Publications of the Institute
The MPG PublicationRepository (PuRe) offers you an overview of all institute publications. Apart from browsing through the institute's complete output, you can choose to view publication lists sorted by departments or researchers.
MPG.PuRe: Empirical Aesthetics
2025
Christensen, J. F., Schmidt, E.-M., Frieler, K., Smith-Chase, R. A., Sancho-Escanero, L., Michalareas, G., Ullén, F., &
Cross, E. S. (2025). Aesthetic appeal of dance actions depends on expressivity, liveness
and audience characteristics. Cognition,263: 106152.
doi:10.1016/j.cognition.2025.106152.
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Cabral-Calderin, Y., & Henry, M. J. (2025). Sensory stimuli dominate over rhythmic
electrical stimulation in modulating behavior. PLOS ONE,23(6):
e3003180. doi:10.1371/journal.pbio.3003180.
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Zheng, Z., Trübutschek, D., Huang, S., Cai, Y., & Melloni, L. (2025). What you
saw a while ago determines what you see now: Extending awareness priming to implicit behaviors and uncovering its temporal
dynamics. Cognition,259: 106104. doi:10.1016/j.cognition.2025.106104.
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Nuttall, T., Serra, X., & Pearson, L. (2025). Svara-Forms in Carnatic Music: Contextual
influences on the performance of Svara. In Proceedings of the 2025 IEEE International Conference on
Acoustics, Speech, and Signal Processing Workshops (ICASSPW). Piscataway, NJ: IEEE. doi:10.1109/ICASSPW65056.2025.11011084.
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Seedat, A., Lepauvre, A., Jeschke, J., Gorska-Klimowska, U., Armendariz, M., Bendtz, K., Henin, S., Hirschhorn, R., Brown,
T., Jensen, E., Kozma, C., Mazumder, D., Montenegro, S., Yu, L., Bonacchi, N., Das, D., Kahraman, K., Sripad, P., Taheriyan,
F., Devinsky, O., Dugan, P., Doyle, W., Flinker, A., Friedman, D., Lake, W., Pitts, M., Mudrik, L., Boly, M., Devore, S.,
Kreiman, G., & Melloni, L. (2025). Open multi-center intracranial electroencephalography
dataset with task probing conscious visual perception. Scientific Data,12:
854. doi:10.1038/s41597-025-04833-z.
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Chang, Y.-H.-F., Ullén, F., & de Manzano, Ö. (2025). Common brain representations
of action and perception investigated with cross-modal classification of newly learned melodies. Scientific
Reports,15: 16492. doi:10.1038/s41598-025-00208-x.
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Kasdan, A. V., Casilio, M., Bryan, K. M., Jacoby, N., Fram, N. R., Walljasper, L., Levy, D. F., de Riesthal, M., Gordon, R.
L., & Wilson, S. M. (2025). Neural correlates of rhythm in post-stroke aphasia
(online Early). Neurobiology of Language, 1-60. doi:10.1162/nol.a.9.
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Clemente, A., & Penacchio, O. (2025). Hedonic Foraging: From Reward to Action (preprint). bioRxiv: the preprint server for biology. doi:10.1101/2025.05.04.652128.
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Theves, S. (2025). Thinking as analogy-making: Toward a neural process account of general
intelligence. The Journal of Neuroscience,45(18): e1555242025.
doi:10.1523/JNEUROSCI.1555-24.2025.
