Publications of the Institute

The MPG PublicationRepository (PuRe) offers you an overview of all institute publications. Apart from browsing through the institute's complete output, you can choose to view publication lists sorted by departments or researchers.

MPG.PuRe: Empirical Aesthetics

 

2022

Vessel, E. A., Ishizu, T., & Bignardi, G. (2022). Neural correlates of visual aesthetic appeal. In M. Skov, & M. Nadal (Eds.), The Routledge international handbook of neuroaesthetics (pp. 103-133). London: Routledge.
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Jakubowski, K., Polak, R., Rocamora, M., Jure, L., & Jacoby, N. (2022). Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony. Cognition,227: 105205. doi:10.1016/j.cognition.2022.105205.
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Bairnsfather, J. E., Osborne, M. S., Martin, C., Mosing, M. A., & Wilson, S. J. (2022). Use of explicit priming to phenotype absolute pitch ability. PLoS One,17(9): e0273828. doi:10.1371/journal.pone.0273828.
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Weineck, K., Wen, O. X., & Henry, M. J. (2022). Neural synchronization is strongest to the spectral flux of slow music and depends on familiarity and beat salience. eLife,11: e75515. doi:10.7554/eLife.75515.
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Larrouy-Maestri, P., Poeppel, D., & Pfordresher, P. Q. (2022). Pitch units in music and speech prosody. In M. Scharinger, & R. Wiese (Eds.), How language speaks to music: Prosody from a cross-domain perspective (pp. 17-41). Berlin: De Gruyter. doi:10.1515/9783110770186-002.
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Arjava, H., & Kentner, G. (2022). Alignment of prosodic weight and musical length in Finnish vocal music textsetting. In M. Scharinger, & R. Wiese (Eds.), How Language Speaks to Music. Prosody from a Cross-domain Perspective (pp. 161-190). Berlin, Boston: De Gruyter. doi:10.1515/9783110770186-007.
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Grüny, C. (2022). Beyond making sense. PAJ: A Journal of Performance and Art,44(3 (132)), 92-96. doi:10.1162/pajj_a_00632.
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Wesseldijk, L. W., Abdellaoui, A., Gordon, R. L., 23andMe Research Team, Ullén, F., & Mosing, M. A. (2022). Using a polygenic score in a family design to understand genetic influences on musicality. Scientific Reports,12: 14658. doi:10.1038/s41598-022-18703-w.
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Bairnsfather, J. E., Ullén, F., Osborne, M. S., Wilson, S. J., & Mosing, M. A. (2022). Investigating the relationship between childhood music practice and pitch-naming ability in professional musicians and a population-based twin sample (First view). Twin Research and Human Genetics, 1-9. doi:10.1017/thg.2022.29.
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Lange, E. B., Omigie, D., Trenado, C., Müller, V., Wald-Fuhrmann, M., & Merrill, J. (2022). In touch: Cardiac and respiratory patterns synchronize during ensemble singing with physical contact. Frontiers in Human Neuroscience,16: 928563. doi:10.3389/fnhum.2022.928563.
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Schoof, K. (2022). Die Hochschulbibliothek als Lernort: Zugänge und Befunde einer ethnografischen Nutzungsforschung. In D. Meyer, J. Reuter, & O. Berli (Eds.), Ethnografie der Hochschule: Zur Erforschung universitärer Praxis (pp. 151-172). Bielefeld: transcript.
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Chormai, P., Pu, Y., Hu, H., Fisher, S. E., Francks, C., & Kong, X.-Z. (2022). Machine learning of large-scale multimodal brain imaging data reveals neural correlates of hand preference (Journal Pre-proof). NeuroImage, 119534. doi:10.1016/j.neuroimage.2022.119534.
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Welke, D., & Vessel, E. A. (2022). Naturalistic viewing conditions can increase task engagement and aesthetic preference but have only minimal impact on EEG quality. NeuroImage, 119218. doi:10.1016/j.neuroimage.2022.119218.
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Sojoudi, S., Jahanitabesh, A., Hatami, J., & Christensen, J. F. (2022). Forty-Eight Classical Moral Dilemmas in Persian Language: A Validation and Cultural Adaptation Study. Journal of Cognition and Culture,22(3-4), 352-382. doi:10.1163/15685373-12340139.
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Manting, C. L., Gulyas, B., Ullén, F., & Lundqvist, D. (2022). Steady-state responses to concurrent melodies: source distribution, top-down, and bottom-up attention. Cerebral Cortex, bhac260. doi:10.1093/cercor/bhac260.
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Grüny, C. (2022). Musik Sprache Propaganda. In K. Schmitt-Weidmann, & W. Lessing (Eds.), Verflechtungen: Musik und Sprache in der Gegenwart (pp. 17-28). Mainz: Schott Music.
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Lee, H., Byeon, K., Park, B., Lee, H. S., & Park, H. (2022). In-vivo data-driven parcellation of Heschl’s gyrus using structural connectivity. Scientific Reports,12: 11292. doi:10.1038/s41598-022-15083-z.
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Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2022).Aesthetic and physiological effects of naturalistic multimodal music listening (Preprint). doi:10.1101/2022.07.02.498390.
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Anglada-Tort, M., Masters, N., Steffens, J., North, A., & Müllensiefen, D. (2022). The behavioural economics of music: Systematic review and future directions. Quarterly Journal of Experimental Psychology. doi:10.1177/17470218221113761.
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Kohler, N., Novembre, G., Gugnowska, K., Keller, P. E., Villringer, A., & Sammler, D. (2022). Cortico-cerebellar audio-motor regions coordinate self and other in musical joint action. Cerebral Cortex, bhac243. doi:10.1093/cercor/bhac243.
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Benjamin, L., Fló, A., Palu, M., Naik, S., Melloni, L., & Dehaene-Lambertz, G. (2022). Tracking transitional probabilities and segmenting auditory sequences are dissociable processes in adults and neonates (early view). Developmental Science, e13300. doi:10.1111/desc.13300.
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García-Rosales, F., López-Jury, L., González-Palomares, E., Wetekam, J., Cabral-Calderin, Y., Kiai, A., Kössl, M., & Hechavarría, J. C. (2022). Echolocation-related reversal of information flow in a cortical vocalization network. Nature Communications,13: 3642. doi:10.1038/s41467-022-31230-6.
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Aristei, S., Knoop, C. A., Lubrich, O., Nehrlich, T., Enge, A., Stark, K., Sommer, W., & Rahman, R. A. (2022). Affect as Anaesthetic: how emotional contexts modulate the processing of counterintuitive concepts. Language, Cognition and Neuroscience. doi:10.1080/23273798.2022.2085312.
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Mencke, I., Omigie, D., Quiroga-Martinez, D. R., & Brattico, E. (2022). Atonal music as a model for investigating exploratory behavior. Frontiers in Neuroscience,16: 793163. doi:10.3389/fnins.2022.793163.
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Lizcano-Cortés, F., Gómez-Varela, I., Mares, C., Wallisch, P., Orpella, J., Poeppel, D., Ripollés, P., & Assaneo, M. F. (2022). Speech-to-Speech Synchronization protocol to classify human participants as high or low auditory-motor synchronizers. STAR Protocols,3(2): 101248. doi:10.1016/j.xpro.2022.101248.
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Niarchou, M., Gustavson, D. E., Sathirapongsasuti, J. F., Anglada-Tort, M., Eising, E., Bell, E., McArthur, E., Straub, P., The 23andMe Research Team, McAuley, J. D., Capra, J. A., Ullén, F., Creanza, N., Mosing, M. A., Hinds, D., Davis, L. K., Jacoby, N., & Gordon, R. L. (2022). Genome-wide association study of musical beat synchronization demonstrates high polygenicity. Nature Human Behaviour. doi:10.1038/s41562-022-01359-x.
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Fink, L. K., Alexander, P. C., & Janata, P. (2022). The Groove Enhancement Machine (GEM): A multi-person adaptive metronome to manipulate sensorimotor synchronization and subjective enjoyment. Frontiers in Human Neuroscience,16: 916551. doi:10.3389/fnhum.2022.916551.
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Christensen, J. F., Farahi, F., Vartanian, M., & Yazdi, S. (2022). Choice Hygiene for “Consumer Neuroscientists”? Ethical Considerations and Proposals for Future Endeavours. Frontiers in Neuroscience,15: 612639. doi:10.3389/fnins.2021.612639.
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Mencke, I., Seibert, C., Brattico, E., & Wald-Fuhrmann, M. (2022). Comparing the aesthetic experience of classic–romantic and contemporary classical music: An interview study (Online First). Psychology of Music. doi:10.1177/03057356221091312.
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Saxena, S., Lange, E. B., & Fink, L. (2022). Towards efficient calibration for webcam eye-tracking in online experiments. In Proceedings ETRA 2022: ACM Symposium on Eye Tracking Research and Applications (pp. 1-7). doi:10.1145/3517031.3529645.
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Hansen, N. C., Wald-Fuhrmann, M., & Davidson, J. W. (Eds.). (2022).Social convergence in times of spatial distancing: The rRole of music during the COVID-19 Pandemic. Lausanne: Frontiers Media SA. doi:10.3389/978-2-88974-651-4.
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Wald-Fuhrmann, M. (2022). Musikwissenschaft. In L. Lütteken (Ed.), MGG Online. Kassel.
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Degé, F., & Frischen, U. (2022). The impact of music training on executive functions in childhood - a systematic review. Zeitschrift für Erziehungswissenschaft, 579-602. doi:10.1007/s11618-022-01102-2.
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Dreisoerner, A., Junker, N., Schlotz, W., Heimrich, J., Bloemeke, S., Ditzen, B., & van Dick, R. (2022). Self-soothing touch and being hugged reduce cortisol responses to stress: A randomized controlled trial on stress, physical touch, and social identity. Journal of Psychosomatic Research,157: 110847. doi:10.1016/j.jpsychores.2022.110847.
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Hansen, N. C., Wald-Fuhrmann, M., & Davidson, J. W. (2022). Editorial: Social convergence in times of spatial distancing: The role of music during the COVID-19 Pandemic. Frontiers in Psychology,13: 910101. doi:10.3389/fpsyg.2022.910101.
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Kentner, G., Franz, I., & Menninghaus, W. (2022). Poetics of reduplicative word formation: evidence from a rating and recall experiment. Language and Cognition, 1-29. doi:10.1017/langcog.2021.27.
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Dauer, T., Henry, M. J., & Herrmann, B. (2022). Auditory perceptual learning depends on temporal regularity and certainty (advanced online publication). Journal of Experimental Psychology: Human Perception and Performance. doi:10.1037/xhp0001016.
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Pearson, L. (2022). Inscription, gesture, and social relations: Notation in Karnatak music (forthcoming). In Material cultures of music notation: New perspectives on musical inscription. London: Taylor & Francis Ltd.
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Scharinger, M., Knoop, C. A., Wagner, V., & Menninghaus, W. (2022). Neural processing of poems and songs is based on melodic properties. NeuroImage,257: 119310. doi:10.1016/j.neuroimage.2022.119310.
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Grüny, C. (2022). Seltsam attraktiv: KI und Musikproduktion. In M. W. Schnell, & L. Nehlsen (Eds.), Begegnungen mit künstlicher Intelligenz: Intersubjektivität, Technik, Lebenswelt (pp. 174-204). Weilerswist: Velbrück Wissenschaft.
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Cappotto, D., Kang, H., Li, K., Melloni, L., Schnupp, J., & Auksztulewicz, R. (2022). Simultaneous mnemonic and predictive representations in the auditory cortex (In Press, Corrected Proof). Current Biology. doi:10.1016/j.cub.2022.04.022.
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Anglada-Tort, M., Schofield, K., Trahan, T., & Müllensiefen, D. (2022). I’ve heard that brand before: The role of music recognition on consumer choice. International Journal of Advertising. doi:10.1080/02650487.2022.2060568.
