Publications of the Institute

The MPG PublicationRepository (PuRe) offers you an overview of all institute publications. Apart from browsing through the institute's complete output, you can choose to view publication lists sorted by departments or researchers.

MPG.PuRe: Empirical Aesthetics

 

2023

Cohen, D. E. (2023). "A body composed of many parts": The concept of harmony in Leonardo da Vinci’s Paragone. In C. Henry, & T. Shephard (Eds.), Music and visual culture in Renaissance Italy. London: Routledge Taylor & Francis Ltd.
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Abuduaini, Y., Pu, Y., Thompson, P. M., & Kong, X.-Z. (2023). Significant heterogeneity in structural asymmetry of the habenula in the human brain: A systematic review and meta-analysis (Early View). Human Brain Mapping. doi:10.1002/hbm.26337.
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Anglada-Tort, M., Lee, H., Krause, A. E., & North, A. C. (2023). Here comes the sun: music features of popular songs reflect prevailing weather conditions. Royal Society Open Science,10(5). doi:10.1098/rsos.221443.
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Kasten, K., Jacoby, N., & Ahissar, M. (2023). Poor synchronization yet adequate tempo-keeping in adults with autism (Early View). Autism Research. doi:10.1002/aur.2926.
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Steffens, J., & Anglada-Tort, M. (2023). The effect of visual recognition on listener choices when searching for music in playlists (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000562.
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Larrouy-Maestri, P., Kegel, V., Schlotz, W., van Rijn, P., Menninghaus, W., & Poeppel, D. (2023). Ironic twists of sentence meaning can be signaled by forward move of prosodic stress (Online First Posting). Journal of Experimental Psychology: General. doi:10.1037/xge0001377.
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Wald-Fuhrmann, M., O’Neill, K., Weining, C., Egermann, H., & Tröndle, M. (2023). The influence of formats and preferences on the aesthetic experience of classical music concert streams (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000560.
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Merrill, J., Frieler, K., & Ackermann, T. (2023). The structure of musical dislikes (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000565.
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Merseal, H. M., Beaty, R. E., Kenett, Y. N., Lloyd-Cox, J., de Manzano, Ö., & Norgaard, M. (2023). Representing melodic relationships using network science. Cognition,233: 105362. doi:10.1016/j.cognition.2022.105362.
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Gustavson, D. E., Coleman, P. L., Wang, Y., Nitin, R., Petty, L. E., Bush, C. T., Mosing, M. A., Wesseldijk, L. W., Ullén, F., 23 and Me Research Team, Below, J. E., Cox, N. J., & Gordon, R. L. (2023). Exploring the genetics of rhythmic perception and musical engagement in the Vanderbilt Online Musicality Study. Annals of the New York Academy of Sciences,1521(1), 140-154. doi:10.1111/nyas.14964.
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Mikutta, C. A., Knight, R. T., Sammler, D., Müller, T. J., & Koenig, T. (2023). Electrocorticographic activation patterns of electroencephalographic microstates. Brain Topography. doi:10.1007/s10548-023-00952-1.
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Anglada-Tort, M., Harrison, P. M. C., Lee, H., & Jacoby, N. (2023). Large-scale iterated singing experiments reveal oral transmission mechanisms underlying music evolution (In Press, Corrected Proof). Current Biology. doi:10.1016/j.cub.2023.02.070.
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Kong, X.-Z., Zhang, F., & Pu, Y. (2023). The functional brain network that supports human spatial navigation. Advances in Psychological Science,31(3), 330-337. doi:10.3724/SP.J.1042.2023.00330.
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Michalareas, G., Kusnir, F., Thut, G., & Gross, J. (2023). The timing of cortical activation in associator grapheme-colour synaesthetes using MEG. Neuropsychologia,181: 108491. doi:10.1016/j.neuropsychologia.2023.108491.
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Cracco, E., Linthout, T., & Orgs, G. (2023). The role of objecthood and animacy in apparent movement processing. Social Cognitive and Affective Neuroscience,18(1): nsad014. doi:10.1093/scan/nsad014.
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Gibbings, A., Henry, M. J., Cruse, D., Stojanoski, B., & Grahn, J. A. (2023). Attention modulates neural measures associated with beat perception (Accepted manuscript). European Journal of Neuroscience: European Neuroscience Association. doi:10.1111/ejn.15962.
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Schmidt-Kassow, M., White, T.-N., Abel, C., & Kaiser, J. (2023). Pre-stimulus beta power varies as a function of auditory-motor synchronization and temporal predictability. Frontiers in Neuroscience,17: 1128197. doi:10.3389/fnins.2023.1128197.
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Rimmele, J. M., Sun, Y., Michalareas, G., Ghitza, O., & Poeppel, D. (2023). Dynamics of functional networks for syllable and word-level processing. Neurobiology of Language,4(1), 120-144. doi:10.1162/nol_a_00089.
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Lubinus, C., Keitel, A., Obleser, J., Poeppel, D., & Rimmele, J. M. (2023). Explaining flexible continuous speech comprehension from individual motor rhythms. Proceedings of the Royal Society B: Biological Sciences,290(1994): 20222410. doi:10.1098/rspb.2022.2410.
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van Rijn, P., & Larrouy-Maestri, P. (2023). Modelling individual and cross-cultural variation in the mapping of emotions to speech prosody. Nature Human Behaviour,7, 386-396. doi:10.1038/s41562-022-01505-5.
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Gordon, R. L., Martschenko, D. O., Nayak, S., Niarchou, M., Morrison, M. D., Bell, E., Jacoby, N., & Davis, L. K. (2023). Confronting ethical and social issues related to the genetics of musicality (Early View). Annals of the New York Academy of Sciences. doi:10.1111/nyas.14972.
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Melloni, L., Mudrik, L., Pitts, M., Bendtz, K., Ferrante, O., Gorska, U., Hirschhorn, R., Khalaf, A., Kozma, C., Lepauvre, A., Liu, L., Mazumder, D., Richter, D., Zhou, H., Blumenfeld, H., Boly, M., Chalmers, D. J., Devore, S., Fallon, F., de Lange, F. P., Jensen, O., Kreiman, G., Luo, H., Panagiotaropoulos, T. I., Dehaene, S., Koch, C., & Tononi, G. (2023). An adversarial collaboration protocol for testing contrasting predictions of global neuronal workspace and integrated information theory. PLoS One,18(2): e0268577. doi:10.1371/journal.pone.0268577.
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Weise, A., Grimm, S., Rimmele, J. M., & Schröger, E. (2023). Auditory representations for long lasting sounds: Insights from event-related brain potentials and neural oscillations. Brain and Language,237: 105221. doi:10.1016/j.bandl.2022.105221.
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Kazanina, N., & Tavano, A. (2023). What neural oscillations can and cannot do for syntactic structure building. Nature Reviews Neuroscience,24, 113-128. doi:10.1038/s41583-022-00659-5.
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Høffding, S., Heimann, K., & Martiny, K. (2023). Editorial: Working with others’ experience. Phenomenology and the Cognitive Sciences,22, 1-24. doi:10.1007/s11097-022-09873-z.
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Wald-Fuhrmann, M. (2023). Du holde Kunst: Trost als Funktion des Musikhörens und Musizierens während der Corona-Pandemie. In T. Bulang (Ed.), Trost: Beistand, Zuspruch und Trostgründe in der Krise (pp. 261-283). Heidelberg: Winter.
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Wesseldijk, L. W., Lu, Y., Karlsson, R., Ullén, F., & Mosing, M. A. (2023). A comprehensive investigation into the genetic relationship between music engagement and mental health. Translational Psychiatry,13: 15. doi:10.1038/s41398-023-02308-6.
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Herrmann, B., Maess, B., Henry, M. J., Obleser, J., & Johnsrude, I. S. (2023). Neural signatures of task-related fluctuations in auditory attention and age-related changes. NeuroImage, 119883. doi:10.1016/j.neuroimage.2023.119883.
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Trenado, C., Boschheidgen, M., N’Diaye, K., Schnitzler, A., Mallet, L., & Wojtecki, L. (2023). No effect of subthalamic deep brain stimulation on metacognition in Parkinson’s disease. Scientific Reports,13: 10. doi:10.1038/s41598-022-26980-8.
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Pike, A. C., Atherton, K. E., Bauer, Y., Crittenden, B. M., van Ede, F., Hall-McMaster, S., von Lautz, A. H., Muhle-Karbe, P. S., Murray, A. M., Myers, N. E., Printzlau, F., Salaris, I., Spaak, E., Tankelevitch, L., Trübutschek, D., Wasmuht, D., & Noonan, M. P. (2023). 10 simple rules for a supportive lab environment. Journal of Cognitive Neuroscience,35(1), 44-48. doi:10.1162/jocn_a_01928.
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2022

