Publications of the Department of Language and Literature

2024

Pöhls, R. L. V. (2024). Representations of political kinship: Connecting through political affinities in contemporary migration literature. In L. Espinoza Garrido, C. Gebauer, & J. Wewior (Eds.), Mobility, agency, kinship: Representations of migration beyond victimhood (pp. 175-201). Cham: Palgrave Macmillan Cham. doi:10.1007/978-3-031-60754-7_8.
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Menninghaus, W. (2024). Poesie der Grammatik in Klopstocks Ode Die Sommernacht. In L. Hagestedt, & A. Nebrig (Eds.), „Wer wird nicht einen Klopstock loben?“: Friedrich Gottlieb Klopstocks poetische Innovationen und ihre produktive Rezeption (pp. 275-286). Berlin: J.B. Metzler.
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Christensen, J. F., Fernández, A., Smith, R. A., Michalareas, G., Yazdi, S. H. N., Farahi, F., Schmidt, E.-M., Roig, G., & Bahmanian, N. (2024). EMOKINE: A software package and computational framework for scaling up the creation of highly controlled emotional full-body movement datasets. Behavior Research Methods. doi:10.3758/s13428-024-02433-0.
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Christensen, J. F., Wesseldijk, L. W., Mosing, M. A., Fayn, K., Schmidt, E.-M., Blattmann, M., Sancho-Escanero, L., & Ullén, F. (2024). The dancer personality: Comparing dancers and non-dancers in Germany and Sweden. Personality and Individual Differences,222: 112603. doi:10.1016/j.paid.2024.112603.
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Menninghaus, W., Wagner, V., Schindler, I., Knoop, C. A., Blohm, S., Frieler, K., & Scharinger, M. (2024). Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895): 20220424. doi:10.1098/rstb.2022.0424.
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2023

Knoop, C. A., Kegel, V., Methner, S., Rothbart, S., & Vasilieva, J. (2023). Manual for the Annotation of Parallelisms und Deviations in Rhymed and Metered Texts. PsyArXiv Preprints https://doi.org/10.31234/osf.io/xvrdu.
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Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2023). Aesthetic and physiological effects of naturalistic multimodal music listening. Cognition,239: 105537. doi:10.1016/j.cognition.2023.105537.
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Schmidt, E.-M., Smith, R. A., Fernández, A., Emmermann, B., & Christensen, J. F. (2023). Mood induction through imitation of full-body movements with different affective intentions (Early View). British Journal of Psychology. doi:10.1111/bjop.12681.
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Kentner, G., Franz, I., Knoop, C. A., & Menninghaus, W. (2023). Prosodic Boundary Strenght and Phrase-Initial Syllable Duration. In R. Skarnitzl, & J. Volín (Eds.), Proceedings of the 20th International Congress of Phonetic Sciences, ICPhS 2023. Prague. (pp. 1440-1443).
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Fink, L., Simola, J., Tavano, A., Lange, E. B., Wallot, S., & Laeng, B. (2023). From pre-processing to advanced dynamic modeling of pupil data. Behavior Research Methods. doi:10.3758/s13428-023-02098-1.
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Christensen, J. F., Bruhn, L., Schmidt, E.-M., Bahmanian, N., Yazdi, S. H. N., Farahi, F., Sancho-Escanero, L., & Menninghaus, W. (2023). A 5-emotions stimuli set for emotion perception research with full-body dance movements. Scientific Reports,13(1): 8757. Retrieved from https://doi.org/10.1038/s41598-023-33656-4.
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Larrouy-Maestri, P., Kegel, V., Schlotz, W., van Rijn, P., Menninghaus, W., & Poeppel, D. (2023). Ironic twists of sentence meaning can be signaled by forward move of prosodic stress (Online First Posting). Journal of Experimental Psychology: General. doi:10.1037/xge0001377.
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Kentner, G., Franz, I., Knoop, C. A., & Menninghaus, W. (2023). The final lengthening of pre-boundary syllables turns into final shortening as boundary strength levels increase. Journal of Phonetics,97: 101225. doi:10.1016/j.wocn.2023.101225.
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Kentner, G., Franz, I., Knoop, C. A., & Menninghaus, W. (2023). The final lengthening of pre-boundary syllables turns into final shortening as boundary strength levels increase. Journal of Phonetics,97: 101225. doi:10.1016/j.wocn.2023.101225.
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2022

Blohm, S., & Knoop, C. A. (2022). Rhyme. In P. Gill (Ed.), An Introduction to Poetic Forms (pp. 9-22). New York: Routledge.
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Menninghaus, W. (2022). „Wo er vorbei dir glänzt“: Poetische Sprache und das Wechselspiel des Lieblichen mit dem Erhabenen in Hölderlins Ode „Heidelberg“. Poetica,53(3-4), 253-289. doi:10.30965/25890530-05301011.
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Blohm, S., & Knoop, C. A. (2022). What to expect from a poem? The primacy of rhyme in college students’ conceptions of poetry. In V. Sykäri, & N. Fabb (Eds.), Rhyme and Rhyming in Verbal Art, Language, and Song (pp. 264-276). Helsinki: Finnish Literature Society, SKS.
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Golbabaei, S., Christensen, J. F., Vessel, E. A., Kazemian, N., & Borhani, K. (2022). The Aesthetic Responsiveness Assessment (AReA) in Farsi language: A scale validation and cultural adaptation study. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. doi:10.1037/aca0000532.
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Schindler, I., Wagner, V., Jacobsen, T., & Menninghaus, W. (2022). Lay conceptions of “being moved” (“bewegt sein”) include a joyful and a sad type: Implications for theory and research. PLoS One,17(10): e0276808. doi:10.1371/ journal.pone.0276808.
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Tschense, M., & Wallot, S. (2022). Modeling items for text comprehension assessment using confirmatory factor analysis. Frontiers in Psychology,13: 966347. doi:10.3389/fpsyg.2022.966347.
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Menninghaus, W., & Blohm, S. (2022). Empirical Aesthetics of Poetry. In M. Nadal, & O. Vartanian (Eds.), The Oxford Handbook of Empirical Aesthetics (pp. 704-720). Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780198824350.013.33.
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Tomashin, A., Leonardi, G., & Wallot, S. (2022). Four methods to distinguish between fractal dimensions in time series through recurrence quantification analysis. Entropy,24(9). doi:10.3390/e24091314.
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Arjava, H., & Kentner, G. (2022). Alignment of prosodic weight and musical length in Finnish vocal music textsetting. In M. Scharinger, & R. Wiese (Eds.), How Language Speaks to Music. Prosody from a Cross-domain Perspective (pp. 161-190). Berlin, Boston: De Gruyter. doi:10.1515/9783110770186-007.
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Kentner, G., Franz, I., & Menninghaus, W. (2022). Poetics of reduplicative word formation: evidence from a rating and recall experiment. Language and Cognition,14(3), 333-361. doi:10.1017/langcog.2021.27.
