Publikationen des Instituts
Einen Überblick über die Publikationen des Instituts finden Sie im MPG PublicationRepository (PuRe). Neben der Anzeige sämtlicher Institutspublikationen gibt es auch die Möglichkeit, nach den Abteilungen zu sortieren oder nach einzelnen Wissenschaftler:innen zu suchen.
2025
Li, X., Chu, Q., Lu, Y., Su, Y., & Tian, X. (2025). Motor-based and memory-based
predictions distinctively modulate sensory processes. Neuropsychologia,218:
109242. doi:10.1016/j.neuropsychologia.2025.109242.
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Christensen, J. F., Frieler, K., Vartanian, M., Khorsandi, S., Farahi, F., Yazdi, S. H. N., Serra, S. B., & Walsh, V.
(2025). An enculturation-induced joy bias for emotion recognition in full-body-movement. Scientific Reports,15: 37163. doi:10.1038/s41598-025-24332-w.
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Marjieh, R., van Rijn, P., Sucholutsky, I., Lee, H., Jacoby, N., & Griffiths, T. L. (2025).
Characterizing the large-scale structure of multimodal semantic networks. Cognitive Science,49(10): e70131. doi:10.1111/cogs.70131.
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Finch, B. K., Finkel, D., Gatz, M., Pedersen, N. L., Reynolds, C. A., Sachdev, P., Selwood, A., Martin, N., & Mosing,
M. A. (2025). Self-rated health and mortality: family background and genetic precursors. Discover Social Science and Health,5: 139. doi:10.1007/s44155-025-00290-6.
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Bruder, C., Breda, P., & Larrouy-Maestri, P. (2025). Attractive synthetic voices. Computers in Human Behavior,6: 100211. doi:10.1016/j.chbah.2025.100211.
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Coronel-Oliveros, C., Migeot, J., Lehue, F., Amoruso, L., Kowalczyk-Grębska, N., Jakubowska, N., Mandke, K. N., Seabra, J.
P., Orio, P., Campbell, D., Gonzalez-Gomez, R., Prado, P., Cuadros, J., Tagliazucchi, E., Cruzat, J., Legaz, A., Medel, V.,
Hernandez, H., Fittipaldi, S., Altschuler, F., Moguilner, S., Baez, S., Santamaria-Garcia, H., González-Hernández, A., Bonilla-Santos,
J., Güntekin, B., Babiloni, C., Abasolo, D., Caterina, G. D., Yener, G. G., Escudero, J., Ochoa-Gómez, J. F., Soto-Añari,
M., Bruno, M. A., Valdes-Sosa, P. A., Anghinah, R., Gonzalez-Montealegre, R. A., Clark, R. A., García, A. M., Kaltwasser,
L., Schürmann, M., Meier, J. M., Brzezicka, A., Whelan, R., Lawlor, B., Robertson, I. H., Bailey, C., Melloni, L., Sajnani,
N., & Ibanez, A. (2025). Creative experiences and brain clocks.
Nature Communications,16: 8336. doi:10.1038/s41467-025-64173-9.
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Christensen, J. F., Schmidt, E.-M., Frieler, K., Smith-Chase, R. A., Sancho-Escanero, L., Michalareas, G., Ullén, F., &
Cross, E. S. (2025). Aesthetic appeal of dance actions depends on expressivity, liveness
and audience characteristics. Cognition,263: 106152.
doi:10.1016/j.cognition.2025.106152.
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Sierpowska, J., Grau‐Sánchez, J., Sihvonen, A. J., Ramos‐Escobar, N., Camins, A., Gabarrós, A., Sammler, D., Särkämö, T.,
& Rodríguez‐Fornells, A. (2025). Music and affective prosody after surgical removal
of the right arcuate fasciculus: A case study. Annals of the New York Academy of Sciences,1552(1), 314-325. doi:10.1111/nyas.70065.
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Vartanian, M., Jahanitabesh, A., Christensen, J. F., Staub, H., Jensen, D. E., Villringer, A., & Witte, A. V. (2025).
Neural responses to visual food cues according to weight and hunger state: A systematic review and meta-analysis.
Neuroscience and Biobehavioral Reviews,177: 106301. doi:10.1016/j.neubiorev.2025.106301.
