Publikationen der Abteilung Musik
2026
Tröndle, M., Greenwood, S., Weining, C., Ramakrishnan, C., Wald-Fuhrmann, M., Egermann, H., Herget, A.-K., Höpfner, D., Seibert, C., & Tschacher, W. (2026). An Interdisciplinary and Integrated methodological framework to analyze aesthetic experience in music performances. Music & Science,9. doi:10.1177/20592043251411775.
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Schreiber, A., Frieler, K., & Lange, E. B. (2026). Intonation and timing in singing early music is unrelated to respiration synchronization. Scientific Reports,16: 7834. doi:10.1038/s41598-026-39565-6.
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Merrill, J., & Gernandt, E. (2026). Dimensions of musical taste: A style-specific approach. Psychology of Music. doi:10.1177/03057356251405832.
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (2026).Grundlagentexte zur Musikwissenschaft: Edition und Kommentar. Kassel, Heidelberg: Bärenreiter, J.B. Metzler.
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Wald-Fuhrmann, M., Herget, A.-K., Kreutzer, M., & Egermann, H. (2026). Concert formats influence how audiences experience live classical music. Humanities and Social Sciences Communications. doi:10.1057/s41599-025-06461-9.
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Degé, F., Frischen, U., & Schwarzer, G. (2026). Music and Cognitive Development. In G. Kreutz, & G. Bernatzky (
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Mousavi, N. (2026). How to measure rhythm: A case study of the rhythmic structures of Persian. In R. Falahati, & Z. Ghane (
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2025
Mousavi, N. (2026). How to measure rhythm: A case study of the rhythmic structures of Persian. In R. Falahati, & Z. Ghane (
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Weining, C., Wald-Fuhrmann, M., Stielow, S., Kreuzer, M., & Tröndle, M. (2025). Streaming classical concerts: Overview on research and practice. Convergence: The International Journal of Research into New Media Technologies. doi:10.1177/13548565251410661.
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Pearson, L., Nuttall, T., & Pouw, W. (2025). The Co-Structuring of Gesture-Vocal Dynamics: An Exploration in Karnatak Music Performance. Cognitive Science,49(11): e70137. doi:10.1111/cogs.70137.
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Bruder, C., Breda, P., & Larrouy-Maestri, P. (2025). Attractive synthetic voices. Computers in Human Behavior,6: 100211. doi:10.1016/j.chbah.2025.100211.
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Vaquero, L., Groves, K., Muñoz-Vida, E. L., James, K., Marlor, J. L., McIntyre, C., Ostiai, L., Sirota, S., Shields, L., Degé, F., García-Mingo, E., & Ripollés, P. (2025). Studying the effects of digital arts-based interventions on teenagers’ social media usage, brain connectivity, and mental health: Study protocol of the SMART project. European Journal of Psychotraumatology,16(1): 2550079. doi:10.1080/20008066.2025.2550079.
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Fink, L. T., & Lange, E. B. (2025). Beginning, middle, end: Perception of temporal functions in sonata form. Music Perception. doi:10.1525/mp.2025.2327163.
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Knoop, C. A., & Blohm, S. (2025). Literarinesses — A bag of three-sided coins. Literature,5(3): 21. doi:10.3390/literature5030021.
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Gernandt, E., Lange, E. B., & Merrill, J. (2025). What elevates music to a ‘favorite’? On the aesthetics of music from the perspective of musical taste. Empirical Studies of the Arts. doi:10.1177/02762374251365160.
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Rai, L. A., Lee, H., Becke, E., Trenado, C., Abad-Hernando, S., Sperling, M., Vidaurre, D., Wald-Fuhrmann, M., Richardson, D. C., Ward, J. A., & Orgs, G. (2025). Delta-band audience brain synchrony tracks engagement with live and recorded dance. iScience,28(7): 112922. doi:10.1016/j.isci.2025.112922.
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Lange, E. B., Gernandt, E., & Merrill, J. (2025). Categorizing music by genres. Annals of the New York Academy of Sciences. doi:10.1111/nyas.15404.
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Larrouy-Maestri, P., Poeppel, D., & Pell, M. D. (2025). The sound of emotional prosody: Nearly 3 decades of research and future directions. Perspectives on Psychological Science,20(4), 623-638. doi:10.1177/17456916231217722.
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Wörner, F. (2025). Stefan Keym (Hrsg.): Kreative Missverständnisse oder universale Musikprinzipien?: Hugo Riemann und der internationale Wissenstransfer. Die Musikforschung,78(2), 180-182. doi:10.52412/mf.2025.H2.5065.
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Nuttall, T., Serra, X., & Pearson, L. (2025). Svara-Forms in Carnatic Music: Contextual influences on the performance of Svara. In Proceedings of the 2025 IEEE International Conference on Acoustics, Speech, and Signal Processing Workshops (ICASSPW). Piscataway, NJ: IEEE. doi:10.1109/ICASSPW65056.2025.11011084.
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Krempien, L., & Wald-Fuhrmann, M. (2025). Der erste Professor für Musikwissenschaft?: Heinrich Carl Breidenstein (1796–1876) in Bonn. Archiv für Musikwissenschaft,82(2), 149-178. doi:10.25162/afmw-2025-0007.
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Bruder, C., & Larrouy-Maestri, P. (2025). CoVox: A dataset of contrasting vocalizations. Behavior Research Methods,57: 142. doi:10.3758/s13428-025-02664-9.
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Knowles, K. L., Patten, K. J., Durojaye, C., Dada, B. O., & McBeath, M. K. (2025). Yorùbá Speech surrogacy with the Dùndún Talking Drum: Recognition accuracy is a function of language familiarity and music training. Music Perception,42(2), 287-310. doi:10.1525/mp.2025.2327968.
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Keitel, A., Pelofi, C., Guan, X., Watson, E., Wight, L., Allen, S., Mencke, I., Keitel, C., & Rimmele, J. M. (2025). Cortical and behavioral tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise. Annals of the New York Academy of Sciences,1546(1), 120-135. doi:10.1111/nyas.15315.
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Tröndle, M., & Egermann, H. (2025). Western classical music concerts are more immersive, intellectually stimulating, and social, when experienced live rather than in a digital stream: An ecologically valid concert study on different modes of liveness. Music & Science,8. doi:10.1177/20592043251333995.