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Willemsen, S., & Kiss, M. (2022). Introduction: Puzzling Stories. In S. Willemsen, & M. Kiss (Eds.), Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature (pp. 1-12). Berghahn.
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Willemsen, S., & Miklós, K. (Eds.). (2022).Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature. Berghahn.
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Willemsen, S., Bálint, K., Hakemulder, F., Kiss, M., Konijn, E., & Fayn, K. (2022). Who likes complex films? Personality and preferences for narrative complexity. In S. Willemsen, & M. Kiss (Eds.), Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature (pp. 355-383). Berghahn.
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Haake, L., Wallot, S., Tschense, M., & Grabowski, J. (2022). Global temporal typing patterns in foreign language writing: Exploring language proficiency through recurrence quantification analysis (RQA). Reading and Writing. doi:10.1007/s11145-022-10331-0.
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Sojoudi, S., Jahanitabesh, A., Hatami, J., & Christensen, J. F. (2022). Forty-Eight Classical Moral Dilemmas in Persian Language: A Validation and Cultural Adaptation Study. Journal of Cognition and Culture,22(3-4), 352-382. doi:10.1163/15685373-12340139.
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Aristei, S., Knoop, C. A., Lubrich, O., Nehrlich, T., Enge, A., Stark, K., Sommer, W., & Rahman, R. A. (2022). Affect as Anaesthetic: how emotional contexts modulate the processing of counterintuitive concepts. Language, Cognition and Neuroscience. doi:10.1080/23273798.2022.2085312.
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Christensen, J. F., Farahi, F., Vartanian, M., & Yazdi, S. (2022). Choice Hygiene for “Consumer Neuroscientists”? Ethical Considerations and Proposals for Future Endeavours. Frontiers in Neuroscience,15: 612639. doi:10.3389/fnins.2021.612639.
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Thissen, B. A. K., Schlotz, W., Abel, C., Scharinger, M., Frieler, K., Merrill, J., Haider, T., & Menninghaus, W. (2022). At the heart of optimal reading experiences: Cardiovascular activity and flow experiences in fiction reading. Reading Research Quarterly,57(3), 831-845. doi:10.1002/rrq.448.
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Fokin, D., Blohm, S., & Riekhakainen, E. (2022). Reading Russian poetry: An expert–novice study. Journal of Eye Movement Research,13(3). doi:10.16910/jemr.13.3.7.
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Scharinger, M., Knoop, C. A., Wagner, V., & Menninghaus, W. (2022). Neural processing of poems and songs is based on melodic properties. NeuroImage,257: 119310. doi:10.1016/j.neuroimage.2022.119310.
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Menninghaus, W. (2022). „Zu den schönsten vor Allen in der Schweiz“: Der erste Satz des Grünen Heinrich. In F. Berndt (Ed.), Kellers Medien: Formen – Genres – Institutionen (pp. 17-25). De Gruyter.
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Tschense, M., & Wallot, S. (2022). Using measures of reading time regularity (RTR) to quantify eye movement dynamics, and how they are shaped by linguistic information. Journal of Vision,22(6). doi:10.1167/jov.22.6.9.
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Wallot, S. (2022). Performing configural frequency analysis by means of recurrence quantification analysis. Psychological Test and Assessment Modeling,64(2), 143-157.
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Kentner, G. (2022). Phonetik und Phonologie des Deutschen. In R. Klabunde, W. Mihatsch, & S. Dipper (Eds.), Linguistik im Sprachvergleich: Germanistik – Romanistik – Anglistik (pp. 3-25). Berlin: Springer. doi:10.1007/978-3-662-62806-5_1.
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Scharinger, M., Wagner, V., Knoop, C. A., & Menninghaus, W. (2022). Melody in poems and songs: Fundamental statistical properties predict aesthetic evaluation. Psychology of Aesthetics, Creativity, and the Arts, Advance online publication. doi:10.1037/aca0000465.
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Kentner, G. (2022). Do not repeat: Repetition and reduplication in German revisited. In M. Eitelmann (Ed.), Extravagant Morphology: Studies in rule-bending, pattern-extending and theory-challenging morphology (pp. 181-206). Amsterdam: John Benjamins Publishing Company.
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Fayn, K., Willemsen, S. P., Muralikrishnan, R., Castaño Manias, B., Menninghaus, W., & Schlotz, W. (2022). Full throttle: Demonstrating the speed, accuracy, and validity of a new method for continuous two-dimensional self-report and annotation. Behavior Research Methods,54(1), 350-364. doi:10.3758/s13428-021-01616-3.
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Lange, E. B., Thiele, D., & Kuijpers, M. M. (2022). Narrative aesthetic absorption in audiobooks is predicted by blink rate and acoustic features. Psychology of Aesthetics, Creativity, and the Arts,16(1), 110-124. doi:10.1037/aca0000321.
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Knoop, C. A. (2022). Undurchdringlich dunkle Sprachen. Überlegungen zum formalstilistischen Gestus der 95 Thesen. In T. Ballhausen, M. A. Hainz, & M. Schmidt (Eds.), Triëdere - Zeitschrift für Theorie, Literatur und Kunst - Special Issue: Der philologische Affekt. Schreiben mit Werner Hamacher (pp. 67-79). Wien: Sonderzahl.
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Henrich, K., & Scharinger, M. (2022). Predictive Processing in Poetic Language: Event-Related Potentials Data on Rhythmic Omissions in Metered Speech. Frontiers in Psychology,12: 782765. doi:10.3389/fpsyg.2021.782765.
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Franz, I., Knoop, C. A., Kentner, G., Rothbart, S., Kegel, V., Vasilieva, J., Methner, S., Scharinger, M., & Menninghaus, W. (2022). Prosodic Phrasing and Syllable Prominence in Spoken Prose. A Validated Coding Manual. OSF Preprints. doi:10.31219/osf.io/h4sd5.
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Sarkhosh, K. (2022). No Risk, No Fun: Vom Schauen, Sammeln, Besprechen und Bewerten richtig schlechter Filme. In P. Ferstl, S. Folie, C. Leschanz, T. Mallmann, & D. Syrovy (Eds.), Vom Sammeln und Ordnen: Achim Hölter zum 60. Geburtstag gewidmet (pp. 285-302). Berlin: Weidler Buchverlag.
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Wassiliwizky, E., & Menninghaus, W. (2022). The Power of Poetry. In A. Chatterjee, & E. R. Cardillo (Eds.), Brain, Beauty, and Art: Essays Bringing Neuroaesthetics into Focus (pp. 182-187). New York: Oxford University Press. doi:10.1093/oso/9780197513620.003.0036.
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Blohm, S., Versace, S., Methner, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2022). Reading Poetry and Prose: Eye Movements and Acoustic Evidence. Discourse Processes,59(3), 159-183. doi:10.1080/0163853X.2021.2015188.