Wörner, F., & Wald-Fuhrmann, M. (Eds.). (2022).Lexikon Schriften über Musik: Vol. 2. Musikästhetik in Europa und Nordamerika. Kassel, Stuttgart: Bärenreiter/Metzler.
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Pearson, L. (2022). A social aesthetics and ethics of imperfection: Insights from Karnatak Music, Jazz and free improvisation. In P. Cheyne (Ed.), Imperfectionist aesthetics in art and everyday life. New York: Routledge.
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Blohm, S., & Knoop, C. A. (2022). Rhyme. In P. Gill (Ed.), An Introduction to Poetic Forms (pp. 9-22). New York: Routledge.
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Notter, M. P., Herholz, P., Costa, S. D., Gulban, O. F., Isik, A. I., Gaglianese, A., & Murray, M. M. (2022). fMRIflows: A Consortium of Fully Automatic Univariate and Multivariate fMRI Processing Pipelines. Brain Topography. doi:10.1007/s10548-022-00935-8.
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Menninghaus, W. (2022). „Wo er vorbei dir glänzt“: Poetische Sprache und das Wechselspiel des Lieblichen mit dem Erhabenen in Hölderlins Ode „Heidelberg“. Poetica,53(3-4), 253-289. doi:10.30965/25890530-05301011.
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Wald-Fuhrmann, M. (2022). Coronamusic(king):Types, repertoires, consolatory function. In M. Agamennone, D. Palma, & G. Sarno (Eds.), Sounds of the pandemic: Accounts, experiences, perspectives in times of COVID-19 (pp. 193-212). London: Taylor & Francis.
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Sierra, F., Muralikrishnan, R., Poeppel, D., & Tavano, A. (2022). A perceptual glitch in serial perception generates temporal distortions. Scientific Reports,12: 21065. doi:10.1038/s41598-022-25573-9.
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Müllensiefen, D., Elvers, P., & Frieler, K. (2022). Musical development during adolescence: Perceptual skills, cognitive resources, and musical training. Annals of the New York Academy of Sciences,1518(1), 264-281. doi:10.1111/nyas.14911.
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Conwell, C., Graham, D., Konkle, T., & Vessel, E. A. (2022). Purely perceptual machines robustly predict human visual arousal, valence, and aesthetics. Journal of Vision,22: 4266.
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Blohm, S., & Knoop, C. A. (2022). What to expect from a poem? The primacy of rhyme in college students’ conceptions of poetry. In V. Sykäri, & N. Fabb (Eds.), Rhyme and Rhyming in Verbal Art, Language, and Song (pp. 264-276). Helsinki: Finnish Literature Society, SKS.
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Weinmann, T., Forster, F., Hell, K., Gerlich, J., Wengenroth, L., Schlotz, W., Vogelberg, C., von Mutius, E., Nowak, D., & Radon, R. (2022). Work-related stress and atopic dermatitis: Results from the Study on Occupational Allergy Risks. Journal of Occupational and Environmental Hygiene. doi:10.1080/15459624.2022.2151604.
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Kaya, E., & Henry, M. J. (2022). Reliable estimation of internal oscillator properties from a novel, fast-paced tapping paradigm. Scientific Reports,12: 20466. doi:10.1038/s41598-022-24453-6.
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Chormai, P., Pu, Y., Hu, H., Fisher, S. E., Francks, C., & Kong, X.-Z. (2022). Machine learning of large-scale multimodal brain imaging data reveals neural correlates of hand preference. NeuroImage,262: 119534. doi:10.1016/j.neuroimage.2022.119534.
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Ullén, F. (2022). Expertise and the brain of the performing artist. In M. Skov, & M. Nadal (Eds.), The Routledge international handbook of neuroaesthetics (pp. 526-538). London: Taylor & Francis Ltd. doi:10.4324/9781003008675-30.
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Golbabaei, S., Christensen, J. F., Vessel, E. A., Kazemian, N., & Borhani, K. (2022). The Aesthetic Responsiveness Assessment (AReA) in Farsi language: A scale validation and cultural adaptation study. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. doi:10.1037/aca0000532.
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Lubinus, C., Einhäuser, W., Schiller, F., Kircher, T., Straube, B., & van Kemenade, B. M. (2022). Action-based predictions affect visual perception, neural processing, and pupil size, regardless of temporal predictability. NeuroImage,263: 119601. doi:10.1016/j.neuroimage.2022.119601.
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Ilhan-Bayrakcı, M., Cabral-Calderin, Y., Bergmann, T. O., Tüscher, O., & Stroh, A. (2022). Individual slow wave events give rise to macroscopic fMRI signatures and drive the strength of the BOLD signal in human resting-state EEG-fMRI recordings. Cerebral Cortex,32(21): bhab516, pp. 4782-4796. doi:10.1093/cercor/bhab516.
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Tomasello, R., Grisoni, L., Boux, I., Sammler, D., & Pulvermüller, F. (2022). Instantaneous neural processing of communicative functions conveyed by speech prosody. Cerebral Cortex,32(21): bhab522, pp. 4885-4901. doi:10.1093/cercor/bhab522.
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Schindler, I., Wagner, V., Jacobsen, T., & Menninghaus, W. (2022). Lay conceptions of “being moved” (“bewegt sein”) include a joyful and a sad type: Implications for theory and research. PLoS One,17(10): e0276808. doi:10.1371/ journal.pone.0276808.
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Fink, L., Durojaye, C., Roeske, T. C., Wald-Fuhrmann, M., & Larrouy-Maestri, P. (2022). The Dùndún Drum helps us understand how we process speech and music. Frontiers for Young Minds,10: 755390. doi:10.3389/frym.2022.755390.
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Vessel, E. A., Ishizu, T., & Bignardi, G. (2022). Neural correlates of visual aesthetic appeal. In M. Skov, & M. Nadal (Eds.), The Routledge international handbook of neuroaesthetics (pp. 103-133). London: Routledge.
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Tschense, M., & Wallot, S. (2022). Modeling items for text comprehension assessment using confirmatory factor analysis. Frontiers in Psychology,13: 966347. doi:10.3389/fpsyg.2022.966347.
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Menninghaus, W., & Blohm, S. (2022). Empirical Aesthetics of Poetry. In M. Nadal, & O. Vartanian (Eds.), The Oxford Handbook of Empirical Aesthetics (pp. 704-720). Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780198824350.013.33.
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Mercier, M. R., Dubarry, A.-S., Tadel, F., Avanzini, P., Axmacher, N., Cellier, D., Vecchio, M. D., Hamilton, L. S., Hermes, D., Kahana, M. J., Knight, R. T., Llorens, A., Megevand, P., Melloni, L., Miller, K. J., Piai, V., Puce, A., Ramsey, N. F., Schwiedrzik, C. M., Smith, S. E., Stolk, A., Swann, N. C., Vansteensel, M. J., Voytek, B., Wang, L., Lachaux, J.-P., & Oostenveld, R. (2022). Advances in human intracranial electroencephalography research, guidelines and good practices. NeuroImage,260: 119438. doi:10.1016/j.neuroimage.2022.119438.
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Lippolis, M., Müllensiefen, D., Frieler, K., Matarrelli, B., Vuust, P., Cassibba, R., & Brattico, E. (2022). Learning to play a musical instrument in the middle school is associated with superior audiovisual working memory and fluid intelligence: A cross-sectional behavioral study. Frontiers in Psychology,13: 982704. doi:10.3389/fpsyg.2022.982704.
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Kong, X.-Z., Zhang, C., Liu, Y., & Pu, Y. (2022). Scanning reproducible brain-wide associations: Sample size is all you need? Psychoradiology,2(3), 66-67. doi:10.1093/psyrad/kkac010.
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Schiller, D., Mertes, S., van Rijn, P., & André, E. (2022). Bridging the gap: End-to-end domain adaptation for emotional vocalization classification using adversarial learning. In MuSe' 22: Proceedings of the 3rd International on Multimodal Sentiment Analysis Workshop and Challenge (pp. 95-100). New York, NY: Association for Computing Machinery. doi:10.1145/3551876.3554816.
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Anglada-Tort, M., Harrison, P. M. C., & Jacoby, N. (2022). REPP: A robust cross-platform solution for online sensorimotor synchronization experiments. Behavior Research Methods,54, 2271-2285. doi:10.3758/s13428-021-01722-2.
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Wesseldijk, L., Ullén, F., & Mosing, M. A. (2022). A comprehensive investigation into the genetic relationship between music engagement and mental health. European Neuropsychopharmacology,63, e286-e287. doi:10.1016/j.euroneuro.2022.07.508.
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Jakubowski, K., Polak, R., Rocamora, M., Jure, L., & Jacoby, N. (2022). Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony. Cognition,227: 105205. doi:10.1016/j.cognition.2022.105205.
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Frischen, U., Degé, F., & Schwarzer, G. (2022). The relation between rhythm processing and cognitive abilities during child development: The role of prediction. Frontiers in Psychology,13: 920513. doi:10.3389/fpsyg.2022.920513.
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Kim, S.-G. (2022). On the encoding of natural music in computational models and human brains. Frontiers in Neuroscience,16: 928841. doi:10.3389/fnins.2022.928841.
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Bär, C. (2022). Urbanes Place-Making und Sprechen über Musik. In B. Busse, & I. H. Warnke (Eds.), Handbuch Sprache im urbanen Raum/Handbook of Language in Urban Space (pp. 165-190). Berlin: De Gruyter. doi:10.1515/9783110296334-008.
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Pearson, L., & Pouw, W. (2022). Gesture–vocal coupling in Karnatak music performance: A neuro–bodily distributed aesthetic entanglement. Annals of the New York Academy of Sciences,1515(1), 219-236. doi:10.1111/nyas.14806.
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Tomashin, A., Leonardi, G., & Wallot, S. (2022). Four methods to distinguish between fractal dimensions in time series through recurrence quantification analysis. Entropy,24(9). doi:10.3390/e24091314.
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Gugnowska, K., Novembre, G., Kohler, N., Villringer, A., Keller, P. E., & Sammler, D. (2022). Endogenous sources of interbrain synchrony in duetting pianists. Cerebral Cortex,32(18): bhab469, pp. 4110-4127. doi:10.1093/cercor/bhab469.
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Cont, C., Stute, N., Galli, A., Schulte, C., Logmin, K., Trenado, C., & Wojtecki, L. (2022). Retrospective real-world pilot data on transcranial pulse stimulation in mild to severe Alzheimer's patients. Frontiers in Neurology,13: 948204. doi:10.3389/fneur.2022.948204.
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Bairnsfather, J. E., Osborne, M. S., Martin, C., Mosing, M. A., & Wilson, S. J. (2022). Use of explicit priming to phenotype absolute pitch ability. PLoS One,17(9): e0273828. doi:10.1371/journal.pone.0273828.
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Weineck, K., Wen, O. X., & Henry, M. J. (2022). Neural synchronization is strongest to the spectral flux of slow music and depends on familiarity and beat salience. eLife,11: e75515. doi:10.7554/eLife.75515.
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Heimann, K., Boelsbjerg, H. B., Allen, C., van Beek, M., Suhr, C., Lübbert, A., & Petitmengin, C. (2022). The lived experience of remembering a ‘good’ interview: Micro-phenomenology applied to itself. Phenomenology and the Cognitive Sciences. doi:10.1007/s11097-022-09844-4.
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Larrouy-Maestri, P., Poeppel, D., & Pfordresher, P. Q. (2022). Pitch units in music and speech prosody. In M. Scharinger, & R. Wiese (Eds.), How language speaks to music: Prosody from a cross-domain perspective (pp. 17-41). Berlin: De Gruyter. doi:10.1515/9783110770186-002.
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Arjava, H., & Kentner, G. (2022). Alignment of prosodic weight and musical length in Finnish vocal music textsetting. In M. Scharinger, & R. Wiese (Eds.), How Language Speaks to Music. Prosody from a Cross-domain Perspective (pp. 161-190). Berlin, Boston: De Gruyter. doi:10.1515/9783110770186-007.
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Larrouy-Maestri, P., Poeppel, D., & Pfordresher, P. Q. (2022). Pitch units in music and speech prosody. In M. Scharinger, & R. Wiese (Eds.), How language speaks to music (pp. 17-42). Berlin, Boston: De Gruyter. doi:10.1515/9783110770186-002.
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Kentner, G., Franz, I., & Menninghaus, W. (2022). Poetics of reduplicative word formation: evidence from a rating and recall experiment. Language and Cognition,14(3), 333-361. doi:10.1017/langcog.2021.27.
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Frank, P., Heimann, K., Kolbe, V., & Schuster, C. (2022). Can guided introspection help avoid rationalization of meat consumption? Mixed-methods results of a pilot experimental study. Cleaner and Responsible Consumption,6: 100070. doi:10.1016/j.clrc.2022.100070.
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Niarchou, M., Gustavson, D. E., Sathirapongsasuti, J. F., Anglada-Tort, M., Eising, E., Bell, E., McArthur, E., Straub, P., The 23andMe Research Team, McAuley, J. D., Capra, J. A., Ullén, F., Creanza, N., Mosing, M. A., Hinds, D., Davis, L. K., Jacoby, N., & Gordon, R. L. (2022). Genome-wide association study of musical beat synchronization demonstrates high polygenicity. Nature Human Behaviour,6, 1292-1309. doi:10.1038/s41562-022-01359-x.
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Grüny, C. (2022). Beyond making sense. PAJ: A Journal of Performance and Art,44(3 (132)), 92-96. doi:10.1162/pajj_a_00632.