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Wald-Fuhrmann, M., & Sieroka, N. (2025). Musik als Zeitkunst. In P. Nickl, P. M. Steiner, & A. Verrone (
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Tröndle, M., Weining, C., Wald-Fuhrmann, M., & Tschacher, W. (2025). Classical concert visitor types: Attendance motivation, expectation, and experience. The Journal of Arts Management, Law, and Society,55(1). doi:10.1080/10632921.2025.2480585.
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Kohler, N., Czepiel, A., de Manzano, Ö., Novembre, G., Keller, P. E., Villringer, A., & Sammler, D. (2025). Distinct and content-specific neural representations of self- and other-produced actions in joint piano performance. Frontiers in Human Neuroscience,19: 1543131. doi:10.3389/fnhum.2025.1543131.
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Buren, V., Müllensiefen, D., & Degé, F. (2025). Screening musicality in children: Development and initial validation of a new tool for rapid assessment of musical profiles. PLOS ONE,20(3): e0317962. doi:10.1371/journal.pone.0317962.
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Degé, F. (2025). Musikalische Entwicklung und Musikunterricht in der Schule. In G. Brunner, D. Fiedler, & S. Schmid (
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Eisinger, M., Weiser, M., Degé, F., Heye, A., & Müllensiefen, D. (2025). Übung macht den Meister: Growth Mindset für den Musikunterricht. In G. Brunner, D. Fiedler, & S. Schmid (
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Modestini, P., & Weining, C. (2025). Affordances and experiential dimensions of digital concerts: Closer the eye, farther the crowd. Music Perception,42(3), 269-285. doi:10.1525/mp.2024.aa005.
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Weining, C., Meier, D., Wald-Fuhrmann, M., & Tröndle, M. (2025). From structural listening to daydreaming: Listening modes influence the individual experience in live concerts (OnlineFirst). Psychology of Music. doi:10.1177/030573562413108.
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Czepiel, A., Fink, L., Scharinger, M., Seibert, C., Wald-Fuhrmann, M., & Kotz, S. A. (2025). Audio-visual concert performances synchronize an audience's heart rates. Annals of the New York Academy of Sciences. doi:10.1111/nyas.15279.
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Patten, K. J., & McBeath, M. K. (2025). Scat singing and vocal winging: Vowel phoneme timbre dimensions reflect physical natural regularities. Auditory Perception & Cognition,8(1), 1-33. doi:10.1080/25742442.2024.2435235.
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Bruder, C. (2025). Investigating voice preferences with a multilevel empirical approach. PhD Thesis, OPUS - Schriftenserver der Hochschule für Musik Freiburg, Freiburg.
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2024
Knoop, C. A., Nehrlich, T., Aristei, S., Lubrich, O., Stark, K., Enge, A., Sommer, W., & Rahman, R. A. (2024). The usual miracles: How narrative style affects the processing of counterintuitive concepts (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000730.supp.
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Green, O., Sturm, B. L. T., Born, G., & Wald-Fuhrmann, M. (2024). A critical survey of research in music genre recognition. In International Society for Music Information Retrieval (
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Bruder, C., Frieler, K., & Larrouy-Maestri, P. (2024). Appreciation of singing and speaking voices is highly idiosyncratic. Royal Society Open Science,11(11): 241623. doi:10.1098/rsos.241623.
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Will, J. K., Roeske, T. C., & Degé, F. (2024). Corrigendum: Development of tonality and consonance categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1460303. doi:10.3389/fpsyg.2024.1460303.
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Fink, L., Fiehn, H., & Wald-Fuhrmann, M. (2024). The role of audiovisual congruence in aesthetic appreciation of contemporary music and visual art. Scientific Reports,14: 20923. doi:10.1038/s41598-024-71399-y.
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Buren, V., Müllensiefen, D., & Degé, F. (2024). Reliabilität und Validität des Child Musicality Screenings zur Erfassung kindlicher Musikalität. In F. C. Thiesen (
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Gernandt, E., Lange, E. B., & Merrill, J. (2024). Die Ästhetik des Musikgeschmacks. In F. C. Thiesen (
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Lange, E. B., & Frieler, K. (2024). Systematische Effekte bei der Evaluierung von Musik durch unterschiedliche, verbale Fragebögenformen. In F. C. Thiesen (
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Wald-Fuhrmann, M. (2024). Empirische Studien zum Erleben im Gottesdienst: Einige allgemeine Überlegungen und zwei Beispiele. Liturgisches Jahrbuch,74(1), 19-35.
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Gernandt, E., & Merrill, J. (2024). Schlager vs. Techno: Style-specific rationales for musical taste. Music & Science,7. doi:10.1177/20592043241268726.
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Teng, X., Larrouy-Maestri, P., & Poeppel, D. (2024). Segmenting and predicting musical phrase structure exploits neural gain modulation and phase precession. The Journal of Neuroscience,44(30): e1331232024. doi:10.1523/JNEUROSCI.1331-23.2024.
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Tschacher, W., Greenwood, S., Weining, C., Wald-Fuhrmann, M., Ramakrishnan, C., Seibert, C., & Tröndle, M. (2024). Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes. Scientific Reports,14: 16412. doi:10.1038/s41598-024-67455-2.
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Wörner, F. (2024). Rezension: Theodor W. Adorno. Musikalische Briefwechsel Band II. Theodor W. Adorno / Rudolf Kolisch. Briefwechsel 1926–1969: Berlin: Suhrkamp 2023, 859 S.; ISBN 9783518588024. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,18(3), 398-400.
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Wald-Fuhrmann, M. (2024). Music in Christian services as a means to induce religious feelings. In G. Corbett, & S. Moerman (
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Nuttall, T., Serra, X., & Pearson, L. (2024). Svara-forms and coarticulation in Carnatic music: an investigation using deep clustering. In D. M. Weigl (
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Will, J., Roeske, T. C., & Degé, F. (2024). Development of tonality and consonance categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1270114. doi:10.3389/fpsyg.2024.1270114.
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Degé, F., Frischen, U., & Schwarzer, G. (2024). Musikunterricht und kognitive Entwicklung. In G. Bernatzky, & G. Kreutz (
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Saxena, S., Fink, L., & Lange, E. B. (2024). Deep learning models for webcam eye tracking in online experiments. Behavior Research Methods,56, 3487-3503. doi:10.3758/s13428-023-02190-6.
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Forman, R. K. C., & Wald-Fuhrmann, M. (2024). The body of “the Body of Christ”: An introduction to hyperscanning research and a discussion of its possible implications for understanding social experiences during religious gatherings. Pastoral Psychology,73, 379-394. doi:10.1007/s11089-024-01142-x.