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2021

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2021). The pleasures of reading fiction explained by flow, presence, identification, suspense, and cognitive involvement. Psychology of Aesthetics, Creativity, and the Arts,15(4), 710-724. doi:10.1037/aca0000367.
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Schlotz, W., Wallot, S., Omigie, D., Masucci, M. D., Hoelzmann, S. C., & Vessel, E. A. (2021). The Aesthetic Responsiveness Assessment (AReA): A screening tool to assess individual differences in responsiveness to art in English and German. Psychology of Aesthetics, Creativity, and the Arts,15(4), 682-696. doi:10.1037/aca0000348.
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Pöhls, R. L. V., & Utudji, M. (Eds.). (2021).Powerful Prose - How Textual Features Impact Readers. Bielefeld: Transcript.
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Smillie, L. D., Bennett, D., Tan, N. P., Sutcliffe, K., Fayn, K., Bode, S., & Wacker, J. (2021). Does openness/intellect predict sensitivity to the reward value of information? Cognitive, Affective, & Behavioral Neuroscience,21, 993-1009. doi:10.3758/s13415-021-00900-1.
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Blohm, S., Kraxenberger, M., Knoop, C. A., & Scharinger, M. (2021). Sound Shape and Sound Effects of Literary Texts. In D. Kuiken, & A. M. Jacobs (Eds.), Handbook of Empirical Literary Studies (pp. 7-38). Berlin, Boston: De Gruyter. doi:10.1515/9783110645958-002.
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Gordon, I., Wallot, S., & Berson, Y. (2021). Group-level physiological synchrony and individual-level anxiety predict positive affective behaviors during a group decision-making task. Psychophysiology,58(9): e13857. doi:10.1111/psyp.13857.
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Knoop, C. A., Blohm, S., Kraxenberger, M., & Menninghaus, W. (2021). How perfect are imperfect rhymes? Effects of phonological similarity and verse context on rhyme perception. Psychology of Aesthetics, Creativity, and the Arts,15(3), 560-572. doi:10.1037/aca0000277.
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Franz, I., Kentner, G., & Domahs, F. (2021). The impact of animacy and speech rhythm on the word order of conjuncts in German preschoolers and adults. Laboratory Phonology: Journal of the Association for Laboratory Phonology,12(1): 12. doi:10.5334/labphon.254.
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Wassiliwizky, E., & Menninghaus, W. (2021). Why and how should cognitive science care about aesthetics? Trends in Cognitive Sciences,25(6), 437-449. doi:10.1016/j.tics.2021.03.008.
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Beermann, U., Hosoya, G., Schindler, I., Scherer, K. R., Eid, M., Wagner, V., & Menninghaus, W. (2021). Dimensions and clusters of aesthetic emotions: A semantic profile analysis. Frontiers in Psychology,12: 667173. doi:10.3389/fpsyg.2021.667173.
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Kraxenberger, M., Knoop, C. A., & Menninghaus, W. (2021). Who reads contemporary erotic novels and why? Humanities and Social Sciences Communications,8: 96. doi:10.1057/s41599-021-00764-3.
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Haider, T. (2021). Metrical Tagging in the Wild: Building and Annotating Poetry Corpora with Rhythmic Features. In Proceedings of the 16th Conference of the European Chapter of the Association for Computational Linguistics (pp. 3715-3725).
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Salgaro, M., Wagner, V., & Menninghaus, W. (2021). A good, a bad, and an evil character: Who renders a novel most enjoyable? Poetics,87: 101550. doi:10.1016/j.poetic.2021.101550.
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Wagner, V., Scharinger, M., Knoop, C. A., & Menninghaus, W. (2021). Effects of continuous self-reporting on aesthetic evaluation and emotional responses. Poetics,85: 101497. doi:10.1016/j.poetic.2020.101497.
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Menninghaus, W., & Wallot, S. (2021). What the eyes reveal about (reading) poetry. Poetics,85: 101526. doi:10.1016/j.poetic.2020.101526.
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Chirico, A., Clewis, R., Yaden, D. B., & Gaggioli, A. (2021). Nature versus art as elicitors of the sublime: A virtual reality study. PLoS One,16(3): e0233628. doi:10.1371/journal.pone.0233628.
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Sarkhosh, K., & Menninghaus, W. (2021). The Feel-Good Film: Genre Features and Emotional Rewards. Projections: The Journal for Movies and Mind,15(1), 55-77. doi:10.3167/proj.2021.150104.
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Blohm, S., Schlesewsky, M., Menninghaus, W., & Scharinger, M. (2021). Text type attribution modulates pre-stimulus alpha power in sentence reading. Brain and Language,214: 104894. doi:10.1016/j.bandl.2020.104894.
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Christensen, J. F., Vartanian, M., Sancho-Escanero, L., Khorsandi, S., Yazdi, S. H. N., Farahi, F., Borhani, K., & Gomila, A. (2021). A practice-inspired mindset for researching the psychophysiological and medical health effects of recreational dance (dance sport). Frontiers in Psychology,11: 588948. doi:10.3389/fpsyg.2020.588948.
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Riedinger, M., Nagels, A., Werth, A., & Scharinger, M. (2021). Asymmetries in Accessing Vowel Representations Are Driven by Phonological and Acoustic Properties: Neural and Behavioral Evidence From Natural German Minimal Pairs. Frontiers in Human Neuroscience,15: 612345. doi:10.3389/fnhum.2021.612345.
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Menninghaus, W. (2021). Empirical Aesthetics of Language and Literature: Its Strengths and Weaknesses Compared to the Humanist Scholarship of Literature. Letteratura e Letterature,15, 113-127.
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Schindler, I., & Berg, C. A. (2021). Collaborative Problem Solving, Crises, and Well-Being. In F. Maggino (Ed.), Encyclopedia of Quality of Life and Well-Being Research (2nd ed.). Cham: Springer International Publishing. doi:10.1007/978-3-319-69909-7_3908-2.
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Christensen, J. F., Azevedo, R. T., & Tsakiris, M. (2021). Emotion matters: Different psychophysiological responses to expressive and non-expressive full-body movements. Acta Psychologica,212: 103215. doi:10.1016/j.actpsy.2020.103215.
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2020–2013

2020

Rother, D., Haider, T., & Eger, S. (2020). CMCE at SemEval-2020 Task 1: Clustering on Manifolds of Contextualized Embeddings to Detect Historical Meaning Shifts. In Proceedings of the Fourteenth Workshop on Semantic Evaluation at COLING 2020 (pp. 187-193).
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Pöhls, R. L. V. (2020). Engaging Literature - Emotions as Route to political and Societal Engagement? In P. Ekardt, F. Fehrenbach, & C. Zumbusch (Eds.), Politische Emotionen in den Künsten - Mnemosyne. Schriften des internationalen Warburg-Kollegs (pp. 219-240). Berlin, Boston: de Gruyter. doi:10.1515/9783110725384-013.