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Bianco, R., Novembre, G., Ringer, H., Kohler, N., Keller, P. E., Villringer, A., & Sammler, D. (2022). Lateral prefrontal cortex is a hub for music production from structural rules to movements. Cerebral Cortex,32(18): bhab454, pp. 3878-3895. doi:10.1093/cercor/bhab454.
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Wesseldijk, L. W., Abdellaoui, A., Gordon, R. L., 23andMe Research Team, Ullén, F., & Mosing, M. A. (2022). Using a polygenic score in a family design to understand genetic influences on musicality. Scientific Reports,12: 14658. doi:10.1038/s41598-022-18703-w.
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Willemsen, S., Bálint, K., Hakemulder, F., Kiss, M., Konijn, E., & Fayn, K. (2022). Who likes complex films? Personality and preferences for narrative complexity. In S. Willemsen, & M. Kiss (Eds.), Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature (pp. 355-383). Berghahn.
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Willemsen, S., & Kiss, M. (2022). Introduction: Puzzling Stories. In S. Willemsen, & M. Kiss (Eds.), Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature (pp. 1-12). Berghahn.
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Willemsen, S., & Miklós, K. (Eds.). (2022).Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature. Berghahn.
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Haake, L., Wallot, S., Tschense, M., & Grabowski, J. (2022). Global temporal typing patterns in foreign language writing: Exploring language proficiency through recurrence quantification analysis (RQA). Reading and Writing. doi:10.1007/s11145-022-10331-0.
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Lange, E. B., Omigie, D., Trenado, C., Müller, V., Wald-Fuhrmann, M., & Merrill, J. (2022). In touch: Cardiac and respiratory patterns synchronize during ensemble singing with physical contact. Frontiers in Human Neuroscience,16: 928563. doi:10.3389/fnhum.2022.928563.
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Schoof, K. (2022). Die Hochschulbibliothek als Lernort: Zugänge und Befunde einer ethnografischen Nutzungsforschung. In D. Meyer, J. Reuter, & O. Berli (Eds.), Ethnografie der Hochschule: Zur Erforschung universitärer Praxis (pp. 151-172). Bielefeld: transcript.
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Anglada-Tort, M., & Skov, M. (2022). What counts as Aaesthetics in science? A bibliometric analysis and visualization of the scientific literature from 1970 to 2018. Psychology of Aesthetics, Creativity, and the Arts,16(3), 553-568. doi:10.1037/aca0000350.
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Welke, D., & Vessel, E. A. (2022). Naturalistic viewing conditions can increase task engagement and aesthetic preference but have only minimal impact on EEG quality. NeuroImage,256: 119218. doi:10.1016/j.neuroimage.2022.119218.
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Sojoudi, S., Jahanitabesh, A., Hatami, J., & Christensen, J. F. (2022). Forty-Eight Classical Moral Dilemmas in Persian Language: A Validation and Cultural Adaptation Study. Journal of Cognition and Culture,22(3-4), 352-382. doi:10.1163/15685373-12340139.
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Manting, C. L., Gulyas, B., Ullén, F., & Lundqvist, D. (2022). Steady-state responses to concurrent melodies: source distribution, top-down, and bottom-up attention. Cerebral Cortex, bhac260. doi:10.1093/cercor/bhac260.
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Grüny, C. (2022). Musik Sprache Propaganda. In K. Schmitt-Weidmann, & W. Lessing (Eds.), Verflechtungen: Musik und Sprache in der Gegenwart (pp. 17-28). Mainz: Schott Music.
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Wald-Fuhrmann, M. (2020). Liturgische Aufführungsbestimmungen zwischen Semiotik und Ästhetik: Ein Durchgang durch die „Allgemeine Einführung in das Römische Meßbuch“. In M. Wald-Fuhrmann, K.-P. Dannecker, & S. Boenneke (Eds.), Wirkungsästhetik der Liturgie: Transdisziplinäre Perspektiven (pp. 143-164). Regensburg: Verlag Friedrich Pustet.
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Haider, T., Eger, S., Kim, E., Klinger, R., & Menninghaus, W. (2020). PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry. In International Conference on Language Resources and Evaluation (LREC).
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Willemsen, S. P., & Kiss, M. (2020). Keeping Track of Time: the role of spatial and embodied cognition in the comprehension of non-linear storyworlds. Advance online publication. Style,54(2). doi:10.5325/style.54.2.0172.
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Meyer, L., Sun, Y., & Martin, A. E. (2020). Synchronous, but not entrained: Exogenous and endogenous cortical rhythms of speech and language processing. Language, Cognition and Neuroscience,35(9), 1089-1099. doi:10.1080/23273798.2019.1693050.
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Ghitza, O. (2020). “Acoustic-driven oscillators as cortical pacemaker”: a commentary on Meyer, Sun & Martin (2019). Language, Cognition and Neuroscience,35(9: Meyer Forum), 1100-1105. doi:10.1080/23273798.2020.1737720.
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Grabenhorst, M., Michalareas, G., Maloney, L. T., & Poeppel, D. (2019). The anticipation of events in time. Nature Communications,10: 5802. doi:10.1038/s41467-019-13849-0.
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Appelhoff, S., Sanderson, M., Brooks, T. L., van Vliet, M., Quentin, R., Holdgraf, C., Chaumon, M., Mikulan, E., Tavabi, K., Höchenberger, R., Welke, D., Brunner, C., Rockhill, A. P., Larson, E., Gramfort, A., & Jas, M. (2019). MNE-BIDS: Organizing electrophysiological data into the BIDS format and facilitating their analysis. The Journal of Open Source Software,4(44): 1896. doi:10.21105/joss.01896.
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Auksztulewicz, R., Myers, N. E., Schnupp, J. W., & Nobre, A. C. (2019). Rhythmic temporal expectation boosts neural activity by increasing neural gain. The Journal of Neuroscience,39(49), 9806-9817. doi:10.1523/JNEUROSCI.0925-19.2019.
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Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung,28: e18, pp. 53-85. doi:10.5964/jbdgm.2018v28.18.
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Gabriel, P. G., Chen, K. J., Alasfour, A., Pailla, T., Doyle, W. K., Devinsky, O., Friedman, D., Dugan, P., Melloni, L., Thesen, T., Gonda, D., Sattar, S., Wang, S. G., & Gilja, V. (2019). Neural correlates of unstructured motor behaviors. Journal of Neural Engineering,16(6): 066026. doi:10.1088/1741-2552/ab355c.
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Fayn, K., Silvia, P. J., Dejonckheere, E., Verdonck, S., & Kuppens, P. (2019). Confused or curious? Openness/intellect predicts more positive interest-confusion relations. Journal of Personality and Social Psychology,117(5), 1016-1033. doi:10.1037/pspp0000257.
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Mehr, S. A., Singh, M., Knox, D., Ketter, D. M., Pickens-Jones, D., Atwood, S., Lucas, C., Jacoby, N., Egner, A. A., Hopkins, E. J., Howard, R. M., Hartshorne, J. K., Jennings, M. V., Simson, J., Bainbridge, C. M., Pinker, S., O’Donnell, T. J., Krasnow, M. M., & Glowacki, L. (2019). Universality and diversity in human song. Science,366(6468): eaax0868. doi:10.1126/science.aax0868.
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Teng, X., Cogan, G., & Poeppel, D. (2019). Speech fine structure contains critical temporal cues to support speech segmentation. NeuroImage,202: 116152. doi:10.1016/j.neuroimage.2019.116152.
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Czoschke, S., Henschke, S., & Lange, E. B. (2019). On-item fixations during serial encoding do not affect spatialworking memory. Attention, Perception & Psychophysics,81(8), 2766-2787. doi:10.3758/s13414-019-01786-5.
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Henin, S., Borges, H., Shankar, A., Sarac, C., Melloni, L., Friedman, D., Flinker, A., Parra, L. C., Buzsaki, G., Devinsky, O., & Liu, A. (2019). Closed-loop acoustic stimulation enhances sleep oscillations but not memory performance. eNeuro,6(6): 0306-19.2019. doi:10.1523/ENEURO.0306-19.2019.
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García-Rosales, F., Röhrig, D., Weineck, K., Röhm, M., Lin, Y.-H., Cabral-Calderin, Y., Kössl, M., & Hechavarria, J. C. (2019). Laminar specificity of oscillatory coherence in the auditory cortex. Brain Structure and Function,224(8), 2907-2924. doi:10.1007/s00429-019-01944-3.
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Gross, J., & Poeppel, D. (2019). Neural oscillations and their role in speech and language processing. In P. Hagoort (Ed.), Human language: From genes and brains to behavior (pp. 393-407). Cambridge: MIT Press.
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Melloni, L., Buffalo, E. A., Dehaene, S., Friston, K. J., Ghazanfar, A. A., Giraud, A.-L., Grafton, S. T., Haegens, S., Pesaran, B., Petkov, C. I., & Poeppel, D. (2019). Computation and its neural implementation in human cognition. In W. Singer, T. J. Sejnowski, & P. Rakic (Eds.), The neocortex (pp. 323-346). Cambridge, Massachusetts: The MIT Press.
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Pallavicini, C., Vilas, M. G., Villarreal, M., Zamberlan, F., Muthukumaraswamy, S., Nutt, D., Carhart-Harris, R., & Tagliazucchi, E. (2019). Spectral signatures of serotonergic psychedelics and glutamatergic dissociatives. NeuroImage,200, 281-291. doi:10.1016/j.neuroimage.2019.06.053.
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Wald-Fuhrmann, M. (2019). Die private Muse? Zur weltlichen Musik am Mecklenburg-Schweriner Hof unter Friedrich II. und Friedrich Franz I. In S. Avischag Müller, & A. Waczkat (Eds.), Utopie und Idylle: Der Mecklenburg-Schweriner Hof in Ludwigslust (1764-1837) (pp. 221-258). Hildesheim: Olms.
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Gehrig, J., Michalareas, G., Forster, M.-T., Lei, J., Hok, P., Laufs, H., Senft, C., Seifert, V., Schoffelen, J.-M., Hanslmayr, S., & Kell, C. A. (2019). Low-frequency oscillations code speech during verbal working memory. The Journal of Neuroscience,39(33), 6498-6512. doi:10.1523/JNEUROSCI.0018-19.2019.
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Raz, C. (2019). Colloquy: Talking to the hand: The “Hysterical Epistemology” of the migrating sensorium. Journal of the American Musicological Society,72(2), 552-557. doi:10.1525/jams.2019.72.2.541.
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Adrian, J., Bode, N., Amos, M., Baratchi, M., Beermann, M., Boltes, M., Corbetta, A., Dezecache, G., Drury, J., Fu, Z., Geraerts, R., Gwynne, S., Hofinger, G., Hunt, A., Kanters, T., Kneidl, A., Konya, K., Köster, G., Küpper, M., Michalareas, G., Neville, F., Ntontis, E., Reicher, S., Ronchi, E., Schadschneider, A., Seyfried, A., Shipman, A., Sieben, A., Spearpoint, M., Sullivan, G. B., Templeton, A., Toschi, F., Yücel, Z., Zanlungo, F., Zuriguel, I., van der Wal, N., van Schadewijk, F., von Krüchten, C., & Wijermans, N. (2019). A glossary for research on human crowd dynamics. Collective Dynamics,4: A19, pp. 1-13. doi:10.17815/CD.2019.19.
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Kuijpers, M., Douglas, S., & Kuiken, D. (2019). Personality traits and reading habits that predict absorbed narrative fiction reading. Psychology of Aesthetics, Creativity, and the Arts,13(1), 74-88. doi:10.1037/aca0000168.
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Kentner, G., & Franz, I. (2019). No evidence for prosodic effects on the syntactic encoding of complement clauses in German. Glossa: a journal of general linguistics,4(1): 18. doi:10.5334/gjgl.565.
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Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2019). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Scientific Reports,9: 593. doi:10.1038/s41598-018-37561-z.
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van Dyck-Hemming, A., & Hemming, J. (Eds.). (2019).Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017. Wiesbaden: Springer VS. doi:10.1007/978-3-658-23767-7.
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Mencke, I., Omigie, D., Wald-Fuhrmann, M., & Brattico, E. (2019). Atonal music: Can uncertainty lead to pleasure? Frontiers in Neuroscience,12: 979. doi:10.3389/fnins.2018.00979.
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Sarkhosh, K. (2019). Woher kommt die Lust an billigen Trash-Horrorfilmen? Empirische Befunde im Licht des Distancing-Embracing-Modells. In E. Brock, & T. Lerchner (Eds.), Denken des Horrors, Horror des Denkens: Erschreckendes, Monströses und Unheimliches aus philosophischer Perspektive (pp. 199-214). Würzburg: Königshausen & Neumann.
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Zschauer, A. (2019). Inter als aisthetische Qualität. Polylog: Zeitschrift für interkulturelles Philosophieren,40, 37-51.
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Esteban, O., Markiewicz, C. J., Blair, R. W., Moodie, C. A., Isik, A. I., Erramuzpe, A., Kent, J. D., Goncalves, M., DuPre, E., Snyder, M., Oya, H., Ghosh, S. S., Wright, J., Durnez, J., Poldrack, R. A., & Gorgolewski, K. J. (2019). fMRIPrep: A robust preprocessing pipeline for functional MRI. Nature methods,16(1), 111-116. doi:10.1038/s41592-018-0235-4.
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Merrill, J. (2019).Stimmen – schön schrecklich oder schrecklich schön?: Beschreibung, Bewertung und Wirkung des vokalen Ausdrucks in der Musik. Kassel: Kassel University Press. doi:10.19211/KUP9783737650878.
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Vesker, M., Bahn, D., Degé, F., Kauschke, C., & Schwarzer, G. (2019). Identification of emotional facial expressions in a lab and over the internet. Psychology: Journal of the Higher School of Economics,16(3), 571-583. doi:10.17323/1813-8918-2019-3-571-583.
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2018