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Tan, Y., Sun, Z., Teng, X., Larrouy-Maestri, P., Duan, F., & Aoki, S. (2024). Effective network analysis in music listening based on electroencephalogram. Computers and Electrical Engineering,117: 109191. doi:10.1016/j.compeleceng.2024.109191.
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Egermann, H., Siebrasse, A., Weining, C., O’Neill, K., Tröndle, M., & Wald-Fuhrmann, M. (2024). Developing digital classical concert stream offerings: A typology of audience preferences. The Journal of Arts Management, Law, and Society,54(3), 125-141. doi:10.1080/10632921.2024.2347397.
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Ozaki, Y., Tierney, A., Pfordresher, P. Q., McBride, J., Benetos, E., Proutskova, P., Chiba, G., Liu, F., Jacoby, N., Purdy, S. C., Opondo, P., Fitch, W. T., Hegde, S., Rocamora, M., Thorne, R., Nweke, F., Sadaphal, D. P., Sadaphal, P. M., Hadavi, S., Fujii, S., Choo, S., Naruse, M., Ehara, U., Sy, L., Parselelo, M. L., Anglada-Tort, M., Hansen, N. C., Haiduk, F., Færøvik, U., Magalhães, V., Krzyżanowski, W., Shcherbakova, O., Hereld, D., Barbosa, B. S., Correa Varella, M. A., Van Tongeren, M., Dessiatnitchenko, P., Zar Zar, S., El Kahla, I., Muslu, O., Troy, J., Lomsadze, T., Kurdova, D., Tsope, C., Fredriksson, D., Arabadjiev, A., Sarbah, J. P., Arhine, A., Meachair, T. Ó., Silva-Zurita, J., Soto-Silva, I., Millalonco, N. E. M., Ambrazevičius, R., Loui, P., Ravignani, A., Jadoul, Y., Larrouy-Maestri, P., Bruder, C., Teyxokawa, T. P., Kuikuro, U., Natsitsabui, R., Sagarzazu, N. B., Raviv, L., Zeng, M., Varnosfaderani, S. D., Gómez-Cañón, J. S., Kolff, K., Vanden Bos der Nederlanden, C., Chhatwal, M., David, R. M., I. Putu Gede, S., Lekakul, G., Borsan, V. N., Nguqu, N., & Savage, P. E. (2024). Globally, songs and instrumental melodies are slower, higher, and use more stable pitches than speech: A registered report. Science Advances,10(20): eadm9797. doi:10.1126/sciadv.adm9797.
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Bruder, C., Poeppel, D., & Larrouy-Maestri, P. (2024). Perceptual (but not acoustic) features predict singing voice preferences. Scientific Reports,14: 8977. doi:10.1038/s41598-024-58924-9.
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Meinel, L. S., Bullerjahn, C., Lindau, A., & Wald-Fuhrmann, M. (2024). Capturing differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument. Frontiers in Psychology,15: 1339168. doi:10.3389/fpsyg.2024.1339168.
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Wald-Fuhrmann, M. (2024). "Hoc facite in meam commemorationem": Musik als Medium und Praxis von Memoria im Spätmittelalter. In U. Tadday (
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Wörner, F. (2024). Rezension: Martin Zenck und Volker Rülke: Kontroverse Wege der Moderne. Der exilierte Komponist und Pianist Eduard Steuermann in seinen Briefen. Korrespondenz mit Arnold Schönberg, Theodor W. Adorno und René Leibowitz: München: edition text + kritik 2022; 730 S. + CD; ISBN 9783967071849. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,18(2), 281-282.
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Bär, C. (2024). Musikdiskurse: Sprachliche Muster, Dichte, Diversität im Sound populärer Musikrezensionen. PhD Thesis, De Gruyter, Berlin. doi:10.1515/9783111323930.
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Christensen, J. F., Khorsandi, S., & Wald-Fuhrmann, M. (2024). Iranian classical dance as a subject for empirical research: An elusive genre. Annals of the New York Academy of Sciences,1533(1), 51-72. doi:10.1111/nyas.15098.
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Fink, L., Simola, J., Tavano, A., Lange, E. B., Wallot, S., & Laeng, B. (2024). From pre-processing to advanced dynamic modeling of pupil data. Behavior Research Methods,56, 1376-1412. doi:10.3758/s13428-023-02098-1.
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Bürgel, M., Mencke, I., Benjamin, A., Dechert, M., Derks, D., Gerdes, K., Hake, R., Jacobsen, S., & Siedenburg, K. (2024). Unifying concert research and science outreach. Musicae Scientiae,28(1), 187-191. doi:10.1177/10298649231182078.
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Wald-Fuhrmann, M., & Fuhrmann, W. (2024). Carl Dahlhaus’ Dissertation über Josquins Messen: Zeit- und fachgeschichtlicher Kontext und Forschungsbeitrag. Jahrbuch für Renaissancemusik: troja,19(2021), 77-101. doi:10.25371/troja.v20213866.
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Wald-Fuhrmann, M. (2024). Freude, Dankbarkeit, Mitleid: Empathie und Affekt-Erregung in oratorischen Leben-Jesu Oratorien. In W. W. Müller (
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Omigie, D., & Mencke, I. (2024). A model of time-varying music engagement. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895). doi:10.1098/rstb.2022.0421.
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Grüny, C. (2024). Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z. PAJ: A Journal of Performance and Art,46(1(136)), 55-65. doi:10.1162/pajj_a_00696.
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Kadavá, Š., Pearson, L., Trujillo, J., & Pouw, W. (2024). Towards a movement science of communication. In L. K. Samuelson, S. L. Frank, M. Toneva, A. Mackey, & E. Hazeltine (
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Wörner, F. (2024). Rezension: Christian Utz, Unerhörte Klänge. Zur performativen Analyse und Wahrnehmung posttotaler Musik und ihren historischen Voraussetzungen, Hildesheim u. a.: Georg Olms Verlag 2023. Die Musikforschung,77(2), 195-198.
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Georgakopoulou, N., Kosti, M. V., Diplaris, S., Benayoun, M., Camurri, A., de Gelder, B., Wald-Fuhrmann, M., Koulali, P., Valsamidou, K., Bronner, K., Wanner, L., Gaki, F., Vrochidis, S., & Kompatsiaris, I. (2024). ReSilence: Retune the soundscape of future cities through art and science collaboration. In E. Tibloux (
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2023
Pearson, L., & Manickavasakan, B. (2023). Annotating Karnataka music: Encounters between a musical tradition and computational tools. In F. Bonini Baraldi (
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (2023). Musikwissenschaftliche Gesellschaften und Zeitschriften: Zur Einführung. Die Musikforschung,76(4), 336-340. doi:10.52412/mf.2023.H4.3109.