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Pöhls, V., & Schirrmacher, S. (2020). Über den Gehalt der Lehre. Undercurrents - Literatur lehren,15, Retrieved from https://undercurrentsforum.com/index.php/undercurrents/article/view/122.
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Menninghaus, W. (2020).Darwin igo no bigaku: Geijutsu no kigen to kinou no fukugousei (= Japanese translation of Aesthetics after Darwin - The multiple origins and functions of the arts). (S. Ito, Trans.). Tokyo: Hosei University Press.
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Scharinger, M. (2020). Sprache und Musik aus der Sicht der Neurokognition: Sprechen, Singen und Melodie als verbindendes Element. In U. Omonsky, & C. Philipsen (Eds.), Das Melodram in Geschichte und Aufführungspraxis (pp. 335-374). Augsburg: Wißner-Verlag.
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Auracher, J., Menninghaus, W., & Scharinger, M. (2020). Sound Predicts Meaning: Cross-Modal Associations Between Formant Frequency and Emotional Tone in Stanzas. Cognitive Science,44(10): e12906. doi:10.1111/cogs.12906.
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Clewis, R. (2020). What is Kant's theory of humor? In S. A. Benko (Ed.), Ethics in comedy: Essays on crossing the line (pp. 40-56). Jefferson, NC: McFarland & Co.
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Sakamoto, Y. (2020). Was sind Neuronale Geisteswissenschaften?: Eine Sondierung. In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 177-194 ). Berlin: De Gruyter. doi:10.1515/9783110582406-016.
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Sakamoto, Y., Jäger, F., & Tanaka, J. (2020). Editorial. In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 9-12). Berlin: De Gruyter. doi:10.1515/9783110582406-001.
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Bredekamp, H. (2020). Horst Bredekamp im Gespräch mit Felix Jäger und Yasuhiro Sakamoto: „Formen heißt Denken, Denken heißt Formen“. Die Zukunft der Bildwissenschaft und die Kulturfrage. In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 13-28). Berlin: De Gruyter. doi:10.1515/9783110582406-002.
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Menninghaus, W. (2020). Empirische Ästhetik der Sprache und Literatur- Was kann sie besser als die herkömmliche Literaturwissenschaft – und was nicht? In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen - Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 195-214). Berlin, Boston: De Gruyter.
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Sakamoto, Y., Jäger, F., & Tanaka, J. (Eds.). (2020).Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland. Berlin: De Gruyter. doi:10.1515/9783110582406.
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Plecháč, P., & Haider, T. (2020). Mapping Topic Evolution Across Poetic Traditions. In Proceedings of the Digital Humanities Conference DH2020 in Ottawa.
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Haider, T., & van Dyck-Hemming, A. (2020). Extracting a Social Network of Musicologists. In Proceedings of the Digital Humanities Conference DH2020 in Ottawa.
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Kentner, G., & Kremers, J. (Eds.). (2020).Prosody in Syntactic Encoding. Berlin, Boston: De Gruyter.
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Menninghaus, W., Schindler, I., Wagner, V., Wassiliwizky, E., Hanich, J., Jacobsen, T., & Koelsch, S. (2020). Aesthetic Emotions Are a Key Factor in Aesthetic Evaluation: Reply to Skov and Nadal (2020). Psychological Review,127(4), 650-654. doi:10.1037/rev0000213.
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MacCann, C., Erbas, Y., Dejonckheere, E., Minbashian, A., Kuppens, P., & Fayn, K. (2020). Emotional intelligence relates to emotions, emotion dynamics, and emotion complexity: A meta-analysis and experience sampling study. European Journal of Psychological Assessment,36(3), 460-470. doi:10.1027/1015-5759/a000588.
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Drews, H., Wallot, S., Brysch, P., Berger-Johannsen, H., Mitkidis, P., Baier, P., Lechinger, J., Roepstorff, A., & Göder, R. (2020). Bed-Sharing in Couples Is Associated With Increased and Stabilized REM Sleep and Sleep-Stage Synchronization. Frontiers in Psychiatry,11: 583. doi:10.3389/fpsyt.2020.00583.
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Franz, I., Bader, M., Domahs, F., & Kentner, G. (2020). Influences of rhythm on word order in German. In 10th International Conference on Speech Prosody (pp. 385-388).
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Pöhls, R. L. V. (2020). Ästhetischer und politischer Transnationalismus in engagierter, selbstzensierter Literatur. In S. Arnaudova, & D. Bischoff (Eds.), Figuren des Transnationalen. (Re-)Visionen der deutschsprachigen Gegenwartsliteratur (pp. 62-74). Dresden: Thelem.
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Christensen, J. F., & Borhani, K. (2020). Dance and the Imagination: Be a Butterfly! In A. Abraham (Ed.), The Cambridge Handbook of the Imagination (pp. 620-634). Cambridge: Cambridge University Press.
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Tavano, A., Blohm, S., Knoop, C., Muralikrishnan, R., Scharinger, M., Wagner, V., Thiele, D., Ghitza, O., Ding, N., Menninghaus, W., & Poeppel, D. (2020). Neural harmonics reflect grammaticality. bioRxiv - The Preprint Server for Biology, Preprint. Retrieved from http://biorxiv.org/content/early/2020/04/08/2020.04.08.031575.abstract.
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Teng, X., Ma, M., Yang, J., Blohm, S., Cai, Q., & Tian, X. (2020). Constrained structure of ancient Chinese poetry facilitates speech content grouping. Current Biology,30(7), 1299-1305. doi:10.1016/j.cub.2020.01.059.
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Christensen, J. F. (2020). Is war on the arts, war on human psychological systems? A view from experimental psychology and affective neuroscience. Leonardo,53(2), 201-205. doi:10.1162/leon_a_01769.
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Lyby, M. S., Wallot, S., & Mehlsen, M. Y. (2020). Measures of microgenetic changes in emotion regulation strategies across life transitions. In K. Viol, H. Schöller, & W. Aichhorn (Eds.), Selbstorganisation – ein Paradigma für die Humanwissenschaften: Zu Ehren von Günter Schiepek und seiner Forschung zu Komplexität und Dynamik in der Psychologie (pp. 287-302). Wiesbaden: Springer Fachmedien. doi:10.1007/978-3-658-29906-4_16.
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Roeske, T. C., Larrouy-Maestri, P., Sakamoto, Y., & Poeppel, D. (2020). Listening to birdsong reveals basic features of rate perception and aesthetic judgements. Proceedings of the Royal Society of London. Series B: Biological Sciences (London),287(1923): 20193010. doi:10.1098/rspb.2019.3010.
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Christensen, J. F. (2020). Lebenselixier Tanz. Spektrum der Wissenschaft - Gehirn und Geist Psychologie, Hirnforschung, Medizin, (4), 12-21. Retrieved from www.spektrum.de/artikel/1704918.
