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Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., & Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLoS One,12(6): e0178899. doi:10.1371/journal.pone.0178899.
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Gemma, M. L., Glorieux, F., & Ganascia, J.-G. (2017). Operationalizing the colloquial style: Repetition in 19th-century American fiction. Digital Scholarship in the Humanities,32(2), 312-335. doi:10.1093/llc/fqv066.
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Wallot, S. (2017). Recurrence quantification analysis of processes and products of discourse: A tutorial in R. Discourse Processes,54(5-6), 382-405. doi:10.1080/0163853X.2017.1297921.
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Mitkidis, P., Ayal, S., Shalvi, S., Heimann, K., Levy, G., Kyselo, M., Wallot, S., Ariely, D., & Roepstorff, A. (2017). The effects of extreme rituals on moral behavior: The performers-observers gap hypothesis. Journal of Economic Psychology,59, 1-7. doi:10.1016/j.joep.2016.12.007.
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Drews, H. J., Wallot, S., Weinhold, S. L., Mitkidis, P., Baier, P. C., Roepstorff, A., & Goeder, R. (2017). "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders,2017: 8140672. doi:10.1155/2017/8140672.
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Kandylaki, K. D., Henrich, K., Nagels, A., Kircher, T., Domahs, U., Schlesewsky, M., Bornkessel-Schlesewsky, I., & Wiese, R. (2017). Where Is the Beat? The Neural Correlates of Lexical Stress and Rhythmical Well-formedness in Auditory Story Comprehension. Journal of Cognitive Neuroscience,29(7), 1119-1131. doi:10.1162/jocn_a_01122.
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Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences,40: e347. doi:10.1017/S0140525X17000309.
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Wassiliwizky, E., Jacobsen, T., Heinrich, J., Schneiderbauer, M., & Menninghaus, W. (2017). Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology,8: 41. doi:10.3389/fpsyg.2017.00041.
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Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.
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Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.
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Sarkhosh, K. (2017). »The Land of Lost Content« – Ökokritik im Zeichen von Utopie, Alterität und Nostalgie in Nicolas Roegs Filmen ›Walkabout‹ (1971) und ›The Man Who Fell to Earth‹ (1976). In C. Sollte-Gresser, & C. Schmidt (Eds.), Literatur und Ökologie: Neue literatur- und kulturwissenschaftliche Perspektiven (pp. 213-226). Bielefeld: AISTHESIS.
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Sarkhosh, K. (2017). Wenn die Wirklichkeit aus den Fugen gerät. Über das konfliktbeladene Aufeinandertreffen inkompatibler Glaubens- und Erkenntnissysteme in drei britischen fantastischen Filmen des Jahres 1973 (›The Legend of Hell House‹, ›Don’t Look Now‹, ›The Wicker Man‹). In S. Klimek, T. Lambrecht, & T. Kindt (Eds.), Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945 (pp. 77-101). Heidelberg: Universitätsverlag Winter.
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Haider, T., & Palmer, A. (2017). Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In Proceedings of the Workshop on Stylistic Variation, EMNLP 2017 (pp. 74-84). Copenhagen, Stroudsburg, PA: Association for Computational Linguistics.
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Hanich, J., & Menninghaus, W. (2017). Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies,56(4), 76-101. doi:10.1353/cj.2017.0041.
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Sarkhosh, K. (2017). Confectioning World Literature. Reader’s Guides and the Uniformity of Taste. In A. Tomiche (Ed.), Le comparatisme comme approche critique/Comparative literature as a critical approach (pp. 63-72). Paris: Classiques Garnier.
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Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. PLoS One,11(12): e0168306. doi:10.1371/journal.pone.0168306.
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Menninghaus, W. (2016). Caprices of fashion in culture and biology: Charles Darwin’s aesthetics of "ornament". In G. Matteucci, & S. Marino (Eds.), Philosophical Perspectives on Fashion (pp. 137-150). London, New York: Bloomsbury Academic.
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Scharinger, M., Domahs, U., Klein, E., & Domahs, F. (2016). Mental representations of vowel features asymmetrically modulate activity in superior temporal sulcus. Brain and Language,163, 42-49. doi:10.1016/j.bandl.2016.09.002.
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Wallot, S., Roepstorff, A., & Mønster, D. (2016). Multidimensional Recurrence Quantification Analysis (MdRQA) for the analysis of multidimensional time-series: A software implementation in MATLAB and its application to group-level data in joint action. Frontiers in Psychology,7: 1835. doi:10.3389/fpsyg.2016.01835.
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Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology,7: 1779. doi:10.3389/fpsyg.2016.01779.
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Menninghaus, W. (2016).Disgusto. Teoria e storia di una sensazione forte. (= Italian translation of Ekel. Theorie und Geschichte einer starken Empfindung). A Cura di Serena Feloj. Milano: Mimesis.
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O'Brien, B. A., & Wallot, S. (2016). Silent reading fluency and comprehension in bilingual children. Frontiers in Psychology,7: 1265. doi:10.3389/fpsyg.2016.01265.
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Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.
