Publikationen der Abteilung Musik
2022
Jakubowski, K., Polak, R., Rocamora, M., Jure, L., & Jacoby, N. (2022). Aesthetics
of musical timing: Culture and expertise affect preferences for isochrony but not synchrony. Cognition,227: 105205. doi:10.1016/j.cognition.2022.105205.
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Grüny, C. (2022). Beyond making sense. PAJ: A Journal of Performance
and Art,44(3 (132)), 92-96. doi:10.1162/pajj_a_00632.
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Lange, E. B., Omigie, D., Trenado, C., Müller, V., Wald-Fuhrmann, M., & Merrill, J. (2022).
In touch: Cardiac and respiratory patterns synchronize during ensemble singing with physical contact.
Frontiers in Human Neuroscience,16: 928563. doi:10.3389/fnhum.2022.928563.
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Mencke, I., Omigie, D., Quiroga-Martinez, D. R., & Brattico, E. (2022). Atonal
music as a model for investigating exploratory behavior. Frontiers in Neuroscience,16: 793163. doi:10.3389/fnins.2022.793163.
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Fink, L. K., Alexander, P. C., & Janata, P. (2022). The Groove Enhancement Machine
(GEM): A multi-person adaptive metronome to manipulate sensorimotor synchronization and subjective enjoyment.
Frontiers in Human Neuroscience,16: 916551. doi:10.3389/fnhum.2022.916551.
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Mencke, I., Seibert, C., Brattico, E., & Wald-Fuhrmann, M. (2022). Comparing the
aesthetic experience of classic–romantic and contemporary classical music: An interview study (Online First).
Psychology of Music. doi:10.1177/03057356221091312.
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Saxena, S., Lange, E. B., & Fink, L. (2022). Towards efficient calibration for
webcam eye-tracking in online experiments. In Proceedings ETRA 2022: ACM Symposium on Eye Tracking
Research and Applications (pp. 1-7). doi:10.1145/3517031.3529645.
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Hansen, N. C., Wald-Fuhrmann, M., & Davidson, J. W. (
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Wald-Fuhrmann, M. (2022). Musikwissenschaft. In L. Lütteken (
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Degé, F., & Frischen, U. (2022). The impact of music training on executive functions
in childhood - a systematic review. Zeitschrift für Erziehungswissenschaft, 579-602. doi:10.1007/s11618-022-01102-2.
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Hansen, N. C., Wald-Fuhrmann, M., & Davidson, J. W. (2022). Editorial: Social convergence
in times of spatial distancing: The role of music during the COVID-19 Pandemic. Frontiers in Psychology,13: 910101. doi:10.3389/fpsyg.2022.910101.
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Pearson, L. (2022). Inscription, gesture, and social relations: Notation in Karnatak
music (forthcoming). In Material cultures of music notation: New perspectives on musical inscription.
London: Taylor & Francis Ltd.
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Scharinger, M., Knoop, C. A., Wagner, V., & Menninghaus, W. (2022). Neural processing
of poems and songs is based on melodic properties. NeuroImage,257:
119310. doi:10.1016/j.neuroimage.2022.119310.