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Menninghaus, W., Kegel, V., Fayn, K., & Schlotz, W. (2025). Heinrich von Kleist’s
extremely complex syntax: How does it affect aesthetic liking? Literature,5(4):
25. doi:10.3390/literature5040025.
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Nayak, S., Ladanyi, E., Eising, E., Mekki, Y., Nitin, R., Bush, C. T., Gustavson, D. E., Anglada-Tort, M., Lancaster, H. S.,
Mosing, M. A., Ullén, F., Magne, C. L., Fisher, S. E., Jacoby, N., & Gordon, R. L. (2025).
Musical rhythm abilities and risk for developmental speech-language problems and disorders: Epidemiological and polygenic
associations. Nature Communications,16: 8355. doi:10.1038/s41467-025-60867-2.
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Abdellaoui, A., Wesseldijk, L. W., Gordon, S. D., Pasman, J. A., Smit, D. J. A., Androvičová, R., Martine, N. G., Ullén, F.,
Mosing, M. A., Zietsch, B. P., & Verweij, K. J. H. (2025). Life without sex: Large-scale
study links sexlessness to physical, cognitive, and personality traits, socioecological factors, and DNA.
Proceedings of the National Academy of Sciences of the United States of America,122(38):
e2418257122. doi:10.1073/pnas.2418257122.
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Vaquero, L., Groves, K., Muñoz-Vida, E. L., James, K., Marlor, J. L., McIntyre, C., Ostiai, L., Sirota, S., Shields, L., Degé,
F., García-Mingo, E., & Ripollés, P. (2025). Studying the effects of digital arts-based
interventions on teenagers’ social media usage, brain connectivity, and mental health: Study protocol of the SMART project. European Journal of Psychotraumatology,16(1): 2550079. doi:10.1080/20008066.2025.2550079.
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Jokisch, J. (2025). Towards a machine-readable classification system based on Thompson’s
Motif-Index: A case study on South American indigenous narratives. Publicaciones de la Asociación
Argentina de Humanidades Digitales,6: e069. doi:10.24215/27187470e069.
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Fink, L. T., & Lange, E. B. (2025). Beginning, middle, end: Perception of temporal
functions in sonata form. Music Perception. doi:10.1525/mp.2025.2327163.
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Martins, M. D., Bergmann, Z., Leonova, E., Bianco, R., Sammler, D., & Villringer, A. (2025).
Acquisition and utilization of recursive rules in motor sequence generation. Cognitive Science,49(9): e70108. doi:10.1111/cogs.70108.
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Tenderra, R. M., & Theves, S. (2025). Human intelligence relates to neural measures
of cognitive map formation. Cell Reports,44(8): 116033.
doi:10.1016/j.celrep.2025.116033.
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Hartung, N., Barchet, A. V., Abel, C., Pittman-Polletta, B. R., Ullén, F., & Rimmele, J. M. (2025).
Auditory-motor synchronization determines the use of predictions in music perception. bioRxiv.
doi:10.1101/2025.08.20.671291.
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Knoop, C. A., & Blohm, S. (2025). Literarinesses — A bag of three-sided coins. Literature,5(3): 21. doi:10.3390/literature5030021.
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Shalu, S., Muralikrishnan, R., & Choudhary, K. K. (2025). Similar does not mean
the same: ERP correlates of mental and physical experiencer verb processing in Malayalam complex constructions.
Frontiers in Human Neuroscience,19: 1632844. doi:10.3389/fnhum.2025.1632844.
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Iaia, C., & Tavano, A. (2025). Aligning syntactic structure to the dynamics of
verbal communication: A pipeline for annotating syntactic phrases onto speech acoustics. Behavior
Research Methods,57: 249. doi:10.3758/s13428-025-02747-7.
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Gernandt, E., Lange, E. B., & Merrill, J. (2025). What elevates music to a ‘favorite’?
On the aesthetics of music from the perspective of musical taste. Empirical Studies of the Arts.
doi:10.1177/02762374251365160.
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Castillo-Almazán, A., Pérez, O., Prado, L., Jacoby, N., & Merchant, H. (2025).
Flexible tapping synchronization in macaques: dynamic switching of timing strategies within rhythmic sequences.
Journal of Neurophysiology,134(2), 580-590. doi:10.1152/jn.00158.2025.
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Barbero, F. M., Lenc, T., Jacoby, N., Polak, R., Varlet, M., & Nozaradan, S. (2025).