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Cogitate Consortium, Ferrante, O., Gorska-Klimowska, U., Henin, S., Hirschhorn, R., Khalaf, A., Lepauvre, A., Liu, L., Richter,
D., Vidal, Y., Bonacchi, N., Brown, T., Sripad, P., Armendariz, M., Bendtz, K., Ghafari, T., Hetenyi, D., Jeschke, J., Kozma,
C., Mazumder, D. R., Montenegro, S., Seedat, A., Sharafeldin, A., Yang, S., Baillet, S., Chalmers, D. J., Cichy, R. M., Fallon,
F., Panagiotaropoulos, T. I., Blumenfeld, H., de Lange, F. P., Devore, S., Jensen, O., Kreiman, G., Luo, H., Boly, M., Dehaene,
S., Koch, C., Tononi, G., Pitts, M., Mudrik, L., & Melloni, L. (2025). Adversarial
testing of global neuronal workspace and integrated information theories of consciousness. Nature.
doi:10.1038/s41586-025-08888-1.
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Bruder, C., & Larrouy-Maestri, P. (2025). CoVox: A dataset of contrasting vocalizations. Behavior Research Methods,57: 142. doi:10.3758/s13428-025-02664-9.
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Atanasova, T., Gross, J., Keitel, A., & Rimmele, J. M. (2025). The involvement
of endogenous brain rhythms in speech processing. PsyArXiv Preprints. doi:10.31234/osf.io/rukwp_v1.
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Mutch, C. (2025). AN EMENDATION TO PSEUDO-ARISTOTLE, PROBLÊMATA 19.4 (First view). The Classical Quarterly, 1-4. doi:10.1017/S0009838824000843.
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Bratchenko, A., Xia, P., Boomsma, D. I., Mosing, M. A., Ullén, F., & Wesseldijk, L. W. (2025).
Music style preferences and well-being: A genetic perspective. Personality and Individual Differences,241: 113162. doi:10.1016/j.paid.2025.113162.
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Tröndle, M., & Egermann, H. (2025).
Western classical music concerts are more immersive, intellectually stimulating, and social, when experienced live rather
than in a digital stream: An ecologically valid concert study on different modes of liveness. Music
& Science,8. doi:10.1177/20592043251333995.
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Wald-Fuhrmann, M., & Sieroka, N. (2025). Musik als Zeitkunst. In P. Nickl, P. M.
Steiner, & A. Verrone (
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Knowles, K. L., Patten, K. J., Durojaye, C., Dada, B. O., & McBeath, M. K. (2025).
Yorùbá Speech surrogacy with the Dùndún Talking Drum: Recognition accuracy is a function of language familiarity and music
training. Music Perception,42(2), 287-310. doi:10.1525/mp.2025.2327968.
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Tröndle, M., Weining, C., Wald-Fuhrmann, M., & Tschacher, W. (2025). Classical
concert visitor types: Attendance motivation, expectation, and experience. The Journal of Arts Management,
Law, and Society,55(1). doi:10.1080/10632921.2025.2480585.
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Bignardi, G., Wesseldijk, L. W., Mas-Herrero, E., Zatorre, R. J., Ullén, F., Fisher, S. E., & Mosing, M. A. (2025).
Twin modelling reveals partly distinct genetic pathways to music enjoyment. Nature Communications,16: 2904. doi:10.1038/s41467-025-58123-8.
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Lubinus, C., Keitel, A., Obleser, J., Poeppel, D., & Rimmele, J. M. (2025). Endogenous
auditory and motor brain rhythms predict individual speech tracking. bioRxiv. doi:10.1101/2025.03.24.644939.
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Grabenhorst, M., Poeppel, D., & Michalareas, G. (2025). Neural signatures of temporal
anticipation in human cortex represent event probability density. Nature Communications,16: 2602. doi:10.1038/s41467-025-57813-7.
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Gittel, B., & Haider, T. (2025). The ongoing birth of the narrator: Empirical evidence
for the emergence of the author–narrator distinction in literary criticism. Digital scholarship in
the humanities, fqaf013. doi:10.1093/llc/fqaf013.
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Buren, V., Müllensiefen, D., & Degé, F. (2025). Screening musicality in children:
Development and initial validation of a new tool for rapid assessment of musical profiles. PLOS ONE,20(3): e0317962. doi:10.1371/journal.pone.0317962.