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Bago, B., Kovacs, M., Protzko, J., Nagy, T., Kekecs, Z., Palfi, B., Adamkovic, M., Adamus, S., Albalooshi, S., Albayrak-Aydemir,
N., Alfian, I. N., Alper, S., Alvarez-Solas, S., Alves, S. G., Amaya, S., Andresen, P. K., Anjum, G., Ansari, D., Arriaga,
P., Aruta, J. J. B. R., Arvanitis, A., Babincak, P., Barzykowski, K., Bashour, B., Baskin, E., Batalha, L., Batres, C., Bavolar,
J., Bayrak, F., Becker, B., Becker, M., Belaus, A., Białek, M., Bilancini, E., Boller, D., Boncinelli, L., Boudesseul, J.,
Brown, B. T., Buchanan, E. M., Butt, M. M., Calvillo, D. P., Carnes, N. C., Celniker, J. B., Chartier, C. R., Chopik, W. J.,
Chotikavan, P., Chuan-Peng, H., Clancy, R. F., Çoker, O., Correia, R. C., Adoric, V. C., Cubillas, C. P., Czoschke, S., Daryani,
Y., de Grefte, J. A. M., de Vries, W. C., Burak, E. G. D., Dias, C., Dixson, B. J. W., Du, X., Dumančić, F., Dumbravă, A.,
Dutra, N. B., Enachescu, J., Esteban-Serna, C., Eudave, L., Evans, T. R., Feldman, G., Felisberti, F. M., Fiedler, S., Findor,
A., Fleischmann, A., Foroni, F., Francová, R., Frank, D.-A., Fu, C. H. Y., Gao, S., Ghasemi, O., Ghazi-Noori, A.-R., Ghossainy,
M. E., Giammusso, I., Gill, T., Gjoneska, B., Gollwitzer, M., Graton, A., Grinberg, M., Groyecka-Bernard, A., Harris, E. A.,
Hartanto, A., Hassan, W. A. N. M., Hatami, J., Heimark, K. R., Hidding, J. J. J., Hristova, E., Hruška, M., Hudson, C. A.,
Huskey, R., Ikeda, A., Inbar, Y., Ingram, G. P. D., Isler, O., Isloi, C., Iyer, A., Jaeger, B., Janssen, S. M. J., Jiménez-Leal,
W., Jokić, B., Kačmár, P., Kadreva, V., Kaminski, G., Karimi-Malekabadi, F., Kasper, A. T. A., Kendrick, K. M., Kennedy, B.
J., Kocalar, H. E., Kodapanakkal, R. I., Kowal, M., Kruse, E., Kučerová, L., Kühberger, A., Kuzminska, A. O., Lalot, F., Lamm,
C., Lammers, J., Lange, E. B., Lantian, A., Lau, I.-Y.-M., Lazarevic, L. B., Leliveld, M. C., Lenz, J. N., Levitan, C. A.,
Lewis, S. C., Li, M., Li, Y., Li, H., Lima, T. J. S., Lins, S., Liuzza, M. T., Lopes, P., Lu, J. G., Lynds, T., Máčel, M.,
Mackinnon, S. P., Maganti, M., Magraw-Mickelson, Z., Magson, L. F., Manley, H., Marcu, G. M., Seršić, D. M., Matibag, C.-J.,
Mattiassi, A. D. A., Mazidi, M., McFall, J. P., McLatchie, N., Mensink, M. C., Miketta, L., Milfont, T. L., Mirisola, A.,
Misiak, M., Mitkidis, P., Moeini-Jazani, M., Monajem, A., Moreau, D., Musser, E. D., Narhetali, E., Ochoa, D. P., Olsen, J.,
Owsley, N. C., Özdoğru, A. A., Panning, M., Papadatou-Pastou, M., Parashar, N., Pärnamets, P., Paruzel-Czachura, M., Parzuchowski,
M., Paterlini, J. V., Pavlacic, J. M., Peker, M., Peters, K., Piatnitckaia, L., Pinto, I., Policarpio, M. R., Pop-Jordanova,
N., Pratama, A. J., Primbs, M. A., Pronizius, E., Purić, D., Puvia, E., Qamari, V., Qian, K., Quiamzade, A., Ráczová, B.,
Reinero, D. A., Reips, U.-D., Reyna, C., Reynolds, K., Ribeiro, M. F. F., Röer, J. P., Ross, R. M., Roussos, P., Ruiz-Dodobara,
F., Ruiz-Fernandez, S., Rutjens, B. T., Rybus, K., Samekin, A., Santos, A. C., Say, N., Schild, C., Schmidt, K., Ścigała,
K. A., Sharifian, M., Shi, J., Shi, Y., Sievers, E., Sirota, M., Slipenkyj, M., Solak, Ç., Sorokowska, A., Sorokowski, P.,
Söylemez, S., Steffens, N. K., Stephen, I. D., Sternisko, A., Stevens-Wilson, L., Stewart, S. L. K., Stieger, S., Storage,
D., Strube, J., Susa, K. J., Szekely-Copîndean, R. D., Szostak, N. M., Takwin, B., Tatachari, S., Thomas, A. G., Tiede, K.