Revealing rhythm categorization in human brain activity. Science Advances,11(31):
eadu9838. doi:10.1126/sciadv.adu9838.
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Mellmann, K. (2025). The phylogenetic basis of poetic behavior. In J. Alber, &
R. Schneider (
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Keitel, A., Keitel, C., Alavash, M., Bakardjian, K., Benwell, C. S., Bouton, S., Busch, N. A., Criscuolo, A., Doelling, K.
B., Dugue, L., Grabot, L., Gross, J., Hanslmayr, S., Klatt, L.-I., Kluger, D. S., Learmonth, G., London, R. E., Lubinus, C.,
Martin, A. E., Obleser, J., Rimmele, J. M., Romei, V., Ruzzoli, M., Siebenhuhner, F., Slaats, S., Spaak, E., Tarasi, L., Thut,
G., Trajkovic, J., Wang, D., Wostmann, M., Zoefel, B., Palva, S., Sauseng, P., & Kotz, S. A. (2025).
Brain rhythms in cognition - controversies and future directions. arXiv. doi:10.48550/arXiv.2507.15639.
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Rai, L. A., Lee, H., Becke, E., Trenado, C., Abad-Hernando, S., Sperling, M., Vidaurre, D., Wald-Fuhrmann, M., Richardson,
D. C., Ward, J. A., & Orgs, G. (2025). Delta-band audience brain synchrony tracks
engagement with live and recorded dance. iScience,28(7):
112922. doi:10.1016/j.isci.2025.112922.
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Lange, E. B., Gernandt, E., & Merrill, J. (2025). Categorizing music by genres. Annals of the New York Academy of Sciences. doi:10.1111/nyas.15404.
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Larrouy-Maestri, P., Poeppel, D., & Pell, M. D. (2025). The sound of emotional
prosody: Nearly 3 decades of research and future directions. Perspectives on Psychological Science,20(4), 623-638. doi:10.1177/17456916231217722.
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Sun, Y., Michalareas, G., Ghitza, O., & Poeppel, D. (2025). Complex impact of stimulus
envelope on motor synchronization to sound. The Journal of Neuroscience,45(25):
e1488242025. doi:10.1523/JNEUROSCI.1488-24.2025.
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Wörner, F. (2025). Stefan Keym (Hrsg.): Kreative Missverständnisse oder universale
Musikprinzipien?: Hugo Riemann und der internationale Wissenstransfer. Die Musikforschung,78(2), 180-182. doi:10.52412/mf.2025.H2.5065.
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Henry, M. J., Obleser, J., Crusey, M. R., Fuller, E. R., Lee, Y. S., Meyer, M., Acosta, E. A. M., Van Hedger, S. C., Inbar,
M., Oderbolz, C., Dunham, S. A., Anankul, Y., Sabo, L. E., Keitel, C., Maddox, R. K., Mehl, K., Aslan, G., Martens, P. A.,
Sauppe, S., Horovitz, M., Kinghorn, E. E., Koukouvinis, S., Bosker, H. R., Huviyetli, M., Leung, C., Symons, A. E., Strauß,
A., Chait, M., Hu, M., Eulitz, C., Salagovic, C. A., Davis, C., Severijnen, G. G. A., Kosachenko, A. I., Alain, C., Kim, J.,
Grahn, J. A., Sidhu, R. K., Megighian, C., Butler, B. E., Sears, D. R. W., Herrmann, B., Griffiths, M. L., Landau, A. N.,
Razin, R., Grassi, M., Levitsky, A., Holt, L. L., Belfi, A. M., Stewart, H. J., Shinn-Cunningham, B. G., Gomez, C., Brookes,
F., Smith, E. D., Axler, E., Bakardjian, K., Hochstrasser, D., Guiotto Nai Fovino, L., Tune, S., Pavlov, Y. G., Lee, K. A.,
Xavier, A. G., Keitel, A., Rogers, C. S., Maltseva, A., Strauss, J. L., Lodol, F. F., Arsiwala, N., & Peelle, J. E. (2025). How strong is the rhythm of perception? A registered replication of Hickoket al.
(2015). Royal Society Open Science,12(6): 220497. doi:10.1098/rsos.220497.
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Cabral-Calderin, Y., & Henry, M. J. (2025). Sensory stimuli dominate over rhythmic
electrical stimulation in modulating behavior. PLOS ONE,23(6):
e3003180. doi:10.1371/journal.pbio.3003180.