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (
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Wörner, F. (2023). Schönberg und die Musiktheorie. In M. Frank, T. Muxeneder, & U. Scheideler (
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Meier, D., O’Neill, K., Tschacher, W., Tröndle, M., & Egermann, H. (2023). Digital concert experience: An online research project on live streaming during the Pandemic. In S. Lepa, R. Müller-Lindenberg, & H. Egermann (
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Merrill, J., Ackermann, T.-I., & Czepiel, A. (2023). Effects of disliked music on psychophysiology. Scientific Reports,13: 20641. doi:10.1038/s41598-023-46963-7.
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Bruder, C., & Larrouy-Maestri, P. (2023). Classical singers are also proficient in non-classical singing. Frontiers in Psychology,14: 1215370. doi:10.3389/fpsyg.2023.1215370.
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Floridou, G. A., Mencke, I., Caprini, F., & Müllensiefen, D. (2023). The genesis of a tune in the mind: An interview study about novel involuntary musical imagery repetition. Music & Science,6. doi:10.1177/20592043231202331.
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Tschacher, W., Greenwood, S., Ramakrishnan, S., Tröndle, M., Wald-Fuhrmann, M., Seibert, C., Weining, C., & Meier, D. (2023). Audience synchronies in live concerts illustrate the embodiment of music experience. Scientific Reports,13: 14843. doi:10.1038/s41598-023-41960-2.
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Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2023). Aesthetic and physiological effects of naturalistic multimodal music listening. Cognition,239: 105537. doi:10.1016/j.cognition.2023.105537.
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Merrill, J., & Ackermann, T.-I. (2023). “Like static noise in a beautiful landscape”: A mixed-methods approach to rationales and features of disliked voices in popular music. Psychology of Aesthetics, Creativity, and the Arts,17(5), 562-580. doi:10.1037/aca0000376.
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Czepiel, A. (2023).Assessing real-world music listening in concerts: Aesthetic experiences and peripheral physiological responses (PhD Thesis, Maastricht University, Maastrich, 2023). doi:10.26481/dis.20231002ac.
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Larrouy-Maestri, P., Kegel, V., Schlotz, W., van Rijn, P., Menninghaus, W., & Poeppel, D. (2023). Ironic twists of sentence meaning can be signaled by forward move of prosodic stress. Journal of Experimental Psychology: General,152(9), 2438-2462. doi:10.1037/xge0001377.
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Pearson, L., & Ramanujacharyulu, T. K. V. (2023). Handwritten notation in Karnatak music: Memory and the mediation of social relations. In F. Celestini, & S. Lutz (
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Fink, L. (2023). Eye movement patterns when playing from memory: Examining consistency across repeated performances and the relationship between eyes and audio. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui, M. Okano, & H. Shoda (
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Pearson, L., Nuttall, T., & Pouw, W. (2023). Motif-gesture clustering in Karnatak vocal performance: A multimodal computational music analysis. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui, M. Okano, & H. Shoda (
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Gibbs, H. J., Czepiel, A., & Egermann, H. (2023). Physiological synchrony and shared flow state in Javanese gamelan: Positively associated while improvising, but not for traditional performance. Frontiers in Psychology,14: 1214505. doi:10.3389/fpsyg.2023.1214505.
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Baltes, F., Chemnitz, L., & Lange, E. B. (2023). Pleasantness of nonlinear distortion in isolated triads of synthetic timbre. The Journal of the Acoustical Society of America,154: 2, pp. 1028-1040. doi:10.1121/10.0020667.
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Buren, V., Müllensiefen, D., Roeske, T. C., & Degé, F. (2021). What makes a child musical? Conceptions of musical ability in childhood. Early Child Development and Care,191(12), 1985-2000. doi:10.1080/03004430.2020.1866566.
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Grüny, C. (2021). Musikalität, Kunst, Pop: Zur komplizierten Lage der Musik. In G. W. Bertram, S. Deines, & D. M. Feige (
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Grüny, C. (2021). Vor und nach der Musik: Gibt es eine anti-essentialistische Musikphilosophie? In W. Fuhrmann, & C.-S. Mahnkopf (
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Czepiel, A., Fink, L. K., Fink, L. T., Wald-Fuhrmann, M., Tröndle, M., & Merrill, J. (2021). Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts. Scientific Reports,11: 22457. doi:10.1038/s41598-021-00492-3.
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Yu, C. S. P., McBeath, M. K., & Glenberg, A. M. (2021). Phonemes convey embodied emotion. In R. Michael D., & T. Laura E. (
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Schlotz, W., Wallot, S., Omigie, D., Masucci, M. D., Hoelzmann, S. C., & Vessel, E. A. (2021). The Aesthetic Responsiveness Assessment (AReA): A screening tool to assess individual differences in responsiveness to art in English and German. Psychology of Aesthetics, Creativity, and the Arts,15(4), 682-696. doi:10.1037/aca0000348.
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Jacoby, N., Polak, R., & London, J. (2021). Extreme precision in rhythmic interaction is enabled by role-optimized sensorimotor coupling: Analysis and modelling of West African drum ensemble music. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,376(1835). doi:10.1098/rstb.2020.0331.
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Roese, N. A., & Merrill, J. (2021). Consequences of the COVID-19 lockdown in Germany: Effects of changes in daily life on musical engagement and functions of music. International Journal of Environmental Research and Public Health,18(19): 10463. doi:10.3390/ijerph181910463.
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Pearson, L. (2021). »Die Sozialisation der Sinne« Ästhetik, Kultur und Kontext. Musik Und Ästhetik,25(100), 87-93.
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Wald-Fuhrmann, M., Pearson, L., Roeske, T. C., Grüny, C., & Polak, R. (2021). Music as a trait in evolutionary theory: A musicological perspective. Behavioral and Brain Sciences,44: e93. doi:10.1017/S0140525X20001193.
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Kalustian, K., & Ruth, N. (2021). “Evacuate the Dancefloor”: Exploring and classifying Spotify music listening before and during the COVID-19 pandemic in DACH countries. Jahrbuch Musikpsychologie,30: e95. doi:10.5964/jbdgm.95.