E., Tiong, L. E., Tonković, M., Trémolière, B., Tunstead, L. V., Türkan, B. N., Twardawski, M., Vadillo, M. A., Vally, Z.,
Vaughn, L. A., Verschuere, B., Vlašiček, D., Voracek, M., Vranka, M. A., Wang, S., West, S.-L., Whyte, S., Wilton, L. S.,
Wlodarczyk, A., Wu, X., Xin, F., Yadanar, S., Yama, H., Yamada, Y., Yilmaz, O., Yoon, S., Young, D. M., Zakharov, I., Zein,
R. A., Zettler, I., Žeželj, I. L., Zhang, D. C., Zhang, J., Zheng, X., Hoekstra, R., & Aczel, B. (2022).
Situational factors shape moral judgements in the trolley dilemma in Eastern, Southern and Western countries in a culturally
diverse sample. Nature Human Behaviour. doi:10.1038/s41562-022-01319-5.
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Scharinger, M., Wagner, V., Knoop, C. A., & Menninghaus, W. (2022). Melody in poems
and songs: Fundamental statistical properties predict aesthetic evaluation. Psychology of Aesthetics,
Creativity, and the Arts, Advance online publication. doi:10.1037/aca0000465.
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Polak, R. (2022). Non-isochronous metre in music from Mali. In M. Doffman, E. Payne,
& T. Young (
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Polak, R., & London, J. (2022). Tempo, meter, and form: An analysis of "Dansa"
from Mali. In L. B. Shuster, S. Mukherji, & N. Dinnerstein (
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Ackermann, T.-I., & Merrill, J. (2022). Rationales and functions of disliked music:
An in-depth interview study. PLoS One,17(2): e0263384.
doi:10.1371/journal.pone.0263384.
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Lange, E. B., Thiele, D., & Kuijpers, M. M. (2022). Narrative aesthetic absorption
in audiobooks is predicted by blink rate and acoustic features. Psychology of Aesthetics, Creativity,
and the Arts,16(1), 110-124. doi:10.1037/aca0000321.
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Merrill, J. (2022). Auditory perceptual assessment of voices: Examining perceptual
ratings as a function of voice experience. Current Psychology. doi:10.1007/s12144-022-02734-7.
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Wald-Fuhrmann, M. (2022). Ikonographisch-musikalische Repräsentationspolitik: Die Morisken-Tänzer
am Goldenen Dachl. Jahrbuch für Renaissancemusik: troja: Maximilian I. (1459–1519) und Musik: Reale
Präsenz vs. virtuelle Kommunikation,18 (2019), 139-156. doi:10.25371/troja.v20193314.
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Lange, E. B., Fünderich, J., & Grimm, H. (2022). Multisensory integration of musical
emotion perception in singing. Psychological Research. doi:10.1007/s00426-021-01637-9.
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2021
Mencke, I., Quiroga-Martinez, D. R., Omigie, D., Michalareas, G., Schwarzacher, F., Trusbak Haumann, N., Vuust, P., &
Brattico, E. (2021). Prediction under uncertainty: Dissociating sensory from cognitive
expectations in highly uncertain musical contexts. Brain Research,1773:
147664. doi:10.1016/j.brainres.2021.147664.
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Buren, V., Müllensiefen, D., Roeske, T. C., & Degé, F. (2021). What makes babies
musical? Conceptions of musicality in infants and toddlers. Frontiers in Psychology,12: 736833. doi:10.3389/fpsyg.2021.736833.
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Wörner, F. (2021).Konzeptualisierung von Form in Musik: Aspekte
von Formvorstellungen tonaler Musik vom 19. bis zum 21. Jahrhundert. Basel: Schwabe Verlag. doi:10.24894/978-3-7965-4528-3.
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Pearson, L. (2021). Cultural specificities in Carnatic and Hindustani music: Commentary
on the Saraga Open Dataset. Empirical Musicology Review,16(1),
166-171. doi:10.18061/emr.v16i1.7974.
