Publikationen der Abteilung Musik
2022
Jakubowski, K., Polak, R., Rocamora, M., Jure, L., & Jacoby, N. (2022). Aesthetics
of musical timing: Culture and expertise affect preferences for isochrony but not synchrony. Cognition,227: 105205. doi:10.1016/j.cognition.2022.105205.
PuRe
PDF
Mencke, I., Omigie, D., Quiroga-Martinez, D. R., & Brattico, E. (2022). Atonal
music as a model for investigating exploratory behavior. Frontiers in Neuroscience,16: 793163. doi:10.3389/fnins.2022.793163.
PuRe
PDF
Fink, L. K., Alexander, P. C., & Janata, P. (2022). The Groove Enhancement Machine
(GEM): A multi-person adaptive metronome to manipulate sensorimotor synchronization and subjective enjoyment.
Frontiers in Human Neuroscience,16: 916551. doi:10.3389/fnhum.2022.916551.
PuRe
PDF
Mencke, I., Seibert, C., Brattico, E., & Wald-Fuhrmann, M. (2022). Comparing the
aesthetic experience of classic–romantic and contemporary classical music: An interview study (Online First).
Psychology of Music. doi:10.1177/03057356221091312.
PuRe
PDF
Saxena, S., Lange, E. B., & Fink, L. (2022). Towards efficient calibration for
webcam eye-tracking in online experiments. In Proceedings ETRA 2022: ACM Symposium on Eye Tracking
Research and Applications (pp. 1-7). doi:10.1145/3517031.3529645.
PuRe
Hansen, N. C., Wald-Fuhrmann, M., & Davidson, J. W. (2022). Editorial: Social convergence
in times of spatial distancing: The role of music during the COVID-19 Pandemic. Frontiers in Psychology,13: 910101. doi:10.3389/fpsyg.2022.910101.
PuRe
PDF
Pearson, L. (2022). Inscription, gesture, and social relations: Notation in Karnatak
music (forthcoming). In Material cultures of music notation: New perspectives on musical inscription.
London: Taylor & Francis Ltd.
PuRe
Scharinger, M., Knoop, C. A., Wagner, V., & Menninghaus, W. (2022). Neural processing
of poems and songs is based on melodic properties. NeuroImage,257:
119310. doi:10.1016/j.neuroimage.2022.119310.
PuRe
PDF
Bago, B., Kovacs, M., Protzko, J., Nagy, T., Kekecs, Z., Palfi, B., Adamkovic, M., Adamus, S., Albalooshi, S., Albayrak-Aydemir,
N., Alfian, I. N., Alper, S., Alvarez-Solas, S., Alves, S. G., Amaya, S., Andresen, P. K., Anjum, G., Ansari, D., Arriaga,
P., Aruta, J. J. B. R., Arvanitis, A., Babincak, P., Barzykowski, K., Bashour, B., Baskin, E., Batalha, L., Batres, C., Bavolar,
J., Bayrak, F., Becker, B., Becker, M., Belaus, A., Białek, M., Bilancini, E., Boller, D., Boncinelli, L., Boudesseul, J.,
Brown, B. T., Buchanan, E. M., Butt, M. M., Calvillo, D. P., Carnes, N. C., Celniker, J. B., Chartier, C. R., Chopik, W. J.,
Chotikavan, P., Chuan-Peng, H., Clancy, R. F., Çoker, O., Correia, R. C., Adoric, V. C., Cubillas, C. P., Czoschke, S., Daryani,
Y., de Grefte, J. A. M., de Vries, W. C., Burak, E. G. D., Dias, C., Dixson, B. J. W., Du, X., Dumančić, F., Dumbravă, A.,
Dutra, N. B., Enachescu, J., Esteban-Serna, C., Eudave, L., Evans, T. R., Feldman, G., Felisberti, F. M., Fiedler, S., Findor,
A., Fleischmann, A., Foroni, F., Francová, R., Frank, D.-A., Fu, C. H. Y., Gao, S., Ghasemi, O., Ghazi-Noori, A.-R., Ghossainy,
M. E., Giammusso, I., Gill, T., Gjoneska, B., Gollwitzer, M., Graton, A., Grinberg, M., Groyecka-Bernard, A., Harris, E. A.,
Hartanto, A., Hassan, W. A. N. M., Hatami, J., Heimark, K. R., Hidding, J. J. J., Hristova, E., Hruška, M., Hudson, C. A.,
Huskey, R., Ikeda, A., Inbar, Y., Ingram, G. P. D., Isler, O., Isloi, C., Iyer, A., Jaeger, B., Janssen, S. M. J., Jiménez-Leal,
W., Jokić, B., Kačmár, P., Kadreva, V., Kaminski, G., Karimi-Malekabadi, F., Kasper, A. T. A., Kendrick, K. M., Kennedy, B.