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Pearson, L. (2021). A socially situated aesthetics: Arguments from anthropology and neuroaesthetics. In R. Polak, R. Caro Repetto, A. Holzapfel, & L. Pearson (
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Wald-Fuhrmann, M. (2021). Empirische Ansätze zur Erforschung musikalischen Ausdrucks. In J. Stolzenberg (
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Durojaye, C., Knowles, K. L., Patten, K. J., Garcia, M. J., & McBeath, M. K. (2021). When music speaks: An aoustic study of the speech surrogacy of the Nigerian Dùndún Talking Drum. Frontiers in Communication,6: 652690. doi:10.3389/fcomm.2021.652690.
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Fink, L., Warrenburg, L., Howlin, C., Randall, W., Hansen, N., & Wald-Fuhrmann, M. (2021). Viral tunes: Changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown. Humanities and Social Sciences Communications,8: 180. doi:10.1057/s41599-021-00858-y.
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Vroegh, T. P. (2021). Visual imagery in the listener’s mind: A network analysis of absorbed consciousness. Psychology of Consciousness: Theory, Research, and Practice, Advanced Online. doi:10.1037/cns0000274.
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Polak, R. (2021). Presenting yourself through dance: Participatory and presentational aspects of dance Performance at local festivities in southern Mali. In V. Apjok, K. Povedák, V. Szőnyi, & S. Varga (
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Durojaye, C., Fink, L., Roeske, T. C., Wald-Fuhrmann, M., & Larrouy-Maestri, P. (2021). Perception of Nigerian Dùndún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic cues. Frontiers in Psychology,12: 652673. doi:10.3389/fpsyg.2021.652673.
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Roeske, T. C., Rothenberg, D., & Gammon, D. E. (2021). Mockingbird morphing music: Structured transitions in a complex bird song. Frontiers in Psychology,12: 630115. doi:10.3389/fpsyg.2021.630115.
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Omigie, D., Frieler, K., Bär, C., Muralikrishnan, R., Wald-Fuhrmann, M., & Fischinger, T. (2021). Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates. Psychology of Aesthetics, Creativity, and the Arts,15(2), 197-215. doi:10.1037/aca0000271.
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Wald-Fuhrmann, M., Egermann, H., Czepiel, A., O’Neill, K., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J., & Tröndle, M. (2021). Music listening in classical concerts: Theory, literature review, and research program. Frontiers in Psychology,12: 638783. doi:10.3389/fpsyg.2021.638783.
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Yu, C.-S.-P., McBeath, M. K., & Glenberg, A. M. (2021). The gleam-glum effect: /i:/ versus /λ/ phonemes generically carry emotional valence. Journal of Experimental Psychology: Learning, Memory, and Cognition,47(7), 1173-1185. doi:10.1037/xlm0001017.
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Vroegh, T. P., Wiesmann, S. L., Henschke, S., & Lange, E. B. (2021). Manual motor reaction while being absorbed into popular music. Consciousness and Cognition,89: 103088. doi:10.1016/j.concog.2021.103088.
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Toelle, J., & Sloboda, J. A. (2021). The audience as artist? The audience’s experience of participatory music. Musicae Scientiae,25(1), 67-91. doi:10.1177/1029864919844804.
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Wörner, F. (2021). Bewegung – Bewegungsbild – Form: Energetik in der Musiktheorie Ernst Kurths. In K. Eggers, & A. Stollberg (
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Degé, F. (2021). Music lessons and cognitive abilities in children: How far transfer could be possible. Frontiers in Psychology,11: 557807. doi:10.3389/fpsyg.2020.557807.
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Takarae, Y., McBeath, M. K., & Krynen, R. C. (2021). Perception of dynamic point light facial expression. The American Journal of Psychology,134(4), 373-384. doi:10.5406/amerjpsyc.134.4.0373.
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Grüny, C. (2021). Erdrückende Tradition? Musik in der Gegenwart. Merkur,75(860), 47-58.
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Grüny, C. (2021). Dezentrierung, Rezentrierung und »Musik«. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft,66(2), 9-19. doi:10.28937/9783787342006_2.
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Grüny, C. (2021). Digitale Unruhe. Journal Phänomenologie,55, 54-58.
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Feige, D. M., & Grüny, C. (2021). Gibt es ›Musik‹? Einführung in ein Problemfeld. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft,66(2), 5-8. doi:10.28937/9783787342006_1.
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Nuttall, T., Plaja, G., Pearson, L., & Serra, X. (2021). The Matrix profile for motif discovery in audio - an example application in Carnatic music. In T. Kitahara, M. Aramaki, & R. Kronland-Martinet (
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Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an object of empirical aesthetics. In M. Tröndle (
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Sharma, N. K., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020). Acoustic and linguistic features influence talker changedetection. The Journal of the Acoustical Society of America,148(5), EL414-EL419. doi:10.1121/10.0002462.
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van Dyck-Hemming, A., Eberhardt, J., & Wald-Fuhrmann, M. (2020). Ansätze zur Analyse historischer Netzwerke mit Neo4j® – Aus der Projekt-Werkstatt der Datenbank zur Fachgeschichte der Musikwissenschaft. In S. Acquavella-Rauch, A. Münzmay, & J. Veit (
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Polak, R. (2020). Wozu polychrone Pulsation? Funktionalistische Perspektiven auf metrische Strukturen in malischer Musik. In M. Sharif, & K. Stepputat (
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Polak, R. (2020). Non-isochronous meter is not irregular: A review of theory and evidence. In M. Aydintan, F. Edler, R. Graybill, & L. Krämer (
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Grüny, C. (2020). Grenzen des Rationalen: Klang und Theorie. In B. Giesecke von Bergh, & V. Helbing (
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Pearson, L. (2020). A socially situated approach to aesthetics: Games and challenges in Karnatak music. In A. Hamilton, & L. Pearson (
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Roeske, T. C., Tchernichovski, O., Poeppel, D., & Jacoby, N. (2020). Categorical rhythms are shared between songbirds and humans. Current Biology,30(18), 3544-3555.e6. doi:10.1016/j.cub.2020.06.072.
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Wald-Fuhrmann, M., Boenneke, S., Vroegh, T. P., & Dannecker, K. P. (2020). “He Who Sings, Prays Twice”? Singing in Roman catholic mass leads to spiritual and social experiences that are predicted by religious and musical attitudes. Frontiers in Psychology,11: 570189. doi:10.3389/fpsyg.2020.570189.