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Håkonsson, D. D., Mitkidis, P., & Wallot, S. (2020). Team Emotions and Team Learning. In L. Linda, & J. M. Levine (Eds.), The Oxford Handbook of Group and Organizational Learning (pp. 453-474). New York, NY: Oxford University Press. doi:10.1093/oxfordhb/9780190263362.013.14.
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Haider, T., Eger, S., Kim, E., Klinger, R., & Menninghaus, W. (2020). PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry. In International Conference on Language Resources and Evaluation (LREC).
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Willemsen, S. P., & Kiss, M. (2020). Keeping Track of Time: the role of spatial and embodied cognition in the comprehension of non-linear storyworlds. Advance online publication. Style,54(2). doi:10.5325/style.54.2.0172.
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2019

Fayn, K., Silvia, P. J., Dejonckheere, E., Verdonck, S., & Kuppens, P. (2019). Confused or curious? Openness/intellect predicts more positive interest-confusion relations. Journal of Personality and Social Psychology,117(5), 1016-1033. doi:10.1037/pspp0000257.
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Pöhls, V. (2019). Literatur und Zensur: Transnationale Implikationen. In D. Bischoff, & S. Komfort-Hein (Eds.), Handbuch Literatur & Transnationalität - Handbücher zur kulturwissenschaftlichen Philologie 7 (pp. 216-228). Berlin: de Gruyter.
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Mikkelsen, M. B., O’Toole, M. S., Lyby, M. S., Wallot, S., & Mehlsen, M. (2019). Emotional reactivity and interoceptive sensitivity: Exploring the role of age. Psychonomic Bulletin & Review,26, 1440-1448. doi:10.3758/s13423-019-01603-y.
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Knoop, C. A. (2019). Empirische Zugänge zur Erforschung sprachlicher Rhythmen in der Literatur. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 58-76). Berlin, Boston: de Gruyter.
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Kraxenberger, M. (2019). Klang und Emotionsperzeption in Gedichten: Drei empirische Beispielstudien. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 17-34). Berlin, Boston: De Gruyter.
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Scharinger, M. (2019). Melodie. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 35-57). Berlin, Boston: De Gruyter.
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Menninghaus, W. (2019).Aesthetics after Darwin - The multiple origins and functions of the arts. (A. Berlina, Trans.). Boston, Brookline: Academics Studies Press.
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Lyby, M. S., Mehlsen, M., Jensen, A. B., Bovbjerg, D. H., Philipsen, J. S., & Wallot, S. (2019). Use of recurrence quantification analysis to examine associations between changes in text structure across an expressive writing intervention and reductions in distress symptoms in women wth breast cancer. Frontiers in Applied Mathematics and Statistics,5: 37. doi:10.3389/fams.2019.00037.
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Hoshi, H., Kwon, N., Akita, K., & Auracher, J. (2019). Semantic associations dominate over perceptual associations in vowel–size iconicity. i-Perception,10(4). doi:10.1177/2041669519861981.
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Menninghaus, W., Wagner, V., Kegel, V., Knoop, C. A., & Schlotz, W. (2019). Beauty, elegance, grace, and sexiness compared. PLoS One,14(6): e0218728. doi:10.1371/journal.pone.0218728.
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Kraxenberger, M. (2019). Zum Stil einer digital geprägten Leserealität: Eine Untersuchung der Fifty Shades of Grey-Trilogie mittels Dargestelltem und Darstellung. Orbis Litterarum. Special Issue: Style,74(3), 205-218. doi:10.1111/oli.12219.
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Auracher, J., Scharinger, M., & Menninghaus, W. (2019). Contiguity-based sound iconicity: The meaning of words resonates with phonetic properties of their immediate verbal contexts. PLoS One,14(5): e0216930. doi:10.1371/journal.pone.0216930.
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Sakamoto, Y., Tanaka, J., & Takemine, Y. (Eds.). (2019).Image studies today: From Aby Warburg’s Mnemosyne Atlas to neurological Bildwissenschaft. Tokyo: University of Tokyo Press.
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Menninghaus, W. (2019). Empirische Ästhetik der Sprache und Literatur: Was kann sie besser als die herkömmliche Literaturwissenschaft – und was nicht? [Gengo to bungaku no keikenbigaku: Kyūrai no bungaku kenkyū yori umaku syori dekirukoto, sosite dekinaikoto ha nanika?] (S. Ito, Trans.). In Y. Sakamoto, J. Tanaka, & Y. Takemine (Eds.), Image Studies Today: From Aby Warburg’s Mnemosyne Atlas to neurological Bildwissenschaft (pp. 433-454). Tokyo: University of Tokyo Press.
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Knoop, C. A. (2019). Momentaufnahmen der Begegnung mit Literatur. Annäherung an einen Erlebnisbegriff für die empirische Literaturwissenschaft. In M. Lessau, & N. Zügel (Eds.), Rückkehr des Erlebnisses in die Geisteswissenschaften? Philosophische und literaturwissenschaftliche Perspektiven (pp. 59-76). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG.
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Schindler, I. (2019). Is it morally good to admire? Psychological perspectives on the potentials and limits of admiration and elevation. In A. Archer, & A. Grahle (Eds.), The moral psychology of admiration (pp. 181-199). London: Rowman & Littlefield.
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Kraxenberger, M. (2019). Erotic romances: An emerging subgenre succeeding Fifty Shades. In A. Brock, J. Pflaeging, & P. Schildhauer (Eds.), Genre emergence: Developments in print, TV and digital media (pp. 13-28). Berlin: Peter Lang.
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Wallot, S. (2019). Multidimensional Cross-Recurrence Quantification Analysis (MdCRQA) – A Method for Quantifying Correlation between Multivariate Time-Series. Multivariate Behavioral Research,54(2), 173-191. doi:10.1080/00273171.2018.1512846.
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Menninghaus, W., Wagner, V., Wassiliwizky, E., Schindler, I., Hanich, J., Jacobsen, T., & Koelsch, S. (2019). What are aesthetic emotions? Psychological Review,126(2), 171-195. doi:10.1037/rev0000135.
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Wallot, S., & Grabowski, J. (2019). A tutorial introduction to Recurrence Quantification Analysis (RQA) for key-logging data. In Observing Writing - Insights from Keystroke Logging and Handwriting (pp. 163-189). Leiden: Brill. doi:10.1163/9789004392526_009.
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Wallot, S., Lee, J. T., & Kelty-Stephen, D. G. (2019). Switching between reading tasks leads to phase-transitions in reading times in L1 and L2 readers. PLoS One,14(2): e0211502. doi:10.1371/journal.pone.0211502.
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Kentner, G., & Franz, I. (2019). No evidence for prosodic effects on the syntactic encoding of complement clauses in German. Glossa: a journal of general linguistics,4(1): 18. doi:10.5334/gjgl.565.