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Lee, H., Jacoby, N., Hennequin, R., & Moussallam, M. (2025). Mechanisms of cultural
diversity in urban populations. Nature Communications,16(1):
5192. doi:10.1038/s41467-025-60538-2.
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Zheng, Z., Trübutschek, D., Huang, S., Cai, Y., & Melloni, L. (2025). What you
saw a while ago determines what you see now: Extending awareness priming to implicit behaviors and uncovering its temporal
dynamics. Cognition,259: 106104. doi:10.1016/j.cognition.2025.106104.
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Ballester, C., Bacot, B., Bigo, L., Borsan, V. N., Couturier, L., Déguernel, K., Dinel, Q., Feisthauer, L., Frieler, K., Gotham,
M., Groult, R., Hentschel, J., d'Hooge, A., Le, D.-V.-T., Levé, F., Maccarini, F., Maričić, I., Micchi, G., Müller, M., Stamatiadis,
A., Taffin, T., Thibaud, P., Weiß, C., Yang, R., Leguy, E., & Giraud, M. (2025).
Interacting with annotated and synchronized music corpora on the Dezrann Web Platform. Transactions
of the International Society for Music Information Retrieval,8(1), 121-139.
doi:10.5334/tismir.212.
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Nuttall, T., Serra, X., & Pearson, L. (2025). Svara-Forms in Carnatic Music: Contextual
influences on the performance of Svara. In Proceedings of the 2025 IEEE International Conference on
Acoustics, Speech, and Signal Processing Workshops (ICASSPW). Piscataway, NJ: IEEE. doi:10.1109/ICASSPW65056.2025.11011084.
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Seedat, A., Lepauvre, A., Jeschke, J., Gorska-Klimowska, U., Armendariz, M., Bendtz, K., Henin, S., Hirschhorn, R., Brown,
T., Jensen, E., Kozma, C., Mazumder, D., Montenegro, S., Yu, L., Bonacchi, N., Das, D., Kahraman, K., Sripad, P., Taheriyan,
F., Devinsky, O., Dugan, P., Doyle, W., Flinker, A., Friedman, D., Lake, W., Pitts, M., Mudrik, L., Boly, M., Devore, S.,
Kreiman, G., & Melloni, L. (2025). Open multi-center intracranial electroencephalography
dataset with task probing conscious visual perception. Scientific Data,12:
854. doi:10.1038/s41597-025-04833-z.
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Auksztulewicz, R., Ödül, O. B., Helbling, S., Böke, A., Cappotto, D., Luo, D., Schnupp, J., & Melloni, L. (2025).
“What” and “When” predictions jointly modulate speech processing. The Journal of Neuroscience,45(20): e1049242025. doi:10.1523/JNEUROSCI.1049-24.2025.
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Chang, Y.-H.-F., Ullén, F., & de Manzano, Ö. (2025). Common brain representations
of action and perception investigated with cross-modal classification of newly learned melodies. Scientific
Reports,15: 16492. doi:10.1038/s41598-025-00208-x.
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Kasdan, A. V., Casilio, M., Bryan, K. M., Jacoby, N., Fram, N. R., Walljasper, L., Levy, D. F., de Riesthal, M., Gordon, R.
L., & Wilson, S. M. (2025). Neural correlates of rhythm in post-stroke aphasia
(online Early). Neurobiology of Language,6, 1-60. doi:10.1162/nol.a.9.
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Clemente, A., & Penacchio, O. (2025). Hedonic Foraging: From Reward to Action (preprint). bioRxiv: the preprint server for biology. doi:10.1101/2025.05.04.652128.
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Perizonius, S., Wesseldijk, L. W., Clifton, J. D., Ullén, F., & Mosing, M. A. (2025).
The world as I see it: Genetic and environmental influences on primal world beliefs in a large Swedish twin sample.
The Journal of Positive Psychology,20(3), 510-520. doi:10.1080/17439760.2024.2387340.
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Krempien, L., & Wald-Fuhrmann, M. (2025). Der erste Professor für Musikwissenschaft?:
Heinrich Carl Breidenstein (1796–1876) in Bonn. Archiv für Musikwissenschaft,82(2),
149-178. doi:10.25162/afmw-2025-0007.
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Theves, S. (2025). Thinking as analogy-making: Toward a neural process account of general
intelligence. The Journal of Neuroscience,45(18): e1555242025.
doi:10.1523/JNEUROSCI.1555-24.2025.