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Merrill, J., Omigie, D., & Wald-Fuhrmann, M. (2020). Locus of emotion influences psychophysiological reactions to music. PLoS One,15(8): e0237641. doi:10.1371/journal.pone.0237641.
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Polak, R. (2020). Thought and play in musical rhythm: Asian, African, and Euro-American perspectives. Ethnomusicology Forum,29(2), 252-256. doi:10.1080/17411912.2020.1839925.
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Haider, T., & van Dyck-Hemming, A. (2020). Extracting a Social Network of Musicologists. In Proceedings of the Digital Humanities Conference DH2020 in Ottawa.
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Fischinger, T., Kaufmann, M., & Schlotz, W. (2020). If it’s Mozart, it must be good? The influence of textual information and age on musical appreciation. Psychology of Music,48(4), 579-597. doi:10.1177/0305735618812216.
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Wald-Fuhrmann, M. (2020). Die Bedeutung von Musiksammlungen für die Entstehung der Musikwissenschaft. In SLUB Dresden (
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Sharma, N., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020). On the impact of language familiarity in talker change detection. In The Institute of Electrical and Electronics EngineersSignal Processing Society (
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Souza, A. S., Czoschke, S., & Lange, E. B. (2020). Gaze-based and attention-based rehearsal in spatial working memory. Journal of Experimental Psychology: Learning, Memory, and Cognition,46(5), 980-1003. doi:10.1037/xlm0000771.
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Wörner, F. (2020). Dur/Moll-Klänge in "posttonaler" Musik: Erinnerungsfragmente einer verlorenen Idylle? In H.-J. Hinrichsen, & S. Keym (
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Wald-Fuhrmann, M. (2020). Musik und Melancholie. Mit einer Anwendung auf Händels L’Allegro, il Penseroso ed il Moderato. Göttinger Händel-Beiträge: Jahrbuch/Yearbook 2020,21, 7-32.
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Roeske, T. C., Larrouy-Maestri, P., Sakamoto, Y., & Poeppel, D. (2020). Listening to birdsong reveals basic features of rate perception and aesthetic judgements. Proceedings of the Royal Society of London. Series B: Biological Sciences (London),287(1923): 20193010. doi:10.1098/rspb.2019.3010.
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Wald-Fuhrmann, M. (2020). Jagdgetön: Zur Vieldimensionalität eines musikalischen Topos in Wagners Tristan. In L. Lütteken, & M. Wald-Fuhrmann (
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Cohrdes, C., Wrzus, C., Wald-Fuhrmann, M., & Riediger, M. (2020). “The sound of affect”: Age differences in perceiving valence and arousal in music and their relation to music characteristics and momentary mood. Musicae Scientiae,24(1), 21-43. doi:10.1177/1029864918765613.
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Omigie, D., Lehongre, K., Navarro, V., Adam, C., & Samson, S. (2020). Neuro-oscillatory tracking of low- and high-level musico-acoustic features during naturalistic music listening: Insights from an intracranial electroencephalography study. Psychomusicology,30(1), 37-51. doi:10.1037/pmu0000249.
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Jacoby, N., Margulis, E. H., Clayton, M., Hannon, E., Honing, H., Iversen, J., Klein, T. R., Mehr, S. A., Pearson, L., Peretz, I., Perlman, M., Polak, R., Ravignani, A., Savage, P. E., Steingo, G., Stevens, C. J., Trainor, L., Trehub, S., Veal, M., & Wald-Fuhrmann, M. (2020). Cross-cultural work in music cognition: Challenges, insights, and recommendations. Music Perception,37(3), 185-195. doi:10.1525/mp.2020.37.3.185.
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Wald-Fuhrmann, M. (2020). Positive Aspekte des gemeinschaftlichen Singens: Ein Forschungsüberblick. In M. Wald-Fuhrmann, K.-P. Dannecker, & S. Boenneke (
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Wald-Fuhrmann, M. (2020). Liturgische Aufführungsbestimmungen zwischen Semiotik und Ästhetik: Ein Durchgang durch die „Allgemeine Einführung in das Römische Meßbuch“. In M. Wald-Fuhrmann, K.-P. Dannecker, & S. Boenneke (
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Wald-Fuhrmann, M., Dannecker, K.-P., & Boenneke, S. (2020). Einleitung. In M. Wald-Fuhrmann, K.-P. Dannecker, & S. Boenneke (
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2019
Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung,28: e18, pp. 53-85. doi:10.5964/jbdgm.2018v28.18.
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Czoschke, S., Henschke, S., & Lange, E. B. (2019). On-item fixations during serial encoding do not affect spatialworking memory. Attention, Perception & Psychophysics,81(8), 2766-2787. doi:10.3758/s13414-019-01786-5.
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Wald-Fuhrmann, M. (2019). Die private Muse? Zur weltlichen Musik am Mecklenburg-Schweriner Hof unter Friedrich II. und Friedrich Franz I. In S. Avischag Müller, & A. Waczkat (
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Polak, R. (2019). Jembe music. In H. Feldman, D. Horn, J. Shepherd, & G. Kielich (
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Akkermans, J., Schapiro, R., Mullensiefen, D., Jakubowski, K., Shanahan, D., Baker, D., Busch, V., Lothwesen, K., Elvers, P., Fischinger, T., Schlemmer, K., & Frieler, K. (2019). Decoding emotions in expressive music performances: A multi-lab replication and extension study. Cognition & Emotion,33(6), 1099-1118. doi:10.1080/02699931.2018.1541312.
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Woerner, F. (2019). Hindemiths Klassizismus: Ein künstlerisches Bekenntnis im Kontext der 1920er-Jahre. In H.-C. Günther (
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Wald-Fuhrmann, M. (2019). Komplement und Korrektiv: Empirie als Teil einer transdisziplinären Musikästhetik. Musik & Ästhetik,23(91), 84-88.
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Vroegh, T. P. (2019). Zoning-in or tuning-in? Identifying distinct absorption states in response to music. Psychomusicology: Music, Mind, and Brain,29(2-3), 156-170. doi:10.1037/pmu0000241.
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Omigie, D., Pearce, M., Lehongre, K., Hasboun, D., Navarro, V., Adam, C., & Samson, S. (2019). Intracranial recordings and computational modeling of music reveal the time course of prediction error signaling in frontal and temporal cortices. Journal of Cognitive Neuroscience,31(6), 855-873. doi:10.1162/jocn_a_01388.
