1177/10298649231182078.
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Fink, L., Simola, J., Tavano, A., Lange, E. B., Wallot, S., & Laeng, B. (2024).
From pre-processing to advanced dynamic modeling of pupil data. Behavior Research Methods,56, 1376-1412. doi:10.3758/s13428-023-02098-1.
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Wald-Fuhrmann, M., & Fuhrmann, W. (2024). Carl Dahlhaus’ Dissertation über Josquins
Messen: Zeit- und fachgeschichtlicher Kontext und Forschungsbeitrag. Jahrbuch für Renaissancemusik:
troja,19(2021), 77-101. doi:10.25371/troja.v20213866.
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Omigie, D., & Mencke, I. (2024). A model of time-varying music engagement. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895). doi:10.1098/rstb.2022.0421.
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Wald-Fuhrmann, M. (2024). Freude, Dankbarkeit, Mitleid: Empathie und Affekt-Erregung
in oratorischen Leben-Jesu Oratorien. In W. W. Müller (
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Grüny, C. (2024). Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z. PAJ: A Journal of Performance and Art,46(1(136)), 55-65.
doi:10.1162/pajj_a_00696.
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Kadavá, Š., Pearson, L., Trujillo, J., & Pouw, W. (2024). Towards a movement science
of communication. In L. K. Samuelson, S. L. Frank, M. Toneva, A. Mackey, & E. Hazeltine (
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Wörner, F. (2024). Rezension: Christian Utz, Unerhörte Klänge. Zur performativen Analyse
und Wahrnehmung posttotaler Musik und ihren historischen Voraussetzungen, Hildesheim u. a.: Georg Olms Verlag 2023.
Die Musikforschung,77(2), 195-198.
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Georgakopoulou, N., Kosti, M. V., Diplaris, S., Benayoun, M., Camurri, A., de Gelder, B., Wald-Fuhrmann, M., Koulali, P.,
Valsamidou, K., Bronner, K., Wanner, L., Gaki, F., Vrochidis, S., & Kompatsiaris, I. (2024).
ReSilence: Retune the soundscape of future cities through art and science collaboration. In E. Tibloux (
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2023
Pearson, L., & Manickavasakan, B. (2023). Annotating Karnataka music: Encounters
between a musical tradition and computational tools. In F. Bonini Baraldi (
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PDFLocator 1
Wald-Fuhrmann, M., & van Dyck-Hemming, A. (
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (2023). Musikwissenschaftliche Gesellschaften
und Zeitschriften: Zur Einführung. Die Musikforschung,76(4),
336-340. doi:10.52412/mf.2023.H4.3109.
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Wörner, F. (2023). Schönberg und die Musiktheorie. In M. Frank, T. Muxeneder, &
U. Scheideler (
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Meier, D., O’Neill, K., Tschacher, W., Tröndle, M., & Egermann, H. (2023). Digital concert experience: An online research project on live streaming during the
Pandemic. In S. Lepa, R. Müller-Lindenberg, & H. Egermann (
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Merrill, J., Ackermann, T.-I., & Czepiel, A. (2023). Effects of disliked music
on psychophysiology. Scientific Reports,13: 20641.
doi:10.1038/s41598-023-46963-7.
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Bruder, C., & Larrouy-Maestri, P. (2023). Classical singers are also proficient
in non-classical singing. Frontiers in Psychology,14:
1215370. doi:10.3389/fpsyg.2023.1215370.
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Floridou, G. A., Mencke, I., Caprini, F., & Müllensiefen, D. (2023). The genesis
of a tune in the mind: An interview study about novel involuntary musical imagery repetition. Music
& Science,6. doi:10.1177/20592043231202331.
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Tschacher, W., Greenwood, S., Ramakrishnan, S., Tröndle, M., Wald-Fuhrmann, M., Seibert, C., Weining, C., & Meier, D.
(2023). Audience synchronies in live concerts illustrate the embodiment of music experience. Scientific Reports,13: 14843. doi:10.1038/s41598-023-41960-2.
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Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2023). Aesthetic
and physiological effects of naturalistic multimodal music listening. Cognition,239: 105537. doi:10.1016/j.cognition.2023.105537.
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Merrill, J., & Ackermann, T.-I. (2023). “Like static noise in a beautiful landscape”:
A mixed-methods approach to rationales and features of disliked voices in popular music. Psychology
of Aesthetics, Creativity, and the Arts,17(5), 562-580. doi:10.1037/aca0000376.
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Locator 1
Czepiel, A. (2023).Assessing real-world music listening in
concerts: Aesthetic experiences and peripheral physiological responses (PhD Thesis, Maastricht University, Maastrich,
2023). doi:10.26481/dis.20231002ac.
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Larrouy-Maestri, P., Kegel, V., Schlotz, W., van Rijn, P., Menninghaus, W., & Poeppel, D. (2023).
Ironic twists of sentence meaning can be signaled by forward move of prosodic stress. Journal of Experimental
Psychology: General,152(9), 2438-2462. doi:10.1037/xge0001377.
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Pearson, L., & Ramanujacharyulu, T. K. V. (2023). Handwritten notation in Karnatak
music: Memory and the mediation of social relations. In F. Celestini, & S. Lutz (
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Pearson, L., Nuttall, T., & Pouw, W. (2023). Motif-gesture clustering in Karnatak
vocal performance: A multimodal computational music analysis. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui, M. Okano,
& H. Shoda (
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Fink, L. (2023). Eye movement patterns when playing from memory: Examining consistency
across repeated performances and the relationship between eyes and audio. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui,
M. Okano, & H. Shoda (
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Gibbs, H. J., Czepiel, A., & Egermann, H. (2023). Physiological synchrony and shared
flow state in Javanese gamelan: Positively associated while improvising, but not for traditional performance.
Frontiers in Psychology,14: 1214505. doi:10.3389/fpsyg.2023.1214505.
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Baltes, F., Chemnitz, L., & Lange, E. B. (2023). Pleasantness of nonlinear distortion
in isolated triads of synthetic timbre. The Journal of the Acoustical Society of America,154: 2, pp. 1028-1040. doi:10.1121/10.0020667.
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Coretta, S., Casillas, J. V., Roessig, S., Franke, M., Ahn, B., Al-Hoorie, A. H., Al-Tamimi, J., Alotaibi, N. E., AlShakhori,
M. K., Altmiller, R. M., Arantes, P., Athanasopoulou, A., Baese-Berk, M. M., Bailey, G., Sangma, C. B. A., Beier, E. J., Benavides,
G. M., Benker, N., BensonMeyer, E. P., Benway, N. R., Berry, G. M., Bing, L., Bjorndahl, C., Bolyanatz, M., Braver, A., Brown,
V. A., Brown, A. M., Brugos, A., Buchanan, E. M., Butlin, T., Buxó-Lugo, A., Caillol, C., Cangemi, F., Carignan, C., Carraturo,
S., Caudrelier, T., Chodroff, E., Cohn, M., Cronenberg, J., Crouzet, O., Dagar, E. L., Dawson, C., Diantoro, C. A., Dokovova,
M., Drake, S., Du, F., Dubuis, M., Duême, F., Durward, M., Egurtzegi, A., Elsherif, M. M., Esser, J., Ferragne, E., Ferreira,
F., Fink, L., Finley, S., Foster, K., Foulkes, P., Franzke, R., Frazer-McKee, G., Fromont, R., García, C., Geller, J., Grasso,
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