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Clemente, A. (2025). Commentary on Friedman et al. (2024): A General Preference for
Complexity? Empirical Musicology Review,19(2), 95-101.
doi:10.18061/emr.v19i2.9841.
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Ringer, H., Sammler, D., & Daikoku, T. (2025). Neural tracking of auditory statistical
regularities in adults with and without dyslexia. Cerebral Cortex,35(2):
bhaf042. doi:10.1093/cercor/bhaf042.
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Mudrik, L., Boly, M., Dehaene, S., Fleming, S. M., Lamme, V., Seth, A., & Melloni, L. (2025).
Unpacking the complexities of consciousness: Theories and reflections. Neuroscience & Biobehavioral
Reviews,170: 106053. doi:10.1016/j.neubiorev.2025.106053.
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Neamaalkassis, H., Boubenec, Y., Fiebach, C., Muralikrishnan, R., & Tavano, A. (2025).
The fundamental frequencies of our own voice. Royal Society Open Science,12(2).
doi:10.1098/rsos.241081.
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Michalareas, G., Lehr, C., Grabenhorst, M., & Hecht, H. (2025). Social processing
distorts physical distance perception. Scientific Reports,15:
5669. doi:10.1038/s41598-025-89935-9.
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Degé, F. (2025). Musikalische Entwicklung und Musikunterricht in der Schule. In G.
Brunner, D. Fiedler, & S. Schmid (
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Eisinger, M., Weiser, M., Degé, F., Heye, A., & Müllensiefen, D. (2025). Übung
macht den Meister: Growth Mindset für den Musikunterricht. In G. Brunner, D. Fiedler, & S. Schmid (
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Modestini, P., & Weining, C. (2025). Affordances and experiential dimensions of
digital concerts: Closer the eye, farther the crowd. Music Perception,42(3),
269-285. doi:10.1525/mp.2024.aa005.
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Bairnsfather, J. E., Mosing, M. A., Osborne, M. S., & Wilson, S. J. (2025). Conceptual
coherence but methodological mayhem: A systematic review of absolute pitch phenotyping. Behavior Research
Methods,57: 61. doi:10.3758/s13428-024-02577-z.
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Weining, C., Meier, D., Wald-Fuhrmann, M., & Tröndle, M. (2025). From structural
listening to daydreaming: Listening modes influence the individual experience in live concerts (OnlineFirst).
Psychology of Music. doi:10.1177/030573562413108.
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Vartanian, M., Endres, K. J., Lee, Y. T., Friedrich, S., Meemken, M.-T., Schamarek, I., Rohde-Zimmermann, K., Schürfeld, R.,
Eisenberg, L., Hilbert, A., Beyer, F., Stumvoll, M., Sacher, J., Villringer, A., Christensen, J. F., & Witte, A. V. (2025). Investigating the impact of microbiome-changing interventions on food decision-making:
MIFOOD study protocol. BMC Nutrition,11: 8. doi:10.1186/s40795-024-00971-6.
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Gustavson, D. E., Bell, T. R., Buchholz, E. J., Zellers, S., Luczak, S. E., Reynolds, C. A., Finch, B. K., Nygaard, M., Catts,
V. S., Christensen, K., Finkel, D., Kremen, W. S., Latvala, A., Martin, N. G., McGue, M., Mewton, L., Mosing, M. A., Panizzon,
M. S., Plassman, B. L., Kaprio, J., Gatz, M., Franz, C. E., & The IGEMS Consortium (2025).
Genetic and environmental influences on alcohol consumption in middle to late life. Psychology of
Addictive Behaviors. doi:10.1037/adb0001052.
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Czepiel, A., Fink, L., Scharinger, M., Seibert, C., Wald-Fuhrmann, M., & Kotz, S. A. (2025).
Audio-visual concert performances synchronize an audience's heart rates. Annals of the New York Academy
of Sciences. doi:10.1111/nyas.15279.