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Clayton, M., Tarsitani, S., Jankowsky, R., Jure, L., Leante, L., Polak, R., Poole, A., Rocamora, M., Alborno, P., Camurri,
A., Eerola, T., Jacoby, N., & Jakubowski, K. (2021). The interpersonal entrainment
in music performance data collection. Empirical Musicology Review,16(1),
65-84. doi:10.18061/emr.v16i1.7555.
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Buren, V., Müllensiefen, D., Roeske, T. C., & Degé, F. (2021). What makes a child
musical? Conceptions of musical ability in childhood. Early Child Development and Care,191(12), 1985-2000. doi:10.1080/03004430.2020.1866566.
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Wald-Fuhrmann, M. (2021). Praetorius’ Syntagma musicum: Summe und Kosmos.
Musiktheorie,36(4), 357-368.
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Grüny, C. (2021). Musikalität, Kunst, Pop: Zur komplizierten Lage der Musik. In G.
W. Bertram, S. Deines, & D. M. Feige (
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Grüny, C. (2021). Vor und nach der Musik: Gibt es eine anti-essentialistische Musikphilosophie?
In W. Fuhrmann, & C.-S. Mahnkopf (
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Czepiel, A., Fink, L. K., Fink, L. T., Wald-Fuhrmann, M., Tröndle, M., & Merrill, J. (2021).
Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts.
Scientific Reports,11: 22457. doi:10.1038/s41598-021-00492-3.
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Yu, C. S. P., McBeath, M. K., & Glenberg, A. M. (2021). Phonemes convey embodied
emotion. In R. Michael D., & T. Laura E. (
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Schlotz, W., Wallot, S., Omigie, D., Masucci, M. D., Hoelzmann, S. C., & Vessel, E. A. (2021).
The Aesthetic Responsiveness Assessment (AReA): A screening tool to assess individual differences in responsiveness to art
in English and German. Psychology of Aesthetics, Creativity, and the Arts,15(4),
682-696. doi:10.1037/aca0000348.
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Thissen, B. A. K., Schlotz, W., Abel, C., Scharinger, M., Frieler, K., Merrill, J., Haider, T., & Menninghaus, W. (2021). At the Heart of Optimal Reading Experiences: Cardiovascular Activity and Flow Experiences
in Fiction Reading. Reading Research Quarterly. doi:10.1002/rrq.448.
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Jacoby, N., Polak, R., & London, J. (2021). Extreme precision in rhythmic interaction
is enabled by role-optimized sensorimotor coupling: Analysis and modelling of West African drum ensemble music.
Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,376(1835).
doi:10.1098/rstb.2020.0331.
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Roese, N. A., & Merrill, J. (2021). Consequences of the COVID-19 lockdown in Germany:
Effects of changes in daily life on musical engagement and functions of music. International Journal
of Environmental Research and Public Health,18(19): 10463. doi:10.3390/ijerph181910463.
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Wald-Fuhrmann, M., Pearson, L., Roeske, T. C., Grüny, C., & Polak, R. (2021). Music
as a trait in evolutionary theory: A musicological perspective. Behavioral and Brain Sciences,44: e93. doi:10.1017/S0140525X20001193.
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Kalustian, K., & Ruth, N. (2021). “Evacuate the Dancefloor”: Exploring and classifying
Spotify music listening before and during the COVID-19 pandemic in DACH countries. Jahrbuch Musikpsychologie,30: e95. doi:10.5964/jbdgm.95.
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Tschacher, W., Greenwood, S., Egermann, H., Wald-Fuhrmann, M., Czepiel, A., Tröndle, M., & Meier, D. (2021).
Physiological synchrony in audiences of live concerts (Advance online publication). Psychology of
Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000431.
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Wald-Fuhrmann, M. (2021). Empirische Ansätze zur Erforschung musikalischen Ausdrucks.
In J. Stolzenberg (
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Durojaye, C., Knowles, K. L., Patten, K. J., Garcia, M. J., & McBeath, M. K. (2021).
When music speaks: An aoustic study of the speech surrogacy of the Nigerian Dùndún Talking Drum. Frontiers
in Communication,6: 652690. doi:10.3389/fcomm.2021.652690.
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Fink, L., Warrenburg, L., Howlin, C., Randall, W., Hansen, N., & Wald-Fuhrmann, M. (2021).