J., Kocalar, H. E., Kodapanakkal, R. I., Kowal, M., Kruse, E., Kučerová, L., Kühberger, A., Kuzminska, A. O., Lalot, F., Lamm,
C., Lammers, J., Lange, E. B., Lantian, A., Lau, I.-Y.-M., Lazarevic, L. B., Leliveld, M. C., Lenz, J. N., Levitan, C. A.,
Lewis, S. C., Li, M., Li, Y., Li, H., Lima, T. J. S., Lins, S., Liuzza, M. T., Lopes, P., Lu, J. G., Lynds, T., Máčel, M.,
Mackinnon, S. P., Maganti, M., Magraw-Mickelson, Z., Magson, L. F., Manley, H., Marcu, G. M., Seršić, D. M., Matibag, C.-J.,
Mattiassi, A. D. A., Mazidi, M., McFall, J. P., McLatchie, N., Mensink, M. C., Miketta, L., Milfont, T. L., Mirisola, A.,
Misiak, M., Mitkidis, P., Moeini-Jazani, M., Monajem, A., Moreau, D., Musser, E. D., Narhetali, E., Ochoa, D. P., Olsen, J.,
Owsley, N. C., Özdoğru, A. A., Panning, M., Papadatou-Pastou, M., Parashar, N., Pärnamets, P., Paruzel-Czachura, M., Parzuchowski,
M., Paterlini, J. V., Pavlacic, J. M., Peker, M., Peters, K., Piatnitckaia, L., Pinto, I., Policarpio, M. R., Pop-Jordanova,
N., Pratama, A. J., Primbs, M. A., Pronizius, E., Purić, D., Puvia, E., Qamari, V., Qian, K., Quiamzade, A., Ráczová, B.,
Reinero, D. A., Reips, U.-D., Reyna, C., Reynolds, K., Ribeiro, M. F. F., Röer, J. P., Ross, R. M., Roussos, P., Ruiz-Dodobara,
F., Ruiz-Fernandez, S., Rutjens, B. T., Rybus, K., Samekin, A., Santos, A. C., Say, N., Schild, C., Schmidt, K., Ścigała,
K. A., Sharifian, M., Shi, J., Shi, Y., Sievers, E., Sirota, M., Slipenkyj, M., Solak, Ç., Sorokowska, A., Sorokowski, P.,
Söylemez, S., Steffens, N. K., Stephen, I. D., Sternisko, A., Stevens-Wilson, L., Stewart, S. L. K., Stieger, S., Storage,
D., Strube, J., Susa, K. J., Szekely-Copîndean, R. D., Szostak, N. M., Takwin, B., Tatachari, S., Thomas, A. G., Tiede, K.
E., Tiong, L. E., Tonković, M., Trémolière, B., Tunstead, L. V., Türkan, B. N., Twardawski, M., Vadillo, M. A., Vally, Z.,
Vaughn, L. A., Verschuere, B., Vlašiček, D., Voracek, M., Vranka, M. A., Wang, S., West, S.-L., Whyte, S., Wilton, L. S.,
Wlodarczyk, A., Wu, X., Xin, F., Yadanar, S., Yama, H., Yamada, Y., Yilmaz, O., Yoon, S., Young, D. M., Zakharov, I., Zein,
R. A., Zettler, I., Žeželj, I. L., Zhang, D. C., Zhang, J., Zheng, X., Hoekstra, R., & Aczel, B. (2022).
Situational factors shape moral judgements in the trolley dilemma in Eastern, Southern and Western countries in a culturally
diverse sample. Nature Human Behaviour. doi:10.1038/s41562-022-01319-5.
PuRe
Scharinger, M., Wagner, V., Knoop, C. A., & Menninghaus, W. (2022). Melody in poems
and songs: Fundamental statistical properties predict aesthetic evaluation. Psychology of Aesthetics,
Creativity, and the Arts, Advance online publication. doi:10.1037/aca0000465.
PuRe
Polak, R. (2022). Non-isochronous metre in music from Mali. In M. Doffman, E. Payne,
& T. Young (
PuRe
Polak, R., & London, J. (2022). Tempo, meter, and form: An analysis of "Dansa"
from Mali. In L. B. Shuster, S. Mukherji, & N. Dinnerstein (
PuRe
Ackermann, T.-I., & Merrill, J. (2022). Rationales and functions of disliked music:
An in-depth interview study. PLoS One,17(2): e0263384.
doi:10.1371/journal.pone.0263384.
PuRe
PDF
Merrill, J. (2022). Auditory perceptual assessment of voices: Examining perceptual
ratings as a function of voice experience. Current Psychology. doi:10.1007/s12144-022-02734-7.
PuRe
PDF
Wald-Fuhrmann, M. (2022). Ikonographisch-musikalische Repräsentationspolitik: Die Morisken-Tänzer
am Goldenen Dachl. Jahrbuch für Renaissancemusik: troja: Maximilian I. (1459–1519) und Musik: Reale
Präsenz vs. virtuelle Kommunikation,18 (2019), 139-156. doi:10.25371/troja.v20193314.
PuRe
PDF
Lange, E. B., Fünderich, J., & Grimm, H. (2022). Multisensory integration of musical
emotion perception in singing. Psychological Research. doi:10.1007/s00426-021-01637-9.
PuRe
PDF
2021
Buren, V., Müllensiefen, D., Roeske, T. C., & Degé, F. (2021). What makes babies
musical? Conceptions of musicality in infants and toddlers. Frontiers in Psychology,12: 736833. doi:10.3389/fpsyg.2021.736833.
PuRe
PDF
Mencke, I., Quiroga-Martinez, D. R., Omigie, D., Michalareas, G., Schwarzacher, F., Trusbak Haumann, N., Vuust, P., &
Brattico, E. (2021). Prediction under uncertainty: Dissociating sensory from cognitive
expectations in highly uncertain musical contexts. Brain Research,1773:
147664. doi:10.1016/j.brainres.2021.147664.
PuRe
PDF
Wörner, F. (2021).Konzeptualisierung von Form in Musik: Aspekte
von Formvorstellungen tonaler Musik vom 19. bis zum 21. Jahrhundert. Basel: Schwabe Verlag. doi:10.24894/978-3-7965-4528-3.