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Auksztulewicz, R., Garrido, M. I., Malmierca, M. S., Tavano, A., Todd, J., & Winkler, I. (2022). Editorial: Sensing the world through predictions and errors. Frontiers in Human Neuroscience,16: 899529. doi:10.3389/fnhum.2022.899529.
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Bago, B., Kovacs, M., Protzko, J., Nagy, T., Kekecs, Z., Palfi, B., Adamkovic, M., Adamus, S., Albalooshi, S., Albayrak-Aydemir, N., Alfian, I. N., Alper, S., Alvarez-Solas, S., Alves, S. G., Amaya, S., Andresen, P. K., Anjum, G., Ansari, D., Arriaga, P., Aruta, J. J. B. R., Arvanitis, A., Babincak, P., Barzykowski, K., Bashour, B., Baskin, E., Batalha, L., Batres, C., Bavolar, J., Bayrak, F., Becker, B., Becker, M., Belaus, A., Białek, M., Bilancini, E., Boller, D., Boncinelli, L., Boudesseul, J., Brown, B. T., Buchanan, E. M., Butt, M. M., Calvillo, D. P., Carnes, N. C., Celniker, J. B., Chartier, C. R., Chopik, W. J., Chotikavan, P., Chuan-Peng, H., Clancy, R. F., Çoker, O., Correia, R. C., Adoric, V. C., Cubillas, C. P., Czoschke, S., Daryani, Y., de Grefte, J. A. M., de Vries, W. C., Burak, E. G. D., Dias, C., Dixson, B. J. W., Du, X., Dumančić, F., Dumbravă, A., Dutra, N. B., Enachescu, J., Esteban-Serna, C., Eudave, L., Evans, T. R., Feldman, G., Felisberti, F. M., Fiedler, S., Findor, A., Fleischmann, A., Foroni, F., Francová, R., Frank, D.-A., Fu, C. H. Y., Gao, S., Ghasemi, O., Ghazi-Noori, A.-R., Ghossainy, M. E., Giammusso, I., Gill, T., Gjoneska, B., Gollwitzer, M., Graton, A., Grinberg, M., Groyecka-Bernard, A., Harris, E. A., Hartanto, A., Hassan, W. A. N. M., Hatami, J., Heimark, K. R., Hidding, J. J. J., Hristova, E., Hruška, M., Hudson, C. A., Huskey, R., Ikeda, A., Inbar, Y., Ingram, G. P. D., Isler, O., Isloi, C., Iyer, A., Jaeger, B., Janssen, S. M. J., Jiménez-Leal, W., Jokić, B., Kačmár, P., Kadreva, V., Kaminski, G., Karimi-Malekabadi, F., Kasper, A. T. A., Kendrick, K. M., Kennedy, B. J., Kocalar, H. E., Kodapanakkal, R. I., Kowal, M., Kruse, E., Kučerová, L., Kühberger, A., Kuzminska, A. O., Lalot, F., Lamm, C., Lammers, J., Lange, E. B., Lantian, A., Lau, I.-Y.-M., Lazarevic, L. B., Leliveld, M. C., Lenz, J. N., Levitan, C. A., Lewis, S. C., Li, M., Li, Y., Li, H., Lima, T. J. S., Lins, S., Liuzza, M. T., Lopes, P., Lu, J. G., Lynds, T., Máčel, M., Mackinnon, S. P., Maganti, M., Magraw-Mickelson, Z., Magson, L. F., Manley, H., Marcu, G. M., Seršić, D. M., Matibag, C.-J., Mattiassi, A. D. A., Mazidi, M., McFall, J. P., McLatchie, N., Mensink, M. C., Miketta, L., Milfont, T. L., Mirisola, A., Misiak, M., Mitkidis, P., Moeini-Jazani, M., Monajem, A., Moreau, D., Musser, E. D., Narhetali, E., Ochoa, D. P., Olsen, J., Owsley, N. C., Özdoğru, A. A., Panning, M., Papadatou-Pastou, M., Parashar, N., Pärnamets, P., Paruzel-Czachura, M., Parzuchowski, M., Paterlini, J. V., Pavlacic, J. M., Peker, M., Peters, K., Piatnitckaia, L., Pinto, I., Policarpio, M. R., Pop-Jordanova, N., Pratama, A. J., Primbs, M. A., Pronizius, E., Purić, D., Puvia, E., Qamari, V., Qian, K., Quiamzade, A., Ráczová, B., Reinero, D. A., Reips, U.-D., Reyna, C., Reynolds, K., Ribeiro, M. F. F., Röer, J. P., Ross, R. M., Roussos, P., Ruiz-Dodobara, F., Ruiz-Fernandez, S., Rutjens, B. T., Rybus, K., Samekin, A., Santos, A. C., Say, N., Schild, C., Schmidt, K., Ścigała, K. A., Sharifian, M., Shi, J., Shi, Y., Sievers, E., Sirota, M., Slipenkyj, M., Solak, Ç., Sorokowska, A., Sorokowski, P., Söylemez, S., Steffens, N. K., Stephen, I. D., Sternisko, A., Stevens-Wilson, L., Stewart, S. L. K., Stieger, S., Storage, D., Strube, J., Susa, K. J., Szekely-Copîndean, R. D., Szostak, N. M., Takwin, B., Tatachari, S., Thomas, A. G., Tiede, K. E., Tiong, L. E., Tonković, M., Trémolière, B., Tunstead, L. V., Türkan, B. N., Twardawski, M., Vadillo, M. A., Vally, Z., Vaughn, L. A., Verschuere, B., Vlašiček, D., Voracek, M., Vranka, M. A., Wang, S., West, S.-L., Whyte, S., Wilton, L. S., Wlodarczyk, A., Wu, X., Xin, F., Yadanar, S., Yama, H., Yamada, Y., Yilmaz, O., Yoon, S., Young, D. M., Zakharov, I., Zein, R. A., Zettler, I., Žeželj, I. L., Zhang, D. C., Zhang, J., Zheng, X., Hoekstra, R., & Aczel, B. (2022). Situational factors shape moral judgements in the trolley dilemma in Eastern, Southern and Western countries in a culturally diverse sample. Nature Human Behaviour. doi:10.1038/s41562-022-01319-5.
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Kim, S.-G., Overat, T., Sedley, W., Kumar, S., Teki, S., Kikuchi, Y., Patterson, R., & D.Griffiths, T. (2022). MEG correlates of temporal regularity relevant to pitch perception in human auditory cortex. NeuroImage,249: 118879. doi:10.1016/j.neuroimage.2022.118879.
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Raz, C. (2022). Hector Berlioz’s neurophysiological imagination. Journal of the American Musicological Society,75(1), 1-37. doi:10.1525/jams.2022.75.1.1.
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Cohen, D. E. (2022). Melodia and the “Disposition of the Soul”: G. C. Monteverdi’s “Platonic” Defense of the Seconda Pratica. The journal of musicology,39(2), 179-208. doi:10.1525/jm.2022.39.2.179.
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Silas, S., Müllensiefen, D., Gelding, R., Frieler, K., & Harrison, P. M. C. (2022). The associations between music training, musical working memory, and visuospatial working memory: An opportunity for causal modeling. Music Perception,39(4), 401-420. doi:10.1525/mp.2022.39.4.401.
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Harder, A., Nguyen, T.-D., Pasman, J. A., Mosing, M. A., Hägg, S., & Lu, Y. (2022). Genetics of age-at-onset in major depression. Translational Psychiatry,12: 124. doi:10.1038/s41398-022-01888-z.
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Vessel, E. A., & Starr, G. G. (2022). Imaging the subjective. In A. Chatterjee, & E. Cardilo (Eds.), Brain, beauty, and art: Essays bringing neuroaesthetics into focus (pp. 117-121). New York: Oxford University Press. doi:10.1093/oso/9780197513620.003.0024.
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Vessel, E. A., Yue, X., & Biederman, I. (2022). Scene preferences, aesthetic appeal, and curiosity: Revisiting the neurobiology of the infovore. In A. Chatterjee, & E. Cardilo (Eds.), Brain, beauty, and art: Essays bringing neuroaesthetics into focus (pp. 61-65). New York: Oxford University Press. doi:10.1093/oso/9780197513620.003.0013.
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Kentner, G. (2022). Phonetik und Phonologie des Deutschen. In R. Klabunde, W. Mihatsch, & S. Dipper (Eds.), Linguistik im Sprachvergleich: Germanistik – Romanistik – Anglistik (pp. 3-25). Berlin: Springer. doi:10.1007/978-3-662-62806-5_1.
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Scharinger, M., Wagner, V., Knoop, C. A., & Menninghaus, W. (2022). Melody in poems and songs: Fundamental statistical properties predict aesthetic evaluation. Psychology of Aesthetics, Creativity, and the Arts, Advance online publication. doi:10.1037/aca0000465.
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Sierra, F., Poeppel, D., & Tavano, A. (2022). Two attentive strategies reducing subjective distortions in serial duration perception. PLoS One,17(3): e0265415. doi:10.1371/journal.pone.0265415.
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Kentner, G. (2022). Do not repeat: Repetition and reduplication in German revisited. In M. Eitelmann (Ed.), Extravagant Morphology: Studies in rule-bending, pattern-extending and theory-challenging morphology (pp. 181-206). Amsterdam: John Benjamins Publishing Company.
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Marjieh, R., Pinzani-Fokeeva, N., & Yarom, A. (2022). Enstrophy from symmetry. SciPost Physics,12(085), 1-24. doi:10.21468/SciPostPhys.12.3.085.
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Ekhtiari, H., Ghobadi-Azbari, P., Thielscher, A., Antal, A., Li, L. M., Shereen, A. D., Cabral-Calderin, Y., Keeser, D., Bergmann, T. O., Jamil, A., Violante, I. R., Almeida, J., Meinzer, M., Siebner, H. R., Woods, A. J., Stagg, C. J., Abend, R., Antonenko, D., Auer, T., Bächinger, M., Baeken, C., Barron, H. C., Chase, H. W., Crinion, J., Datta, A., Davis, M. H., Ebrahimi, M., Esmaeilpour, Z., Falcone, B., Fiori, V., Ghodratitoostani, I., Gilam, G., Grabner, R. H., Greenspan, J. D., Groen, G., Hartwigsen, G., Hauser, T. U., Herrmann, C. S., Juan, C.-H., Krekelberg, B., Lefebvre, S., Liew, S.-L., Madsen, K. H., Mahdavifar-Khayati, R., Malmir, N., Marangolo, P., Martin, A. K., Meeker, T. J., Ardabili, H. M., Moisa, M., Momi, D., Mulyana, B., Opitz, A., Orlov, N., Ragert, P., Ruff, C. C., Ruffini, G., Ruttorf, M., Sangchooli, A., Schellhorn, K., Schlaug, G., Sehm, B., Soleimani, G., Tavakoli, H., Thompson, B., Timmann, D., Tsuchiyagaito, A., Ulrich, M., Vosskuhl, J., Weinrich, C. A., Zare-Bidoky, M., Zhang, X., Zoefel, B., Nitsche, M. A., & Bikson, M. (2022). A checklist for assessing the methodological quality of concurrent tES-fMRI studies (ContES checklist): A consensus study and statement. Nature Protocols,17(3), 596-617. doi:10.1038/s41596-021-00664-5.
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Gagl, B., Gregorova, K., Golch, J., Hawelka, S., Sassenhagen, J., Tavano, A., Poeppel, D., & Fiebach, C. J. (2022). Eye movements during text reading align with the rate of speech production. Nature Human Behaviour,6, 429-442. doi:10.1038/s41562-021-01215-4.
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Melloni, L. (2022). On keeping our adversaries close, preventing collateral damage, and changing our minds. Comment on Clark et al. Journal of Applied Research in Memory and Cognition,11(1), 45-49. doi:10.1037/mac0000009.
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Goldstein, A., Zada, Z., Buchnik, E., Schain, M., Price, A., Aubrey, B., Nastase, S. A., Feder, A., Emanuel, D., Cohen, A., Jansen, A., Gazula, H., Choe, G., Rao, A., Kim, C., Casto, C., Fanda, L., Doyle, W., Friedman, D., Dugan, P., Melloni, L., Reichart, R., Devore, S., Flinker, A., Hasenfratz, L., Levy, O., Hassidim, A., Brenner, M., Matias, Y., Norman, K. A., Devinsky, O., & Hasson, U. (2022). Shared computational principles for language processing in humans and deep language models. Nature Neuroscience,25, 369-380. doi:10.1038/s41593-022-01026-4.
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Strijbosch, W., Vessel, E. A., Welke, D., Mitas, O., Gelissen, J., & Bastiaansen, M. (2022). On the neuronal dynamics of aesthetic experience: Evidence from electroencephalographic oscillatory dynamics. Journal of Cognitive Neuroscience,34(3), 461-479. doi:10.1162/jocn_a_01812.
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Polak, R. (2022). Non-isochronous metre in music from Mali. In M. Doffman, E. Payne, & T. Young (Eds.), The Oxford Handbook of time in music (pp. 252-274). New York, NY: Oxford University Press. doi:10.1093/oxfordhb/9780190947279.013.22.
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Grüny, C. (2022). Material und Ort: Rehabilitation einer kritischen Kategorie. In R. Becker, D. Hagen, & L. von Samson (Eds.), Ästhetik nach Adorno: Positionen zur Gegenwartskunst (pp. 49-64). Berlin: Verbrecher.
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Polak, R., & London, J. (2022). Tempo, meter, and form: An analysis of "Dansa" from Mali. In L. B. Shuster, S. Mukherji, & N. Dinnerstein (Eds.), Trends in world music analysis: New directions in world music analysis (pp. 143-158). London: Routledge. doi:10.4324/9781003033080-9.
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Tavano, A., Maess, B., Poeppel, D., & Schröger, E. (2022). Neural entrainment via perceptual inferences. European Journal of Neuroscience: European Neuroscience Association. doi:10.1111/ejn.15630.
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Willemsen, S. P., & Kiss, M. (2020). Keeping Track of Time: the role of spatial and embodied cognition in the comprehension of non-linear storyworlds. Advance online publication. Style,54(2). doi:10.5325/style.54.2.0172.
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Raz, C. (2020). How the sheng became a harp. Sound studies,6(2), 239-256. doi:10.1080/20551940.2020.1794648.
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2019

