Fabian Greb

Research Focus

  • Musikhörverhalten im Alltag
  • Musikgeschmack
  • Musik und Emotionen
  • Musikerleben
  • Publikumsforschung

Vita

Academic Education

2013Diploma thesis: „The impact of music preference on the physiological activation of the human body due to music reception“
2007-2013Studies in Audio and Video Engineering at Robert Schumann School of Music and Media and Düsseldorf University of Applied Sciences, Degree: Graduate Engineer (Dipl.-Ing.)

Career

Since October 2013Research Fellow at the Max Planck Institute for Empirical Aesthetics, Music Department
2011-13Sound Engineer and Producer: Live Broadcast, On Air Design, Trailer Production for the Radio Station WDR 2, Broadcasting Center Cologne
2010/11Freelance Sound Engineer for WDR (Westdeutscher Rundfunk)/ Radio, Broadcasting Center Düsseldorf

Publications

Journal Articles

Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors. Music & Science, 1. doi:10.1177/2059204318755950

Greb, F., Schlotz, W., & Steffens, J. (2017). Personal and situational influences on the functions of music listening. Psychology of Music.

Greb, F., Elvers, P., & Fischinger, T. (2016). Trends in Empirical Aesthetics: A Review of the Journal »Empirical Studies of the Arts« from 1983 to 2014. Empirical Studies of the Arts.

Conference Papers

Schlotz, W., Greb, F., & Steffens, J. (2017). Smartphones as research tools in ambulatory assessment: Effects of own or loan devices on adherence, response attrition, usability, and reactivity. In C. Vögele (Ed.), Proceedings of the 5th biennial conference of the society for ambulatory assessment (SAA). Digital health in ambulatory assessment.

Greb, F., Schlotz, W., Steffens, J. (2016). Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition. San Francisco.

Steffens, J., Greb, F., Schlotz, W. (2016). Why listen to music right now? - Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition. San Francisco.

Greb, F., Schlotz, W., Steffens, J. (2016). How do the functions of music listening vary across situations and persons?. In Proceedings of the International Conference of Students of Systematic Musicology SysMus16, Jyväskylä.

Lindau, A., Seibert, C., Greb, F., Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA. Aachen. 

Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of empirical studies of the arts with emphasis on music-related papers. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 238–243). New York.

Wald-Fuhrmann, M., Seibert, C., Fischinger, T.,Greb, F., & Lange, E. (2014). „Touch when you’re singing“? On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408–414). New York.

Greb, F., & Steffens, J. (2013). The impact of music preference on the physiological activation of the human body due to music reception. In Proceedings of AIA-DAGA 2013 Conference on Acoustics (pp. 1129–1131). Merano.

Conference Report

Elvers, P. & Greb, F. (2014). The 13th International Conference on Music Perception and Cognition And the 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music, 4.-8. August 2014. In Auhagen W., Bullerjahn C., Höge H. (Hrsg.), Jahrbuch der Deutschen Gesellschaft für Musikpsychologie, Band 24.
 

Awards & Grants

Grants and prizes

2014Robert Francès Award (Most Outstanding Student Research Contribution) of the IAEA (International Association of Empirical Aesthetics)

Projects