PuRe
PDF
Pearson, L. (2021). Cultural specificities in Carnatic and Hindustani music: Commentary
on the Saraga Open Dataset. Empirical Musicology Review,16(1),
166-171. doi:10.18061/emr.v16i1.7974.
PuRe
PDF
Clayton, M., Tarsitani, S., Jankowsky, R., Jure, L., Leante, L., Polak, R., Poole, A., Rocamora, M., Alborno, P., Camurri,
A., Eerola, T., Jacoby, N., & Jakubowski, K. (2021). The interpersonal entrainment
in music performance data collection. Empirical Musicology Review,16(1),
65-84. doi:10.18061/emr.v16i1.7555.
PuRe
PDF
Buren, V., Müllensiefen, D., Roeske, T. C., & Degé, F. (2021). What makes a child
musical? Conceptions of musical ability in childhood. Early Child Development and Care,191(12), 1985-2000. doi:10.1080/03004430.2020.1866566.
PuRe
PDF
Wald-Fuhrmann, M. (2021). Praetorius’ Syntagma musicum: Summe und Kosmos.
Musiktheorie,36(4), 357-368.
PuRe
Grüny, C. (2021). Musikalität, Kunst, Pop: Zur komplizierten Lage der Musik. In G.
W. Bertram, S. Deines, & D. M. Feige (
PuRe
Grüny, C. (2021). Vor und nach der Musik: Gibt es eine anti-essentialistische Musikphilosophie?
In W. Fuhrmann, & C.-S. Mahnkopf (
PuRe
Czepiel, A., Fink, L. K., Fink, L. T., Wald-Fuhrmann, M., Tröndle, M., & Merrill, J. (2021).
Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts.
Scientific Reports,11: 22457. doi:10.1038/s41598-021-00492-3.
PuRe
PDF
Yu, C. S. P., McBeath, M. K., & Glenberg, A. M. (2021). Phonemes convey embodied
emotion. In R. Michael D., & T. Laura E. (
PuRe
Schlotz, W., Wallot, S., Omigie, D., Masucci, M. D., Hoelzmann, S. C., & Vessel, E. A. (2021).
The Aesthetic Responsiveness Assessment (AReA): A screening tool to assess individual differences in responsiveness to art
in English and German. Psychology of Aesthetics, Creativity, and the Arts,15(4),
682-696. doi:10.1037/aca0000348.
PuRe
Thissen, B. A. K., Schlotz, W., Abel, C., Scharinger, M., Frieler, K., Merrill, J., Haider, T., & Menninghaus, W. (2021). At the Heart of Optimal Reading Experiences: Cardiovascular Activity and Flow Experiences
in Fiction Reading. Reading Research Quarterly. doi:10.1002/rrq.448.
PuRe
PDF
Jacoby, N., Polak, R., & London, J. (2021). Extreme precision in rhythmic interaction
is enabled by role-optimized sensorimotor coupling: Analysis and modelling of West African drum ensemble music.
Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,376(1835).
doi:10.1098/rstb.2020.0331.
PuRe
PDF
Roese, N. A., & Merrill, J. (2021). Consequences of the COVID-19 lockdown in Germany:
Effects of changes in daily life on musical engagement and functions of music. International Journal
of Environmental Research and Public Health,18(19): 10463. doi:10.3390/ijerph181910463.
PuRe
PDF
Wald-Fuhrmann, M., Pearson, L., Roeske, T. C., Grüny, C., & Polak, R. (2021). Music
as a trait in evolutionary theory: A musicological perspective. Behavioral and Brain Sciences,44: e93. doi:10.1017/S0140525X20001193.
PuRe
Kalustian, K., & Ruth, N. (2021). “Evacuate the Dancefloor”: Exploring and classifying
Spotify music listening before and during the COVID-19 pandemic in DACH countries. Jahrbuch Musikpsychologie,30: e95. doi:10.5964/jbdgm.95.
PuRe
PDF
Tschacher, W., Greenwood, S., Egermann, H., Wald-Fuhrmann, M., Czepiel, A., Tröndle, M., & Meier, D. (2021).
Physiological synchrony in audiences of live concerts (Advance online publication). Psychology of
Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000431.
PuRe
Wald-Fuhrmann, M. (2021). Empirische Ansätze zur Erforschung musikalischen Ausdrucks.
In J. Stolzenberg (
PuRe
Durojaye, C., Knowles, K. L., Patten, K. J., Garcia, M. J., & McBeath, M. K. (2021).
When music speaks: An aoustic study of the speech surrogacy of the Nigerian Dùndún Talking Drum. Frontiers
in Communication,6: 652690. doi:10.3389/fcomm.2021.652690.
PuRe
PDF
Fink, L., Warrenburg, L., Howlin, C., Randall, W., Hansen, N., & Wald-Fuhrmann, M. (2021).
Viral tunes: Changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown. Humanities and Social Sciences Communications,8: 180. doi:10.1057/s41599-021-00858-y.
PuRe
PDF
Pearson, L. (2021). “Improvisation” in play: A view through South Indian music practices. The Routledge handbook of philosophy and improvisation in the arts, 446-461. doi:10.4324/9781003179443-35.
PuRe
Vroegh, T. P. (2021). Visual imagery in the listener’s mind: A network analysis of
absorbed consciousness. Psychology of Consciousness: Theory, Research, and Practice. doi:10.1037/cns0000274.
PuRe
Polak, R. (2021). Presenting yourself through dance: Participatory and presentational
aspects of dance Performance at local festivities in southern Mali. In V. Apjok, K. Povedák, V. Szőnyi, & S. Varga (
PuRe
Durojaye, C., Fink, L., Roeske, T. C., Wald-Fuhrmann, M., & Larrouy-Maestri, P. (2021).
