Events of the Research Group "Computational Auditory Perception"

Talk by Dr. Minsu Park (New York University Abu Dhabi)

The Impact of Social Traces on User Perceptions & Behaviors on Online Pages

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Talk by Prof. Sylvie Nozaradan (UCLouvain Belgium)

Capturing neural categorization of musical rhythm: a brain that transforms sounds into periodic beats and more

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Talk by Prof. Dr. Aniruddh D. Patel (Tufts University)

Using Songbirds to Explore Auditory-Motor Interactions During Musical Rhythm Perception

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Talk by Dr. Malinda McPherson (University of California)

Efficient and noise-robust representations of sound

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Ausstellungseröffnung: Contact Zones — Murat Adash, Céline Berger, Syowia Kyambi

Ausstellung der INHABIT Artists-in Residence eröffnet im Museum Angewandte Kunst

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Luis Jure and Martín Rocamora Guest Lecture

Musical traits and performance practice of Uruguayan candombe drumming: an approach from computational musicology

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Seth Frey (UC Davis) Gastvortrag

"Large-scale comparisons of entire social systems (or: The method of the social sciences)"

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Eline Van Geert (KU Leuven) Gastvortrag

"Why do things look as they do, and do you like how things look? How input, person, and context interact to perceptually clarify and aesthetically evaluate the incoming visual information"

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Jing Yang Zhou (Flatiron Institute) Gastvortrag

"A common framework for discriminability and perceived intensity of sensory stimuli"

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Empowerment: Theme and Variations

Speaker: Daniel Polani (University of Hertfordshire)

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CLaME Event: Building sustainable global collaborative research networks

Organizers: Elizabeth Margulis, Nori Jacoby and Patrick Savage

Max Planck — NYU Center for Language, Music and Emotion (CLaME), Virtual event.

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Oral presentation at NeurIPS

The members of the research group were honored to be chosen as an oral presentation at this year's NeurIPS. Oral presentations represent the top 1% submissions to the conference, with ca. 100 presentations selected this year. Read more about our presentation here.

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Predictive Processing Models of Rhythm Perception and Production

Presenter: Thomas Mark Kaplan / Queen Mary University of London

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Online Discussion at APA 2020 Virtual: The Study of Aesthetic Experience

We are presenting a symposium at this year’s Virtual Convention of the American Psychological Association. You are invited to watch our talks online and to join us for some live scientific exchange with our discussant Ellen Winner.

Location: Zoom Meeting

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Guest Lecture, Limor Raviv

Language and society: How social and learning pressures shape grammatical structure
 

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Guest Lecture: Prof. Eli Nelken

Stimulus-specific adaptation in the auditory system: more than you wanted to know

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Seminar on Human & Machine Intelligence || We are virtual! See details below.

A transdisciplinary seminar series addressing the confluence of modern machine learning, cognitive science, computational neuroscience: theory and practice

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Guest Lecture: Dr. Thomas Langlois

"Revealing the geometry of visual memory encoding using transmission chains"

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Guest Lecture: Alon Goldstein

"High Level Non-Conscious Representations"

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Workshop: Massive Online Data Collection with Dallinger  

Dallinger (https://github.com/Dallinger/Dallinger) automates experiments relying on combinations of automated bots and human subjects recruited on platforms like Mechanical Turk. This three-day workshop is intended for researchers who  either use or plan to use Dallinger as part of their research.

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Guest Lecture: Manuel Englada Tort

“Measuring responses to music: Methods, challenges, and alternative approaches”

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Guest Lecture: Dr. Kelly Jakubowski

"Aesthetic Preferences for Microrhythmic Variations in Music: A Comparative Study Across Cultures" 

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Cross-Cultural Research in Music Cognition: Methodologies, Pitfalls, and Practices

Over the past few years, cross-cultural research has become an increasingly important tool for understanding the cultural and biological factors that influence music. At the same time, cross-cultural work carries many pitfalls, as the recent history of the comparative human sciences attests, and is therefore vulnerable to (frequently justified) criticism. This workshop aims to address the gulf that can exist between scientists and ethnomusicologists in conceptualizing and interpreting cross-cultural research.

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