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Cogitate Consortium, Ferrante, O., Gorska-Klimowska, U., Henin, S., Hirschhorn, R., Khalaf, A., Lepauvre, A., Liu, L., Richter,
D., Vidal, Y., Bonacchi, N., Brown, T., Sripad, P., Armendariz, M., Bendtz, K., Ghafari, T., Hetenyi, D., Jeschke, J., Kozma,
C., Mazumder, D. R., Montenegro, S., Seedat, A., Sharafeldin, A., Yang, S., Baillet, S., Chalmers, D. J., Cichy, R. M., Fallon,
F., Panagiotaropoulos, T. I., Blumenfeld, H., de Lange, F. P., Devore, S., Jensen, O., Kreiman, G., Luo, H., Boly, M., Dehaene,
S., Koch, C., Tononi, G., Pitts, M., Mudrik, L., & Melloni, L. (2025). Adversarial
testing of global neuronal workspace and integrated information theories of consciousness. Nature.
doi:10.1038/s41586-025-08888-1.
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Bruder, C., & Larrouy-Maestri, P. (2025). CoVox: A dataset of contrasting vocalizations. Behavior Research Methods,57: 142. doi:10.3758/s13428-025-02664-9.
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PDFLocator 1
Atanasova, T., Gross, J., Keitel, A., & Rimmele, J. M. (2025). The involvement
of endogenous brain rhythms in speech processing. PsyArXiv Preprints.
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Bratchenko, A., Xia, P., Boomsma, D. I., Mosing, M. A., Ullén, F., & Wesseldijk, L. W. (2025).
Music style preferences and well-being: A genetic perspective. Personality and Individual Differences,241: 113162. doi:10.1016/j.paid.2025.113162.
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Tröndle, M., & Egermann, H. (2025).
Western classical music concerts are more immersive, intellectually stimulating, and social, when experienced live rather
than in a digital stream: An ecologically valid concert study on different modes of liveness. Music
& Science,8. doi:10.1177/20592043251333995.
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Wald-Fuhrmann, M., & Sieroka, N. (2025). Musik als Zeitkunst. In P. Nickl, P. M.
Steiner, & A. Verrone (
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Keitel, A., Pelofi, C., Guan, X., Watson, E., Wight, L., Allen, S., Mencke, I., Keitel, C., & Rimmele, J. M. (2025).
Cortical and behavioral tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise.
Annals of the New York Academy of Sciences,1546(1), 120-135. doi:10.1111/nyas.15315.
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Knowles, K. L., Patten, K. J., Durojaye, C., Dada, B. O., & McBeath, M. K. (2025).
Yorùbá Speech surrogacy with the Dùndún Talking Drum: Recognition accuracy is a function of language familiarity and music
training. Music Perception,42(2), 287-310. doi:10.1525/mp.2025.2327968.
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Tröndle, M., Weining, C., Wald-Fuhrmann, M., & Tschacher, W. (2025). Classical
concert visitor types: Attendance motivation, expectation, and experience. The Journal of Arts Management,
Law, and Society,55(1). doi:10.1080/10632921.2025.2480585.
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Bignardi, G., Wesseldijk, L. W., Mas-Herrero, E., Zatorre, R. J., Ullén, F., Fisher, S. E., & Mosing, M. A. (2025).
Twin modelling reveals partly distinct genetic pathways to music enjoyment. Nature Communications,16: 2904. doi:10.1038/s41467-025-58123-8.
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Lubinus, C., Keitel, A., Obleser, J., Poeppel, D., & Rimmele, J. M. (2025). Endogenous
auditory and motor brain rhythms predict individual speech tracking. bioRxiv. doi:10.1101/2025.03.24.644939.
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Grabenhorst, M., Poeppel, D., & Michalareas, G. (2025). Neural signatures of temporal
anticipation in human cortex represent event probability density. Nature Communications,16: 2602. doi:10.1038/s41467-025-57813-7.
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Gittel, B., & Haider, T. (2025). The ongoing birth of the narrator: Empirical evidence
for the emergence of the author–narrator distinction in literary criticism. Digital scholarship in
the humanities, fqaf013. doi:10.1093/llc/fqaf013.