Grabenhorst, M., Michalareas, G., Maloney, L. T., & Poeppel, D. (2019). The anticipation of events in time. Nature Communications,10: 5802. doi:10.1038/s41467-019-13849-0.
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Appelhoff, S., Sanderson, M., Brooks, T. L., van Vliet, M., Quentin, R., Holdgraf, C., Chaumon, M., Mikulan, E., Tavabi, K., Höchenberger, R., Welke, D., Brunner, C., Rockhill, A. P., Larson, E., Gramfort, A., & Jas, M. (2019). MNE-BIDS: Organizing electrophysiological data into the BIDS format and facilitating their analysis. The Journal of Open Source Software,4(44): 1896. doi:10.21105/joss.01896.
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Meyer, L., Sun, Y., & Martin, A. E. (2019). Synchronous, but not entrained: Exogenous and endogenous cortical rhythms of speech and language processing. Language, Cognition and Neuroscience. doi:10.1080/23273798.2019.1693050.
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Auksztulewicz, R., Myers, N. E., Schnupp, J. W., & Nobre, A. C. (2019). Rhythmic temporal expectation boosts neural activity by increasing neural gain. The Journal of Neuroscience,39(49), 9806-9817. doi:10.1523/JNEUROSCI.0925-19.2019.
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Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung,28: e18, pp. 53-85. doi:10.5964/jbdgm.2018v28.18.
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Gabriel, P. G., Chen, K. J., Alasfour, A., Pailla, T., Doyle, W. K., Devinsky, O., Friedman, D., Dugan, P., Melloni, L., Thesen, T., Gonda, D., Sattar, S., Wang, S. G., & Gilja, V. (2019). Neural correlates of unstructured motor behaviors. Journal of Neural Engineering,16(6): 066026. doi:10.1088/1741-2552/ab355c.
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Fayn, K., Silvia, P. J., Dejonckheere, E., Verdonck, S., & Kuppens, P. (2019). Confused or curious? Openness/intellect predicts more positive interest-confusion relations. Journal of Personality and Social Psychology,117(5), 1016-1033. doi:10.1037/pspp0000257.
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Mehr, S. A., Singh, M., Knox, D., Ketter, D. M., Pickens-Jones, D., Atwood, S., Lucas, C., Jacoby, N., Egner, A. A., Hopkins, E. J., Howard, R. M., Hartshorne, J. K., Jennings, M. V., Simson, J., Bainbridge, C. M., Pinker, S., O’Donnell, T. J., Krasnow, M. M., & Glowacki, L. (2019). Universality and diversity in human song. Science,366(6468): eaax0868. doi:10.1126/science.aax0868.
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Teng, X., Cogan, G., & Poeppel, D. (2019). Speech fine structure contains critical temporal cues to support speech segmentation. NeuroImage,202: 116152. doi:10.1016/j.neuroimage.2019.116152.
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Czoschke, S., Henschke, S., & Lange, E. B. (2019). On-item fixations during serial encoding do not affect spatialworking memory. Attention, Perception & Psychophysics,81(8), 2766-2787. doi:10.3758/s13414-019-01786-5.
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Henin, S., Borges, H., Shankar, A., Sarac, C., Melloni, L., Friedman, D., Flinker, A., Parra, L. C., Buzsaki, G., Devinsky, O., & Liu, A. (2019). Closed-loop acoustic stimulation enhances sleep oscillations but not memory performance. eNeuro,6(6): 0306-19.2019. doi:10.1523/ENEURO.0306-19.2019.
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García-Rosales, F., Röhrig, D., Weineck, K., Röhm, M., Lin, Y.-H., Cabral-Calderin, Y., Kössl, M., & Hechavarria, J. C. (2019). Laminar specificity of oscillatory coherence in the auditory cortex. Brain Structure and Function,224(8), 2907-2924. doi:10.1007/s00429-019-01944-3.
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Pryss, R., John, D., Schlee, W., Schlotz, W., Schobel, J., Kraft, R., Spiliopoulou, M., Langguth, B., Reicher, M., O'Rourke, T., Peters, H., Pieh, C., Lahmann, C., & Probst, T. (2019). Exploring the time trend of stress levels while using the crowdsensing Mobile Health Platform, TrackYourStress, and the influence of perceived stress reactivity: Ecological momentary assessment pilot study. JMIR Mhealth Uhealth,7(10): e13978. doi:10.2196/13978.
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Gross, J., & Poeppel, D. (2019). Neural oscillations and their role in speech and language processing. In P. Hagoort (Ed.), Human language: From genes and brains to behavior (pp. 393-407). Cambridge: MIT Press.
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Melloni, L., Buffalo, E. A., Dehaene, S., Friston, K. J., Ghazanfar, A. A., Giraud, A.-L., Grafton, S. T., Haegens, S., Pesaran, B., Petkov, C. I., & Poeppel, D. (2019). Computation and its neural implementation in human cognition. In W. Singer, T. J. Sejnowski, & P. Rakic (Eds.), The neocortex (pp. 323-346). Cambridge, Massachusetts: The MIT Press.
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Poeppel, D. (2019). Key issues and future directions: Where have we been and where are we going? In P. Hagoort (Ed.), Human language: From genes and brains to behavior (pp. 443-447). Cambridge: MIT Press.
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Isik, A. I., & Vessel, E. A. (2019). Continuous ratings of movie watching reveal idiosyncratic dynamics of aesthetic enjoyment. PLoS One,14(10): e0223896. doi:10.1371/journal.pone.0223896.
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Pallavicini, C., Vilas, M. G., Villarreal, M., Zamberlan, F., Muthukumaraswamy, S., Nutt, D., Carhart-Harris, R., & Tagliazucchi, E. (2019). Spectral signatures of serotonergic psychedelics and glutamatergic dissociatives. NeuroImage,200, 281-291. doi:10.1016/j.neuroimage.2019.06.053.
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Kiai, A. (2019). To protect credibility in science, banish “publish or perish”. Nature Human Behaviour,3, 1017-1018. doi:10.1038/s41562-019-0741-0.
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Wald-Fuhrmann, M. (2019). Die private Muse? Zur weltlichen Musik am Mecklenburg-Schweriner Hof unter Friedrich II. und Friedrich Franz I. In S. Avischag Müller, & A. Waczkat (Eds.), Utopie und Idylle: Der Mecklenburg-Schweriner Hof in Ludwigslust (1764-1837) (pp. 221-258). Hildesheim: Olms.
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Jacoby, N., Undurraga, E. A., McPherson, M. J., Valdés, J., Ossandón, T., & McDermott, J. H. (2019). Universal and non-universal features of musical pitch perception revealed by singing. Current Biology,29(19), 3229-3243.e12. doi:10.1016/j.cub.2019.08.020.
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Polak, R. (2019). Jembe music. In H. Feldman, D. Horn, J. Shepherd, & G. Kielich (Eds.), Bloomsbury encyclopedia of popular music of the world. Vol. 12: Genres: Sub-Saharan Africa (pp. 315-319). London: Bloomsbury Academic.
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Tavano, A., Schröger, E., & Kotz, S. A. (2019). Beta power encodes contextual estimates of temporal event probability in the human brain. PLoS One,14(9): e0222420. doi:10.1371/journal.pone.0222420.
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Pöhls, V. (2019). Literatur und Zensur: Transnationale Implikationen. In D. Bischoff, & S. Komfort-Hein (Eds.), Handbuch Literatur & Transnationalität - Handbücher zur kulturwissenschaftlichen Philologie 7 (pp. 216-228). Berlin: de Gruyter.
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Peviani, V., Melloni, L., & Bottini, G. (2019). Visual and somatosensory information contribute to distortions of the body model. Scientific Reports,9: 13570. doi:10.1038/s41598-019-49979-0.
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Vessel, E. A., Isik, A. I., Belfi, A. M., Stahl, J. L., & Starr, a. G. G. (2019). The default-mode network represents aesthetic appeal that generalizes across visual domains. Proceedings of the National Academy of Sciences of the United States of America. doi:10.1073/pnas.1902650116.
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Ayoub, M.-R., Larrouy-Maestri, P., & Morsomme, D. (2019). The effect of smoking on the fundamental frequency of the speaking voice. Journal of Voice,33(5), 802.e11-802.e16. doi:10.1016/j.jvoice.2018.04.001.
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Raz, C. (2019). Operatic fantasies in early nineteenth-century psychiatry. In D. Trippett, & B. Walton (Eds.), Nineteenth-Century opera and the scientific imagination (pp. 63-83). Cambridge: Cambridge University Press. doi:10.1017/9781316275863.004.
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Akkermans, J., Schapiro, R., Mullensiefen, D., Jakubowski, K., Shanahan, D., Baker, D., Busch, V., Lothwesen, K., Elvers, P., Fischinger, T., Schlemmer, K., & Frieler, K. (2019). Decoding emotions in expressive music performances: A multi-lab replication and extension study. Cognition & Emotion,33(6), 1099-1118. doi:10.1080/02699931.2018.1541312.
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Mikkelsen, M. B., O’Toole, M. S., Lyby, M. S., Wallot, S., & Mehlsen, M. (2019). Emotional reactivity and interoceptive sensitivity: Exploring the role of age. Psychonomic Bulletin & Review,26, 1440-1448. doi:10.3758/s13423-019-01603-y.
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Gehrig, J., Michalareas, G., Forster, M.-T., Lei, J., Hok, P., Laufs, H., Senft, C., Seifert, V., Schoffelen, J.-M., Hanslmayr, S., & Kell, C. A. (2019). Low-frequency oscillations code speech during verbal working memory. The Journal of Neuroscience,39(33), 6498-6512. doi:10.1523/JNEUROSCI.0018-19.2019.
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Raz, C. (2019). Colloquy: Talking to the hand: The “Hysterical Epistemology” of the migrating sensorium. Journal of the American Musicological Society,72(2), 552-557. doi:10.1525/jams.2019.72.2.541.
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Kraxenberger, M. (2019). Klang und Emotionsperzeption in Gedichten: Drei empirische Beispielstudien. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 17-34). Berlin, Boston: De Gruyter.
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Knoop, C. A. (2019). Empirische Zugänge zur Erforschung sprachlicher Rhythmen in der Literatur. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 58-76). Berlin, Boston: de Gruyter.
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Scharinger, M. (2019). Melodie. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 35-57). Berlin, Boston: De Gruyter.
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Menninghaus, W. (2019).Aesthetics after Darwin - The multiple origins and functions of the arts. (A. Berlina, Trans.). Boston, Brookline: Academics Studies Press.
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Lei, J., Conradi, N., Abel, C., Frisch, S., Brodski-Guerniero, A., Hildner, M., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2019). Cognitive effects of rhythmic auditory stimulation in Parkinson’s disease: A P300 study. Brain Research,1716, 70-79. doi:10.1016/j.brainres.2018.05.016.
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Lyby, M. S., Mehlsen, M., Jensen, A. B., Bovbjerg, D. H., Philipsen, J. S., & Wallot, S. (2019). Use of recurrence quantification analysis to examine associations between changes in text structure across an expressive writing intervention and reductions in distress symptoms in women wth breast cancer. Frontiers in Applied Mathematics and Statistics, 5:37. doi:10.3389/fams.2019.00037.
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Assaneo, M. F., Rimmele, J. M., Orpella, J., Ripollés, P., de Diego-Balaguer, R., & Poeppel, D. (2019). The lateralization of speech-brain coupling is differentially modulated by intrinsic auditory and top-down mechanisms. Frontiers in Integrative Neuroscience,13: 28. doi:10.3389/fnint.2019.00028.
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Woerner, F. (2019). Hindemiths Klassizismus: Ein künstlerisches Bekenntnis im Kontext der 1920er-Jahre. In H.-C. Günther (Ed.), Neoclassicism - What is that? (pp. 349-379). Nordhausen: Traugott Bautz.
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Hoshi, H., Kwon, N., Akita, K., & Auracher, J. (2019). Semantic associations dominate over perceptual associations in vowel–size iconicity. i-Perception,10(4). doi:10.1177/2041669519861981.
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Forster, F., Weinmann, T., Gerlich, J., Schlotz, W., Weinmayr, G., Genuneit, J., Windstetter, D., Vogelberg, C., von Mutius, E., Nowak, D., & Radon, K. (2019). Work-related stress and incident asthma and rhinitis: Results from the SOLAR study. International Archives of Occupational and Environmental Health,92(5), 673-681. doi:10.1007/s00420-019-01402-x.
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Schlotz, W. (2019). Investigating associations between momentary stress and cortisol in daily life: What have we learned so far? Psychoneuroendocrinology,105, 105-116. doi:10.1016/j.psyneuen.2018.11.038.
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Rimmele, J. M., Gudi-Mindermann, H., Nolte, G., Roeder, B., & Engel, K. A. (2019). Working memory training integrates visual cortex into beta-band networks in congenitally bind individuals. NeuroImage,194, 259-271. doi:10.1016/j.neuroimage.2019.03.003.
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Menninghaus, W., Wagner, V., Kegel, V., Knoop, C. A., & Schlotz, W. (2019). Beauty, elegance, grace, and sexiness compared. PLOS ONE,14(6), e0218728. doi:10.1371/journal.pone.0218728.
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Lewis, G. A., Poeppel, D., & Murphy, G. L. (2019). Contrasting semantic versus inhibitory processing in the angular gyrus: An fMRI study. Cerebral Cortex,29(6), 2470-2481. doi:10.1093/cercor/bhy118.
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Omigie, D., Pearce, M., Lehongre, K., Hasboun, D., Navarro, V., Adam, C., & Samson, S. (2019). Intracranial recordings and computational modeling of music reveal the time course of prediction error signaling in frontal and temporal cortices. Journal of Cognitive Neuroscience,31(6), 855-873. doi:10.1162/jocn_a_01388.
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Tavano, A., & Poeppel, D. (2019). A division of labor between power and phase coherence in encoding attention to stimulus streams. NeuroImage,193, 146-156. doi:10.1016/j.neuroimage.2019.03.018.
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Kraxenberger, M. (2019). Zum Stil einer digital geprägten Leserealität: Eine Untersuchung der Fifty Shades of Grey-Trilogie mittels Dargestelltem und Darstellung. Orbis Litterarum. Special Issue: Style,74(3), 205-218. doi:10.1111/oli.12219.
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Doelling, K. B., Assaneo, M. F., Bevilacqua, D., Pesaran, B., & Poeppel, D. (2019). An oscillator model better predicts cortical entrainment to music. Proceedings of the National Academy of Sciences of the United States of America,116(20), 10113-10121. doi:10.1073/pnas.1816414116.
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Auracher, J., Scharinger, M., & Menninghaus, W. (2019). Contiguity-based sound iconicity: The meaning of words resonates with phonetic properties of their immediate verbal contexts. PLOS ONE,14(5), e0216930. doi:10.1371/journal.pone.0216930.
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Rowland, J., Kasdan, A., & Poeppel, D. (2019). There is music in repetition: Looped segments of speech and nonspeech induce the perception of music in a time-dependent manner. Psychonomic Bulletin & Review,26(2), 583-590. doi:10.3758/s13423-018-1527-5.
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Haider, T. (2019). Diachronic Topics in New High German Poetry. Proceedings of the International Digital Humanities Conference DH2019, Utrecht, https://dev.clariah.nl/files/dh2019/boa/1031.html.
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Vesker, M., Bahn, D., Degé, F., Kauschke, C., & Schwarzer, G. (2019). Identification of emotional facial expressions in a lab and over the internet. Psychology: Journal of the Higher School of Economics,16(3), 571-583. doi:10.17323/1813-8918-2019-3-571-583.
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Ackermann, T. (2019).Disliked music: Merkmale, Gründe und Funktionen abgelehnter Musik (PhD Thesis, kassel university press, Kassel, 2019). doi:10.19211/KUP9783737650885.
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Birnbaum, D. J., Bories, A.-S., Haider, T., & Sarv, M. (2019). Plotting Poetry 3. Conference Report. Studia Metrica et Poetica,6(2), 150-161. doi:10.12697/smp.2019.6.2.05.
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Haider, T., & Eger, S. (2019). Semantic Change and Emerging Tropes In a Large Corpus of New High German Poetry. In Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change, Florence. https://www.aclweb.org/anthology/W19-4727 (pp. 216-222).
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2018