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Rimmele, J. M., & Keitel, A. (2025). Region-specific endogenous brain rhythms and
their role for speech and language (in press). In L. Meyer, & A. Strauss (
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Barchet, A. V., Bruera, A., Wend, J., Rimmele, J. M., Obleser, J., & Hartwigsen, G. (2025).
Attentional engagement with target and distractor streams predicts speech comprehension in multitalker environments. bioRxiv. doi:10.1101/2025.04.04.647157.
PuRe
2024
Frieler, K. (2024). Nina Düvel: Den leisen Schlägen auf der Spur. Ghostnotes und Groove
in Schlagzeug- Patterns der populären Musik. Die Musikforschung,77(4),
462-465. doi:10.52412/mf.2024.H4.3598.
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Knoop, C. A., Nehrlich, T., Aristei, S., Lubrich, O., Stark, K., Enge, A., Sommer, W., & Rahman, R. A. (2024).
The usual miracles: How narrative style affects the processing of counterintuitive concepts (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000730.supp.
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Faber, S., Brown, T., Carpentier, S., & McIntosh, A. (2024). Mapping multi-modal
dynamic network activity during naturalistic music listening (Advance Publication). Imaging Neuroscience.
doi:10.1162/imag_a_00413.
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Napadow, M., Harmat, L., de Manzano, Ö., & Jernelöv, S. (2024). Designing a choral
singing intervention for a psychological study: How to tailor the features of a health-promoting choral singing course for
elderly using design thinking. Design for Health. doi:10.1080/24735132.2024.2434380.
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Theves, S., Schäfer, T. A., Reisner, V., de Cothi, W., & Barry, C. (2024). Category
boundaries modulate memory in a place-cell-like manner. Current Biology,34(23),
5546-5553.e3. doi:10.1016/j.cub.2024.09.083.
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Green, O., Sturm, B. L. T., Born, G., & Wald-Fuhrmann, M. (2024). A critical survey
of research in music genre recognition. In International Society for Music Information Retrieval (
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Bruder, C., Frieler, K., & Larrouy-Maestri, P. (2024). Appreciation of singing
and speaking voices is highly idiosyncratic. Royal Society Open Science,11(11):
241623. doi:10.1098/rsos.241623.
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Ortiz-Tudela, J., Turan, G., Vilas, M. G., Melloni, L., & Shing, Y. L. (2024).
Schema-driven prediction effects on episodic memory across the lifespan. Philosophical Transactions
B,379(1913). doi:10.6084/m9.figshare.c.7412537.
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du Mérac, T., Admiraal, D., Bignardi, G., Eising, E., Fisher, S. E., Gordon, R. L., Mosing, M. A., & Ullén, F. (2024).
Investigating shared genetics effects between social reward sensitivity through music and human psychiatric traits.
European Neuropsychopharmacology,87( Supplement 1), 165-166. doi:10.1016/j.euroneuro.2024.08.328.
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de Fleurian, R., Clemente, A., Benetos, E., & Pearce, M. T. (2024). Expectation
elicits music-evoked chills (preprint). bioRxiv: the preprint server for biology. doi:10.1101/2024.10.02.616280.
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Henry, L., Frieler, K., Solis, G., Pfleiderer, M., Dixon, S., Höger, F., Weyde, T., & Crayencour, H.-C. (2024).
Dig that lick: Exploring patterns in Jazz with computational methods. In C. Bruckner-Haring, & A. Doehring (
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Will, J. K., Roeske, T. C., & Degé, F. (2024). Corrigendum: Development of tonality
and consonance categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1460303. doi:10.3389/fpsyg.2024.1460303.
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Pöhls, R. L. V. (2024). Representations of political kinship: Connecting through political
affinities in contemporary migration literature. In L. Espinoza Garrido, C. Gebauer, & J. Wewior (
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Penacchio, O., & Clemente, A. (2024). Meta-learning in active inference.