Raz, C., & Finger, S. (2018). Musical glasses, metal reeds and broken hearts: Two cases of melancholia treated by new musical instruments. In P. Gouk, J. Kennaway, & P. Jacomien (Eds.), The Routledge companion to music, mind, and well-being (pp. 77-91). New York: Routledge.

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2018). Measuring Optimal Reading Experiences: The Reading Flow Short Scale. Frontiers in Psychology,9: 2542. doi:10.3389/fpsyg.2018.02542.

Knoop, C. A. (2018).Franz Kafka. Baden-Baden: Tectum-Verlag.

Wallot, S., & Leonardi, G. (2018). Analyzing multivariate dynamics using Cross-Recurrence Quantification Analysis (CRQA), Diagonal-Cross-Recurrence Profiles (DCRP), and Multidimensional Recurrence Quantification Analysis (MdRQA) – A tutorial in R. Frontiers in Psychology,9: 2232. doi:10.3389/fpsyg.2018.02232.

Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.

Urbanek, N., & Wald-Fuhrmann, M. (Eds.). (2018).Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie. Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-04654-3.

Getz, H., Ding, N., Newport, E. L., & Poeppel, D. (2018). Cortical tracking of constituent structure in language acquisition. Cognition,181, 135-140. doi:10.1016/j.cognition.2018.08.019.

Bosker, H. R., & Ghitza, O. (2018). Entrained theta oscillations guide perception of subsequent speech: Behavioural evidence from rate normalisation. Language, Cognition and Neuroscience,33(8), 955-967. doi:10.1080/23273798.2018.1439179.

Wallot, S., & Menninghaus, W. (2018). Ambiguity effects of rhyme and meter. Journal of Experimental Psychology: Learning, Memory, and Cognition.,44(12), 1947-1954. doi:10.1037/xlm0000557.

Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds.), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler.

Liu, A., Vöröslakos, M., Kronberg, G., Henin, S., Krause, M. R., Huang, Y., Opitz, A., Mehta, A., Pack, C. C., Krekelberg, B., Berényi, A., Parra, L. C., Melloni, L., Devinsky, O., & Buzsáki, G. (2018). Immediate neurophysiological effects of transcranial electrical stimulation. Nature Communications,9: 5092. doi:10.1038/s41467-018-07233-7.

Kentner, G. (2018). Jan Michalsky. 2017. Frageintonation im Deutschen. Zur intonatorischen Markierung von Interrogativität und Fragehaltigkeit (Linguistische Arbeiten 566). Zeitschrift für Rezensionen zur germanistischen Sprachwissenschaft,10(1-2), 155-160. doi:10.1515/zrs-2018-0019.

Menninghaus, W., Wagner, V., Knoop, C. A., & Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. PLoS One,13(11): e0205980. doi:10.1371/journal.pone.0205980.

Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences on the functions of music listening. Psychology of Music,46(6), 763-794. doi:10.1177/0305735617724883.

Booth, C. R., Brown, H. L., Eason, E. G., Wallot, S., & Kelty-Stephen, D. G. (2018). Expectations on hierarchical scales of discourse: Multifractality predicts both short- and long-range effects of violating gender expectations in text reading. Discourse Processes,55(1), 12-30. doi:10.1080/0163853X.2016.1197811.

Polak, R., Tarsitani, S., & Clayton, M. (2018). IEMP Malian Jembe. Open Science Framework. doi:10.17605/OSF.IO/M652X.

Auksztulewicz, R., Schwiedrzik, C. M., Thesen, T., Doyle, W., Devinsky, O., Nobre, A. C., Schroeder, C. E., Friston, K. J., & Melloni, L. (2018). Not all predictions are equal: "What" and "when" predictions modulate activity in auditory cortex through different mechanisms. The Journal of Neuroscience,38(40), 8680-8693. doi:10.1523/JNEUROSCI.0369-18.2018.

Caletti, E., Delvecchio, G., Andreella, A., Finos, L., Perlini, C., Tavano, A., Lasalvia, A., Bonetto, C., Cristofalo, D., Lamonaca, D., Ceccato, E., Pileggi, F., Mazzi, F., Santonastaso, P., Ruggeri, M., Bellani, M., & Brambilla, P. (2018). Prosody abilities in a large sample of affective and non-affective first episode psychosis patients. Comprehensive Psychiatry,86, 31-38. doi:10.1016/j.comppsych.2018.07.004.

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2018). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Annals of Neurology,84(S22), S235-S236.

Belfi, A. M., Kasdan, A., Rowland, J., Vessel, E. A., Starr, G. G., & Poeppel, D. (2018). Rapid timing of musical aesthetic judgments. Journal of Experimental Psychology: General,147(10), 1531-1543. doi:10.1037/xge0000474.

Vessel, E. A., Maurer, N., Denker, A. H., & Starr, G. G. (2018). Stronger shared taste for natural aesthetic domains than for artifacts of human culture. Cognition,179, 121-131. doi:10.1016/j.cognition.2018.06.009.

Teng, X., Tian, X., Doelling, K., & Poeppel, D. (2018). Theta band oscillations reflect more than entrainment: Behavioral and neural evidence demonstrates an active chunking process. European Journal of Neuroscience: European Neuroscience Association,48(8), 2770-2782. doi:10.1111/ejn.13742.

Raz, C. (2018). An Eighteenth-Century theory of musical cognition? John Holden's essay towards a rational system of music (1770). Journal of Music Theory,62(2), 205-248. doi:10.1215/00222909-7127670.

Rimmele, J. M., Morillon, B., Poeppel, D., & Arnal, L. H. (2018). Proactive sensing of periodic and aperiodic auditory patterns. Trends in Cognitive Sciences [Special Issue: Time in the Brain],22(10), 870-882. doi:10.1016/j.tics.2018.08.003.

Raz, C. (2018). Anne Young’s introduction to music (1803): Pedagogical, speculative, and ludic music theory. SMT-V: The Society for Music Theory Videocast Journal, 4.3. doi:10.30535/smtv.4.3.

Kuijpers, M. M., & Hakemulder, F. (2018). Understanding and Appreciating Literary Texts Through Rereading. Discourse Processes,55(7), 619-641. doi:10.1080/0163853X.2017.1390352.

Larrouy-Maestri, P., & Pfordresher, P. Q. (2018). Pitch perception in music: Do scoops matter? Journal of Experimental Psychology: Human Perception and Performance,44(10), 1523-1541. doi:10.1037/xhp0000550.

Penn, L. R., Ayasse, N. D., Wingfield, A., & Ghitza, O. (2018). The possible role of brain rhythms in perceiving fast speech: Evidence from adult aging. The Journal of the Acoustical Society of America,144(4), 2088-2094. doi:10.1121/1.5054905.

Kraxenberger, M. (2018). Gelesen wie gesprochen: Überlegungen zur Gedichtrezeption als prosodisches (Text-)Gerede im Inneren. In D.-C. Assmann, & N. Menzel (Eds.), TEXTGEREDE Interferenzen Von Mündlichkeit und Schriftlichkeit in der Gegenwartsliteratur (pp. 147-160). Paderborn: Fink.

Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.

Wallot, S., & Mønster, D. (2018). Calculation of Average Mutual Information (AMI) and False-Nearest Neighbors (FNN) for the Estimation of Embedding Parameters of Multidimensional Time Series in Matlab. Frontiers in Psychology,9: 1679. doi:10.3389/fpsyg.2018.01679.

Raz, C. (2018). Anne Young’s musical games (1801): Music theory, gender, and game design. SMT-V: The Society for Music Theory Videocast Journal, 4.2. doi:10.30535/smtv.4.2.

Schwiedrzik, C. M., Sudmann, S. S., Thesen, T., Wang, X., Groppe, D. M., Megevand, P., Doyle, W., Mehta, A. D., Devinsky, O., & Melloni, L. (2018). Medial prefrontal cortex supports perceptual memory. Current Biology,28(18), R1094-R1095. doi:10.1016/j.cub.2018.07.066.

Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018). Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.

Teng, X., Sun, Y., & Poeppel, D. (2018). Temporal order judgment reveals local-global auditory processes. Acta acustica united with Acustica,104(5), 817-820. doi:10.3813/AAA.919231.

Cohen, D. E. (2018). Rhythm, number, and Heraclitus’ river. History of Music Theory.

Gwilliams, L., Linzen, T., Poeppel, D., & Marantz, A. (2018). In spoken word recognition, the future predicts the past. The Journal of Neuroscience,38(35), 7585-7599. doi:10.1523/JNEUROSCI.0065-18.2018.

Wallot, S., & Leonardi, G. (2018). Deriving inferential statistics from recurrence plots: A recurrence-based test of differences between sample distributions and its comparison to the two-sample Kolmogorov-Smirnov test. Chaos: An interdisciplinary journal of nonlinear science,28(8): 085712. doi:10.1063/1.5024915.