Perception of Nigerian Dùndún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic
cues. Frontiers in Psychology,12: 652673. doi:10.3389/fpsyg.2021.652673.
PuRe
PDF
Roeske, T. C., Rothenberg, D., & Gammon, D. E. (2021). Mockingbird morphing music:
Structured transitions in a complex bird song. Frontiers in Psychology,12:
630115. doi:10.3389/fpsyg.2021.630115.
PuRe
PDF
Omigie, D., Frieler, K., Bär, C., Muralikrishnan, R., Wald-Fuhrmann, M., & Fischinger, T. (2021).
Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates.
Psychology of Aesthetics, Creativity, and the Arts,15(2), 197-215. doi:10.1037/aca0000271.
PuRe
Wald-Fuhrmann, M., Egermann, H., Czepiel, A., O’Neill, K., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J., &
Tröndle, M. (2021). Music listening in classical concerts: Theory, literature review,
and research program. Frontiers in Psychology,12: 638783.
doi:10.3389/fpsyg.2021.638783.
PuRe
PDF
Yu, C.-S.-P., McBeath, M. K., & Glenberg, A. M. (2021). The gleam-glum effect:
/i:/ versus /λ/ phonemes generically carry emotional valence. Journal of Experimental Psychology:
Learning, Memory, and Cognition,47(7), 1173-1185. doi:10.1037/xlm0001017.
PuRe
Merrill, J., Czepiel, A., Fink, L. A., Toelle, J., & Wald-Fuhrmann, M. (2021).
The aesthetic experience of live concerts: Self-reports and psychophysiology. Psychology of Aesthetics,
Creativity, and the Arts. doi:10.1037/aca0000390.
PuRe
Locator 1
Vroegh, T. P., Wiesmann, S. L., Henschke, S., & Lange, E. B. (2021). Manual motor
reaction while being absorbed into popular music. Consciousness and Cognition,89:
103088. doi:10.1016/j.concog.2021.103088.
PuRe
Toelle, J., & Sloboda, J. A. (2021). The audience as artist? The audience’s experience
of participatory music. Musicae Scientiae,25(1), 67-91.
doi:10.1177/1029864919844804.
PuRe
Wörner, F. (2021). Bewegung – Bewegungsbild – Form: Energetik in der Musiktheorie Ernst
Kurths. In K. Eggers, & A. Stollberg (
PuRe
Degé, F. (2021). Music lessons and cognitive abilities in children: How far transfer
could be possible. Frontiers in Psychology,11: 557807.
doi:10.3389/fpsyg.2020.557807.
PuRe
PDF
Takarae, Y., McBeath, M. K., & Krynen, R. C. (2021). Perception of dynamic point
light facial expression. The American Journal of Psychology,134(4),
373-384. doi:10.5406/amerjpsyc.134.4.0373.
PuRe
Locator 1
Grüny, C. (2021). Erdrückende Tradition? Musik in der Gegenwart.
Merkur,75(860), 47-58.
PuRe
2020
Merrill, J., & Ackermann, T. (2020). “Like static noise in a beautiful landscape”:
A mixed-methods approach to rationales and features of disliked voices in popular music (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000376.
PuRe
Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an
object of empirical aesthetics. In M. Tröndle (
PuRe
Sharma, N. K., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020).
Acoustic and linguistic features influence talker changedetection. The Journal of the Acoustical Society
of America,148(5), EL414-EL419. doi:10.1121/10.0002462.
PuRe
PDF
Polak, R. (2020). Wozu polychrone Pulsation? Funktionalistische Perspektiven auf metrische
Strukturen in malischer Musik. In M. Sharif, & K. Stepputat (
PuRe
Pearson, L. (2020). A socially situated approach to aesthetics: Games and challenges
in Karnatak music. In A. Hamilton, & L. Pearson (
PuRe
Locator 1
Grüny, C. (2020). Grenzen des Rationalen: Klang und Theorie. In B. Giesecke von Bergh,
& V. Helbing (
PuRe
PDF
Polak, R. (2020). Non-isochronous meter is not irregular: A review of theory and evidence.
In M. Aydintan, F. Edler, R. Graybill, & L. Krämer (
PuRe
Hamilton, A., & Pearson, L. (
PuRe
Roeske, T. C., Tchernichovski, O., Poeppel, D., & Jacoby, N. (2020). Categorical
rhythms are shared between songbirds and humans. Current Biology,30(18),
3544-3555.e6. doi:10.1016/j.cub.2020.06.072.
PuRe
Wald-Fuhrmann, M., Boenneke, S., Vroegh, T. P., & Dannecker, K. P. (2020). “He
Who Sings, Prays Twice”? Singing in Roman catholic mass leads to spiritual and social experiences that are predicted by religious
and musical attitudes. Frontiers in Psychology,11:
570189. doi:10.3389/fpsyg.2020.570189.
PuRe
PDF
Merrill, J., Omigie, D., & Wald-Fuhrmann, M. (2020). Locus of emotion influences
psychophysiological reactions to music. PLoS One,15(8):
e0237641. doi:10.1371/journal.pone.0237641.
PuRe
PDF
Haider, T., & van Dyck-Hemming, A. (2020). Extracting a Social Network of Musicologists.
In Proceedings of the Digital Humanities Conference DH2020 in Ottawa.
PuRe
Fischinger, T., Kaufmann, M., & Schlotz, W. (2020). If it’s Mozart, it must be
good? The influence of textual information and age on musical appreciation. Psychology of Music,48(4), 579-597. doi:10.1177/0305735618812216.