Raz, C., & Finger, S. (2018). Musical glasses, metal reeds and broken hearts: Two cases of melancholia treated by new musical instruments. In P. Gouk, J. Kennaway, & P. Jacomien (Eds.), The Routledge companion to music, mind, and well-being (pp. 77-91). New York: Routledge.

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2018). Measuring Optimal Reading Experiences: The Reading Flow Short Scale. Frontiers in Psychology,9: 2542. doi:10.3389/fpsyg.2018.02542.

Knoop, C. A. (2018).Franz Kafka. Baden-Baden: Tectum-Verlag.

Wallot, S., & Leonardi, G. (2018). Analyzing multivariate dynamics using Cross-Recurrence Quantification Analysis (CRQA), Diagonal-Cross-Recurrence Profiles (DCRP), and Multidimensional Recurrence Quantification Analysis (MdRQA) – A tutorial in R. Frontiers in Psychology, 9:2232. doi:10.3389/fpsyg.2018.02232.

Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.

Urbanek, N., & Wald-Fuhrmann, M. (Eds.). (2018).Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie. Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-04654-3.

Getz, H., Ding, N., Newport, E. L., & Poeppel, D. (2018). Cortical tracking of constituent structure in language acquisition. Cognition,181, 135-140. doi:10.1016/j.cognition.2018.08.019.

Bosker, H. R., & Ghitza, O. (2018). Entrained theta oscillations guide perception of subsequent speech: Behavioural evidence from rate normalisation. Language, Cognition and Neuroscience,33(8), 955-967. doi:10.1080/23273798.2018.1439179.

Wallot, S., & Menninghaus, W. (2018). Ambiguity effects of rhyme and meter. Journal of Experimental Psychology: Learning, Memory, and Cognition.,44(12), 1947-1954. doi:10.1037/xlm0000557.

Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds.), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler.

Liu, A., Vöröslakos, M., Kronberg, G., Henin, S., Krause, M. R., Huang, Y., Opitz, A., Mehta, A., Pack, C. C., Krekelberg, B., Berényi, A., Parra, L. C., Melloni, L., Devinsky, O., & Buzsáki, G. (2018). Immediate neurophysiological effects of transcranial electrical stimulation. Nature Communications,9: 5092. doi:10.1038/s41467-018-07233-7.

Kentner, G. (2018). Jan Michalsky. 2017. Frageintonation im Deutschen. Zur intonatorischen Markierung von Interrogativität und Fragehaltigkeit (Linguistische Arbeiten 566). Zeitschrift für Rezensionen zur germanistischen Sprachwissenschaft,10(1-2), 155-160. doi:10.1515/zrs-2018-0019.

Menninghaus, W., Wagner, V., Knoop, C. A., & Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. PLoS One,13(11), e0205980. doi:10.1371/journal.pone.0205980.

Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences on the functions of music listening. Psychology of Music,46(6), 763-794. doi:10.1177/0305735617724883.

Booth, C. R., Brown, H. L., Eason, E. G., Wallot, S., & Kelty-Stephen, D. G. (2018). Expectations on hierarchical scales of discourse: Multifractality predicts both short- and long-range effects of violating gender expectations in text reading. Discourse Processes,55(1), 12-30. doi:10.1080/0163853X.2016.1197811.

Polak, R., Tarsitani, S., & Clayton, M. (2018). IEMP Malian Jembe. Open Science Framework. doi:10.17605/OSF.IO/M652X.

Auksztulewicz, R., Schwiedrzik, C. M., Thesen, T., Doyle, W., Devinsky, O., Nobre, A. C., Schroeder, C. E., Friston, K. J., & Melloni, L. (2018). Not all predictions are equal: "What" and "when" predictions modulate activity in auditory cortex through different mechanisms. The Journal of Neuroscience,38(40), 8680-8693. doi:10.1523/JNEUROSCI.0369-18.2018.

Caletti, E., Delvecchio, G., Andreella, A., Finos, L., Perlini, C., Tavano, A., Lasalvia, A., Bonetto, C., Cristofalo, D., Lamonaca, D., Ceccato, E., Pileggi, F., Mazzi, F., Santonastaso, P., Ruggeri, M., Bellani, M., & Brambilla, P. (2018). Prosody abilities in a large sample of affective and non-affective first episode psychosis patients. Comprehensive Psychiatry,86, 31-38. doi:10.1016/j.comppsych.2018.07.004.

Belfi, A. M., Kasdan, A., Rowland, J., Vessel, E. A., Starr, G. G., & Poeppel, D. (2018). Rapid timing of musical aesthetic judgments. Journal of Experimental Psychology: General,147(10), 1531-1543. doi:10.1037/xge0000474.

Kuijpers, M. M., & Hakemulder, F. (2018). Understanding and Appreciating Literary Texts Through Rereading. Discourse Processes,55(7), 619-641. doi:10.1080/0163853X.2017.1390352.

Vessel, E. A., Maurer, N., Denker, A. H., & Starr, G. G. (2018). Stronger shared taste for natural aesthetic domains than for artifacts of human culture. Cognition,179, 121-131. doi:10.1016/j.cognition.2018.06.009.

Teng, X., Tian, X., Doelling, K., & Poeppel, D. (2018). Theta band oscillations reflect more than entrainment: Behavioral and neural evidence demonstrates an active chunking process. European Journal of Neuroscience: European Neuroscience Association,48(8), 2770-2782. doi:10.1111/ejn.13742.

Raz, C. (2018). An Eighteenth-Century theory of musical cognition? John Holden's essay towards a rational system of music (1770). Journal of Music Theory,62(2), 205-248. doi:10.1215/00222909-7127670.

Rimmele, J. M., Morillon, B., Poeppel, D., & Arnal, L. H. (2018). Proactive sensing of periodic and aperiodic auditory patterns. Trends in Cognitive Sciences [Special Issue: Time in the Brain],22(10), 870-882. doi:10.1016/j.tics.2018.08.003.

Raz, C. (2018). Anne Young’s introduction to music (1803): Pedagogical, speculative, and ludic music theory. SMT-V: The Society for Music Theory Videocast Journal, 4.3. doi:10.30535/smtv.4.3.

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2018). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Annals of Neurology,84(S22), S235-S236.

Larrouy-Maestri, P., & Pfordresher, P. Q. (2018). Pitch perception in music: Do scoops matter? Journal of Experimental Psychology: Human Perception and Performance,44(10), 1523-1541. doi:10.1037/xhp0000550.

Penn, L. R., Ayasse, N. D., Wingfield, A., & Ghitza, O. (2018). The possible role of brain rhythms in perceiving fast speech: Evidence from adult aging. The Journal of the Acoustical Society of America,144(4), 2088-2094. doi:10.1121/1.5054905.

Kraxenberger, M. (2018). Gelesen wie gesprochen: Überlegungen zur Gedichtrezeption als prosodisches (Text-)Gerede im Inneren. In D.-C. Assmann, & N. Menzel (Eds.), TEXTGEREDE Interferenzen Von Mündlichkeit und Schriftlichkeit in der Gegenwartsliteratur (pp. 147-160). Paderborn: Fink.

Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.

Wallot, S., & Mønster, D. (2018). Calculation of Average Mutual Information (AMI) and False-Nearest Neighbors (FNN) for the Estimation of Embedding Parameters of Multidimensional Time Series in Matlab. Frontiers in Psychology,9: 1679. doi:10.3389/fpsyg.2018.01679.

Raz, C. (2018). Anne Young’s musical games (1801): Music theory, gender, and game design. SMT-V: The Society for Music Theory Videocast Journal, 4.2. doi:10.30535/smtv.4.2.

Teng, X., Sun, Y., & Poeppel, D. (2018). Temporal order judgment reveals local-global auditory processes. SI,104(5), 817-820. doi:10.3813/AAA.919231.

Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018). Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.