Behavioral and Brain Sciences,47: e159. doi:10.1017/S0140525X24000074.
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Christensen, J. F., Muralikrishnan, R., Münzberg, M., Manias, B. C., Khorsandi, S., & Vessel, E. A. (2024).
Can 5 minutes of finger actions boost creative incubation? Journal of Cognitive Enhancement.
doi:10.1007/s41465-024-00306-0.
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Lepauvre, A., Hirschhorn, R., Bendtz, K., Mudrik, L., & Melloni, L. (2024). A standardized
framework to test event-based experiments. Behavior Research Methods. doi:10.3758/s13428-024-02508-y.
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Marjieh, R., Sucholutsky, I., van Rijn, P., Jacoby, N., & Griffiths, T. L. (2024).
Large language models predict human sensory judgments across six modalities. Scientific Reports,14: 21445. doi:10.1038/s41598-024-72071-1.
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Fink, L., Fiehn, H., & Wald-Fuhrmann, M. (2024). The role of audiovisual congruence
in aesthetic appreciation of contemporary music and visual art. Scientific Reports,14: 20923. doi:10.1038/s41598-024-71399-y.
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Mosing, M. A., Verweij, K. J. H., Hambrick, D. Z., Pedersen, N. L., & Ullén, F. (2024).
Testing the deliberate practice theory: Does practice reduce the heritability of musical expertise?
Journal of Intelligence,12(9): 87. doi:10.3390/jintelligence12090087.
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Bahmer, A., Rimmele, J. M., & Gupta, D. S. (2024). Editorial: Understanding the
role of oscillations, mutual information and synchronization in perception and action. Frontiers in
Computational Neuroscience,18: 1452001. doi:10.3389/fncom.2024.1452001.
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Christensen, J. F., Rödiger, C., Claydon, L., & Haggard, P. (2024). Volition and
control in law and in brain science: Neurolegal translation of a foundational concept. Frontiers in
Human Neuroscience,18: 1401895. doi:10.3389/fnhum.2024.1401895.
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Gernandt, E., Lange, E. B., & Merrill, J. (2024). Die Ästhetik des Musikgeschmacks.
In F. C. Thiesen (
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Lange, E. B., & Frieler, K. (2024). Systematische Effekte bei der Evaluierung von
Musik durch unterschiedliche, verbale Fragebögenformen. In F. C. Thiesen (
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Frieler, K. (2024). Keynote-Workshop: Mother‘s little helpers: Digitale Werkzeuge für
die Musikpsychologie. In F. C. Thiesen (
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Buren, V., Müllensiefen, D., & Degé, F. (2024). Reliabilität und Validität des
Child Musicality Screenings zur Erfassung kindlicher Musikalität. In F. C. Thiesen (
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Christensen, J. F., Vartanian, M., Manias, B. C., Golestani, R., Khorsandi, S., & Frieler, K. (2024).
Enculturation-acculturation screening tools for empirical aesthetics research: A proof of principle study.
Journal of Cognition and Culture,24(3-4), 325-372. doi:10.1163/15685373-12340192.
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Wald-Fuhrmann, M. (2024). Empirische Studien zum Erleben im Gottesdienst: Einige allgemeine
Überlegungen und zwei Beispiele. Liturgisches Jahrbuch,74(1),
19-35.
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Gernandt, E., & Merrill, J. (2024). Schlager vs. Techno: Style-specific rationales
for musical taste. Music & Science,7. doi:10.1177/20592043241268726.
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Perizonius, S., Wesseldijk, L. W., Clifton, J. D., Ullén, F., & Mosing, M. A. (2024).
The world as I see it: Genetic and environmental influences on primal world beliefs in a large Swedish twin sample.
The Journal of Positive Psychology. doi:10.1080/17439760.2024.2387340.