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Seibert, C. (2019). Situated approaches to musical experience. In D. Clarke, E. F. Clarke, & R. Herbert (
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Greb, F., Steffens, J., & Schlotz, W. (2019). Modeling music-selection behavior in everyday life: A multilevel statistical learning approach and mediation analysis of experience sampling data. Frontiers in Psychology,10: 390. doi:10.3389/fpsyg.2019.00390.
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Polak, R. (2019). Celebration. In J. Sturman (
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Fink, L. K., Lange, E. B., & Groner, R. (2019). The application of eye-tracking in music research. Journal of Eye Movement Research,11(2). doi:10.16910/jemr.11.2.1.
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Mencke, I., Omigie, D., Wald-Fuhrmann, M., & Brattico, E. (2019). Atonal music: Can uncertainty lead to pleasure? Frontiers in Neuroscience,12: 979. doi:10.3389/fnins.2018.00979.
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Vesker, M., Bahn, D., Degé, F., Kauschke, C., & Schwarzer, G. (2019). Identification of emotional facial expressions in a lab and over the internet. Psychology: Journal of the Higher School of Economics,16(3), 571-583. doi:10.17323/1813-8918-2019-3-571-583.
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Merrill, J. (2019).Stimmen – schön schrecklich oder schrecklich schön?: Beschreibung, Bewertung und Wirkung des vokalen Ausdrucks in der Musik. Kassel: Kassel University Press. doi:10.19211/KUP9783737650878.
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Zschauer, A. (2019). Inter als aisthetische Qualität. Polylog: Zeitschrift für interkulturelles Philosophieren,40, 37-51.
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Ackermann, T. (2019).Disliked music: Merkmale, Gründe und Funktionen abgelehnter Musik (PhD Thesis, kassel university press, Kassel, 2019). doi:10.19211/KUP9783737650885.
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2018
Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (
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Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.
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Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences on the functions of music listening. Psychology of Music,46(6), 763-794. doi:10.1177/0305735617724883.
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Polak, R., Tarsitani, S., & Clayton, M. (2018). IEMP Malian Jembe. Open Science Framework. doi:10.17605/OSF.IO/M652X.
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Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.
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Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018). Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.
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Lange, E. B., Pieczykolan, A., Trukenbrod, H. A., & Huestegge, L. (2018). The rhythm of cognition: Effects of an auditory beat on oculomotor control in reading and sequential scanning. Journal of Eye Movement Research,11(2): 9. doi:10.16910/jemr.11.2.9.
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Greb, F. (2018). Determinants of music-selection behaviour: Development of a model. PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.
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Toelle, J. (2018). Applaus. In D. Morat, & H. Ziemer (
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Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (
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Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (
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Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.
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Pearson, L. (2018). Cultural heritage, sustainability and innovation in South Indian art music. In B. Norton, & N. Matsumoto (
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Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors. Music & Science,1, 1-17. doi:10.1177/2059204318755950.
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Kaufmann, M. (2018). The nymph's voice as an acoustic reflection of the self. In K. A. E. Engelke, & A. Traninger (
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Toelle, J. (2018). Mission soundscapes: Demons, Jesuits and sounds in Antonio Ruiz de Montoya’s Conquista Espiritual (1639). In D. Hacke, & P. Musselwhite (
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Fischinger, T. (2018). Vorreiter einer empirischen Ästhetik: Anmerkungen zur Studie «Die natürliche Stimmung in der modernen Vokalmusik» (1893) von Max Planck. Neue Zeitschrift für Musik, (1), 27-29.
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Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte für Fragen des Gottesdienstes,68(2), 83-108.
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Elvers, P., & Steffens, J. (2017). The sound of success: Investigating cognitive and behavioral effects of motivational music in sports. Frontiers in Psychology, 8:2026. doi:10.3389/fpsyg.2017.02026.
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Bauer, S., van Alphen, N., Becker, A., Chiocchetti, A., Deichmann, R., Deller, T., Freiman, T., Freitag, C. M., Gehrig, J., Hermsen, A. M., Jedlicka, P., Kell, C., Klein, K. M., Knake, S., Kullmann, D. M., Liebner, S., Norwood, B. A., Omigie, D., Plate, K., Reif, A., Reif, P. S., Reiss, Y., Roeper, J., Ronellenfitsch, M. W., Schorge, S., Schratt, G., Schwarzacher, S. W., Steinbach, J. P., Strzelczyk, A., Triesch, J., Wagner, M., Walker, M. C., von Wegner, F., & Rosenow, F. (2017). Personalized translational epilepsy research — Novel approaches and future perspectives: Part II: Experimental and translational approaches. Epilepsy & Behavior,76, 7-12. doi:10.1016/j.yebeh.2017.06.040.
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Lange, E. B., Zweck, F., & Sinn, P. (2017). Microsaccade-rate indicates absorption by music listening. Consciousness and Cognition,55, 59-78. doi:10.1016/j.concog.2017.07.009.
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Tiihonen, M., Brattico, E., Maksimainen, J., Wikgren, J., & Saarikallio, S. (2017). Constituents of music and visual-art related pleasure: A critical integrative literature review. Frontiers in Psychology,8: 1218. doi:10.3389/fpsyg.2017.01218.
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Merrill, J., & Larrouy-Maestri, P. (2017). Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire. Frontiers in Psychology, 8:1108. doi:10.3389/fpsyg.2017.01108.
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Wiesecke, J. (2017). Samuel Pepys and his experiences of music at Restoration theatres. In H. Barlow, & D. Rowland (
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Isik, A. I., Naumer, M. J., Kaiser, J., Buschenlange, C., Wiesmann, S., Czoschke, S., & Yalachkov, Y. (2017). Automatized smoking-related action schemata are reflected by reduced fMRI activity in sensorimotor brain regions of smokers. NeuroImage: Clinical,15, 753-760. doi:10.1016/j.nicl.2017.06.021.
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Elvers, P. (2017). Aristides Quintilianus: De musica. In U. Scheideler, & F. Wörner (
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Kaufmann, M. (2017). Giovanni Battista Doni: Compendio del trattato. In U. Scheideler, & F. Wörner (
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Grimm, H., & Wald-Fuhrmann, M. (2017). Vorwort. In U. Scheideler, & F. Wörner (
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Wörner, F. (2017). Giovanni Maria Lanfranco: Scintille di musica. In U. Scheideler, & F. Wörner (
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Wörner, F. (2017). Ernst Kurth: Romantische Harmonik. In U. Scheideler, & F. Wörner (
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Wald-Fuhrmann, M. (2017). Johannes Kepler: Harmonice mundi. In U. Scheideler, & F. Wörner (
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Wörner, F. (2017). Victor Kofi Agawu: Playing with signs. In U. Scheideler, & F. Wörner (
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Neuhoff, H., Polak, R., & Fischinger, T. (2017). Perception and evaluation of timing patterns in drum ensemble music from Mali. Music Perception,34(4), 438-451. doi:10.1525/mp.2017.34.4.438.