Schwiedrzik, C. M., Sudmann, S. S., Thesen, T., Wang, X., Groppe, D. M., Megevand, P., Doyle, W., Mehta, A. D., Devinsky, O., & Melloni, L. (2018). Medial prefrontal cortex supports perceptual memory. Current Biology,28(18), R1094-R1095. doi:10.1016/j.cub.2018.07.066.

Cohen, D. E. (2018). Rhythm, number, and Heraclitus’ river. History of Music Theory.

Gwilliams, L., Linzen, T., Poeppel, D., & Marantz, A. (2018). In spoken word recognition, the future predicts the past. The Journal of Neuroscience,38(35), 7585-7599. doi:10.1523/JNEUROSCI.0065-18.2018.

Wallot, S., & Leonardi, G. (2018). Deriving inferential statistics from recurrence plots: A recurrence-based test of differences between sample distributions and its comparison to the two-sample Kolmogorov-Smirnov test. Chaos: An interdisciplinary journal of nonlinear science,28(8): 085712. doi:10.1063/1.5024915.

Kraxenberger, M., & Menninghaus, W. (2018). Mimologische Träumereien? Über ikonische Assoziationen von Klang und Gefühlswahrnehmung in Gedichten. In D. Scherf, & A. Bertschi-Kaufmann (Eds.), Ästhetische Rezeptionsprozesse aus didaktischer Perspektive (pp. 72-88). Weinheim, Basel: Beltz Juventa.

Lange, E. B., Pieczykolan, A., Trukenbrod, H. A., & Huestegge, L. (2018). The rhythm of cognition: Effects of an auditory beat on oculomotor control in reading and sequential scanning. Journal of Eye Movement Research,11(2): 9. doi:10.16910/jemr.11.2.9.

Greb, F. (2018). Determinants of music-selection behaviour: Development of a model. PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.

Blohm, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. Poetics,69, 41-56. doi:10.1016/j.poetic.2018.04.005.

Belfi, A. M., Vessel, E. A., & Starr, G. G. (2018). Individual ratings of vividness predict aesthetic appeal in poetry. Psychology of Aesthetics, Creativity, and the Arts,12(3), 341-350. doi:10.1037/aca0000153.

Gudi-Mindermann, H., Rimmele, J. M., Nolte, G., Bruns, P., Engel, A. K., & Röder, B. (2018). Working memory training in congenitally blind individuals results in an integration of occipital cortex in functional networks. Behavioural Brain Research,348, 31-41. doi:10.1016/j.bbr.2018.04.002.

Wassiliwizky, E. (2018). At the root of the paradox: Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al. Physics of Life Reviews,25, 136-138. doi:10.1016/j.plrev.2017.12.008.

Kraxenberger, M., Menninghaus, W., Roth, A., & Scharinger, M. (2018). Prosody-Based Sound-Emotion Associations in Poetry. Frontiers in Psychology,9: 1284. doi:10.3389/fpsyg.2018.01284.

Larrouy-Maestri, P. (2018). “I know it when I hear it”: On listeners’ perception of mistuning. Music & Science,1, 1-17. doi:10.1177/2059204318784582.

Schwiedrzik, C. M., Melloni, L., & Schurger, A. (2018). Mooney face stimuli for visual perception research. PLoS One,13(7): e0200106. doi:10.1371/journal.pone.0200106.

Nix, S., & Schoof, K. (2018). Spitzenservice für Experten: Spezialbibliotheken im digitalen Zeitalter. Politik & Kultur,4, 7.

Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (Eds.), Facetten gegenwärtiger Bildtheorie: Interkulturelle und interdisziplinäre Perspektiven (pp. 261-283). Wiesbaden: Springer VS.

Toelle, J. (2018). Applaus. In D. Morat, & H. Ziemer (Eds.), Handbuch Sound: Geschichte - Begriffe - Ansätze (pp. 178-182). Stuttgart: J.B. Metzler.

Herrera, R., Markevych, I., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., Heinrich, J., & Radon, K. (2018). Greenness and job-related chronic stress in young adults: A prospective cohort study in Germany. BMJ Open,8: e021599. doi:10.1136/bmjopen-2018-021599.

Wieland, L. M., Grunschel, C., Limberger, M. F., Schlotz, W., Ferrari, J. R., & Ebner-Priemer, U. W. (2018). The ecological momentary assessment of procrastination in daily life: Psychometric properties of a five-item short scale. North American journal of psychology,20(2), 315-339.

Wallot, S., & Kelty-Stephen, D. G. (2018). Interaction-dominant causation in mind and brain, and Its implication for questions of generalization and replication. Minds and machines: journal for artificial intelligence, philosophy and cognitive science,28(2), 353-374. doi:10.1007/s11023-017-9455-0.

Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (Ed.), Das Konzert II: Beiträge zum Forschungsfeld der Concert Studies (pp. 425-447). Bielefeld: Transcript.

Fink, L. K., Lange, E. B., & Groner, R. (2018). The application of eye-tracking in music research. Journal of Eye Movement Research,11(2): 1. doi:10.16910/jemr.11.2.1.

Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.

Pearson, L. (2018). Cultural heritage, sustainability and innovation in South Indian art music. In B. Norton, & N. Matsumoto (Eds.), Music as heritage: Historical and ethnographic perspectives (pp. 238-257). London: Routledge.

Werth, A., Rocholl, M. J., Henrich, K., Lanwermeyer, M., Schnell, H., Domahs, U., Herrgen, J., & Schmidt, J.-E. (2018). The Interaction of vowel quantity and tonal cues in Cognitive processing: An MMN-study concerning dialectal and standard varieties. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (Linguistische Arbeiten 567) (pp. 183-211). Berlin: de Gruyter.

Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.

Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors. Music & Science,1, 1-17. doi:10.1177/2059204318755950.

Scharinger, M. (2018). Neural bases of phonological representations: Empirical approaches and methods. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (pp. 241-272). Berlin, Boston: Walter de Gruyter GmbH. doi:10.1515/9783110542899-010.

Tian, X., Ding, N., Teng, X., Bai, F., & Poeppel, D. (2018). Imagined speech influences perceived loudness of sound. Nature Human Behaviour,2(3), 225-234. doi:10.1038/s41562-018-0305-8.

Kaufmann, M. (2018). The nymph's voice as an acoustic reflection of the self. In K. A. E. Engelke, & A. Traninger (Eds.), The figure of the nymph in early modern culture (pp. 396-418). Leiden: Brill. doi:10.1163/9789004364356_014.

Hoshi, H., & Menninghaus, W. (2018). The eye tracks the aesthetic appeal of sentences. Journal of Vision,18(3), 1-22. doi:10.1167/18.3.19.

Lakens, D., Adolfi, F., Albers, C. J., Anvari, F., Apps, M. A. J., Argamon, S. E., Baguley, T., Becker, R. B., Benning, S. D., Bradford, D. E., Buchanan, E. M., Caldwell, A. R., Calster, B. V., Carlsson, R., Chen, S.-C., Chung, B., Colling, L. J., Collins, G. S., Crook, Z., Cross, E. S., Daniels, S., Danielsson, H., DeBruine, L., Dunleavy, D. J., Earp, B. D., Feist, M. I., Ferrell, J. D., Field, J. G., Fox, N. W., Friesen, A., Gomes, C., Gonzalez-Marquez, M., Grange, J. A., Grieve, A. P., Guggenberger, R., Grist, J., van Harmelen, A.-L., Hasselman, F., Hochard, K. D., Hoffarth, M. R., Holmes, N. P., Ingre, M., Isager, P. M., Isotalus, H. K., Johansson, C., Juszczyk, K., Kenny, D. A., Khalil, A. A., Konat, B., Lao, J., Larsen, E. G., Lodder, G. M. A., Lukavský, J., Madan, C. R., Manheim, D., Martin, S. R., Martin, A. E., Mayo, D. G., McCarthy, R. J., McConway, K., McFarland, C., Nio, A. Q. X., Nilsonne, G., de Oliveira, C. L., de Xivry, J.-J.-O., Parsons, S., Pfuhl, G., Quinn, K. A., Sakon, J. J., Saribay, S. A., Schneider, I. K., Selvaraju, M., Sjoerds, Z., Smith, S. G., Smits, T., Spies, J. R., Sreekumar, V., Steltenpohl, C. N., Stenhouse, N., Świątkowski, W., Vadillo, M. A., Assen, M. A. L. M. V., Williams, M. N., Williams, S. E., Williams, D. R., Yarkoni, T., Ignazio, Z., & Zwaan, R. A. (2018). Justify your alpha. Nature Human Behaviour,2(3), 168-171. doi:10.1038/s41562-018-0311-x.

Sarkhosh, K. (2018). Kurz und kernig statt lang und erbärmlich? Einige Beobachtungen zum Verhältnis von Erfolg, Staffellaufzeiten und narrativer Dichte in aktuellen ›Quality TV‹-Serien. In M. Baßler, & M. Nies (Eds.), Short Cuts. Ein Verfahren zwischen Roman, Film und Serie (pp. 217-247). Marburg: Schüren.

Assaneo, M. F., & Poeppel, D. (2018). The coupling between auditory and motor cortices is rate-restricted: Evidence for an intrinsic speech-motor rhythm. Science Advances,4(2): eaao3842. doi:10.1126/sciadv.aao3842.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (2018). Editorial: Brain oscillations in human communication. Frontiers in Human Neuroscience, 12:39. doi:10.3389/fnhum.2018.00039.

Toelle, J. (2018). Mission soundscapes: Demons, Jesuits and sounds in Antonio Ruiz de Montoya’s Conquista Espiritual (1639). In D. Hacke, & P. Musselwhite (Eds.), Empire of the senses: Sensory practices of colonialism in early America (pp. 67-87). Leiden: Brill. doi:10.1163/9789004340640_004.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (Eds.). (2018).Brain oscillations in human communication. Lausanne: Frontiers Media. doi:10.3389/978-2-88945-458-7.

Haider, T., & Kuhn, J. (2018). Supervised Rhyme Detection with Siamese Recurrent Networks. In B. Alex, S. Degaetano-Ortlieb, A. Feldman, A. Kazantseva, N. Reiter, & S. Szpakowicz (Eds.), Proceedings of the Second Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature (pp. 81-86).

Menninghaus, W. (2018).Sei no nakaba: Hoeldelin shigaku ni matsuwaru shiron (=Japanese translation of Hälfte des Lebens: Versuch über Hölderlins Poetik, Frankfurt: Suhrkamp, 2005). Translated by Yoshikazu Takemine. Tokio: Getsuyousha Limited.

Fischinger, T. (2018). Vorreiter einer empirischen Ästhetik: Anmerkungen zur Studie «Die natürliche Stimmung in der modernen Vokalmusik» (1893) von Max Planck. Neue Zeitschrift für Musik, (1), 27-29.

Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte für Fragen des Gottesdienstes,68(2), 83-108.

2017

Kumsta, R., Schlotz, W., Golm, D., Moser, D., Kennedy, M., Knights, N., Kreppner, J., Maughan, B., Rutter, M., & Sonuga-Barke, E. (2017). HPA axis dysregulation in adult adoptees twenty years after severe institutional deprivation in childhood. Psychoneuroendocrinology,86, 196-202. doi:10.1016/j.psyneuen.2017.09.021.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences,40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.

Elvers, P., & Steffens, J. (2017). The sound of success: Investigating cognitive and behavioral effects of motivational music in sports. Frontiers in Psychology, 8:2026. doi:10.3389/fpsyg.2017.02026.

Blohm, S., Menninghaus, W., & Schlesewsky, M. (2017). Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence. Frontiers in Psychology,8: 1887. doi:10.3389/fpsyg.2017.01887.

Scharinger, M. (2017). Are there brain bases for phonological markedness? In B. D. Samuels (Ed.), Beyond Markedness in Formal Phonology (pp. 191-218). Amsterdam/Philadelphia: John Benjamins Publishing Company.

Teng, X., Tian, X., Rowland, J., & Poeppel, D. (2017). Concurrent temporal channels for auditory processing: Oscillatory neural entrainment reveals segregation of function at different scales. PLoS Biology,15(11): e2000812. doi:10.1371/journal.pbio.2000812.

Auracher, J. (2017). Sound iconicity of abstract concepts: Place of articulation is implicitly associated with abstract concepts of size and social dominance. PLOS ONE,12(11): e0187196. doi:10.1371/journal.pone.0187196.

Kennedy, M., Kreppner, J., Knights, N. H., Kumsta, R., Maughan, B., Golm, D., Hill, J., Rutter, M., Schlotz, W., & Sonuga-Barke, E. (2017). Adult disinhibited social engagement in adoptees exposed to extreme institutional deprivation: examination of its clinical status and functional impact. The British Journal of Psychiatry,211(5), 289-295. doi:10.1192/bjp.bp.117.200618.

