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The Institute
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Tagung: Resonanzen
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Neural Oscillations in Speech and Language Processing – Berlin 2017
Analyzing joint-action and group-dynamics with Recurrence Quantification Analysis (RQA) in R
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Department of Language and Literature
Poetic and rhetorical language use
Aesthetic Emotions
Fundamental concepts of aesthetics
Department of Music
Fundamentals
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Aesthetic Absorption
Absorption
Perceived and felt
Beautiful Passages in Music
[Singing]
The Pleasure of the Unpredictable - Aesthetic Experience of New Music
Neural Correlates of Contemporary Classical Music: Can Uncertainty lead to Pleasure?
Social and Cultural Variations
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Informiertes Hören
[Listening to music]
MyAesthetics
“Sweet Sounds”: The Verbalization/Conceptualization of Music, Sound, and Aesthetic Experience
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Musical motion
WAEL
Rhythm across cultures
Musical Taste
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Disliked Music
Situational Factors Influencing the Functions of Music and Everyday Music Listening Behavior
[Key experiences]
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SAMPLE – Situated Aspects of Musical Practice in a Longitudinal Examination
SAME – Situated Aspects of Musical Experience
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Lexicon of Writings on Music
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Bilingualism
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Speech-specific Processing
Speech chunking
Timing and Perception
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Matthias Projekt
Birdsong
Are you in sync with yourself?
Predictive Coding
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Neural Mechanisms
Sensory Sharpening Effects
Aesthetic Experience
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Exploring network
test project
Singing Voice Preferences
Multiple Visual Domains
Hedonic Preferences
Are you speaking to me?
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Histories of Music, Mind, and Body
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Histories of Rhythmic Theories, 1600-present
Histories of Music, Mind, & Body Colloquium
Seminar: Jean-Philippe Rameau’s Code de musique pratique (1760)
Future Histories of Music Theory
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The prosodic syntax of German
Apparent Motion
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Reading time regularity
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