Dr. Annette van Dyck-Hemming
Research Focus
- History of musicology
- Historiography of music
- History of American music
- Sociology of music und musical aesthetics
- Digital humanities
Project 'History of German-speaking Musicology ca. 1810-ca.1990'
Vita
Academic Education
| 11/1999 | PhD in Musicology at the University of Bonn ("Discourses on the ´Music of Elliott Carter’”) |
| 1996-1998 | Further education as computer-based training software developper |
| 1984-1993 | Master of Arts in musicology, ecclesiastical history and early and medieval German literature, University of Bochum |
Career
| Since 2014 | Senior Research Fellow at Max Planck Institute for Empirical Aesthetics, Music Department |
| 2002-2012 | Project manager, lector and author within the update and complete revision of the Riemann Musik Lexikon, edited by Wolfgang Ruf |
| 1998-2000 | Freelance lecturer in computing and multimedia |
Publications
Selected Publications
Dyck-Hemming, A. van, and Melanie Wald-Fuhrmann (2016). Vom Datum zum historischen Zusammenhang. Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank [From data to history. Drawbacks and opportunities of a historiographical database]. In S. Bolz, M. Kelber, I. Knoth & A. Langenbruch (eds.), Wissenskulturen der Musikwissenschaft. Generationen – Netzwerke – Denkstrukturen[Knowledge cultures in musicology. Generations - networks - paradigms](pp. 261-278), Bielefeld: transcript.
Dyck-Hemming, A. van (2012). Words and Music in "The Defense of Corinth". In M. Boland and J. Link (Eds.), Elliott Carter Studies (S. 311-330), Cambridge: Cambridge University.
Dyck-Hemming, A. van (2012). Großbritannien. In W. Ruf (Hrsg.) [in conjunction with A. van Dyck-Hemming], Riemann Musik Lexikon (Bd. 2, S. 289-292), 5 Bde., Mainz: Schott.
Dyck-Hemming, A. van (2012). Nordamerika. In W. Ruf (Hrsg.) [in conjunction with A. van Dyck-Hemming], Riemann Musik Lexikon (Bd. 4, S. 10-14), 5 Bde., Mainz: Schott.
Dyck-Hemming, A. van (2002). Diskurse zur ‚Musik Elliott Carters‘, Diss. Friedrich-Wilhelms-Universität Bonn 2002, hss.ulb.uni-bonn.de/2002/0030/0030.pdf
Dyke, A. van [= Dyck, A. van, später A. van-Dyck-Hemming] (2000): "Neue Dummheit" oder "Revolution" - Überlegungen zum Potential der 'Neuen Medien' für die Musikwissenschaft. In B. Enders & J. Stange-Elbe (Eds.), Musik im virtuellen Raum. KlangArt-Kongress, Osnabrück 1997 (S. 71-82), Osnabrück: Rasch 2000.
Awards & Grants
| 1993-1996 | Participant of the Cusanuswerk scholarship award programme |
| 1995-1996 | Scholarship holder at the Paul Sacher Foundation |
Projects
- Research Area
Particularly in the last few years many music institutes and academic music departments in German-speaking countries have initiated examinations of their own histories, focusing on influential institutional figures or closely scrutinizing particular ...