Kraxenberger, M., & Menninghaus, W. (2018). Mimologische Träumereien? Über ikonische Assoziationen von Klang und Gefühlswahrnehmung in Gedichten. In D. Scherf, & A. Bertschi-Kaufmann (Eds.), Ästhetische Rezeptionsprozesse aus didaktischer Perspektive (pp. 72-88). Weinheim, Basel: Beltz Juventa.

Lange, E. B., Pieczykolan, A., Trukenbrod, H. A., & Huestegge, L. (2018). The rhythm of cognition: Effects of an auditory beat on oculomotor control in reading and sequential scanning. Journal of Eye Movement Research,11(2): 9. doi:10.16910/jemr.11.2.9.

Greb, F. (2018). Determinants of music-selection behaviour: Development of a model. PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.

Blohm, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. Poetics,69, 41-56. doi:10.1016/j.poetic.2018.04.005.

Belfi, A. M., Vessel, E. A., & Starr, G. G. (2018). Individual ratings of vividness predict aesthetic appeal in poetry. Psychology of Aesthetics, Creativity, and the Arts,12(3), 341-350. doi:10.1037/aca0000153.

Gudi-Mindermann, H., Rimmele, J. M., Nolte, G., Bruns, P., Engel, A. K., & Röder, B. (2018). Working memory training in congenitally blind individuals results in an integration of occipital cortex in functional networks. Behavioural Brain Research,348, 31-41. doi:10.1016/j.bbr.2018.04.002.

Wassiliwizky, E. (2018). At the root of the paradox: Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al. Physics of Life Reviews,25, 136-138. doi:10.1016/j.plrev.2017.12.008.

Kraxenberger, M., Menninghaus, W., Roth, A., & Scharinger, M. (2018). Prosody-Based Sound-Emotion Associations in Poetry. Frontiers in Psychology,9: 1284. doi:10.3389/fpsyg.2018.01284.

Larrouy-Maestri, P. (2018). “I know it when I hear it”: On listeners’ perception of mistuning. Music & Science,1, 1-17. doi:10.1177/2059204318784582.

Schwiedrzik, C. M., Melloni, L., & Schurger, A. (2018). Mooney face stimuli for visual perception research. PLoS One,13(7): e0200106. doi:10.1371/journal.pone.0200106.

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Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (Eds.), Facetten gegenwärtiger Bildtheorie: Interkulturelle und interdisziplinäre Perspektiven (pp. 261-283). Wiesbaden: Springer VS.

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Herrera, R., Markevych, I., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., Heinrich, J., & Radon, K. (2018). Greenness and job-related chronic stress in young adults: A prospective cohort study in Germany. BMJ Open,8: e021599. doi:10.1136/bmjopen-2018-021599.

Wieland, L. M., Grunschel, C., Limberger, M. F., Schlotz, W., Ferrari, J. R., & Ebner-Priemer, U. W. (2018). The ecological momentary assessment of procrastination in daily life: Psychometric properties of a five-item short scale. North American journal of psychology,20(2), 315-339.

Wallot, S., & Kelty-Stephen, D. G. (2018). Interaction-dominant causation in mind and brain, and Its implication for questions of generalization and replication. Minds and machines: journal for artificial intelligence, philosophy and cognitive science,28(2), 353-374. doi:10.1007/s11023-017-9455-0.

Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (Ed.), Das Konzert II: Beiträge zum Forschungsfeld der Concert Studies (pp. 425-447). Bielefeld: Transcript.

Fink, L. K., Lange, E. B., & Groner, R. (2018). The application of eye-tracking in music research. Journal of Eye Movement Research,11(2). doi:10.16910/jemr.11.2.1.

Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.

Pearson, L. (2018). Cultural heritage, sustainability and innovation in South Indian art music. In B. Norton, & N. Matsumoto (Eds.), Music as heritage: Historical and ethnographic perspectives (pp. 238-257). London: Routledge.

Werth, A., Rocholl, M. J., Henrich, K., Lanwermeyer, M., Schnell, H., Domahs, U., Herrgen, J., & Schmidt, J.-E. (2018). The Interaction of vowel quantity and tonal cues in Cognitive processing: An MMN-study concerning dialectal and standard varieties. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (Linguistische Arbeiten 567) (pp. 183-211). Berlin: de Gruyter.

Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.

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Hoshi, H., & Menninghaus, W. (2018). The eye tracks the aesthetic appeal of sentences. Journal of Vision,18(3), 1-22. doi:10.1167/18.3.19.

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Menninghaus, W. (2018).Sei no nakaba: Hoeldelin shigaku ni matsuwaru shiron (=Japanese translation of Hälfte des Lebens: Versuch über Hölderlins Poetik, Frankfurt: Suhrkamp, 2005). Translated by Yoshikazu Takemine. Tokio: Getsuyousha Limited.

Fischinger, T. (2018). Vorreiter einer empirischen Ästhetik: Anmerkungen zur Studie «Die natürliche Stimmung in der modernen Vokalmusik» (1893) von Max Planck. Neue Zeitschrift für Musik, (1), 27-29.

Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte für Fragen des Gottesdienstes,68(2), 83-108.

2017

Kumsta, R., Schlotz, W., Golm, D., Moser, D., Kennedy, M., Knights, N., Kreppner, J., Maughan, B., Rutter, M., & Sonuga-Barke, E. (2017). HPA axis dysregulation in adult adoptees twenty years after severe institutional deprivation in childhood. Psychoneuroendocrinology,86, 196-202. doi:10.1016/j.psyneuen.2017.09.021.

Auracher, J., & Hirose, A. (2017). The influence of reader’s stereotypes on the assessment of fictional characters. Comparative Literature Studies,54(4), 795-823. doi:10.5325/complitstudies.54.4.0795.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences,40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.

Elvers, P., & Steffens, J. (2017). The sound of success: Investigating cognitive and behavioral effects of motivational music in sports. Frontiers in Psychology, 8:2026. doi:10.3389/fpsyg.2017.02026.

Blohm, S., Menninghaus, W., & Schlesewsky, M. (2017). Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence. Frontiers in Psychology,8: 1887. doi:10.3389/fpsyg.2017.01887.

Scharinger, M. (2017). Are there brain bases for phonological markedness? In B. D. Samuels (Ed.), Beyond Markedness in Formal Phonology (pp. 191-218). Amsterdam/Philadelphia: John Benjamins Publishing Company.

Teng, X., Tian, X., Rowland, J., & Poeppel, D. (2017). Concurrent temporal channels for auditory processing: Oscillatory neural entrainment reveals segregation of function at different scales. PLoS Biology,15(11): e2000812. doi:10.1371/journal.pbio.2000812.

Bauer, S., van Alphen, N., Becker, A., Chiocchetti, A., Deichmann, R., Deller, T., Freiman, T., Freitag, C. M., Gehrig, J., Hermsen, A. M., Jedlicka, P., Kell, C., Klein, K. M., Knake, S., Kullmann, D. M., Liebner, S., Norwood, B. A., Omigie, D., Plate, K., Reif, A., Reif, P. S., Reiss, Y., Roeper, J., Ronellenfitsch, M. W., Schorge, S., Schratt, G., Schwarzacher, S. W., Steinbach, J. P., Strzelczyk, A., Triesch, J., Wagner, M., Walker, M. C., von Wegner, F., & Rosenow, F. (2017). Personalized translational epilepsy research — Novel approaches and future perspectives: Part II: Experimental and translational approaches. Epilepsy & Behavior,76, 7-12. doi:10.1016/j.yebeh.2017.06.040.

Hosoya, G., Schindler, I., Beermann, U., Wagner, V., Menninghaus, W., Eid, M., & Scherer, K. (2017). Mapping the Conceptual Domain of Aesthetic Emotion Terms: A Pile-Sort Study. Psychology of Aesthetics, Creativity, and the Arts,11(4), 457-473. doi:10.1037/aca0000123.

Auracher, J. (2017). Sound iconicity of abstract concepts: Place of articulation is implicitly associated with abstract concepts of size and social dominance. PLoS One,12(11): e0187196. doi:10.1371/journal.pone.0187196.

Kennedy, M., Kreppner, J., Knights, N. H., Kumsta, R., Maughan, B., Golm, D., Hill, J., Rutter, M., Schlotz, W., & Sonuga-Barke, E. (2017). Adult disinhibited social engagement in adoptees exposed to extreme institutional deprivation: examination of its clinical status and functional impact. The British Journal of Psychiatry,211(5), 289-295. doi:10.1192/bjp.bp.117.200618.

Herrera, R., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., & Radon, K. (2017). Chronic Stress in Young German Adults: Who Is Affected? A Prospective Cohort Study. International Journal of Environmental Research and Public Health,14(11): 1325. doi:10.3390/ijerph14111325.

Lafon, B., Henin, S., Huang, Y., Friedman, D., Melloni, L., Thesen, T., Doyle, W., Buzsáki, G., Devinsky, O., Parra, L. C., & Liu, A. A. (2017). Low frequency transcranial electrical stimulation does not entrain sleep rhythms measured by human intracranial recordings. Nature Communications,8: 1199. doi:10.1038/s41467-017-01045-x.

Powell, D. J. H., Liossi, C., Schlotz, W., & Moss-Morris, R. (2017). Tracking daily fatigue fluctuations in multiple sclerosis: ecological momentary assessment provides unique insights. Journal of Behavioral Medicine,40(5), 772-783. doi:10.1007/s10865-017-9840-4.

Lange, E. B., Zweck, F., & Sinn, P. (2017). Microsaccade-rate indicates absorption by music listening. Consciousness and Cognition,55, 59-78. doi:10.1016/j.concog.2017.07.009.

Kelty-Stephen, D., & Wallot, S. (2017). Multifractality versus (mono)fractality in the narrative about nonlinear interactions across time scales: Disentangling the belief in nonlinearity from the diagnosis of nonlinearity. Ecological Psychology,29(4), 259-299. doi:10.1080/10407413.2017.1368355.

Ding, N., Patel, A., Chen, L., Butler, H., Luo, C., & Poeppel, D. (2017). Temporal modulations in speech and music. Neuroscience & Biobehavioral Reviews,81(Part B), 181-187. doi:10.1016/j.neubiorev.2017.02.011.

Ding, N., Melloni, L., Yang, A., Wang, Y., Zhang, W., & Poeppel, D. (2017). Characterizing neural entrainment to hierarchical linguistic units using electroencephalography (EEG). Frontiers in Human Neuroscience,11: 481. doi:10.3389/fnhum.2017.00481.

Merk, J., Schlotz, W., & Falter, T. (2017). The Motivational Value Systems Questionnaire (MVSQ): Psychometric Analysis Using a Forced Choice Thurstonian IRT Model. Frontiers in Psychology,8: 1626. doi:10.3389/fpsyg.2017.01626.

Menninghaus, W., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Knoop, C. A. (2017). The emotional and aesthetic powers of parallelistic diction. Poetics,63, 47-59. doi:10.1016/j.poetic.2016.12.001.

Scharinger, M., Steinberg, J., & Tavano, A. (2017). Integrating speech in time depends on temporal expectancies and attention. Cortex,93, 28-40. doi:10.1016/j.cortex.2017.05.001.

Wassiliwizky, E., Koelsch, S., Wagner, V., Jacobsen, T., & Menninghaus, W. (2017). The emotional power of poetry: Neural circuitry, psychophysiology, compositional principles. Social Cognitive and Affective Neuroscience,12(8), 1229-1240. doi:10.1093/scan/nsx069.