Hosoya, G., Schindler, I., Beermann, U., Wagner, V., Menninghaus, W., Eid, M., & Scherer, K. (2017). Mapping the Conceptual Domain of Aesthetic Emotion Terms: A Pile-Sort Study. Psychology of Aesthetics, Creativity, and the Arts,11(4), 457-473. doi:10.1037/aca0000123.

Bauer, S., van Alphen, N., Becker, A., Chiocchetti, A., Deichmann, R., Deller, T., Freiman, T., Freitag, C. M., Gehrig, J., Hermsen, A. M., Jedlicka, P., Kell, C., Klein, K. M., Knake, S., Kullmann, D. M., Liebner, S., Norwood, B. A., Omigie, D., Plate, K., Reif, A., Reif, P. S., Reiss, Y., Roeper, J., Ronellenfitsch, M. W., Schorge, S., Schratt, G., Schwarzacher, S. W., Steinbach, J. P., Strzelczyk, A., Triesch, J., Wagner, M., Walker, M. C., von Wegner, F., & Rosenow, F. (2017). Personalized translational epilepsy research — Novel approaches and future perspectives: Part II: Experimental and translational approaches. Epilepsy & Behavior,76, 7-12. doi:10.1016/j.yebeh.2017.06.040.

Lafon, B., Henin, S., Huang, Y., Friedman, D., Melloni, L., Thesen, T., Doyle, W., Buzsáki, G., Devinsky, O., Parra, L. C., & Liu, A. A. (2017). Low frequency transcranial electrical stimulation does not entrain sleep rhythms measured by human intracranial recordings. Nature Communications,8: 1199. doi:10.1038/s41467-017-01045-x.

Herrera, R., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., & Radon, K. (2017). Chronic Stress in Young German Adults: Who Is Affected? A Prospective Cohort Study. International Journal of Environmental Research and Public Health,14(11), 1325. doi:10.3390/ijerph14111325.

Powell, D. J. H., Liossi, C., Schlotz, W., & Moss-Morris, R. (2017). Tracking daily fatigue fluctuations in multiple sclerosis: ecological momentary assessment provides unique insights. Journal of Behavioral Medicine,40(5), 772-783. doi:10.1007/s10865-017-9840-4.

Ding, N., Patel, A., Chen, L., Butler, H., Luo, C., & Poeppel, D. (2017). Temporal modulations in speech and music. Neuroscience & Biobehavioral Reviews,81(Part B), 181-187. doi:10.1016/j.neubiorev.2017.02.011.

Lange, E. B., Zweck, F., & Sinn, P. (2017). Microsaccade-rate indicates absorption by music listening. Consciousness and Cognition,55, 59-78. doi:10.1016/j.concog.2017.07.009.

Kelty-Stephen, D., & Wallot, S. (2017). Multifractality versus (mono)fractality in the narrative about nonlinear interactions across time scales: Disentangling the belief in nonlinearity from the diagnosis of nonlinearity. Ecological Psychology,29(4), 259-299. doi:10.1080/10407413.2017.1368355.

Ding, N., Melloni, L., Yang, A., Wang, Y., Zhang, W., & Poeppel, D. (2017). Characterizing neural entrainment to hierarchical linguistic units using electroencephalography (EEG). Frontiers in Human Neuroscience,11: 481. doi:10.3389/fnhum.2017.00481.

Merk, J., Schlotz, W., & Falter, T. (2017). The Motivational Value Systems Questionnaire (MVSQ): Psychometric Analysis Using a Forced Choice Thurstonian IRT Model. Frontiers in Psychology,8: 1626. doi:10.3389/fpsyg.2017.01626.

Menninghaus, W., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Knoop, C. A. (2017). The emotional and aesthetic powers of parallelistic diction. Poetics,63, 47-59. doi:10.1016/j.poetic.2016.12.001.

Scharinger, M., Steinberg, J., & Tavano, A. (2017). Integrating speech in time depends on temporal expectancies and attention. Cortex,93, 28-40. doi:10.1016/j.cortex.2017.05.001.

Wassiliwizky, E., Koelsch, S., Wagner, V., Jacobsen, T., & Menninghaus, W. (2017). The emotional power of poetry: Neural circuitry, psychophysiology, compositional principles. Social Cognitive and Affective Neuroscience,12(8), 1229-1240. doi:10.1093/scan/nsx069.

Sarkhosh, K. (2017). Trash, Boom, Bang: Ein Forschungsüberblick. In J. Nesselhauf, & M. Schleich (Eds.), Banal, trivial, phänomenal. Spielarten des Trash (pp. 11-42). Darmstadt: Büchner.

Tiihonen, M., Brattico, E., Maksimainen, J., Wikgren, J., & Saarikallio, S. (2017). Constituents of music and visual-art related pleasure: A critical integrative literature review. Frontiers in Psychology,8: 1218. doi:10.3389/fpsyg.2017.01218.

Merrill, J., & Larrouy-Maestri, P. (2017). Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire. Frontiers in Psychology, 8:1108. doi:10.3389/fpsyg.2017.01108.

Wiesecke, J. (2017). Samuel Pepys and his experiences of music at Restoration theatres. In H. Barlow, & D. Rowland (Eds.), Listening to music: People, practices and experiences. Retrieved from http://ledbooks.org/proceedings2017/#sec_245_h1.

Ishizu, T., & Sakamoto, Y. (2017). Ugliness as the fourth wall-breaker: Comment on “Move me, astonish me.. delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative, and neurophysiological correlates” by Matthew Pelowski et al. Physics of Life Reviews,21, 138-139. doi:10.1016/j.plrev.2017.06.003.

Tal, I., Large, E. W., Rabinovitch, E., Wei, Y., Schroeder, C. E., Poeppel, D., & Golumbic, E. Z. (2017). Neural entrainment to the beat: The “Missing-Pulse” phenomenon. The Journal of Neuroscience,37(26), 6331-6341. doi:10.1523/JNEUROSCI.2500-16.2017.

Isik, A. I., Naumer, M. J., Kaiser, J., Buschenlange, C., Wiesmann, S., Czoschke, S., & Yalachkov, Y. (2017). Automatized smoking-related action schemata are reflected by reduced fMRI activity in sensorimotor brain regions of smokers. NeuroImage: Clinical,15, 753-760. doi:10.1016/j.nicl.2017.06.021.

Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., & Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLOS ONE,12(6), e0178899. doi:10.1371/journal.pone.0178899.

Gemma, M. L., Glorieux, F., & Ganascia, J.-G. (2017). Operationalizing the colloquial style: Repetition in 19th-century American fiction. Digital Scholarship in the Humanities,32(2), 312-335. doi:10.1093/llc/fqv066.

Bonhage, C. E., Meyer, L., Gruber, T., Friederici, A. D., & Mueller, J. L. (2017). Oscillatory EEG dynamics underlying automatic chunking during sentence processing. NeuroImage,152, 647-657. doi:10.1016/j.neuroimage.2017.03.018.

Dikker, S., Wan, L., Davidesco, I., Kaggen, L., Oostrik, M., McClintock, J., Rowland, J., Michalareas, G., Van Bavel, J. J., Ding, M., & Poeppel, D. (2017). Brain-to-brain synchrony tracks real-world dynamic group interactions in the classroom. Current Biology,27(9), 1375-1380. doi:10.1016/j.cub.2017.04.002.

Wallot, S. (2017). Recurrence quantification analysis of processes and products of discourse: A tutorial in R. Discourse Processes,54(5-6), 382-405. doi:10.1080/0163853X.2017.1297921.

Sonuga-Barke, E. J. S., Kennedy, M., Kumsta, R., Knights, N., Golm, D., Rutter, M., Maughan, B., Schlotz, W., & Kreppner, J. (2017). Child-to-adult neurodevelopmental and mental health trajectories after early life deprivation: The young adult follow-up of the longitudinal English and Romanian Adoptees study. The Lancet,389(10078), 1539-1548. doi:10.1016/S0140-6736(17)30045-4.

Reichert, M., Tost, H., Reinhard, I., Schlotz, W., Zipf, A., Salize, H. J., Meyer-Lindenberg, A., & Ebner-Priemer, U. W. (2017). Exercise versus nonexercise activity: E-diaries unravel distinct effects on mood. Medicine & Science in Sports & Exercise,49(4), 763-773. doi:10.1249/mss.0000000000001149.

Neuhoff, H., Polak, R., & Fischinger, T. (2017). Perception and evaluation of timing patterns in drum ensemble music from Mali. Music Perception,34(4), 438-451. doi:10.1525/mp.2017.34.4.438.

Larrouy-Maestri, P., Morsomme, D., Magis, D., & Poeppel, D. (2017). Lay listeners can evaluate the pitch accuracy of operatic voices. Music Perception,34(4), 489-495. doi:10.1525/mp.2017.34.4.489.

Mitkidis, P., Ayal, S., Shalvi, S., Heimann, K., Levy, G., Kyselo, M., Wallot, S., Ariely, D., & Roepstorff, A. (2017). The effects of extreme rituals on moral behavior: The performers-observers gap hypothesis. Journal of Economic Psychology,59, 1-7. doi:10.1016/j.joep.2016.12.007.

Drews, H. J., Wallot, S., Weinhold, S. L., Mitkidis, P., Baier, P. C., Roepstorff, A., & Goeder, R. (2017). "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders,2017: 8140672, pp. 5. doi:10.1155/2017/8140672.

Kandylaki, K. D., Henrich, K., Nagels, A., Kircher, T., Domahs, U., Schlesewsky, M., Bornkessel-Schlesewsky, I., & Wiese, R. (2017). Where Is the Beat? The Neural Correlates of Lexical Stress and Rhythmical Well-formedness in Auditory Story Comprehension. Journal of Cognitive Neuroscience,29(7), 1119-1131.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences,40: e347. doi:10.1017/S0140525X17000309.

Kaiser, J., Rieder, M., Abel, C., Peters, B., & Bledowski, C. (2017). Pre-encoding gamma-band activity during auditory working memory. Scientific Reports,7: 42599. doi:10.1038/srep42599.

Wassiliwizky, E., Jacobsen, T., Heinrich, J., Schneiderbauer, M., & Menninghaus, W. (2017). Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology,8: 41. doi:10.3389/fpsyg.2017.00041.

Kokinous, J., Tavano, A., Kotz, S. A., & Schröger, E. (2017). Perceptual integration of faces and voices depends on the interaction of emotional content and spatial frequency. Biological Psychology,123, 155-165. doi:10.1016/j.biopsycho.2016.12.007.

Krakauer, J. W., Ghazanfar, A. A., Gomez-Marin, A., MacIver, M. A., & Poeppel, D. (2017). Neuroscience needs behavior: Correcting a reductionist bias. Neuron,93(3), 480-490. doi:10.1016/j.neuron.2016.12.041.

Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.

Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.

Kaufmann, M. (2017). Giovanni Battista Doni: Compendio del trattato. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 119-122). Kassel; Stuttgart: Bärenreiter; Metzler.

Elvers, P. (2017). Aristides Quintilianus: De musica. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 28-30). Kassel; Stuttgart: Bärenreiter; Metzler.

Elvers, P. (2017). Aristoxenos von Tarent: Elementa harmonica. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 30-32). Kassel; Stuttgart: Bärenreiter; Metzler.

Sarkhosh, K. (2017). Confectioning World Literature. Reader’s Guides and the Uniformity of Taste. In A. Tomiche (Ed.), Le comparatisme comme approche critique/Comparative literature as a critical approach (pp. 63-72). Paris: Classiques Garnier.

Grimm, H., & Wald-Fuhrmann, M. (Eds.). Lexikon Schriften über Musik. Kassel; Stuttgart: Bärenreiter; Metzler.

Wald-Fuhrmann, M. (2017). Ursprungsmythen als Wesensbestimmungen in der Musik. In S. Wegner (Ed.), Über den Ursprung von Musik: Mythen, Legenden und Geschichtsschreibungen (pp. 39-48). Würzburg: Königshausen & Neumann.

Kaufmann, M. (2017). Flavius Magnus Aurelius Cassiodor: Institutiones. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 81-83). Kassel; Stuttgart: Bärenreiter; Metzler.

Haider, T., & Palmer, A. (2017). Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In Proceedings of the Workshop on Stylistic Variation, EMNLP 2017 (pp. 74-84). Copenhagen, Stroudsburg, PA: Association for Computational Linguistics.

Auracher, J., & Hirose, A. (2017). The influence of reader’s stereotypes on the assessment of fictional characters. Comparative Literature Studies,54(4), 795-823. doi:10.5325/complitstudies.54.4.0795.

