Rameau’s final treatise, the Code de musique pratique (1760), represents, in Erwin Jacobi’s phrase, a summa of the composer’s music-theoretical accomplishments. Yet the Code has attracted far less attention from historians of theory than Rameau’s earlier writings...

Rameau’s last major treatise, the Code de musique pratique (1760) represents the composer’s definitive music-theoretical statement. Yet the Code has received far less scholarly attention...

A two-day workshop on current trends and future directions in the history of music theory. Participants include: David E. Cohen (MPIEA), Roger Grant (Wesleyan University), Andrew Hicks (Cornell University), Nathan Martin (University of Michigan), Caleb Mutch (Indiana University), Carmel Raz (MPIEA), Melanie Wald-Fuhrmann (MPIEA) and Anna Zayaruznaya (Yale University).