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Haider, T., & Eger, S. (2019). Semantic Change and Emerging Tropes In a Large Corpus of New High German Poetry. In Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change, Florence. https://www.aclweb.org/anthology/W19-4727 (pp. 216-222).
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Schindler, I. (2019). Bewunderung und Verehrung aus psychologischer Sicht. In H. Kappelhoff, J.-H. Bakels, H. Lehmann, & C. Schmitt (Eds.), Emotionen: Ein interdisziplinäres Handbuch (pp. 215-219). Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-05353-4_33.
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Sarkhosh, K. (2019). Woher kommt die Lust an billigen Trash-Horrorfilmen? Empirische Befunde im Licht des Distancing-Embracing-Modells. In E. Brock, & T. Lerchner (Eds.), Denken des Horrors, Horror des Denkens: Erschreckendes, Monströses und Unheimliches aus philosophischer Perspektive (pp. 199-214). Würzburg: Königshausen & Neumann.
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Haider, T. (2019). Diachronic Topics in New High German Poetry. Proceedings of the International Digital Humanities Conference DH2019, Utrecht, https://dev.clariah.nl/files/dh2019/boa/1031.html.
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Birnbaum, D. J., Bories, A.-S., Haider, T., & Sarv, M. (2019). Plotting Poetry 3. Conference Report. Studia Metrica et Poetica,6(2), 150-161. doi:10.12697/smp.2019.6.2.05.
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2018

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2018). Measuring Optimal Reading Experiences: The Reading Flow Short Scale. Frontiers in Psychology,9: 2542. doi:10.3389/fpsyg.2018.02542.
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Knoop, C. A. (2018).Franz Kafka. Baden-Baden: Tectum-Verlag.
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Wallot, S., & Leonardi, G. (2018). Analyzing multivariate dynamics using Cross-Recurrence Quantification Analysis (CRQA), Diagonal-Cross-Recurrence Profiles (DCRP), and Multidimensional Recurrence Quantification Analysis (MdRQA) – A tutorial in R. Frontiers in Psychology,9: 2232. doi:10.3389/fpsyg.2018.02232.
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Wallot, S., & Menninghaus, W. (2018). Ambiguity effects of rhyme and meter. Journal of Experimental Psychology: Learning, Memory, and Cognition.,44(12), 1947-1954. doi:10.1037/xlm0000557.
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Kentner, G. (2018). Jan Michalsky. 2017. Frageintonation im Deutschen. Zur intonatorischen Markierung von Interrogativität und Fragehaltigkeit (Linguistische Arbeiten 566). Zeitschrift für Rezensionen zur germanistischen Sprachwissenschaft,10(1-2), 155-160. doi:10.1515/zrs-2018-0019.
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Menninghaus, W., Wagner, V., Knoop, C. A., & Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. PLoS One,13(11): e0205980. doi:10.1371/journal.pone.0205980.
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Booth, C. R., Brown, H. L., Eason, E. G., Wallot, S., & Kelty-Stephen, D. G. (2018). Expectations on hierarchical scales of discourse: Multifractality predicts both short- and long-range effects of violating gender expectations in text reading. Discourse Processes,55(1), 12-30. doi:10.1080/0163853X.2016.1197811.
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Kuijpers, M. M., & Hakemulder, F. (2018). Understanding and Appreciating Literary Texts Through Rereading. Discourse Processes,55(7), 619-641. doi:10.1080/0163853X.2017.1390352.
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Kraxenberger, M. (2018). Gelesen wie gesprochen: Überlegungen zur Gedichtrezeption als prosodisches (Text-)Gerede im Inneren. In D.-C. Assmann, & N. Menzel (Eds.), TEXTGEREDE Interferenzen Von Mündlichkeit und Schriftlichkeit in der Gegenwartsliteratur (pp. 147-160). Paderborn: Fink.
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Wallot, S., & Mønster, D. (2018). Calculation of Average Mutual Information (AMI) and False-Nearest Neighbors (FNN) for the Estimation of Embedding Parameters of Multidimensional Time Series in Matlab. Frontiers in Psychology,9: 1679. doi:10.3389/fpsyg.2018.01679.
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Wallot, S., & Leonardi, G. (2018). Deriving inferential statistics from recurrence plots: A recurrence-based test of differences between sample distributions and its comparison to the two-sample Kolmogorov-Smirnov test. Chaos: An interdisciplinary journal of nonlinear science,28(8): 085712. doi:10.1063/1.5024915.
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Kraxenberger, M., & Menninghaus, W. (2018). Mimologische Träumereien? Über ikonische Assoziationen von Klang und Gefühlswahrnehmung in Gedichten. In D. Scherf, & A. Bertschi-Kaufmann (Eds.), Ästhetische Rezeptionsprozesse aus didaktischer Perspektive (pp. 72-88). Weinheim, Basel: Beltz Juventa.
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Wassiliwizky, E. (2018). At the root of the paradox: Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al. Physics of Life Reviews,25, 136-138. doi:10.1016/j.plrev.2017.12.008.
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Blohm, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. Poetics,69, 41-56. doi:10.1016/j.poetic.2018.04.005.
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Kraxenberger, M., Menninghaus, W., Roth, A., & Scharinger, M. (2018). Prosody-Based Sound-Emotion Associations in Poetry. Frontiers in Psychology,9: 1284. doi:10.3389/fpsyg.2018.01284.
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Wallot, S., & Kelty-Stephen, D. G. (2018). Interaction-dominant causation in mind and brain, and Its implication for questions of generalization and replication. Minds and machines: journal for artificial intelligence, philosophy and cognitive science,28(2), 353-374. doi:10.1007/s11023-017-9455-0.
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Werth, A., Rocholl, M. J., Henrich, K., Lanwermeyer, M., Schnell, H., Domahs, U., Herrgen, J., & Schmidt, J.-E. (2018). The Interaction of vowel quantity and tonal cues in Cognitive processing: An MMN-study concerning dialectal and standard varieties. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (Linguistische Arbeiten 567) (pp. 183-211). Berlin: de Gruyter.
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Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.
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Hoshi, H., & Menninghaus, W. (2018). The eye tracks the aesthetic appeal of sentences. Journal of Vision,18(3), 1-22. doi:10.1167/18.3.19.
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Scharinger, M. (2018). Neural bases of phonological representations: Empirical approaches and methods. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (pp. 241-272). Berlin, Boston: Walter de Gruyter GmbH. doi:10.1515/9783110542899-010.
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Sarkhosh, K. (2018). Kurz und kernig statt lang und erbärmlich? Einige Beobachtungen zum Verhältnis von Erfolg, Staffellaufzeiten und narrativer Dichte in aktuellen ›Quality TV‹-Serien. In M. Baßler, & M. Nies (Eds.), Short Cuts. Ein Verfahren zwischen Roman, Film und Serie (pp. 217-247). Marburg: Schüren.
