- Home
- The Institute
- Research
- Department of Language and Literature
- Department of Music
- Fundamentals
- Projects
- Aesthetic Absorption
- Absorption
- Music as a Stimulus
- Perceived and felt
- Beautiful Passages in Music
- Emotions and musical structure
- [Singing]
- Situated Approaches to the Aesthetic Experience of Music
- Systematic Review
- The Pleasure of the Unpredictable - Aesthetic Experience of New Music
- Neural Correlates of Contemporary Classical Music: Can Uncertainty lead to Pleasure?
- Projects
- Social and Cultural Variations
- Projects
- Informiertes Hören
- [Listening to music]
- MyAesthetics
- Self-enhancement Through Musical Experience: Musical Subjectivity, Empathy, and Feelings of Self-esteem
- “Sweet Sounds”: The Verbalization/Conceptualization of Music, Sound, and Aesthetic Experience
- Mission
- Cultural Variation in Rhythmic Prototypes
- Ensemble Synchronisation in West African Percussion Music
- Aesthetic evaluation of metric timing patterns in cross-cultural perspective
- WAEL
- Projects
- Musical Taste
- Projects
- Disliked Music
- Situational Factors Influencing the Functions of Music and Everyday Music Listening Behavior
- Do Expert Listeners have Special Musical Preferences? A Study of the Musical Taste of Musicology Students
- The Heterogeneity of Musical Taste
- A Comparison of Reported Musical Taste and Music Listening Behavior
- [Key experiences]
- Projects
- Concert Research
- Lexicon of Writings on Music
- History of Musicology
- Fundamentals
- Department of Neuroscience
- Research Group Carmel Raz
- Externally Funded Research
- Publications of the institute
- Services
- Career
- Press
- ArtLab
- Library
- Research participants
- DE
- EN