Tiihonen, M., Brattico, E., Maksimainen, J., Wikgren, J., & Saarikallio, S. (2017). Constituents of music and visual-art related pleasure: A critical integrative literature review. Frontiers in Psychology,8: 1218. doi:10.3389/fpsyg.2017.01218.

Sarkhosh, K. (2017). Trash, Boom, Bang: Ein Forschungsüberblick. In J. Nesselhauf, & M. Schleich (Eds.), Banal, trivial, phänomenal. Spielarten des Trash (pp. 11-42). Darmstadt: Büchner.

Merrill, J., & Larrouy-Maestri, P. (2017). Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire. Frontiers in Psychology, 8:1108. doi:10.3389/fpsyg.2017.01108.

Wiesecke, J. (2017). Samuel Pepys and his experiences of music at Restoration theatres. In H. Barlow, & D. Rowland (Eds.), Listening to music: People, practices and experiences. Retrieved from http://ledbooks.org/proceedings2017/#sec_245_h1.

Ishizu, T., & Sakamoto, Y. (2017). Ugliness as the fourth wall-breaker: Comment on “Move me, astonish me.. delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative, and neurophysiological correlates” by Matthew Pelowski et al. Physics of Life Reviews,21, 138-139. doi:10.1016/j.plrev.2017.06.003.

Tal, I., Large, E. W., Rabinovitch, E., Wei, Y., Schroeder, C. E., Poeppel, D., & Golumbic, E. Z. (2017). Neural entrainment to the beat: The “Missing-Pulse” phenomenon. The Journal of Neuroscience,37(26), 6331-6341. doi:10.1523/JNEUROSCI.2500-16.2017.

Isik, A. I., Naumer, M. J., Kaiser, J., Buschenlange, C., Wiesmann, S., Czoschke, S., & Yalachkov, Y. (2017). Automatized smoking-related action schemata are reflected by reduced fMRI activity in sensorimotor brain regions of smokers. NeuroImage: Clinical,15, 753-760. doi:10.1016/j.nicl.2017.06.021.

Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., & Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLoS One,12(6): e0178899. doi:10.1371/journal.pone.0178899.

Gemma, M. L., Glorieux, F., & Ganascia, J.-G. (2017). Operationalizing the colloquial style: Repetition in 19th-century American fiction. Digital Scholarship in the Humanities,32(2), 312-335. doi:10.1093/llc/fqv066.

Bonhage, C. E., Meyer, L., Gruber, T., Friederici, A. D., & Mueller, J. L. (2017). Oscillatory EEG dynamics underlying automatic chunking during sentence processing. NeuroImage,152, 647-657. doi:10.1016/j.neuroimage.2017.03.018.

Dikker, S., Wan, L., Davidesco, I., Kaggen, L., Oostrik, M., McClintock, J., Rowland, J., Michalareas, G., Van Bavel, J. J., Ding, M., & Poeppel, D. (2017). Brain-to-brain synchrony tracks real-world dynamic group interactions in the classroom. Current Biology,27(9), 1375-1380. doi:10.1016/j.cub.2017.04.002.

Kaufmann, M. (2017). Giovanni Battista Doni: Compendio del trattato. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 119-122). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Rudolph Reti: Thematic process. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 408-410). Kassel; Stuttgart: Bärenreiter; Metzler.

Grimm, H., & Wald-Fuhrmann, M. (2017). Vorwort. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. vii-viii). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Ernst Kurth: Romantische Harmonik. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 276-278). Kassel; Stuttgart: Bärenreiter; Metzler.

Wald-Fuhrmann, M. (2017). Johannes Kepler: Harmonice mundi. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 254-256). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Victor Kofi Agawu: Playing with signs. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 6-7). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Giovanni Maria Lanfranco: Scintille di musica. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 278-281). Kassel; Stuttgart: Bärenreiter; Metzler.

Kaufmann, M. (2017). Flavius Magnus Aurelius Cassiodor: Institutiones. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 81-83). Kassel; Stuttgart: Bärenreiter; Metzler.

Elvers, P. (2017). Aristides Quintilianus: De musica. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 28-30). Kassel; Stuttgart: Bärenreiter; Metzler.

Wallot, S. (2017). Recurrence quantification analysis of processes and products of discourse: A tutorial in R. Discourse Processes,54(5-6), 382-405. doi:10.1080/0163853X.2017.1297921.

Sonuga-Barke, E. J. S., Kennedy, M., Kumsta, R., Knights, N., Golm, D., Rutter, M., Maughan, B., Schlotz, W., & Kreppner, J. (2017). Child-to-adult neurodevelopmental and mental health trajectories after early life deprivation: The young adult follow-up of the longitudinal English and Romanian Adoptees study. The Lancet,389(10078), 1539-1548. doi:10.1016/S0140-6736(17)30045-4.

Reichert, M., Tost, H., Reinhard, I., Schlotz, W., Zipf, A., Salize, H. J., Meyer-Lindenberg, A., & Ebner-Priemer, U. W. (2017). Exercise versus nonexercise activity: E-diaries unravel distinct effects on mood. Medicine & Science in Sports & Exercise,49(4), 763-773. doi:10.1249/mss.0000000000001149.

Neuhoff, H., Polak, R., & Fischinger, T. (2017). Perception and evaluation of timing patterns in drum ensemble music from Mali. Music Perception,34(4), 438-451. doi:10.1525/mp.2017.34.4.438.

Larrouy-Maestri, P., Morsomme, D., Magis, D., & Poeppel, D. (2017). Lay listeners can evaluate the pitch accuracy of operatic voices. Music Perception,34(4), 489-495. doi:10.1525/mp.2017.34.4.489.

Mitkidis, P., Ayal, S., Shalvi, S., Heimann, K., Levy, G., Kyselo, M., Wallot, S., Ariely, D., & Roepstorff, A. (2017). The effects of extreme rituals on moral behavior: The performers-observers gap hypothesis. Journal of Economic Psychology,59, 1-7. doi:10.1016/j.joep.2016.12.007.

Drews, H. J., Wallot, S., Weinhold, S. L., Mitkidis, P., Baier, P. C., Roepstorff, A., & Goeder, R. (2017). "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders,2017: 8140672. doi:10.1155/2017/8140672.

Kandylaki, K. D., Henrich, K., Nagels, A., Kircher, T., Domahs, U., Schlesewsky, M., Bornkessel-Schlesewsky, I., & Wiese, R. (2017). Where Is the Beat? The Neural Correlates of Lexical Stress and Rhythmical Well-formedness in Auditory Story Comprehension. Journal of Cognitive Neuroscience,29(7), 1119-1131.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences,40: e347. doi:10.1017/S0140525X17000309.

Kaiser, J., Rieder, M., Abel, C., Peters, B., & Bledowski, C. (2017). Pre-encoding gamma-band activity during auditory working memory. Scientific Reports,7: 42599. doi:10.1038/srep42599.

Wassiliwizky, E., Jacobsen, T., Heinrich, J., Schneiderbauer, M., & Menninghaus, W. (2017). Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology,8: 41. doi:10.3389/fpsyg.2017.00041.

Krakauer, J. W., Ghazanfar, A. A., Gomez-Marin, A., MacIver, M. A., & Poeppel, D. (2017). Neuroscience needs behavior: Correcting a reductionist bias. Neuron,93(3), 480-490. doi:10.1016/j.neuron.2016.12.041.

Kokinous, J., Tavano, A., Kotz, S. A., & Schröger, E. (2017). Perceptual integration of faces and voices depends on the interaction of emotional content and spatial frequency. Biological Psychology,123, 155-165. doi:10.1016/j.biopsycho.2016.12.007.

Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.

Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.

Kaufmann, M. (2017). Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,11(2), 185-195.

Omigie, D. (2017). Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies,8(1-2), 35-38. doi:10.4407/jims.2016.12.101.

Elvers, P. (2017). Aristoxenos von Tarent: Elementa harmonica. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 30-32). Kassel; Stuttgart: Bärenreiter; Metzler.

Poeppel, D. (2017). The influence of Chomsky on the neuroscience of language. In J. A. McGilvray (Ed.), The Cambridge companion to Chomsky (2, pp. 155-174). Cambridge: Cambridge University Press.

Toelle, J. (2017). Italienische Opernindustrie global: Theater und Verlag. In R. Erkens (Ed.), Giacomo-Puccini-Handbuch (pp. 39-46). Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-05441-8_4.

Ackermann, T., Fiedler, D., & Schaal, N. (2017). 14th International Conference on Music Perception and Cognition (ICMPC), 05.-09. Juli 2016; San Francisco, USA. Musikpsychologie: Akustik und musikalische Hörwahrnhemung [Monograph]. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 234-238.

Greb, F., Elvers, P., & Fischinger, T. (2017). Trends in empirical aesthetics: A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the Arts,35(1), 3-26. doi:10.1177/0276237415625258.

Sarkhosh, K. (2017). »The Land of Lost Content« – Ökokritik im Zeichen von Utopie, Alterität und Nostalgie in Nicolas Roegs Filmen ›Walkabout‹ (1971) und ›The Man Who Fell to Earth‹ (1976). In C. Sollte-Gresser, & C. Schmidt (Eds.), Literatur und Ökologie: Neue literatur- und kulturwissenschaftliche Perspektiven (pp. 213-226). Bielefeld: AISTHESIS.

Ding, N., Melloni, L., Tian, X., & Poeppel, D. (2017). Rule-based and statistics-based processing of language: Insights from neuroscience. Language, Cognition and Neuroscience,32(5), 570-575. doi:10.1080/23273798.2016.1215477.

Sarkhosh, K. (2017). Wenn die Wirklichkeit aus den Fugen gerät. Über das konfliktbeladene Aufeinandertreffen inkompatibler Glaubens- und Erkenntnissysteme in drei britischen fantastischen Filmen des Jahres 1973 (›The Legend of Hell House‹, ›Don’t Look Now‹, ›The Wicker Man‹). In S. Klimek, T. Lambrecht, & T. Kindt (Eds.), Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945 (pp. 77-101). Heidelberg: Universitätsverlag Winter.

Hanich, J., & Menninghaus, W. (2017). Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies,56(4), 76-101. doi:10.1353/cj.2017.0041.

Merrill, J. (Ed.). (2017).Popular music studies today: Proceedings of the International Association for the Study of Popular Music 2017. Wiesbaden: Springer VS. doi:10.1007/978-3-658-17740-9.

Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.

Sarkhosh, K. (2017). Confectioning World Literature. Reader’s Guides and the Uniformity of Taste. In A. Tomiche (Ed.), Le comparatisme comme approche critique/Comparative literature as a critical approach (pp. 63-72). Paris: Classiques Garnier.

Kaufmann, M. (2017). Euklid: Sectio Canonis. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 129-131). Kassel; Stuttgart: Bärenreiter; Metzler.

Frieler, K., & Lange, E. B. (2017). Chancen und Risiken des Computereinsatzes in der Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 187-191.

Grimm, H., & Wald-Fuhrmann, M. (Eds.). Lexikon Schriften über Musik. Kassel; Stuttgart: Bärenreiter; Metzler.

Haider, T., & Palmer, A. (2017). Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In Proceedings of the Workshop on Stylistic Variation, EMNLP 2017 (pp. 74-84). Copenhagen, Stroudsburg, PA: Association for Computational Linguistics.