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Menninghaus, W. (2018).Sei no nakaba: Hoeldelin shigaku ni matsuwaru shiron (=Japanese translation of Hälfte des Lebens: Versuch über Hölderlins Poetik, Frankfurt: Suhrkamp, 2005). Translated by Yoshikazu Takemine. Tokio: Getsuyousha Limited.
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Haider, T., & Kuhn, J. (2018). Supervised Rhyme Detection with Siamese Recurrent Networks. In B. Alex, S. Degaetano-Ortlieb, A. Feldman, A. Kazantseva, N. Reiter, & S. Szpakowicz (Eds.), Proceedings of the Second Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature (pp. 81-86).
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2017

Auracher, J., & Hirose, A. (2017). The influence of reader’s stereotypes on the assessment of fictional characters. Comparative Literature Studies,54(4), 795-823. doi:10.5325/complitstudies.54.4.0795.
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Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences,40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.
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Blohm, S., Menninghaus, W., & Schlesewsky, M. (2017). Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence. Frontiers in Psychology,8: 1887. doi:10.3389/fpsyg.2017.01887.
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Scharinger, M. (2017). Are there brain bases for phonological markedness? In B. D. Samuels (Ed.), Beyond Markedness in Formal Phonology (pp. 191-218). Amsterdam/Philadelphia: John Benjamins Publishing Company.
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Auracher, J. (2017). Sound iconicity of abstract concepts: Place of articulation is implicitly associated with abstract concepts of size and social dominance. PLoS One,12(11): e0187196. doi:10.1371/journal.pone.0187196.
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Hosoya, G., Schindler, I., Beermann, U., Wagner, V., Menninghaus, W., Eid, M., & Scherer, K. (2017). Mapping the Conceptual Domain of Aesthetic Emotion Terms: A Pile-Sort Study. Psychology of Aesthetics, Creativity, and the Arts,11(4), 457-473. doi:10.1037/aca0000123.
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Kelty-Stephen, D., & Wallot, S. (2017). Multifractality versus (mono)fractality in the narrative about nonlinear interactions across time scales: Disentangling the belief in nonlinearity from the diagnosis of nonlinearity. Ecological Psychology,29(4), 259-299. doi:10.1080/10407413.2017.1368355.
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Menninghaus, W., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Knoop, C. A. (2017). The emotional and aesthetic powers of parallelistic diction. Poetics,63, 47-59. doi:10.1016/j.poetic.2016.12.001.
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Scharinger, M., Steinberg, J., & Tavano, A. (2017). Integrating speech in time depends on temporal expectancies and attention. Cortex,93, 28-40. doi:10.1016/j.cortex.2017.05.001.
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Wassiliwizky, E., Koelsch, S., Wagner, V., Jacobsen, T., & Menninghaus, W. (2017). The emotional power of poetry: Neural circuitry, psychophysiology, compositional principles. Social Cognitive and Affective Neuroscience,12(8), 1229-1240. doi:10.1093/scan/nsx069.
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Sarkhosh, K. (2017). Trash, Boom, Bang: Ein Forschungsüberblick. In J. Nesselhauf, & M. Schleich (Eds.), Banal, trivial, phänomenal. Spielarten des Trash (pp. 11-42). Darmstadt: Büchner.
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Ishizu, T., & Sakamoto, Y. (2017). Ugliness as the fourth wall-breaker: Comment on “Move me, astonish me.. delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative, and neurophysiological correlates” by Matthew Pelowski et al. Physics of Life Reviews,21, 138-139. doi:10.1016/j.plrev.2017.06.003.
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Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., & Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLoS One,12(6): e0178899. doi:10.1371/journal.pone.0178899.
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Gemma, M. L., Glorieux, F., & Ganascia, J.-G. (2017). Operationalizing the colloquial style: Repetition in 19th-century American fiction. Digital Scholarship in the Humanities,32(2), 312-335. doi:10.1093/llc/fqv066.
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Wallot, S. (2017). Recurrence quantification analysis of processes and products of discourse: A tutorial in R. Discourse Processes,54(5-6), 382-405. doi:10.1080/0163853X.2017.1297921.
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Mitkidis, P., Ayal, S., Shalvi, S., Heimann, K., Levy, G., Kyselo, M., Wallot, S., Ariely, D., & Roepstorff, A. (2017). The effects of extreme rituals on moral behavior: The performers-observers gap hypothesis. Journal of Economic Psychology,59, 1-7. doi:10.1016/j.joep.2016.12.007.
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Drews, H. J., Wallot, S., Weinhold, S. L., Mitkidis, P., Baier, P. C., Roepstorff, A., & Goeder, R. (2017). "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders,2017: 8140672. doi:10.1155/2017/8140672.
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Kandylaki, K. D., Henrich, K., Nagels, A., Kircher, T., Domahs, U., Schlesewsky, M., Bornkessel-Schlesewsky, I., & Wiese, R. (2017). Where Is the Beat? The Neural Correlates of Lexical Stress and Rhythmical Well-formedness in Auditory Story Comprehension. Journal of Cognitive Neuroscience,29(7), 1119-1131.
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Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences,40: e347. doi:10.1017/S0140525X17000309.
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Wassiliwizky, E., Jacobsen, T., Heinrich, J., Schneiderbauer, M., & Menninghaus, W. (2017). Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology,8: 41. doi:10.3389/fpsyg.2017.00041.
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Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.
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Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.
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Hanich, J., & Menninghaus, W. (2017). Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies,56(4), 76-101. doi:10.1353/cj.2017.0041.
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Haider, T., & Palmer, A. (2017). Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In Proceedings of the Workshop on Stylistic Variation, EMNLP 2017 (pp. 74-84). Copenhagen, Stroudsburg, PA: Association for Computational Linguistics.
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Sarkhosh, K. (2017). Wenn die Wirklichkeit aus den Fugen gerät. Über das konfliktbeladene Aufeinandertreffen inkompatibler Glaubens- und Erkenntnissysteme in drei britischen fantastischen Filmen des Jahres 1973 (›The Legend of Hell House‹, ›Don’t Look Now‹, ›The Wicker Man‹). In S. Klimek, T. Lambrecht, & T. Kindt (Eds.), Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945 (pp. 77-101). Heidelberg: Universitätsverlag Winter.
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Sarkhosh, K. (2017). Confectioning World Literature. Reader’s Guides and the Uniformity of Taste. In A. Tomiche (Ed.), Le comparatisme comme approche critique/Comparative literature as a critical approach (pp. 63-72). Paris: Classiques Garnier.
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Sarkhosh, K. (2017). »The Land of Lost Content« – Ökokritik im Zeichen von Utopie, Alterität und Nostalgie in Nicolas Roegs Filmen ›Walkabout‹ (1971) und ›The Man Who Fell to Earth‹ (1976). In C. Sollte-Gresser, & C. Schmidt (Eds.), Literatur und Ökologie: Neue literatur- und kulturwissenschaftliche Perspektiven (pp. 213-226). Bielefeld: AISTHESIS.
