Dr. Carmel Raz

Main research areas

  • History of musical cognition
  • Music and neural science in the Romantic Era
  • Eighteenth-century Scottish philosophy
  • Theories of attention
  • History of music theory

Vita

Academic Education

2009-2015PhD in Music Theory, Yale University
2004-2006Masters in Composition, University of Chicago
2000-2004Diplom in Violin Performance, Hochschule für Musik “Hanns Eisler,” Berlin

Career

Seit 2018Research Group Leader at the Max Planck Institute for Empirical Aesthetics
2015–2018Postdoctoral Research Fellow, The Society of Fellows in the Humanities, Columbia University

Publications

Ausgewählte Publikationen

Articles:

Carmel Raz, “An Eighteenth-Century Theory of Musical Cognition? John Holden’s Essay Toward a Rational System of Music (1770),” Journal of Music Theory 62.2, Fall (2018), in press.

Carmel Raz, “Anne Young’s Musical Games (1801): Music Theory, Gender, and Game Design,” accepted, SMT-V: Videocast Journal of the Society for Music Theory.

Carmel Raz, “Music, Theater, and the Moral Treatment: the Case Dei Matti of Aversa and Palermo,” special issue on “Italian Music and the Medical Sciences,” Laboratoire italien 20.2 (2017).

Carmel Raz,  “‘The Expressive Organ Within Us’: Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves,” 19th-Century Music 38.2 (2014): 115–144.

Carmel Raz,  “The Lost Movements of Ernst Toch’s ‘Gesprochene Musik,’” Current Musicology 97 (2014): 37–59.

Carmel Raz,  “From Trinidad to Cyberspace: Reconsidering Toch’s Geographical Fugue.” Zeitschrift der Gesellschaft für Musiktheorie 9.2 (2012): 227–243.

Carmel Raz, “Wagnerpunk: A Steampunk Reading of Patrice Chéreau’s Staging of Der Ring des Nibelungen (1976).” Journal of Neo-Victorian Studies 4.2 (2011): 91–107.

Chapters in Edited Volumes:

Carmel Raz, “Operatic Fantasies in Early Nineteenth-Century Psychiatry.” In Nineteenth-Century Opera and the Scientific Imagination, ed. David Trippett and Benjamin Walton. Cambridge University Press (in press), 2018.

Carmel Raz and Stanley Finger, “Musical Glasses, Metal Reeds, and Broken Hearts: Two Cases of Melancholia Treated by New Musical Instruments.” In The Routledge Companion to Music, Mind and Wellbeing: Historical and Scientific Perspectives, ed. Penelope Gouk and James Kennaway, Routledge, (in press), 2018.

Carmel Raz,  “Tafillalt’s ‘Soulmate’ and the Israeli Piyyut Revival.” In Al-Andalus and its Jewish Diasporas: Musical Exodus, ed. Ruth F. Davis. Rowman & Littlefield, 2015, 165–180.

Carmel Raz,  “At Adama: A Musical Vignette.” In Art Musics of Israel, ed. Malcolm Miller, Brepols. In press.

Reviews:

Carmel Raz,  “Deirdre Loughridge, Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Musical Romanticism,” Music and Letters 99.1 (2018): 126–128.

Carmel Raz, “Music and the Nerves: 1700–1900, ed. James Kennaway, Social History of Medicine 29.3 (2016): 638–639.

Carmel Raz,  “Ossian’s Folk Psychology,” by John Savarese [English Literary History 80.3], for the Journal of Literature and Science 7:2 (2014).

Carmel Raz, “Cute Boy, Charming Girl: Children’s Songs of the Modern Hebrew Nation (1882–1948),” Asian Music (2014), 45:2, 132–133.

Other Writings:

Carmel Raz,  “Of Sound Minds and Tuning Forks: Charcot’s Acoustic Experiments at the Salpêtrière, invited blog post, Musicology Now, October 2015, goo.gl/kAmtx9

Carmel Raz,  Program notes on Ahinoam Nini, Yair Dallal, and Ensemble Tafillalt, “Sounds of Israel” Festival, Hamburg Elbphilharmonie, 2012.

Carmel Raz,  “Shulamit Ran’s First String Quartet: In Tune with the Audience and Performer” Israel Music Institute: IMI Presents, 2008 / 2

Awards and Grants

Awards and Grants

2016Course Development Award, The Center for Science and Society at Columbia University
2015Theron Rockwell Field Dissertation Prize
2013–2014Mrs. Giles Whiting Dissertation Fellowship
2011–2012Exchange Fellowship, CT / Baden-Württemberg Landesstiftung
2005–2006Andrew W. Mellon Graduate Achievement Fellowship, University of Chicago

Projects

  • Research Group: Histories of Music, Mind, and Body

    Understandings of music, the mind, and the body have been closely allied since antiquity, their mutual influence inspiring idealized concepts of health as harmony, models of nervous transmission, theories of learning, and conceptions of sympathy ...

  • "Music, Mind, and Body, 1650-1850"

    This book traces the role of music in theories of the mind and body, as well as the ways in which understandings of the mind and body have been historically applied to explain the effects of music during the period bookended by Descartes and ...

  • "Sound and Sense in Britain, 1780-1840," co-edited with Dr. James Grande

    Sound played a pivotal role in many reactions to post-Lockean empiricism, as vibration, harmony, rhythm, and resonance became widespread models for unconscious mental activity, sympathy, and affective response. This edited volume explores the ...