PuRe
Wald-Fuhrmann, M. (2020). Die Bedeutung von Musiksammlungen für die Entstehung der
Musikwissenschaft. In SLUB Dresden (
PuRe
Sharma, N., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020).
On the impact of language familiarity in talker change detection. In The Institute of Electrical and Electronics EngineersSignal
Processing Society (
PuRe
Souza, A. S., Czoschke, S., & Lange, E. B. (2020). Gaze-based and attention-based
rehearsal in spatial working memory. Journal of Experimental Psychology: Learning, Memory, and Cognition,46(5), 980-1003. doi:10.1037/xlm0000771.
PuRe
Wald-Fuhrmann, M. (2020). Musik und Melancholie. Mit einer Anwendung auf Händels L’Allegro,
il Penseroso ed il Moderato. Göttinger Händel-Beiträge: Jahrbuch/Yearbook 2020,21,
7-32.
PuRe
Wörner, F. (2020). Dur/Moll-Klänge in "posttonaler" Musik: Erinnerungsfragmente einer
verlorenen Idylle? In H.-J. Hinrichsen, & S. Keym (
PuRe
Roeske, T. C., Larrouy-Maestri, P., Sakamoto, Y., & Poeppel, D. (2020). Listening
to birdsong reveals basic features of rate perception and aesthetic judgements. Proceedings of the
Royal Society of London. Series B: Biological Sciences (London),287(1923):
20193010. doi:10.1098/rspb.2019.3010.
PuRe
Omigie, D., Lehongre, K., Navarro, V., Adam, C., & Samson, S. (2020). Neuro-oscillatory
tracking of low- and high-level musico-acoustic features during naturalistic music listening: Insights from an intracranial
electroencephalography study. Psychomusicology,30(1),
37-51. doi:10.1037/pmu0000249.
PuRe
Lütteken, L., & Wald-Fuhrmann, M. (
PuRe
Cohrdes, C., Wrzus, C., Wald-Fuhrmann, M., & Riediger, M. (2020). “The sound of
affect”: Age differences in perceiving valence and arousal in music and their relation to music characteristics and momentary
mood. Musicae Scientiae,24(1), 21-43. doi:10.1177/1029864918765613.
PuRe
Wald-Fuhrmann, M. (2020). Jagdgetön: Zur Vieldimensionalität eines musikalischen Topos
in Wagners Tristan. In L. Lütteken, & M. Wald-Fuhrmann (
PuRe
Jacoby, N., Margulis, E. H., Clayton, M., Hannon, E., Honing, H., Iversen, J., Klein, T. R., Mehr, S. A., Pearson, L., Peretz,
I., Perlman, M., Polak, R., Ravignani, A., Savage, P. E., Steingo, G., Stevens, C. J., Trainor, L., Trehub, S., Veal, M.,
& Wald-Fuhrmann, M. (2020). Cross-cultural work in music cognition: Challenges,
insights, and recommendations. Music Perception,37(3),
185-195. doi:10.1525/mp.2020.37.3.185.
PuRe
Wald-Fuhrmann, M., Dannecker, K.-P., & Boenneke, S. (2020). Einleitung. In M. Wald-Fuhrmann,
K.-P. Dannecker, & S. Boenneke (
PuRe
Wald-Fuhrmann, M. (2020). Liturgische Aufführungsbestimmungen zwischen Semiotik und
Ästhetik: Ein Durchgang durch die „Allgemeine Einführung in das Römische Meßbuch“. In M. Wald-Fuhrmann, K.-P. Dannecker, &
S. Boenneke (
PuRe
Wald-Fuhrmann, M. (2020). Positive Aspekte des gemeinschaftlichen Singens: Ein Forschungsüberblick.
In M. Wald-Fuhrmann, K.-P. Dannecker, & S. Boenneke (
PuRe
Wald-Fuhrmann, M., Dannecker, K. P., & Boenneke, S. (
PuRe
Lange, E. B., Thiele, D., & Kuijpers, M. M. (2020). Narrative aesthetic absorption
in audiobooks is predicted by blink rate and acoustic features (Advance online publication). Psychology
of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000321.
PuRe
2019
Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben
im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung,28: e18, pp. 53-85. doi:10.5964/jbdgm.2018v28.18.
PuRe
PDF
Czoschke, S., Henschke, S., & Lange, E. B. (2019). On-item fixations during serial
encoding do not affect spatialworking memory. Attention, Perception & Psychophysics,81(8), 2766-2787. doi:10.3758/s13414-019-01786-5.
PuRe
PDF
Wald-Fuhrmann, M. (2019). Die private Muse? Zur weltlichen Musik am Mecklenburg-Schweriner
Hof unter Friedrich II. und Friedrich Franz I. In S. Avischag Müller, & A. Waczkat (
PuRe
Polak, R. (2019). Jembe music. In H. Feldman, D. Horn, J. Shepherd, & G. Kielich
(
PuRe
Akkermans, J., Schapiro, R., Mullensiefen, D., Jakubowski, K., Shanahan, D., Baker, D., Busch, V., Lothwesen, K., Elvers,
P., Fischinger, T., Schlemmer, K., & Frieler, K. (2019). Decoding emotions in expressive
music performances: A multi-lab replication and extension study. Cognition & Emotion,33(6), 1099-1118. doi:10.1080/02699931.2018.1541312.