Viral tunes: Changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown. Humanities and Social Sciences Communications,8: 180. doi:10.1057/s41599-021-00858-y.
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Pearson, L. (2021). “Improvisation” in play: A view through South Indian music practices. The Routledge handbook of philosophy and improvisation in the arts, 446-461. doi:10.4324/9781003179443-35.
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Vroegh, T. P. (2021). Visual imagery in the listener’s mind: A network analysis of
absorbed consciousness. Psychology of Consciousness: Theory, Research, and Practice. doi:10.1037/cns0000274.
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Polak, R. (2021). Presenting yourself through dance: Participatory and presentational
aspects of dance Performance at local festivities in southern Mali. In V. Apjok, K. Povedák, V. Szőnyi, & S. Varga (
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Durojaye, C., Fink, L., Roeske, T. C., Wald-Fuhrmann, M., & Larrouy-Maestri, P. (2021).
Perception of Nigerian Dùndún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic
cues. Frontiers in Psychology,12: 652673. doi:10.3389/fpsyg.2021.652673.
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Roeske, T. C., Rothenberg, D., & Gammon, D. E. (2021). Mockingbird morphing music:
Structured transitions in a complex bird song. Frontiers in Psychology,12:
630115. doi:10.3389/fpsyg.2021.630115.
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Omigie, D., Frieler, K., Bär, C., Muralikrishnan, R., Wald-Fuhrmann, M., & Fischinger, T. (2021).
Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates.
Psychology of Aesthetics, Creativity, and the Arts,15(2), 197-215. doi:10.1037/aca0000271.
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Wald-Fuhrmann, M., Egermann, H., Czepiel, A., O’Neill, K., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J., &
Tröndle, M. (2021). Music listening in classical concerts: Theory, literature review,
and research program. Frontiers in Psychology,12: 638783.
doi:10.3389/fpsyg.2021.638783.
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Yu, C.-S.-P., McBeath, M. K., & Glenberg, A. M. (2021). The gleam-glum effect:
/i:/ versus /λ/ phonemes generically carry emotional valence. Journal of Experimental Psychology:
Learning, Memory, and Cognition,47(7), 1173-1185. doi:10.1037/xlm0001017.
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Merrill, J., Czepiel, A., Fink, L. A., Toelle, J., & Wald-Fuhrmann, M. (2021).
The aesthetic experience of live concerts: Self-reports and psychophysiology. Psychology of Aesthetics,
Creativity, and the Arts. doi:10.1037/aca0000390.
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Toelle, J., & Sloboda, J. A. (2021). The audience as artist? The audience’s experience
of participatory music. Musicae Scientiae,25(1), 67-91.
doi:10.1177/1029864919844804.
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Vroegh, T. P., Wiesmann, S. L., Henschke, S., & Lange, E. B. (2021). Manual motor
reaction while being absorbed into popular music. Consciousness and Cognition,89:
103088. doi:10.1016/j.concog.2021.103088.
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Wörner, F. (2021). Bewegung – Bewegungsbild – Form: Energetik in der Musiktheorie Ernst
Kurths. In K. Eggers, & A. Stollberg (
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Degé, F. (2021). Music lessons and cognitive abilities in children: How far transfer
could be possible. Frontiers in Psychology,11: 557807.
doi:10.3389/fpsyg.2020.557807.
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Takarae, Y., McBeath, M. K., & Krynen, R. C. (2021). Perception of dynamic point
light facial expression. The American Journal of Psychology,134(4),
373-384. doi:10.5406/amerjpsyc.134.4.0373.
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Grüny, C. (2021). Erdrückende Tradition? Musik in der Gegenwart.
Merkur,75(860), 47-58.
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2020
Merrill, J., & Ackermann, T. (2020). “Like static noise in a beautiful landscape”:
A mixed-methods approach to rationales and features of disliked voices in popular music (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000376.
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Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an
object of empirical aesthetics. In M. Tröndle (
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Sharma, N. K., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020).
Acoustic and linguistic features influence talker changedetection. The Journal of the Acoustical Society
of America,148(5), EL414-EL419. doi:10.1121/10.0002462.