Poeppel, D. (2017). The influence of Chomsky on the neuroscience of language. In J. A. McGilvray (Ed.), The Cambridge companion to Chomsky (2, pp. 155-174). Cambridge: Cambridge University Press.

Sarkhosh, K. (2017). Wenn die Wirklichkeit aus den Fugen gerät. Über das konfliktbeladene Aufeinandertreffen inkompatibler Glaubens- und Erkenntnissysteme in drei britischen fantastischen Filmen des Jahres 1973 (›The Legend of Hell House‹, ›Don’t Look Now‹, ›The Wicker Man‹). In S. Klimek, T. Lambrecht, & T. Kindt (Eds.), Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945 (pp. 77-101). Heidelberg: Universitätsverlag Winter.

Omigie, D. (2017). Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies,8(1-2), 35-38. doi:10.4407/jims.2016.12.101.

Merrill, J. (2017). Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica,89(1), 95-117.

Toelle, J. (2017). Italienische Opernindustrie global: Theater und Verlag. In R. Erkens (Ed.), Giacomo-Puccini-Handbuch (pp. 39-46). Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-05441-8_4.

Ackermann, T., Fiedler, D., & Schaal, N. (2017). 14th International Conference on Music Perception and Cognition (ICMPC), 05.-09. Juli 2016; San Francisco, USA. Musikpsychologie: Akustik und musikalische Hörwahrnhemung [Monograph]. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 234-238.

Merrill, J. (Ed.). (2017).Popular music studies today: Proceedings of the International Association for the Study of Popular Music 2017. Wiesbaden: Springer VS. doi:10.1007/978-3-658-17740-9.

Sarkhosh, K. (2017). »The Land of Lost Content« – Ökokritik im Zeichen von Utopie, Alterität und Nostalgie in Nicolas Roegs Filmen ›Walkabout‹ (1971) und ›The Man Who Fell to Earth‹ (1976). In C. Sollte-Gresser, & C. Schmidt (Eds.), Literatur und Ökologie: Neue literatur- und kulturwissenschaftliche Perspektiven (pp. 213-226). Bielefeld: AISTHESIS.

Kuijpers, M. M., & Hakemulder, F. (2017). Narrative absorption: Introduction and overview. In F. Hakemulder, M. M. Kuijpers, E. S. Tan, K. Bálint, & M. M. Doicaru (Eds.), Narrative Absorption (pp. 1-10). Amsterdam: John Benjamins Publishing.

Ding, N., Melloni, L., Tian, X., & Poeppel, D. (2017). Rule-based and statistics-based processing of language: Insights from neuroscience. Language, Cognition and Neuroscience,32(5), 570-575. doi:10.1080/23273798.2016.1215477.

Frieler, K., & Lange, E. B. (2017). Chancen und Risiken des Computereinsatzes in der Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 187-191.

Greb, F., Elvers, P., & Fischinger, T. (2017). Trends in empirical aesthetics: A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the Arts,35(1), 3-26. doi:10.1177/0276237415625258.

Kaufmann, M. (2017). Euklid: Sectio Canonis. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 129-131). Kassel; Stuttgart: Bärenreiter; Metzler.

Kaufmann, M. (2017). Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,11(2), 185-195.

Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.

Hanich, J., & Menninghaus, W. (2017). Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies,56(4), 76-101. doi:10.1353/cj.2017.0041.

Larrouy-Maestri, P. (2017). The influence of non-musical variables on the evaluation of vocal pitch accuracy. CFMAE Interdisciplinary Journal for Music and Art Pedagogy, Special Issue on Singing & Voice,9, 123-141.

Elvers, P. (2017). Nikomachos von Gerasa: Encheiridion. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 348-349). Kassel; Stuttgart: Bärenreiter; Metzler.

2016

Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. PLOS ONE,11(12): e0168306. doi:10.1371/journal.pone.0168306.

Uppenkamp, B., & Wald-Fuhrmann, M. (Eds.). (2016).Musikalische Kunst: Ein Führer durch die Staatlichen Museen zu Berlin. Kön: Böhlau.

Menninghaus, W. (2016). Caprices of fashion in culture and biology: Charles Darwin’s aesthetics of "ornament". In G. Matteucci, & S. Marino (Eds.), Philosophical Perspectives on Fashion (pp. 137-150). London, New York: Bloomsbury Academic.

Elvers, P. (2016). Zum Verhältnis von Musik und Sprache in der griechischen Antike. Rhetorik,35(1), 9-24. doi:10.1515/rhet.2016.003.

Wallot, S., Roepstorff, A., & Mønster, D. (2016). Multidimensional Recurrence Quantification Analysis (MdRQA) for the analysis of multidimensional time-series: A software implementation in MATLAB and its application to group-level data in joint action. Frontiers in Psychology,7: 1835. doi:10.3389/fpsyg.2016.01835.

Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology,7: 1779. doi:10.3389/fpsyg.2016.01779.

Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase,22(6), 496-504. doi:10.1080/13554794.2016.1237660.

Teng, X., Tian, X., & Poeppel, D. (2016). Testing multi-scale processing in the auditory system. Scientific Reports,6: 34390. doi:10.1038/srep34390.

Conradi, N., Abel, C., Frisch, S., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2016). Actively but not passively synchronized motor activity amplifies predictive timing. NeuroImage,139, 211-217. doi:10.1016/j.neuroimage.2016.06.033.

Menninghaus, W. (2016).Disgusto. Teoria e storia di una sensazione forte. (= Italian translation of Ekel. Theorie und Geschichte einer starken Empfindung). A Cura di Serena Feloj. Milano: Mimesis.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Vessel, E. A., Biederman, I., Subramaniam, S., & Greene, M. R. (2016). Effective signaling of surface boundaries by L-vertices reflect the consistency of their contrast in natural images. Journal of Vision,16(9): 15. doi:doi:10.1167/16.9.15.

Zhou, H., Melloni, L., Poeppel, D., & Ding, N. (2016). Interpretations of frequency domain analyses of neural entrainment: Periodicity, fundamental frequency, and harmonics. Frontiers in Human Neuroscience,10: 274. doi:10.3389/fnhum.2016.00274.

Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in the brain. Journal of Comparative Neurology. Special Issue: Brain Circuits of Positive Emotions,524(8), 1676-1686. doi:10.1002/cne.23854.

Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.

Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.

Tian, X., Zarate, J. M., & Poeppel, D. (2016). Mental imagery of speech implicates two mechanisms of perceptual reactivation. Cortex,77, 1-12. doi:10.1016/j.cortex.2016.01.002.

Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.

Scharinger, M., Monahan, P. J., & Idsardi, W. J. (2016). Linguistic category structure influences early auditory processing: Converging evidence from mismatch responses and cortical oscillations. NeuroImage,128, 293-301. doi:10.1016/j.neuroimage.2016.01.003.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H. R., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2016). Effects of empathic social responses on the emotions of the recipient. Brain and Cognition,103, 50-61. doi:10.1016/j.bandc.2015.11.004.

Steinberg Lowe, M., Lewis, G. A., & Poeppel, D. (2016). Effects of part- and whole-object primes on early MEG responses to Mooney faces and houses. Frontiers in Psychology, 7:147. doi:10.3389/fpsyg.2016.00147.

Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.

Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement. Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.

Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.

Knoop, C. A. (2016). Ausgangspunkte neu erzählen: Der Raum der Herkunft in Jean Genets Journal du Voleur. In M. Benz, & K. Dennerlein (Eds.), Literarische Räume der Herkunft. Fallstudien zu einer historischen Narratologie (pp. 311-335). Berlin, Boston: De Gruyter.

Knoop, C. A. (2016). Criticism or ressentiment? Literary studies and the politics of interdisciplinarity. In J. Riou, & M. Gallagher (Eds.), Re-thinking ressentiment. On the limits of criticism and the limits of its critics (pp. 149-166). Bielefeld: transcript.

Wald-Fuhrmann, M. (2016). "Instar Bibliothecae instructissimae": Zum enzyklopädischen Zugriff auf Musik im 16. und frühen 17. Jahrhundert. Musiktheorie: Zeitschrift für Musikwissenschaft,31(1), 78-90.

Sakamoto, Y. (2016). Hifu, Soshite Bisyouhyoushou he no Tabi [= Grenzgänge der Wahrnehmung. Zur Neurologie der petites perceptions.]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 51-75.

Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207. doi:10.1075/ssol.6.2.02bal.

Scharinger, M. (2016). Ungestörte Lautverarbeitung. In U. Domahs, & B. Primus (Eds.), Handbuch Laut, Gebärde, Buchstabe (pp. 163-181). Berlin: Mouton de Gruyter.

Seibert, C. (2016).Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft.

Lanwermeyer, M., Henrich, K., Rocholl, M. J., Schnell, H. T., Werth, A., Herrgen, J., & Schmidt, J. E. (2016). Dialect Variation Influences the Phonological and Lexical-Semantic Word Processing in Sentences. Electrophysiological Evidence from a Cross-Dialectal Comprehension Study. Frontiers in Psychology,7: 739. doi:10.3389/fpsyg.2016.00739.

Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.

van Dyck-Hemming, A., & Wald-Fuhrmann, M. (2016). Vom Datum zum historischen Zusammenhang: Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank. In S. Bolz, M. Kelber, I. Knoth, & A. Langenbruch (Eds.), Wissenskulturen der Musikwissenschaft. Generationen – Netzwerke – Denkstrukturen (pp. 261-278). Bielefeld: transcript.

Greb, F., Schlotz, W., & Steffens, J. (2016). Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 834).

Almeida, D., Poeppel, D., & Corina, D. (2016). The processing of biologically plausible and implausible forms in American Sign Language: Evidence for perceptual tuning. Language, Cognition and Neuroscience,31(3), 361-374. doi:10.1080/23273798.2015.1100315.

Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (Eds.), Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA.

Skovgaard Lyby, M., Wallot, S., Wallot, A., & Mehlsen, M. Y. (2016). Perspektiver inden for teknologisk-assisteret indsamling af data i psykologisk forandring - rammesat af den synergetiske psykologi [Möglichkeiten der technologiegestützten Datenerfassung psychischer Veränderungsprozesse – Methoden der synergetischen Psychologie]. Psyke & Logos,37(1), 144-170.

Toelle, J. (2016). Das Baumol’sche Gesetz (Fallstudie "Opernbetrieb"). In V. Kalisch (Ed.), Musiksoziologie (pp. 79-86). Laaber: Laaber-Verlag.

Merrill, J. (2016).Die Sprechstimme in der Musik: Komposition, Notation, Transkription. Wiesbaden: Springer VS.

Scharinger, M., Domahs, U., Klein, E., & Domahs, F. (2016). Mental representations of vowel features asymmetrically modulate activity in superior temporal sulcus. Brain and Language,163, 42-49. doi:10.1016/j.bandl.2016.09.002.

Sakamoto, Y. (2016). Shinkeikei Jinbungaku Josetu [= Einführung in die neuronalen Geisteswissenschaften]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 6-18.

Greb, F., Schlotz, W., & Steffens, J. (2016). How do the functions of music listening vary across situations and persons? In B. Burger, J. Bamford, & E. Carlson (Eds.), Proceedings of the International Conference of Students of Systematic Musicology 16: Programme, abstracts & proceedings. Jyväskylä: Department of Music, University of Jyväskylä & Finnish Centre for Interdisciplinary Music Research.

Sarkhosh, K. (2016). Rezension zu Jeff Thoss: When Storyworlds Collide. Metalepsis in Popular Fiction, Film and Comics (Studies in Intermediality 7) Leiden/Boston: Brill-Rodopi, 2015. Arbeiten aus Anglistik und Amerikanistik,41(2), 93-97.

Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics,56, 35-49. doi:10.1016/j.poetic.2016.02.001.

Ruccius, A. (2016). Phonomorphie von Klang und Bild: Drei Motive in den Klangskulpturen Stephan von Huenes. In A. Symanczyk, D. Wagner, & M. Wendling (Eds.), Klang - Kontakte: Kommunikation, Konstruktion und Kultur von Klängen (pp. 175-190). Berlin: Reimer.

Grimm, H. (2016). Lobgesang: Eine Symphonie-Cantate nach Worten der Heiligen Schrift op. 52. In M. Geuting (Ed.), Felix Mendelssohn Bartholdy: Interpretationen seiner Werke (Vol. 2) (pp. 130-149). Laaber: Laaber.

Kennedy, M., Kreppner, J., Knights, N., Kumsta, R., Maughan, B., Golm, D., Rutter, M., Schlotz, W., & Sonuga‐Barke, E. J. S. (2016). Early severe institutional deprivation is associated with a persistent variant of adult attention‐deficit/hyperactivity disorder: clinical presentation, developmental continuities and life circumstances in the English and Romanian Adoptees study. Journal of Child Psychology and Psychiatry, and Allied Disciplines,57(10), 1113-1125. doi:10.1111/jcpp.12576.