PuRe
Woerner, F. (2019). Hindemiths Klassizismus: Ein künstlerisches Bekenntnis im Kontext
der 1920er-Jahre. In H.-C. Günther (
PuRe
Wald-Fuhrmann, M. (2019). Komplement und Korrektiv: Empirie als Teil einer transdisziplinären
Musikästhetik. Musik & Ästhetik,23(91), 84-88.
PuRe
Omigie, D., Pearce, M., Lehongre, K., Hasboun, D., Navarro, V., Adam, C., & Samson, S. (2019).
Intracranial recordings and computational modeling of music reveal the time course of prediction error signaling in frontal
and temporal cortices. Journal of Cognitive Neuroscience,31(6),
855-873. doi:10.1162/jocn_a_01388.
PuRe
Vroegh, T. P. (2019). Zoning-in or tuning-in? Identifying distinct absorption states
in response to music. Psychomusicology: Music, Mind, and Brain,29(2-3),
156-170. doi:10.1037/pmu0000241.
PuRe
Wald-Fuhrmann, M., & Keym, S. (
PuRe
Seibert, C. (2019). Situated approaches to musical experience. In D. Clarke, E. F.
Clarke, & R. Herbert (
PuRe
Greb, F., Steffens, J., & Schlotz, W. (2019). Modeling music-selection behavior
in everyday life: A multilevel statistical learning approach and mediation analysis of experience sampling data.
Frontiers in Psychology,10: 390. doi:10.3389/fpsyg.2019.00390.
PuRe
PDFLocator 1
Polak, R. (2019). Celebration. In J. Sturman (
PuRe
van Dyck-Hemming, A., & Hemming, J. (
PuRe
Mencke, I., Omigie, D., Wald-Fuhrmann, M., & Brattico, E. (2019). Atonal music:
Can uncertainty lead to pleasure? Frontiers in Neuroscience,12:
979. doi:10.3389/fnins.2018.00979.
PuRe
PDF
Zschauer, A. (2019). Inter als aisthetische Qualität. Polylog:
Zeitschrift für interkulturelles Philosophieren,40, 37-51.
PuRe
Merrill, J. (2019).Stimmen – schön schrecklich oder schrecklich
schön?: Beschreibung, Bewertung und Wirkung des vokalen Ausdrucks in der Musik. Kassel: Kassel University Press.
doi:10.19211/KUP9783737650878.
PuRe
Locator 1
Ackermann, T. (2019).Disliked music: Merkmale, Gründe und
Funktionen abgelehnter Musik (PhD Thesis, kassel university press, Kassel, 2019). doi:10.19211/KUP9783737650885.
PuRe
Locator 1
Vesker, M., Bahn, D., Degé, F., Kauschke, C., & Schwarzer, G. (2019). Identification
of emotional facial expressions in a lab and over the internet. Psychology: Journal of the Higher
School of Economics,16(3), 571-583. doi:10.17323/1813-8918-2019-3-571-583.
PuRe
2018
Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting
musical emotions with perceptual and automatized features. Music Perception,36(2),
217-242. doi:10.1525/MP.2018.36.2.217.
PuRe
Urbanek, N., & Wald-Fuhrmann, M. (
PuRe
Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann
(
PuRe
Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences
on the functions of music listening. Psychology of Music,46(6),
763-794. doi:10.1177/0305735617724883.
PuRe
Polak, R., Tarsitani, S., & Clayton, M. (2018). IEMP Malian Jembe.
Open Science Framework. doi:10.17605/OSF.IO/M652X.
PuRe
Locator 1
Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its
role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.
PuRe
Locator 1
Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018).
Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.
PuRe
Lange, E. B., Pieczykolan, A., Trukenbrod, H. A., & Huestegge, L. (2018). The rhythm
of cognition: Effects of an auditory beat on oculomotor control in reading and sequential scanning.
Journal of Eye Movement Research,11(2): 9. doi:10.16910/jemr.11.2.9.
PuRe
PDF
Greb, F. (2018). Determinants of music-selection behaviour: Development of a model.
PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.
PuRe
Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential
der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (
PuRe
Toelle, J. (2018). Applaus. In D. Morat, & H. Ziemer (
PuRe
Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches
Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (
PuRe
Fink, L. K., Lange, E. B., & Groner, R. (2018). The application of eye-tracking
in music research. Journal of Eye Movement Research,11(2):
1. doi:10.16910/jemr.11.2.1.
PuRe
PDF
Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement:
Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.
PuRe
Pearson, L. (2018). Cultural heritage, sustainability and innovation in South Indian
art music. In B. Norton, & N. Matsumoto (
PuRe
Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior
via statistical learning: Using the percentile-Lasso to identify the most important factors. Music
& Science,1, 1-17. doi:10.1177/2059204318755950.
PuRe
PDF
Kaufmann, M. (2018). The nymph's voice as an acoustic reflection of the self. In K.
A. E. Engelke, & A. Traninger (
PuRe
Toelle, J. (2018). Mission soundscapes: Demons, Jesuits and sounds in Antonio Ruiz
de Montoya’s Conquista Espiritual (1639). In D. Hacke, & P. Musselwhite (
PuRe
Fischinger, T. (2018). Vorreiter einer empirischen Ästhetik: Anmerkungen zur Studie
«Die natürliche Stimmung in der modernen Vokalmusik» (1893) von Max Planck. Neue Zeitschrift für Musik,
(1), 27-29.
PuRe
Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz
für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte
für Fragen des Gottesdienstes,68(2), 83-108.
PuRe
2017
Elvers, P., & Steffens, J. (2017). The sound of success: Investigating cognitive
and behavioral effects of motivational music in sports. Frontiers in Psychology, 8:2026.
doi:10.3389/fpsyg.2017.02026.