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2016

Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. PLoS One,11(12): e0168306. doi:10.1371/journal.pone.0168306.
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Menninghaus, W. (2016). Caprices of fashion in culture and biology: Charles Darwin’s aesthetics of "ornament". In G. Matteucci, & S. Marino (Eds.), Philosophical Perspectives on Fashion (pp. 137-150). London, New York: Bloomsbury Academic.
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Scharinger, M., Domahs, U., Klein, E., & Domahs, F. (2016). Mental representations of vowel features asymmetrically modulate activity in superior temporal sulcus. Brain and Language,163, 42-49. doi:10.1016/j.bandl.2016.09.002.
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Wallot, S., Roepstorff, A., & Mønster, D. (2016). Multidimensional Recurrence Quantification Analysis (MdRQA) for the analysis of multidimensional time-series: A software implementation in MATLAB and its application to group-level data in joint action. Frontiers in Psychology,7: 1835. doi:10.3389/fpsyg.2016.01835.
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Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology,7: 1779. doi:10.3389/fpsyg.2016.01779.
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Menninghaus, W. (2016).Disgusto. Teoria e storia di una sensazione forte. (= Italian translation of Ekel. Theorie und Geschichte einer starken Empfindung). A Cura di Serena Feloj. Milano: Mimesis.
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O'Brien, B. A., & Wallot, S. (2016). Silent reading fluency and comprehension in bilingual children. Frontiers in Psychology,7: 1265. doi:10.3389/fpsyg.2016.01265.
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Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.
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Scharinger, M. (2016). Ungestörte Lautverarbeitung. In U. Domahs, & B. Primus (Eds.), Handbuch Laut, Gebärde, Buchstabe (pp. 163-181). Berlin: Mouton de Gruyter. doi:10.1515/9783110295993-010.
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Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics,56, 35-49. doi:10.1016/j.poetic.2016.02.001.
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Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.
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Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.
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Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.
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Auracher, J., & Bosch, H. (2016). Showing with words. Scientific Study of Literature,6(2), 208-242. doi:10.1075/ssol.6.2.03aur.
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Scharinger, M., Monahan, P. J., & Idsardi, W. J. (2016). Linguistic category structure influences early auditory processing: Converging evidence from mismatch responses and cortical oscillations. NeuroImage,128, 293-301. doi:10.1016/j.neuroimage.2016.01.003.
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Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H. R., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2016). Effects of empathic social responses on the emotions of the recipient. Brain and Cognition,103, 50-61. doi:10.1016/j.bandc.2015.11.004.
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Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.
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Sakamoto, Y. (2016). Hifu, Soshite Bisyouhyoushou he no Tabi [= Grenzgänge der Wahrnehmung. Zur Neurologie der petites perceptions.]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 51-75.
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Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.
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Sakamoto, Y. (2016). Shinkeikei Jinbungaku Josetu [= Einführung in die neuronalen Geisteswissenschaften]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 6-18.
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Knoop, C. A. (2016). Criticism or ressentiment? Literary studies and the politics of interdisciplinarity. In J. Riou, & M. Gallagher (Eds.), Re-thinking ressentiment. On the limits of criticism and the limits of its critics (pp. 149-166). Bielefeld: transcript.
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Lanwermeyer, M., Henrich, K., Rocholl, M. J., Schnell, H. T., Werth, A., Herrgen, J., & Schmidt, J. E. (2016). Dialect Variation Influences the Phonological and Lexical-Semantic Word Processing in Sentences. Electrophysiological Evidence from a Cross-Dialectal Comprehension Study. Frontiers in Psychology,7: 739. doi:10.3389/fpsyg.2016.00739.
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Knoop, C. A. (2016). Ausgangspunkte neu erzählen: Der Raum der Herkunft in Jean Genets Journal du Voleur. In M. Benz, & K. Dennerlein (Eds.), Literarische Räume der Herkunft. Fallstudien zu einer historischen Narratologie (pp. 311-335). Berlin, Boston: De Gruyter.
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Skovgaard Lyby, M., Wallot, S., Wallot, A., & Mehlsen, M. Y. (2016). Perspektiver inden for teknologisk-assisteret indsamling af data i psykologisk forandring - rammesat af den synergetiske psykologi [Möglichkeiten der technologiegestützten Datenerfassung psychischer Veränderungsprozesse – Methoden der synergetischen Psychologie]. Psyke & Logos,37(1), 144-170.
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Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.
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Sarkhosh, K. (2016). Rezension zu Jeff Thoss: When Storyworlds Collide. Metalepsis in Popular Fiction, Film and Comics (Studies in Intermediality 7) Leiden/Boston: Brill-Rodopi, 2015. Arbeiten aus Anglistik und Amerikanistik,41(2), 93-97.
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Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207. doi:10.1075/ssol.6.2.02bal.
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2015

Wassiliwizky, E., Wagner, V., Jacobsen, T., & Menninghaus, W. (2015). Art-elicited chills indicate states of being moved. Psychology of Aesthetics, Creativity, and the Arts,9(4), 405-416. doi:10.1037/aca0000023.
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Sarkhosh, K. (2015). Schuld, Geld und Vergeltung in Arthur Schnitzlers Traumnovelle und Stanley Kubricks Eyes Wide Shut. Arcadia: International journal of literary culture,50(2), 366-388. doi:10.1515/arcadia-2015-0026.
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Sarkhosh, K. (2015). Die Macht der Filmbilder. Literaturgeschichte(n) und visuelle Evidenz im Kontext des populären Buchmarktes. In A. Hölter, & M. Schmitz-Emans (Eds.), Literaturgeschichte und Bildmedien (HERMEIA) (pp. 203-230). Heidelberg: Synchron Publishers GmbH.
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Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.
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Tavano, A., & Scharinger, M. (2015). Prediction in speech and language processing. Cortex,68, 1-7. doi:10.1016/j.cortex.2015.05.001.
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Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal.pone.0128451.
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Koelsch, S., Jacobs, A. M., Menninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., & Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life Reviews, (13), 1-27. doi:10.1016/j.plrev.2015.03.001.
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Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.
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Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5): e0124550. doi:10.1371/journal.pone.0124550.
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Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.
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Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 393-411). Gifkendorf: Merlin.
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Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 217-239). Gifkendorf: Merlin.
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Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.
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2014

Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.
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Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik. Berlin: De Gruyter.
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Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.
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Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.
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Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.
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Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45, 64-75. doi:10.1016/j.wocn.2014.03.006.
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Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.
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Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.
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Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.
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Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.
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Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.
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Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.
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Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.
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2013

Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.
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Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.
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Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.
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Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.
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Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.
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Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.
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Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260. doi:10.3389/fpsyg.2013.00260.
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Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.
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