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Mahjoory, K., Bahmer, A., & Henry, M. J. (2024). Convolutional neural networks
can identify brain interactions involved in decoding spatial auditory attention. PLOS Computational
Biology,20(8): e1012376. doi:10.1371/journal.pcbi.1012376.
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Eitel, M., Ruth, N., Harrison, P., Frieler, K., & Müllensiefen, D. (2024). Perception
of chord sequences modeled with prediction by partial matching, voice-leading distance, and spectral pitch-class similarity:
A new approach for testing individual differences in harmony perception. Music & Science.
doi:10.1177/205920432412576.
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Huang, D.-M., van Rijn, P., Sucholutsky, I., Marjieh, R., & Jacoby, N. (2024).
Characterizing similarities and divergences in conversational tones in humans and LLMs by sampling with people. In Proceedings
of the 62nd Annual Meeting of the Association for Computational Linguistics (Volume 1: Long Papers) (pp. 10486-10512).
Bangkok, Thailand: Association for Computational Linguistics. doi:10.18653/v1/2024.acl-long.565.
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Sarafoglou, A., Hoogeveen, S., van den Bergh, D., Aczel, B., Albers, C. J., Althoff, T., Botvinik-Nezer, R., Busch, N. A.,
Cataldo, A. M., Devezer, B., van Dongen, N. N. N., Dreber, A., Fried, E. I., Hoekstra, R., Hoffman, S., Holzmeister, F., Huber,
J., Huntington-Klein, N., Ioannidis, J., Johannesson, M., Kirchler, M., Loken, E., Mangin, J.-F., Matzke, D., Menkveld, A.
J., Nilsonne, G., van Ravenzwaaij, D., Schweinsberg, M., Schulz-Kuempel, H., Shanks, D. R., Simons, D. J., Spellman, B. A.,
Stoevenbelt, A. H., Szaszi, B., Trübutschek, D., Tuerlinckx, F., Uhlmann, E. L., Vanpaemel, W., Wicherts, J., & Wagenmakers,
E.-J. (2024). Subjective evidence evaluation survey for many-analysts studies. Royal Society Open Science. doi:10.1098/rsos.240125.
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Teng, X., Larrouy-Maestri, P., & Poeppel, D. (2024). Segmenting and predicting
musical phrase structure exploits neural gain modulation and phase precession. The Journal of Neuroscience,44(30): e1331232024. doi:10.1523/JNEUROSCI.1331-23.2024.
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Menninghaus, W. (2024). Poesie der Grammatik in Klopstocks Ode Die Sommernacht. In
L. Hagestedt, & A. Nebrig (
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Tschacher, W., Greenwood, S., Weining, C., Wald-Fuhrmann, M., Ramakrishnan, C., Seibert, C., & Tröndle, M. (2024).
Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes.
Scientific Reports,14: 16412. doi:10.1038/s41598-024-67455-2.
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Wesseldijk, L. W., Mosing, M. A., & Ullén, F. (2024). Gene-environment interaction
in expertise acquisition: Practice effects on musical expertise vary by polygenic scores for cognitive performance.
Heliyon, e34264, pp. 10-14. doi:10.1016/j.heliyon.2024.e34264.
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Gulati, M., Muralikrishnan, R., & Choudhary, K. K. (2024). An ERP study on the
processing of subject-verb and object-verb gender agreement in Punjabi. Journal of Psycholinguistic
Research,53: 59. doi:10.1007/s10936-024-10095-4.
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Wörner, F. (2024). Rezension: Theodor W. Adorno. Musikalische Briefwechsel Band II.
Theodor W. Adorno / Rudolf Kolisch. Briefwechsel 1926–1969: Berlin: Suhrkamp 2023, 859 S.; ISBN 9783518588024.
Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,18(3), 398-400.