PuRe
PDF
Bauer, S., van Alphen, N., Becker, A., Chiocchetti, A., Deichmann, R., Deller, T., Freiman, T., Freitag, C. M., Gehrig, J.,
Hermsen, A. M., Jedlicka, P., Kell, C., Klein, K. M., Knake, S., Kullmann, D. M., Liebner, S., Norwood, B. A., Omigie, D.,
Plate, K., Reif, A., Reif, P. S., Reiss, Y., Roeper, J., Ronellenfitsch, M. W., Schorge, S., Schratt, G., Schwarzacher, S.
W., Steinbach, J. P., Strzelczyk, A., Triesch, J., Wagner, M., Walker, M. C., von Wegner, F., & Rosenow, F. (2017).
Personalized translational epilepsy research — Novel approaches and future perspectives: Part II: Experimental and translational
approaches. Epilepsy & Behavior,76, 7-12. doi:10.1016/j.yebeh.2017.06.040.
PuRe
Lange, E. B., Zweck, F., & Sinn, P. (2017). Microsaccade-rate indicates absorption
by music listening. Consciousness and Cognition,55,
59-78. doi:10.1016/j.concog.2017.07.009.
PuRe
PDF
Tiihonen, M., Brattico, E., Maksimainen, J., Wikgren, J., & Saarikallio, S. (2017).
Constituents of music and visual-art related pleasure: A critical integrative literature review. Frontiers
in Psychology,8: 1218. doi:10.3389/fpsyg.2017.01218.
PuRe
PDF
Merrill, J., & Larrouy-Maestri, P. (2017). Vocal features of song and speech: Insights
from Schoenberg's Pierrot Lunaire. Frontiers in Psychology, 8:1108. doi:10.3389/fpsyg.2017.01108.
PuRe
PDF
Wiesecke, J. (2017). Samuel Pepys and his experiences of music at Restoration theatres.
In H. Barlow, & D. Rowland (
PuRe
PDF
Isik, A. I., Naumer, M. J., Kaiser, J., Buschenlange, C., Wiesmann, S., Czoschke, S., & Yalachkov, Y. (2017).
Automatized smoking-related action schemata are reflected by reduced fMRI activity in sensorimotor brain regions of smokers. NeuroImage: Clinical,15, 753-760. doi:10.1016/j.nicl.2017.06.021.
PuRe
PDF
Neuhoff, H., Polak, R., & Fischinger, T. (2017). Perception and evaluation of timing
patterns in drum ensemble music from Mali. Music Perception,34(4),
438-451. doi:10.1525/mp.2017.34.4.438.
PuRe
Kaufmann, M. (2017). Giovanni Battista Doni: Compendio del trattato. In U. Scheideler,
& F. Wörner (
PuRe
Elvers, P. (2017). Aristides Quintilianus: De musica. In U. Scheideler, & F. Wörner
(
PuRe
Grimm, H., & Wald-Fuhrmann, M. (
PuRe
Elvers, P. (2017). Aristoxenos von Tarent: Elementa harmonica. In U. Scheideler, &
F. Wörner (
PuRe
Wald-Fuhrmann, M. (2017). Ursprungsmythen als Wesensbestimmungen in der Musik. In S.
Wegner (
PuRe
Kaufmann, M. (2017). Flavius Magnus Aurelius Cassiodor: Institutiones. In U. Scheideler,
& F. Wörner (
PuRe
Merrill, J. (2017). Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica,89(1), 95-117.
PuRe
Omigie, D. (2017). Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies,8(1-2), 35-38.
doi:10.4407/jims.2016.12.101.
PuRe
Toelle, J. (2017). Italienische Opernindustrie global: Theater und Verlag. In R. Erkens
(
PuRe
Ackermann, T., Fiedler, D., & Schaal, N. (2017). 14th International Conference
on Music Perception and Cognition (ICMPC), 05.-09. Juli 2016; San Francisco, USA. Musikpsychologie:
Akustik und musikalische Hörwahrnhemung [Monograph]. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 234-238.
PuRe
Merrill, J. (
PuRe
Kaufmann, M. (2017). Euklid: Sectio Canonis. In U. Scheideler, & F. Wörner (
PuRe
Greb, F., Elvers, P., & Fischinger, T. (2017). Trends in empirical aesthetics:
A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the
Arts,35(1), 3-26. doi:10.1177/0276237415625258.
PuRe
Frieler, K., & Lange, E. B. (2017). Chancen und Risiken des Computereinsatzes in
der Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27,
187-191.
PuRe
Kaufmann, M. (2017). Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung
der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,11(2),
185-195.
PuRe
Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping
to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.
PuRe
PDF
Elvers, P. (2017). Nikomachos von Gerasa: Encheiridion. In U. Scheideler, & F.
Wörner (
PuRe
2016
Uppenkamp, B., & Wald-Fuhrmann, M. (
PuRe
Elvers, P. (2016). Zum Verhältnis von Musik und Sprache in der griechischen Antike. Rhetorik,35(1), 9-24. doi:10.1515/rhet.2016.003.
PuRe
Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying
song and speech: Effects of focal temporal lesions and musical disorder. Neurocase,22(6), 496-504. doi:10.1080/13554794.2016.1237660.
PuRe
Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in
the brain. Journal of Comparative Neurology. Special Issue: Brain Circuits of Positive Emotions,524(8), 1676-1686. doi:10.1002/cne.23854.
PuRe
Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement.
Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.