Larrouy-Maestri, P. (2017). The influence of non-musical variables on the evaluation of vocal pitch accuracy. CFMAE Interdisciplinary Journal for Music and Art Pedagogy, Special Issue on Singing & Voice,9, 123-141.

Wald-Fuhrmann, M. (2017). Ursprungsmythen als Wesensbestimmungen in der Musik. In S. Wegner (Ed.), Über den Ursprung von Musik: Mythen, Legenden und Geschichtsschreibungen (pp. 39-48). Würzburg: Königshausen & Neumann.

Merrill, J. (2017). Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica,89(1), 95-117.

Kuijpers, M. M., & Hakemulder, F. (2017). Narrative absorption: Introduction and overview. In F. Hakemulder, M. M. Kuijpers, E. S. Tan, K. Bálint, & M. M. Doicaru (Eds.), Narrative Absorption (pp. 1-10). Amsterdam: John Benjamins Publishing.

Elvers, P. (2017). Nikomachos von Gerasa: Encheiridion. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 348-349). Kassel; Stuttgart: Bärenreiter; Metzler.

2016

Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. PLoS One,11(12): e0168306. doi:10.1371/journal.pone.0168306.

Uppenkamp, B., & Wald-Fuhrmann, M. (Eds.). (2016).Musikalische Kunst: Ein Führer durch die Staatlichen Museen zu Berlin. Kön: Böhlau.

Scharinger, M., Domahs, U., Klein, E., & Domahs, F. (2016). Mental representations of vowel features asymmetrically modulate activity in superior temporal sulcus. Brain and Language,163, 42-49. doi:10.1016/j.bandl.2016.09.002.

Menninghaus, W. (2016). Caprices of fashion in culture and biology: Charles Darwin’s aesthetics of "ornament". In G. Matteucci, & S. Marino (Eds.), Philosophical Perspectives on Fashion (pp. 137-150). London, New York: Bloomsbury Academic.

Elvers, P. (2016). Zum Verhältnis von Musik und Sprache in der griechischen Antike. Rhetorik,35(1), 9-24. doi:10.1515/rhet.2016.003.

Wallot, S., Roepstorff, A., & Mønster, D. (2016). Multidimensional Recurrence Quantification Analysis (MdRQA) for the analysis of multidimensional time-series: A software implementation in MATLAB and its application to group-level data in joint action. Frontiers in Psychology,7: 1835. doi:10.3389/fpsyg.2016.01835.

Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology,7: 1779. doi:10.3389/fpsyg.2016.01779.

Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase,22(6), 496-504. doi:10.1080/13554794.2016.1237660.

Teng, X., Tian, X., & Poeppel, D. (2016). Testing multi-scale processing in the auditory system. Scientific Reports,6: 34390. doi:10.1038/srep34390.

Kennedy, M., Kreppner, J., Knights, N., Kumsta, R., Maughan, B., Golm, D., Rutter, M., Schlotz, W., & Sonuga‐Barke, E. J. S. (2016). Early severe institutional deprivation is associated with a persistent variant of adult attention‐deficit/hyperactivity disorder: clinical presentation, developmental continuities and life circumstances in the English and Romanian Adoptees study. Journal of Child Psychology and Psychiatry, and Allied Disciplines,57(10), 1113-1125. doi:10.1111/jcpp.12576.

Conradi, N., Abel, C., Frisch, S., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2016). Actively but not passively synchronized motor activity amplifies predictive timing. NeuroImage,139, 211-217. doi:10.1016/j.neuroimage.2016.06.033.

Menninghaus, W. (2016).Disgusto. Teoria e storia di una sensazione forte. (= Italian translation of Ekel. Theorie und Geschichte einer starken Empfindung). A Cura di Serena Feloj. Milano: Mimesis.

O'Brien, B. A., & Wallot, S. (2016). Silent reading fluency and comprehension in bilingual children. Frontiers in Psychology,7: 1265. doi:10.3389/fpsyg.2016.01265.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Vessel, E. A., Biederman, I., Subramaniam, S., & Greene, M. R. (2016). Effective signaling of surface boundaries by L-vertices reflect the consistency of their contrast in natural images. Journal of Vision,16(9): 15. doi:doi:10.1167/16.9.15.

Scharinger, M. (2016). Ungestörte Lautverarbeitung. In U. Domahs, & B. Primus (Eds.), Handbuch Laut, Gebärde, Buchstabe (pp. 163-181). Berlin: Mouton de Gruyter. doi:10.1515/9783110295993-010.

Poeppel, D. (2016). Sprache hören und verstehen. In H. Böttger, & M. Sambanis (Eds.), Focus on evidence: Fremdsprachendidaktik trifft Neurowissenschaften (pp. 53-76). Tübingen: Narr Francke Attempto.

Zhou, H., Melloni, L., Poeppel, D., & Ding, N. (2016). Interpretations of frequency domain analyses of neural entrainment: Periodicity, fundamental frequency, and harmonics. Frontiers in Human Neuroscience,10: 274. doi:10.3389/fnhum.2016.00274.

Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in the brain. Journal of Comparative Neurology. Special Issue: Brain Circuits of Positive Emotions,524(8), 1676-1686. doi:10.1002/cne.23854.

Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics,56, 35-49. doi:10.1016/j.poetic.2016.02.001.

Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.

Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.

Tian, X., Zarate, J. M., & Poeppel, D. (2016). Mental imagery of speech implicates two mechanisms of perceptual reactivation. Cortex,77, 1-12. doi:10.1016/j.cortex.2016.01.002.

Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.

Auracher, J., & Bosch, H. (2016). Showing with words. Scientific Study of Literature,6(2), 208-242. doi:10.1075/ssol.6.2.03aur.

Scharinger, M., Monahan, P. J., & Idsardi, W. J. (2016). Linguistic category structure influences early auditory processing: Converging evidence from mismatch responses and cortical oscillations. NeuroImage,128, 293-301. doi:10.1016/j.neuroimage.2016.01.003.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H. R., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2016). Effects of empathic social responses on the emotions of the recipient. Brain and Cognition,103, 50-61. doi:10.1016/j.bandc.2015.11.004.

Steinberg Lowe, M., Lewis, G. A., & Poeppel, D. (2016). Effects of part- and whole-object primes on early MEG responses to Mooney faces and houses. Frontiers in Psychology,7: 147. doi:10.3389/fpsyg.2016.00147.

Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.

Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement. Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.

Knoop, C. A. (2016). Ausgangspunkte neu erzählen: Der Raum der Herkunft in Jean Genets Journal du Voleur. In M. Benz, & K. Dennerlein (Eds.), Literarische Räume der Herkunft. Fallstudien zu einer historischen Narratologie (pp. 311-335). Berlin, Boston: De Gruyter.

Sakamoto, Y. (2016). Hifu, Soshite Bisyouhyoushou he no Tabi [= Grenzgänge der Wahrnehmung. Zur Neurologie der petites perceptions.]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 51-75.

Ruccius, A. (2016). Phonomorphie von Klang und Bild: Drei Motive in den Klangskulpturen Stephan von Huenes. In A. Symanczyk, D. Wagner, & M. Wendling (Eds.), Klang - Kontakte: Kommunikation, Konstruktion und Kultur von Klängen (pp. 175-190). Berlin: Reimer.

Grimm, H. (2016). Lobgesang: Eine Symphonie-Cantate nach Worten der Heiligen Schrift op. 52. In M. Geuting (Ed.), Felix Mendelssohn Bartholdy: Interpretationen seiner Werke (Vol. 2) (pp. 130-149). Laaber: Laaber.

Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.

Greb, F., Schlotz, W., & Steffens, J. (2016). Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 834).

Steffens, J., Greb, F., & Schlotz, W. (2016). Why listen to music right now?: Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 842).

Sakamoto, Y. (2016). Shinkeikei Jinbungaku Josetu [= Einführung in die neuronalen Geisteswissenschaften]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 6-18.

Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207. doi:10.1075/ssol.6.2.02bal.

Ding, N., Melloni, L., Zhang, H., Tian, X., & Poeppel, D. (2016). Cortical tracking of hierarchical linguistic structures in connected speech. Nature Neuroscience,19(1), 158-164. doi:10.1038/nn.4186.

van Dyck-Hemming, A., & Wald-Fuhrmann, M. (2016). Vom Datum zum historischen Zusammenhang: Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank. In S. Bolz, M. Kelber, I. Knoth, & A. Langenbruch (Eds.), Wissenskulturen der Musikwissenschaft. Generationen – Netzwerke – Denkstrukturen (pp. 261-278). Bielefeld: transcript.

Toelle, J. (2016). Das Baumol’sche Gesetz (Fallstudie "Opernbetrieb"). In V. Kalisch (Ed.), Musiksoziologie (pp. 79-86). Laaber: Laaber-Verlag.

Merrill, J. (2016).Die Sprechstimme in der Musik: Komposition, Notation, Transkription. Wiesbaden: Springer VS.

Almeida, D., Poeppel, D., & Corina, D. (2016). The processing of biologically plausible and implausible forms in American Sign Language: Evidence for perceptual tuning. Language, Cognition and Neuroscience,31(3), 361-374. doi:10.1080/23273798.2015.1100315.

Greb, F., Schlotz, W., & Steffens, J. (2016). How do the functions of music listening vary across situations and persons? In B. Burger, J. Bamford, & E. Carlson (Eds.), Proceedings of the International Conference of Students of Systematic Musicology 16: Programme, abstracts & proceedings. Jyväskylä: Department of Music, University of Jyväskylä & Finnish Centre for Interdisciplinary Music Research.

Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (Eds.), Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA.

Sarkhosh, K. (2016). Rezension zu Jeff Thoss: When Storyworlds Collide. Metalepsis in Popular Fiction, Film and Comics (Studies in Intermediality 7) Leiden/Boston: Brill-Rodopi, 2015. Arbeiten aus Anglistik und Amerikanistik,41(2), 93-97.

Toelle, J. (2016). Todas las naciones han de oyrla: Bells in the Jesuit reducciones of Early Modern Paracuaria. Journal of Jesuit Studies,3(3), 437-450. doi:10.1163/22141332-00303005.

Skovgaard Lyby, M., Wallot, S., Wallot, A., & Mehlsen, M. Y. (2016). Perspektiver inden for teknologisk-assisteret indsamling af data i psykologisk forandring - rammesat af den synergetiske psykologi [Möglichkeiten der technologiegestützten Datenerfassung psychischer Veränderungsprozesse – Methoden der synergetischen Psychologie]. Psyke & Logos,37(1), 144-170.

Lanwermeyer, M., Henrich, K., Rocholl, M. J., Schnell, H. T., Werth, A., Herrgen, J., & Schmidt, J. E. (2016). Dialect Variation Influences the Phonological and Lexical-Semantic Word Processing in Sentences. Electrophysiological Evidence from a Cross-Dialectal Comprehension Study. Frontiers in Psychology,7: 739. doi:10.3389/fpsyg.2016.00739.

Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.

Futterlieb, K., & Schoof, K. (2016). That special place. In K. Umlauf, K. U. Werner, & A. Kaufmann (Eds.), Strategien für die Bibliothek als Ort: Festschrift für Petra Hauke (pp. 189-202). Berlin: De Gruyter Saur.