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Scharinger, M. (2016). Ungestörte Lautverarbeitung. In U. Domahs, & B. Primus (Eds.), Handbuch Laut, Gebärde, Buchstabe (pp. 163-181). Berlin: Mouton de Gruyter. doi:10.1515/9783110295993-010.
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Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics,56, 35-49. doi:10.1016/j.poetic.2016.02.001.
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Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.
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Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.
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Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.
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Auracher, J., & Bosch, H. (2016). Showing with words. Scientific Study of Literature,6(2), 208-242. doi:10.1075/ssol.6.2.03aur.
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Scharinger, M., Monahan, P. J., & Idsardi, W. J. (2016). Linguistic category structure influences early auditory processing: Converging evidence from mismatch responses and cortical oscillations. NeuroImage,128, 293-301. doi:10.1016/j.neuroimage.2016.01.003.
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Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H. R., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2016). Effects of empathic social responses on the emotions of the recipient. Brain and Cognition,103, 50-61. doi:10.1016/j.bandc.2015.11.004.
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Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.
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Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.
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Sarkhosh, K. (2016). Rezension zu Jeff Thoss: When Storyworlds Collide. Metalepsis in Popular Fiction, Film and Comics (Studies in Intermediality 7) Leiden/Boston: Brill-Rodopi, 2015. Arbeiten aus Anglistik und Amerikanistik,41(2), 93-97.
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Knoop, C. A. (2016). Criticism or ressentiment? Literary studies and the politics of interdisciplinarity. In J. Riou, & M. Gallagher (Eds.), Re-thinking ressentiment. On the limits of criticism and the limits of its critics (pp. 149-166). Bielefeld: transcript.
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Sakamoto, Y. (2016). Hifu, Soshite Bisyouhyoushou he no Tabi [= Grenzgänge der Wahrnehmung. Zur Neurologie der petites perceptions.]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 51-75.
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Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.
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Sakamoto, Y. (2016). Shinkeikei Jinbungaku Josetu [= Einführung in die neuronalen Geisteswissenschaften]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 6-18.
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Skovgaard Lyby, M., Wallot, S., Wallot, A., & Mehlsen, M. Y. (2016). Perspektiver inden for teknologisk-assisteret indsamling af data i psykologisk forandring - rammesat af den synergetiske psykologi [Möglichkeiten der technologiegestützten Datenerfassung psychischer Veränderungsprozesse – Methoden der synergetischen Psychologie]. Psyke & Logos,37(1), 144-170.
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Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207. doi:10.1075/ssol.6.2.02bal.
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Knoop, C. A. (2016). Ausgangspunkte neu erzählen: Der Raum der Herkunft in Jean Genets Journal du Voleur. In M. Benz, & K. Dennerlein (Eds.), Literarische Räume der Herkunft. Fallstudien zu einer historischen Narratologie (pp. 311-335). Berlin, Boston: De Gruyter.
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Lanwermeyer, M., Henrich, K., Rocholl, M. J., Schnell, H. T., Werth, A., Herrgen, J., & Schmidt, J. E. (2016). Dialect Variation Influences the Phonological and Lexical-Semantic Word Processing in Sentences. Electrophysiological Evidence from a Cross-Dialectal Comprehension Study. Frontiers in Psychology,7: 739. doi:10.3389/fpsyg.2016.00739.
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Wassiliwizky, E., Wagner, V., Jacobsen, T., & Menninghaus, W. (2015). Art-elicited chills indicate states of being moved. Psychology of Aesthetics, Creativity, and the Arts,9(4), 405-416. doi:10.1037/aca0000023.
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Sarkhosh, K. (2015). Schuld, Geld und Vergeltung in Arthur Schnitzlers Traumnovelle und Stanley Kubricks Eyes Wide Shut. Arcadia: International journal of literary culture,50(2), 366-388. doi:10.1515/arcadia-2015-0026.
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Sarkhosh, K. (2015). Die Macht der Filmbilder. Literaturgeschichte(n) und visuelle Evidenz im Kontext des populären Buchmarktes. In A. Hölter, & M. Schmitz-Emans (Eds.), Literaturgeschichte und Bildmedien (HERMEIA) (pp. 203-230). Heidelberg: Synchron Publishers GmbH.
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Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.
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Tavano, A., & Scharinger, M. (2015). Prediction in speech and language processing. Cortex,68, 1-7. doi:10.1016/j.cortex.2015.05.001.
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Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal.pone.0128451.
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Koelsch, S., Jacobs, A. M., Menninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., & Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life Reviews, (13), 1-27. doi:10.1016/j.plrev.2015.03.001.
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Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.
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Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5): e0124550. doi:10.1371/journal.pone.0124550.
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Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.
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Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 393-411). Gifkendorf: Merlin.
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Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.
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Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 217-239). Gifkendorf: Merlin.
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Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.
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Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik. Berlin: De Gruyter.
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Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.
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Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.
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Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.
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Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45, 64-75. doi:10.1016/j.wocn.2014.03.006.
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Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.
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Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.
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Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.
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Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.
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Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.
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Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.
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Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.
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Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.
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Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.
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Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.
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Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.
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Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.
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Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.
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Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260. doi:10.3389/fpsyg.2013.00260.
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Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.
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