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Toelle, J. (2017). Italienische Opernindustrie global: Theater und Verlag. In R. Erkens (
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Kaufmann, M. (2017). Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,11(2), 185-195.
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Kaufmann, M. (2017). Euklid: Sectio Canonis. In U. Scheideler, & F. Wörner (
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Grimm, H., & Wald-Fuhrmann, M. (
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Wald-Fuhrmann, M. (2017). Ursprungsmythen als Wesensbestimmungen in der Musik. In S. Wegner (
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Greb, F., Elvers, P., & Fischinger, T. (2017). Trends in empirical aesthetics: A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the Arts,35(1), 3-26. doi:10.1177/0276237415625258.
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Elvers, P. (2017). Aristoxenos von Tarent: Elementa harmonica. In U. Scheideler, & F. Wörner (
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Elvers, P. (2017). Nikomachos von Gerasa: Encheiridion. In U. Scheideler, & F. Wörner (
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Ackermann, T., Fiedler, D., & Schaal, N. (2017). 14th International Conference on Music Perception and Cognition (ICMPC), 05.-09. Juli 2016; San Francisco, USA. Musikpsychologie: Akustik und musikalische Hörwahrnhemung [Monograph]. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 234-238.
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Merrill, J. (
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Omigie, D. (2017). Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies,8(1-2), 35-38. doi:10.4407/jims.2016.12.101.
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Merrill, J. (2017). Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica,89(1), 95-117.
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Frieler, K., & Lange, E. B. (2017). Chancen und Risiken des Computereinsatzes in der Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 187-191.
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Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.
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2016
Uppenkamp, B., & Wald-Fuhrmann, M. (
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Elvers, P. (2016). Zum Verhältnis von Musik und Sprache in der griechischen Antike. Rhetorik,35(1), 9-24. doi:10.1515/rhet.2016.003.
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Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase,22(6), 496-504. doi:10.1080/13554794.2016.1237660.
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Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in the brain. Journal of Comparative Neurology. Special Issue: Brain Circuits of Positive Emotions,524(8), 1676-1686. doi:10.1002/cne.23854.
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Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement. Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.
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Ruccius, A. (2016). Phonomorphie von Klang und Bild: Drei Motive in den Klangskulpturen Stephan von Huenes. In A. Symanczyk, D. Wagner, & M. Wendling (
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Larrouy-Maestri, P. (2016). Justesse en voix chantée: Bien évaluer pour bien guider. In C. Klein-Dallant (
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Toelle, J. (2016). Das Baumol’sche Gesetz (Fallstudie "Opernbetrieb"). In V. Kalisch (
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Steffens, J., Greb, F., & Schlotz, W. (2016). Why listen to music right now?: Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 842).
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Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (
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Greb, F., Schlotz, W., & Steffens, J. (2016). Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 834).
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Seibert, C. (2016).Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft.
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Greb, F., Schlotz, W., & Steffens, J. (2016). How do the functions of music listening vary across situations and persons? In B. Burger, J. Bamford, & E. Carlson (
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Merrill, J. (2016).Die Sprechstimme in der Musik: Komposition, Notation, Transkription. Wiesbaden: Springer VS.
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Wald-Fuhrmann, M. (2016). "Instar Bibliothecae instructissimae": Zum enzyklopädischen Zugriff auf Musik im 16. und frühen 17. Jahrhundert. Musiktheorie: Zeitschrift für Musikwissenschaft,31(1), 78-90.
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Toelle, J. (2016). Todas las naciones han de oyrla: Bells in the Jesuit reducciones of Early Modern Paracuaria. Journal of Jesuit Studies,3(3), 437-450. doi:10.1163/22141332-00303005.
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Grimm, H. (2016). Lobgesang: Eine Symphonie-Cantate nach Worten der Heiligen Schrift op. 52. In M. Geuting (
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van Dyck-Hemming, A., & Wald-Fuhrmann, M. (2016). Vom Datum zum historischen Zusammenhang: Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank. In S. Bolz, M. Kelber, I. Knoth, & A. Langenbruch (
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2015
Hemming, J., & Merrill, J. (2015). On the distinction between involuntary musical imagery, musical hallucinosis, and musical hallucinations. Psychomusicology,25(4), 435-442. doi:10.1037/pmu0000112.
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Wald-Fuhrmann, M., & Wiesenfeldt, C. (
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Omigie, D. (2015). Music and literature: Are there shared empathy and predictive mechanisms underlying their affective impact? Frontiers in Psychology,6: 1250. doi:10.3389/fpsyg.2015.01250.
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Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers in Psychology,6: 1252. doi:10.3389/fpsyg.2015.01252.
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Pfordresher, P. Q., & Larrouy-Maestri, P. (2015). On drawing a line through the spectrogram: How do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience,9: 271. doi:10.3389/fnhum.2015.00271.
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Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.
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Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren. In N. Schwindt (
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Fischinger, T. (
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Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie. Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60, 39-51.
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Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.
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Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.
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Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.
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Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.
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Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb Meißner und Joseph Schuster. In G. Poppe, & S. Voss (
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Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.
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Wald-Fuhrmann, M. (2015). „Musiace veteris specimen": Falsche und fehlende Exempla in der Musik. In K. Zimmer (
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Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht, Entrückung und absolute Musik. In G. Oesterle, & T. Valk (
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Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (
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Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (
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Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.
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Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs. In M. Wald-Fuhrmann, & C. Wiesenfeldt (
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Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen. In M. Wald-Fuhrmann, & C. Wiesenfeldt (
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2014
Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins. In C. Storch (
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Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.
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Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.
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Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.
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Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.
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Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene in komponierte Musik. In W. G. Schmidt (
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Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (
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Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation. In A. Kozbelt (
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Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (
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Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (
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Ruccius, A. (2014). Empirical studies including noise of two leading journals in music research: A review. In A. Kozbelt (
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Ruccius, A. (2014). The history of musical iconography and the influence of art history: Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (
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Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in Magdeburg. In L. Lütteken (
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van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.
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Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In E. Aschermann, & M. Kaiser-el-Safti (
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Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann (
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Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In M. Wald-Fuhrmann (
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2013
Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (
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Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek (
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Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.
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Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 23).
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