PuRe
PDF
Wald-Fuhrmann, M. (2016). "Instar Bibliothecae instructissimae": Zum enzyklopädischen
Zugriff auf Musik im 16. und frühen 17. Jahrhundert. Musiktheorie: Zeitschrift für Musikwissenschaft,31(1), 78-90.
PuRe
van Dyck-Hemming, A., & Wald-Fuhrmann, M. (2016). Vom Datum zum historischen Zusammenhang:
Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank. In S. Bolz, M. Kelber, I. Knoth, & A. Langenbruch (
PuRe
Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the
Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, &
J. Fels (
PuRe
Seibert, C. (2016).Musik und Affektivität: Systemtheoretische
Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft.
PuRe
Greb, F., Schlotz, W., & Steffens, J. (2016). Situational and dispositional influences
on the functions of music listening. In Proceedings of the 14th International Conference on Music
Perception and Cognition (pp. 834).
PuRe
Ruccius, A. (2016). Phonomorphie von Klang und Bild: Drei Motive in den Klangskulpturen
Stephan von Huenes. In A. Symanczyk, D. Wagner, & M. Wendling (
PuRe
Grimm, H. (2016). Lobgesang: Eine Symphonie-Cantate nach Worten der Heiligen Schrift
op. 52. In M. Geuting (
PuRe
Greb, F., Schlotz, W., & Steffens, J. (2016). How do the functions of music listening
vary across situations and persons? In B. Burger, J. Bamford, & E. Carlson (
PuRe
Toelle, J. (2016). Das Baumol’sche Gesetz (Fallstudie "Opernbetrieb"). In V. Kalisch
(
PuRe
Merrill, J. (2016).Die Sprechstimme in der Musik: Komposition,
Notation, Transkription. Wiesbaden: Springer VS.
PuRe
Steffens, J., Greb, F., & Schlotz, W. (2016). Why listen to music right now?: Towards
an inventory measuring the functions of music listening under situational influences. In Proceedings
of the 14th International Conference on Music Perception and Cognition (pp. 842).
PuRe
Locator 1
Toelle, J. (2016). Todas las naciones han de oyrla: Bells in the Jesuit reducciones
of Early Modern Paracuaria. Journal of Jesuit Studies,3(3),
437-450. doi:10.1163/22141332-00303005.
PuRe
PDF
2015
Hemming, J., & Merrill, J. (2015). On the distinction between involuntary musical
imagery, musical hallucinosis, and musical hallucinations. Psychomusicology,25(4),
435-442. doi:10.1037/pmu0000112.
PuRe
Wald-Fuhrmann, M., & Wiesenfeldt, C. (
PuRe
Omigie, D. (2015). Music and literature: Are there shared empathy and predictive mechanisms
underlying their affective impact? Frontiers in Psychology,6:
1250. doi:10.3389/fpsyg.2015.01250.
PuRe
PDF
Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical
taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers
in Psychology,6: 1252. doi:10.3389/fpsyg.2015.01252.
PuRe
PDF
Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015).
Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.
PuRe
Fischinger, T. (
PuRe
Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception
and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08.
August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.
PuRe
Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht,
Entrückung und absolute Musik. In G. Oesterle, & T. Valk (
PuRe
Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb
Meißner und Joseph Schuster. In G. Poppe, & S. Voss (
PuRe
Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte
einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1),
28-30.
PuRe
Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie.
Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60,
39-51.
PuRe
Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room
acoustics on choir singing. Psychomusicology,25(3),
208-218. doi:10.1037/pmu0000117.
PuRe
Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm
Production and Perception. Timing & Time Perception,3(1-2),
1-2. doi:10.1163/22134468-00002044.
PuRe
Locator 1
Omigie, D. (2015). Dopamine and epistemic curiosity in music listening.
Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.
PuRe
Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen.
In M. Wald-Fuhrmann, & C. Wiesenfeldt (
PuRe
Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs.
In M. Wald-Fuhrmann, & C. Wiesenfeldt (
PuRe
Wald-Fuhrmann, M. (2015). „Musiace veteris specimen": Falsche und fehlende Exempla
in der Musik. In K. Zimmer (
PuRe
Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten
aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (
PuRe
Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren.
In N. Schwindt (
PuRe
Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (
PuRe
Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das
kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4),
56-58.
PuRe
2014
Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins.
In C. Storch (
PuRe
Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar
für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.
PuRe
Ruccius, A. (2014). A house full of music. Bildwelten des Wissens:
Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.
PuRe
Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive
outcome following brain damage? Neuropsychology Review,24(4),
445-460. doi:10.1007/s11065-014-9274-5.
PuRe
Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden!
abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.
PuRe
Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene
in komponierte Musik. In W. G. Schmidt (
PuRe
Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des
zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (
PuRe
Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014).
„Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (
PuRe
Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation.
In A. Kozbelt (
PuRe
Ruccius, A. (2014). Empirical studies including noise of two leading journals in music
research: A review. In A. Kozbelt (
PuRe
Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics:
A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (
PuRe
Ruccius, A. (2014). The history of musical iconography and the influence of art history:
Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (
PuRe
Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in
Magdeburg. In L. Lütteken (
PuRe
van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique,
c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.
PuRe
Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs.
In E. Aschermann, & M. Kaiser-el-Safti (
PuRe
Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu
instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann
(
PuRe
Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis.
In M. Wald-Fuhrmann (
PuRe
Wald-Fuhrmann, M. (
PuRe
2013
Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (
PuRe
Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek
(
PuRe
Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung:
Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.
PuRe
Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik.
In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen
(pp. 23).
PuRe
Locator 1
Pietschmann, K., & Wald-Fuhrmann, M. (
PuRe