Steffens, J., Greb, F., & Schlotz, W. (2016). Why listen to music right now?: Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 842).

O'Brien, B. A., & Wallot, S. (2016). Silent reading fluency and comprehension in bilingual children. Frontiers in Psychology,7: 1265. doi:10.3389/fpsyg.2016.01265.

Ding, N., Melloni, L., Zhang, H., Tian, X., & Poeppel, D. (2016). Cortical tracking of hierarchical linguistic structures in connected speech. Nature Neuroscience,19(1), 158-164. doi:10.1038/nn.4186.

Larrouy-Maestri, P. (2016). Justesse en voix chantée: Bien évaluer pour bien guider. In C. Klein-Dallant (Ed.), De la voix parlée au chant (pp. 515-522).

Futterlieb, K., & Schoof, K. (2016). That special place. In K. Umlauf, K. U. Werner, & A. Kaufmann (Eds.), Strategien für die Bibliothek als Ort: Festschrift für Petra Hauke (pp. 189-202). Berlin: De Gruyter Saur.

Toelle, J. (2016). Todas las naciones han de oyrla: Bells in the Jesuit reducciones of Early Modern Paracuaria. Journal of Jesuit Studies,3(3), 437-450. doi:10.1163/22141332-00303005.

Auracher, J., & Bosch, H. (2016). Showing with words. Scientific Study of Literature,6(2), 208-242. doi:10.1075/ssol.6.2.03aur.

Poeppel, D. (2016). Sprache hören und verstehen. In H. Böttger, & M. Sambanis (Eds.), Focus on evidence: Fremdsprachendidaktik trifft Neurowissenschaften (pp. 53-76). Tübingen: Narr Francke Attempto.

2015

Doelling, K. B., & Poeppel, D. (2015). Cortical entrainment to music and its modulation by expertise. Proceedings of the National Academy of Sciences of the United States of America,112(45), E6233-E6242. doi:10.1073/pnas.1508431112.

Wassiliwizky, E., Wagner, V., Jacobsen, T., & Menninghaus, W. (2015). Art-elicited chills indicate states of being moved. Psychology of Aesthetics, Creativity, and the Arts,9(4), 405-416. doi:10.1037/aca0000023.

Sarkhosh, K. (2015). Schuld, Geld und Vergeltung in Arthur Schnitzlers Traumnovelle und Stanley Kubricks Eyes Wide Shut. Arcadia: International journal of literary culture,50(2), 366-388. doi:10.1515/arcadia-2015-0026.

Gagliardi, C., Brenna, V., Romaniello, R., Arrigoni, F., Tavano, A., Romani, M., Valente, E. M., & Borgatti, R. (2015). Cognitive rehabilitation in a child with Joubert Syndrome: Developmental trends and adaptive changes in a single case report. Research in Developmental Disabilities,47, 375-384. doi:10.1016/j.ridd.2015.09.013.

Hemming, J., & Merrill, J. (2015). On the distinction between involuntary musical imagery, musical hallucinosis, and musical hallucinations. Psychomusicology,25(4), 435-442. doi:10.1037/pmu0000112.

Sarkhosh, K. (2015). Die Macht der Filmbilder. Literaturgeschichte(n) und visuelle Evidenz im Kontext des populären Buchmarktes. In A. Hölter, & M. Schmitz-Emans (Eds.), Literaturgeschichte und Bildmedien (HERMEIA) (pp. 203-230). Heidelberg: Synchron Publishers GmbH.

Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.

Wald-Fuhrmann, M., & Wiesenfeldt, C. (Eds.). (2015).Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817) Gattungen. Werke. Kontexte. Köln: Böhlau.

Larrouy-Maestri, P., Magis, D., Grabenhorst, M., & Morsomme, D. (2015). Layman versus professional musician: Who makes the better judge? PLoS One,10(8): e0135394. doi:10.1371/journal.pone.0135394.

Omigie, D. (2015). Music and literature: Are there shared empathy and predictive mechanisms underlying their affective impact? Frontiers in Psychology,6: 1250. doi:10.3389/fpsyg.2015.01250.

Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers in Psychology,6: 1252. doi:10.3389/fpsyg.2015.01252.

Arnal, L. H., Flinker, A., Kleinschmidt, A., Giraud, A.-L., & Poeppel, D. (2015). Human screams occupy a privileged niche in the communication soundscape. Current Biology,25(15), 2051-2056. doi:10.1016/j.cub.2015.06.043.

Tavano, A., & Scharinger, M. (2015). Prediction in speech and language processing. Cortex,68, 1-7. doi:10.1016/j.cortex.2015.05.001.

Zarate, J. M., Tian, X., Woods, K. J., & Poeppel, D. (2015). Multiple levels of linguistic and paralinguistic features contribute to voice recognition. Scientific Reports,5: 11475. doi:10.1038/srep11475.

Chait, M., Greenberg, S., Arai, T., Simon, J. Z., & Poeppel, D. (2015). Multi-time resolution analysis of speech: Evidence from psychophysics. Frontiers in Neuroscience,9: 214. doi:10.3389/fnins.2015.00214.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal.pone.0128451.

Koelsch, S., Jacobs, A. M., Menninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., & Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life Reviews, (13), 1-27. doi:10.1016/j.plrev.2015.03.001.

Powell, D. J., Moss-Morris, R., Liossi, C., & Schlotz, W. (2015). Circadian cortisol and fatigue severity in relapsing-remitting multiple sclerosis. Psychoneuroendocrinology,56, 120-131. doi:10.1016/j.psyneuen.2015.03.010.

Overath, T., McDermott, J. H., Zarate, J. M., & Poeppel, D. (2015). The cortical analysis of speech-specific temporal structure revealed by responses to sound quilts. Nature Neuroscience,18 (6), 903-911. doi:10.1038/nn.4021.

Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.

Muralikrishnan, R., Schlesewsky, M., & Bornkessel-Schlesewsky, I. (2015). Animacy-based predictions in language comprehension are robust: Contextual cues modulate but do not nullify them. Brain Research,1608, 108-137. doi:10.1016/j.brainres.2014.11.046.

Pfordresher, P. Q., & Larrouy-Maestri, P. (2015). On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience,9: 271. doi:10.3389/fnhum.2015.00271.

Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5). doi:10.1371/journal.pone.0124550.

Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.

Rimmele, J., Zion Golumbic, E., Schröger, E., & Poeppel, D. (2015). The effects of selective attention and speech acoustics on neural speech-tracking in a multi-talker scene. Cortex,68, 144-154. doi:10.1016/j.cortex.2014.12.014.

Lewis, G. A., Poeppel, D., & Murphy, G. L. (2015). The neural bases of taxonomic and thematic conceptual relations: An MEG study. Neuropsychologia,68, 176-189. doi:10.1016/j.neuropsychologia.2015.01.011.

Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.

Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.

Skoluda, N., Strahler, J., Schlotz, W., Niederberger, L., Marques, S., Fischer, S., Thoma, M. V., Spoerri, C., Ehlert, U., & Nater, U. M. (2015). Intra-individual psychological and physiological responses to acute Iabaratory stressors of different intensity. Psychoneuroendocrinology,51, 227-236. doi:10.1016/j.psyneuen.2014.10.002.

Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 393-411). Gifkendorf: Merlin.

Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.

Fischinger, T. (Ed.). (2015). Special Issue on Rhythm Production and Perception [Special Issue]. Timing & Time Perception,3(1-2).

Poeppel, D. (2015). On Giacometti’s sculpture Chariot. Gilded Birds.

Hickok, G., & Poeppel, D. (2015). Neural basis of speech perception. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 149-160). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00008-1.

Arnal, L. H., Poeppel, D., & Giraud, A.-l. (2015). Temporal coding in the auditory cortex. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 85-98). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00005-6.

Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.

Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht, Entrückung und absolute Musik. In G. Oesterle, & T. Valk (Eds.), Riskante Geselligkeit: Spielarten des Sozialen um 1800 (pp. 293-310). Würzburg: Königshausen & Neuman.

Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb Meißner und Joseph Schuster. In G. Poppe, & S. Voss (Eds.), Joseph Schuster in der Musik des ausgehenden 18. Jahrhunderts (pp. 285-306). Beeskow: Ortus-Musikverlag.

Poeppel, D. (2015). Speech perception. In M. Liebermann, & A. W. Toga (Eds.), Brain mapping: An encyclopedic reference (pp. 429-434). Amsterdam: Elsevier. doi:10.1016/B978-0-12-397025-1.00264-5.

Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.

Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.

Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.

Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.

Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie. Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60, 39-51.

Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817): Gattungen. Werke. Kontexte. (pp. 189-212). Köln; Wien: Böhlau.

Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.

Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.

Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.

Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.

Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.

Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761–1817): Gattungen. Werke. Kontexte. (pp. 166-188). Köln; Wien: Böhlau.

Wald-Fuhrmann, M. (2015). „Musiace veteris specimen": Falsche und fehlende Exempla in der Musik. In K. Zimmer (Ed.), Rezeption, Zeitgeist, Fälschung – Umgang mit Antike(n): Akten des Internationalen Kolloquiums am 31. Januar und 1. Februar 2014 in Tübingen (pp. 155-166). Rahden, Westf.: Leidorf.

Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (Ed.), Aisthetics of the spirits: Spirits in early modern science, religion, literature and music (pp. 213-243). Göttingen: V&R unipress.

Sarkhosh, K. (2015). Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin: Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia,50(1), 227-233.

Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren. In N. Schwindt (Ed.), Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse (pp. 363-397). Laaber: Laaber.

Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.

Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 217-239). Gifkendorf: Merlin.

Poeppel, D., & Hickock, G. (2015). Electromagnetic recording of the auditory system. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 245-255). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00014-7.

Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (Eds.). epiFaNIen - Frühe Neuzeit interdisziplinär. Göttingen: V & R Unipress.

2014

Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.

Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins. In C. Storch (Ed.), Die Musik- und Theaterpraxis der Jesuiten im kolonialen Amerika: Grundlagen, Desiderate, Forschungsperspektiven (pp. 75-92). Sinzig: Studiopunkt Verlag.

Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik : Bildwelten des Wissens (10,2). Berlin: De Gruyter.

Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.

Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.

Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.

Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.

Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.

Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.

Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene in komponierte Musik. In W. G. Schmidt (Ed.), Faszinosum 'Klang': Anthropologie - Medialität - kulturelle Praxis (pp. 136-155). Berlin: De Gruyter.

Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (Ed.), Musikalische Performanz und päpstliche Repräsentation in der Renaissance (pp. 139-155). Kassel: Bärenreiter.

Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.

Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414).

Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 78-84).

Ruccius, A. (2014). Empirical studies including noise of two leading journals in music research: A review. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 568-570 ).

Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 238-243).

Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.

Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.

Ruccius, A. (2014). The history of musical iconography and the influence of art history: Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The Making of the Humanities: Vol. 3. The modern humanities (pp. 403-411). Amsterdam: Amsterdam University Press.

Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45(0), 64-75. doi:10.1016/j.wocn.2014.03.006.

Schmidt-Kassow, M., Zink, N., Mock, J., Thiel, C., Vogt, L., Abel, C., & Kaiser, J. (2014). Treadmill walking during vocabulary encoding improves verbal long-term memory. Behavioral and brain functions,10(1): 24. doi:10.1186/1744-9081-10-24.

Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in Magdeburg. In L. Lütteken (Ed.), Das ungeliebte Frühwerk: Richard Wagners Oper "Das Liebesverbot" (pp. 27-44). Würzburg: Königshausen & Neumann.

Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.

Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.

Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.

Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.

Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.

Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.

Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.

Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In E. Aschermann, & M. Kaiser-el-Safti (Eds.), Gestalt und Gestaltung in interdisziplinärer Perspektive (pp. 109-124). Frankfurt am Main: Peter Lang.

van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.

Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 93-106). Basel: Schwabe.

Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 107-129). Basel: Schwabe.

Wald-Fuhrmann, M. (Ed.). (2014).Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis. Basel: Schwabe.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.

2013

Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.

Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.

Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.

Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (Eds.), Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte (pp. 371-386). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.

Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.

Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.

Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260, pp. 1-13. doi:10.3389/fpsyg.2013.00260.

Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek (Eds.), Historische Musikwissenschaft: Grundlagen und Perspektiven (pp. 289-306). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.

Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.

Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 23).

Pietschmann, K., & Wald-Fuhrmann, M. (Eds.). (2013).Der Kanon der Musik: Theorie und Geschichte: Ein Handbuch. München: edition text + kritik.