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van Dyck-Hemming, A., Eberhardt, J., & Wald-Fuhrmann, M. (2020). Ansätze zur Analyse
historischer Netzwerke mit Neo4j® – Aus der Projekt-Werkstatt der Datenbank zur Fachgeschichte der Musikwissenschaft. In S.
Acquavella-Rauch, A. Münzmay, & J. Veit (
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Polak, R. (2020). Wozu polychrone Pulsation? Funktionalistische Perspektiven auf metrische
Strukturen in malischer Musik. In M. Sharif, & K. Stepputat (
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Pearson, L. (2020). A socially situated approach to aesthetics: Games and challenges
in Karnatak music. In A. Hamilton, & L. Pearson (
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Grüny, C. (2020). Grenzen des Rationalen: Klang und Theorie. In B. Giesecke von Bergh,
& V. Helbing (
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Polak, R. (2020). Non-isochronous meter is not irregular: A review of theory and evidence.
In M. Aydintan, F. Edler, R. Graybill, & L. Krämer (
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Hamilton, A., & Pearson, L. (
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Roeske, T. C., Tchernichovski, O., Poeppel, D., & Jacoby, N. (2020). Categorical
rhythms are shared between songbirds and humans. Current Biology,30(18),
3544-3555.e6. doi:10.1016/j.cub.2020.06.072.
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Wald-Fuhrmann, M., Boenneke, S., Vroegh, T. P., & Dannecker, K. P. (2020). “He
Who Sings, Prays Twice”? Singing in Roman catholic mass leads to spiritual and social experiences that are predicted by religious
and musical attitudes. Frontiers in Psychology,11:
570189. doi:10.3389/fpsyg.2020.570189.
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Merrill, J., Omigie, D., & Wald-Fuhrmann, M. (2020). Locus of emotion influences
psychophysiological reactions to music. PLoS One,15(8):
e0237641. doi:10.1371/journal.pone.0237641.
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Polak, R. (2020). Thought and play in musical rhythm: Asian, African, and Euro-American
perspectives. Ethnomusicology Forum,29(2), 252-256.
doi:10.1080/17411912.2020.1839925.
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Haider, T., & van Dyck-Hemming, A. (2020). Extracting a Social Network of Musicologists.
In Proceedings of the Digital Humanities Conference DH2020 in Ottawa.
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Fischinger, T., Kaufmann, M., & Schlotz, W. (2020). If it’s Mozart, it must be
good? The influence of textual information and age on musical appreciation. Psychology of Music,48(4), 579-597. doi:10.1177/0305735618812216.
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Wald-Fuhrmann, M. (2020). Die Bedeutung von Musiksammlungen für die Entstehung der
Musikwissenschaft. In SLUB Dresden (
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Sharma, N., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020).
On the impact of language familiarity in talker change detection. In The Institute of Electrical and Electronics EngineersSignal
Processing Society (
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Souza, A. S., Czoschke, S., & Lange, E. B. (2020). Gaze-based and attention-based
rehearsal in spatial working memory. Journal of Experimental Psychology: Learning, Memory, and Cognition,46(5), 980-1003. doi:10.1037/xlm0000771.
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Wörner, F. (2020). Dur/Moll-Klänge in "posttonaler" Musik: Erinnerungsfragmente einer
verlorenen Idylle? In H.-J. Hinrichsen, & S. Keym (
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Wald-Fuhrmann, M. (2020). Musik und Melancholie. Mit einer Anwendung auf Händels L’Allegro,
il Penseroso ed il Moderato. Göttinger Händel-Beiträge: Jahrbuch/Yearbook 2020,21,
7-32.
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Roeske, T. C., Larrouy-Maestri, P., Sakamoto, Y., & Poeppel, D. (2020). Listening
to birdsong reveals basic features of rate perception and aesthetic judgements. Proceedings of the
Royal Society of London. Series B: Biological Sciences (London),287(1923):
20193010. doi:10.1098/rspb.2019.3010.
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Cohrdes, C., Wrzus, C., Wald-Fuhrmann, M., & Riediger, M. (2020). “The sound of
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