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Wald-Fuhrmann, M. (2024). Music in Christian services as a means to induce religious
feelings. In G. Corbett, & S. Moerman (
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Nuttall, T., Serra, X., & Pearson, L. (2024). Svara-forms and coarticulation in
Carnatic music: an investigation using deep clustering. In D. M. Weigl (
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Christensen, J. F., Fernández, A., Smith, R. A., Michalareas, G., Yazdi, S. H. N., Farahi, F., Schmidt, E.-M., Roig, G., &
Bahmanian, N. (2024). EMOKINE: A software package and computational framework for scaling
up the creation of highly controlled emotional full-body movement datasets. Behavior Research Methods.
doi:10.3758/s13428-024-02433-0.
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Will, J., Roeske, T. C., & Degé, F. (2024). Development of tonality and consonance
categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1270114. doi:10.3389/fpsyg.2024.1270114.
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Ibanez, A., Melloni, L., Świeboda, P., Hynes, W., Ikiz, B., Ayadi, R., Thioye, M., Walss-Bass, C., Güntekin, B., Mishra, J.,
Salama, M., Dunlop, S., Duran-Aniotz, C., & Eyre, H. A. (2024). Neuroecological
links of the exposome and one health. Neuron,112(12),
1905-1910. doi:10.1016/j.neuron.2024.04.016.
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Shiiku, S., & Takeuchi, Y. (2024). Optimization of emergent opinions and decision-making
processes in small groups through reinforcement learning. In The Japanese Society for Artificial Intelligence (
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van Welzen, K., Ullén, F., & de Manzano, Ö. (2024). Does divergent thinking relate
to expertise? Introducing a novel test of creative ideation in music (Online First Posting). Psychology
of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000715.
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Degé, F., Frischen, U., & Schwarzer, G. (2024). Musikunterricht und kognitive Entwicklung.
In G. Bernatzky, & G. Kreutz (
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Henry, S., Baker, W., Bratko, D., Jern, P., Kandler, C., Tybur, J. M., de Vries, R. E., Wesseldijk, L. W., Zapko-Willmes,
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Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal.pone.0128451.
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Powell, D. J., Moss-Morris, R., Liossi, C., & Schlotz, W. (2015). Circadian cortisol and fatigue severity in relapsing-remitting multiple sclerosis. Psychoneuroendocrinology,56, 120-131. doi:10.1016/j.psyneuen.2015.03.010.
Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.
Muralikrishnan, R., Schlesewsky, M., & Bornkessel-Schlesewsky, I. (2015). Animacy-based predictions in language comprehension are robust: Contextual cues modulate but do not nullify them. Brain Research,1608, 108-137. doi:10.1016/j.brainres.2014.11.046.
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Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5): e0124550. doi:10.1371/journal.pone.0124550.
Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.
Lewis, G. A., Poeppel, D., & Murphy, G. L. (2015). The neural bases of taxonomic and thematic conceptual relations: An MEG study. Neuropsychologia,68, 176-189. doi:10.1016/j.neuropsychologia.2015.01.011.
Rimmele, J. M., Zion Golumbic, E., Schröger, E., & Poeppel, D. (2015). The effects of selective attention and speech acoustics on neural speech-tracking in a multi-talker scene. Cortex,68, 144-154. doi:10.1016/j.cortex.2014.12.014.
Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.
Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.
Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung
des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (
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Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.
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Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.
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Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten
aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (
Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen.
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Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb
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Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs.
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Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren.
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Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.
Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.
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Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.
Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.
Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.
2014
Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.
Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins.
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Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.
Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.
Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.
Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.
Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.
Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.
Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene
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zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (
Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.
Ruccius, A. (2014). Empirical studies including noise of two leading journals in music
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Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014).
„Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (
Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation.
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Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.
Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.
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Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.
Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.
Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.
Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.
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Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.
Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.
van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.
Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs.
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Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.
2013
Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.
Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.
Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.
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Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260. doi:10.3389/fpsyg.2013.00260.
Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek
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Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.
Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.
Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 23).
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