Knoop, C. A. (2016). Criticism or ressentiment? Literary studies and the politics of interdisciplinarity. In J. Riou, & M. Gallagher (Eds.), Re-thinking ressentiment. On the limits of criticism and the limits of its critics (pp. 149-166). Bielefeld: transcript.

Wald-Fuhrmann, M. (2016). "Instar Bibliothecae instructissimae": Zum enzyklopädischen Zugriff auf Musik im 16. und frühen 17. Jahrhundert. Musiktheorie: Zeitschrift für Musikwissenschaft,31(1), 78-90.

Larrouy-Maestri, P. (2016). Justesse en voix chantée: Bien évaluer pour bien guider. In C. Klein-Dallant (Ed.), De la voix parlée au chant (pp. 515-522).

Seibert, C. (2016).Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft.

2015

Doelling, K. B., & Poeppel, D. (2015). Cortical entrainment to music and its modulation by expertise. Proceedings of the National Academy of Sciences of the United States of America,112(45), E6233-E6242. doi:10.1073/pnas.1508431112.

Wassiliwizky, E., Wagner, V., Jacobsen, T., & Menninghaus, W. (2015). Art-elicited chills indicate states of being moved. Psychology of Aesthetics, Creativity, and the Arts,9(4), 405-416. doi:10.1037/aca0000023.

Sarkhosh, K. (2015). Schuld, Geld und Vergeltung in Arthur Schnitzlers Traumnovelle und Stanley Kubricks Eyes Wide Shut. Arcadia: International journal of literary culture,50(2), 366-388. doi:10.1515/arcadia-2015-0026.

Gagliardi, C., Brenna, V., Romaniello, R., Arrigoni, F., Tavano, A., Romani, M., Valente, E. M., & Borgatti, R. (2015). Cognitive rehabilitation in a child with Joubert Syndrome: Developmental trends and adaptive changes in a single case report. Research in Developmental Disabilities,47, 375-384. doi:10.1016/j.ridd.2015.09.013.

Hemming, J., & Merrill, J. (2015). On the distinction between involuntary musical imagery, musical hallucinosis, and musical hallucinations. Psychomusicology,25(4), 435-442. doi:10.1037/pmu0000112.

Sarkhosh, K. (2015). Die Macht der Filmbilder. Literaturgeschichte(n) und visuelle Evidenz im Kontext des populären Buchmarktes. In A. Hölter, & M. Schmitz-Emans (Eds.), Literaturgeschichte und Bildmedien (HERMEIA) (pp. 203-230). Heidelberg: Synchron Publishers GmbH.

Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.

Wald-Fuhrmann, M., & Wiesenfeldt, C. (Eds.). (2015).Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817) Gattungen. Werke. Kontexte. Köln: Böhlau.

Larrouy-Maestri, P., Magis, D., Grabenhorst, M., & Morsomme, D. (2015). Layman versus professional musician: Who makes the better judge? PLoS One,10(8): e0135394. doi:10.1371/journal.pone.0135394.

Omigie, D. (2015). Music and literature: Are there shared empathy and predictive mechanisms underlying their affective impact? Frontiers in Psychology,6: 1250. doi:10.3389/fpsyg.2015.01250.

Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers in Psychology,6: 1252. doi:10.3389/fpsyg.2015.01252.

Arnal, L. H., Flinker, A., Kleinschmidt, A., Giraud, A.-L., & Poeppel, D. (2015). Human screams occupy a privileged niche in the communication soundscape. Current Biology,25(15), 2051-2056. doi:10.1016/j.cub.2015.06.043.

Tavano, A., & Scharinger, M. (2015). Prediction in speech and language processing. Cortex,68, 1-7. doi:10.1016/j.cortex.2015.05.001.

Zarate, J. M., Tian, X., Woods, K. J., & Poeppel, D. (2015). Multiple levels of linguistic and paralinguistic features contribute to voice recognition. Scientific Reports,5: 11475. doi:10.1038/srep11475.

Chait, M., Greenberg, S., Arai, T., Simon, J. Z., & Poeppel, D. (2015). Multi-time resolution analysis of speech: Evidence from psychophysics. Frontiers in Neuroscience,9: 214. doi:10.3389/fnins.2015.00214.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal.pone.0128451.

Koelsch, S., Jacobs, A. M., Menninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., & Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life Reviews, (13), 1-27. doi:10.1016/j.plrev.2015.03.001.

Overath, T., McDermott, J. H., Zarate, J. M., & Poeppel, D. (2015). The cortical analysis of speech-specific temporal structure revealed by responses to sound quilts. Nature Neuroscience,18 (6), 903-911. doi:10.1038/nn.4021.

Powell, D. J., Moss-Morris, R., Liossi, C., & Schlotz, W. (2015). Circadian cortisol and fatigue severity in relapsing-remitting multiple sclerosis. Psychoneuroendocrinology,56, 120-131. doi:10.1016/j.psyneuen.2015.03.010.

Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.

Muralikrishnan, R., Schlesewsky, M., & Bornkessel-Schlesewsky, I. (2015). Animacy-based predictions in language comprehension are robust: Contextual cues modulate but do not nullify them. Brain Research,1608, 108-137. doi:10.1016/j.brainres.2014.11.046.

Pfordresher, P. Q., & Larrouy-Maestri, P. (2015). On drawing a line through the spectrogram: How do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience,9: 271. doi:10.3389/fnhum.2015.00271.

Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5): e0124550. doi:10.1371/journal.pone.0124550.

Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.

Lewis, G. A., Poeppel, D., & Murphy, G. L. (2015). The neural bases of taxonomic and thematic conceptual relations: An MEG study. Neuropsychologia,68, 176-189. doi:10.1016/j.neuropsychologia.2015.01.011.

Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.

Rimmele, J. M., Zion Golumbic, E., Schröger, E., & Poeppel, D. (2015). The effects of selective attention and speech acoustics on neural speech-tracking in a multi-talker scene. Cortex,68, 144-154. doi:10.1016/j.cortex.2014.12.014.

Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.

Skoluda, N., Strahler, J., Schlotz, W., Niederberger, L., Marques, S., Fischer, S., Thoma, M. V., Spoerri, C., Ehlert, U., & Nater, U. M. (2015). Intra-individual psychological and physiological responses to acute Iabaratory stressors of different intensity. Psychoneuroendocrinology,51, 227-236. doi:10.1016/j.psyneuen.2014.10.002.

Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 393-411). Gifkendorf: Merlin.

Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.

Fischinger, T. (Ed.). (2015). Special Issue on Rhythm Production and Perception [Special Issue]. Timing & Time Perception,3(1-2).

Poeppel, D. (2015). On Giacometti’s sculpture Chariot. Gilded Birds.

Hickok, G., & Poeppel, D. (2015). Neural basis of speech perception. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 149-160). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00008-1.

Arnal, L. H., Poeppel, D., & Giraud, A.-l. (2015). Temporal coding in the auditory cortex. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 85-98). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00005-6.

Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.

Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht, Entrückung und absolute Musik. In G. Oesterle, & T. Valk (Eds.), Riskante Geselligkeit: Spielarten des Sozialen um 1800 (pp. 293-310). Würzburg: Königshausen & Neuman.

Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb Meißner und Joseph Schuster. In G. Poppe, & S. Voss (Eds.), Joseph Schuster in der Musik des ausgehenden 18. Jahrhunderts (pp. 285-306). Beeskow: Ortus-Musikverlag.

Poeppel, D. (2015). Speech perception. In M. Liebermann, & A. W. Toga (Eds.), Brain mapping: An encyclopedic reference (pp. 429-434). Amsterdam: Elsevier. doi:10.1016/B978-0-12-397025-1.00264-5.

Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.

Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.

Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.

Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.

Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie. Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60, 39-51.

Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817): Gattungen. Werke. Kontexte. (pp. 189-212). Köln; Wien: Böhlau.

Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.

Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.

Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.

Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.

Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.

Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761–1817): Gattungen. Werke. Kontexte. (pp. 166-188). Köln; Wien: Böhlau.

Wald-Fuhrmann, M. (2015). „Musiace veteris specimen": Falsche und fehlende Exempla in der Musik. In K. Zimmer (Ed.), Rezeption, Zeitgeist, Fälschung – Umgang mit Antike(n): Akten des Internationalen Kolloquiums am 31. Januar und 1. Februar 2014 in Tübingen (pp. 155-166). Rahden, Westf.: Leidorf.

Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (Ed.), Aisthetics of the spirits: Spirits in early modern science, religion, literature and music (pp. 213-243). Göttingen: V&R unipress.

Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren. In N. Schwindt (Ed.), Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse (pp. 363-397). Laaber: Laaber.

Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.

Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 217-239). Gifkendorf: Merlin.

Poeppel, D., & Hickock, G. (2015). Electromagnetic recording of the auditory system. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 245-255). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00014-7.

Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (Eds.). epiFaNIen - Frühe Neuzeit interdisziplinär. Göttingen: V & R Unipress.

2014

Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.

Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins. In C. Storch (Ed.), Die Musik- und Theaterpraxis der Jesuiten im kolonialen Amerika: Grundlagen, Desiderate, Forschungsperspektiven (pp. 75-92). Sinzig: Studiopunkt Verlag.

Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik. Berlin: De Gruyter.

Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.

Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.

Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.

Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.

Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.

Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.

Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene in komponierte Musik. In W. G. Schmidt (Ed.), Faszinosum 'Klang': Anthropologie - Medialität - kulturelle Praxis (pp. 136-155). Berlin: De Gruyter.

Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (Ed.), Musikalische Performanz und päpstliche Repräsentation in der Renaissance (pp. 139-155). Kassel: Bärenreiter.

Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.

Ruccius, A. (2014). Empirical studies including noise of two leading journals in music research: A review. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 568-570 ).

Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 78-84).

Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 238-243).

Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414).

Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.

Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.

Ruccius, A. (2014). The history of musical iconography and the influence of art history: Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The Making of the Humanities: Vol. 3. The modern humanities (pp. 403-411). Amsterdam: Amsterdam University Press.

Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45, 64-75. doi:10.1016/j.wocn.2014.03.006.

Schmidt-Kassow, M., Zink, N., Mock, J., Thiel, C., Vogt, L., Abel, C., & Kaiser, J. (2014). Treadmill walking during vocabulary encoding improves verbal long-term memory. Behavioral and brain functions,10: 24. doi:10.1186/1744-9081-10-24.

Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in Magdeburg. In L. Lütteken (Ed.), Das ungeliebte Frühwerk: Richard Wagners Oper "Das Liebesverbot" (pp. 27-44). Würzburg: Königshausen & Neumann.

Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.

Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.

Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.

Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.

Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.

Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.

Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.

van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.

Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In E. Aschermann, & M. Kaiser-el-Safti (Eds.), Gestalt und Gestaltung in interdisziplinärer Perspektive (pp. 109-124). Frankfurt am Main: Peter Lang.

Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 93-106). Basel: Schwabe.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.

Wald-Fuhrmann, M. (Ed.). (2014).Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis. Basel: Schwabe.

Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 107-129). Basel: Schwabe.

2013

Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.

Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.

Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.

Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (Eds.), Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte (pp. 371-386). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.

Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.

Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.

Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260. doi:10.3389/fpsyg.2013.00260.

Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek (Eds.), Historische Musikwissenschaft: Grundlagen und Perspektiven (pp. 289-306). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.

Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.

Pietschmann, K., & Wald-Fuhrmann, M. (Eds.). (2013).Der Kanon der Musik: Theorie und Geschichte: Ein Handbuch. München: edition text + kritik.

Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 23).