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Buren, V., Müllensiefen, D., & Degé, F. (2025). Screening musicality in children:
Development and initial validation of a new tool for rapid assessment of musical profiles. PLOS ONE,20(3): e0317962. doi:10.1371/journal.pone.0317962.
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Clemente, A. (2025). Commentary on Friedman et al. (2024): A General Preference for
Complexity? Empirical Musicology Review,19(2), 95-101.
doi:10.18061/emr.v19i2.9841.
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Ringer, H., Sammler, D., & Daikoku, T. (2025). Neural tracking of auditory statistical
regularities in adults with and without dyslexia. Cerebral Cortex,35(2):
bhaf042. doi:10.1093/cercor/bhaf042.
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Christensen, J. F., Muralikrishnan, R., Münzberg, M., Manias, B. C., Khorsandi, S., & Vessel, E. A. (2025).
Can 5 minutes of finger actions boost creative incubation? Journal of Cognitive Enhancement,9, 10-20. doi:10.1007/s41465-024-00306-0.
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Mudrik, L., Boly, M., Dehaene, S., Fleming, S. M., Lamme, V., Seth, A., & Melloni, L. (2025).
Unpacking the complexities of consciousness: Theories and reflections. Neuroscience & Biobehavioral
Reviews,170: 106053. doi:10.1016/j.neubiorev.2025.106053.
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Neamaalkassis, H., Boubenec, Y., Fiebach, C., Muralikrishnan, R., & Tavano, A. (2025).
The fundamental frequencies of our own voice. Royal Society Open Science,12(2).
doi:10.1098/rsos.241081.
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Michalareas, G., Lehr, C., Grabenhorst, M., & Hecht, H. (2025). Social processing
distorts physical distance perception. Scientific Reports,15:
5669. doi:10.1038/s41598-025-89935-9.
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Degé, F. (2025). Musikalische Entwicklung und Musikunterricht in der Schule. In G.
Brunner, D. Fiedler, & S. Schmid (
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Eisinger, M., Weiser, M., Degé, F., Heye, A., & Müllensiefen, D. (2025). Übung
macht den Meister: Growth Mindset für den Musikunterricht. In G. Brunner, D. Fiedler, & S. Schmid (
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Modestini, P., & Weining, C. (2025). Affordances and experiential dimensions of
digital concerts: Closer the eye, farther the crowd. Music Perception,42(3),
269-285. doi:10.1525/mp.2024.aa005.
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Bairnsfather, J. E., Mosing, M. A., Osborne, M. S., & Wilson, S. J. (2025). Conceptual
coherence but methodological mayhem: A systematic review of absolute pitch phenotyping. Behavior Research
Methods,57: 61. doi:10.3758/s13428-024-02577-z.
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Weining, C., Meier, D., Wald-Fuhrmann, M., & Tröndle, M. (2025). From structural
listening to daydreaming: Listening modes influence the individual experience in live concerts (OnlineFirst).
Psychology of Music. doi:10.1177/030573562413108.
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Vartanian, M., Endres, K. J., Lee, Y. T., Friedrich, S., Meemken, M.-T., Schamarek, I., Rohde-Zimmermann, K., Schürfeld, R.,
Eisenberg, L., Hilbert, A., Beyer, F., Stumvoll, M., Sacher, J., Villringer, A., Christensen, J. F., & Witte, A. V. (2025). Investigating the impact of microbiome-changing interventions on food decision-making:
MIFOOD study protocol. BMC Nutrition,11: 8. doi:10.1186/s40795-024-00971-6.
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Gustavson, D. E., Bell, T. R., Buchholz, E. J., Zellers, S., Luczak, S. E., Reynolds, C. A., Finch, B. K., Nygaard, M., Catts,
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Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.
Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.
Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung
des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (
Skoluda, N., Strahler, J., Schlotz, W., Niederberger, L., Marques, S., Fischer, S., Thoma, M. V., Spoerri, C., Ehlert, U., & Nater, U. M. (2015). Intra-individual psychological and physiological responses to acute Iabaratory stressors of different intensity. Psychoneuroendocrinology,51, 227-236. doi:10.1016/j.psyneuen.2014.10.002.
Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.
Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.
Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.
Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.
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Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (
Hickok, G., & Poeppel, D. (2015). Neural basis of speech perception. In G. G. Celesia,
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Arnal, L. H., Poeppel, D., & Giraud, A.-l. (2015). Temporal coding in the auditory
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Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.
Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N.
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Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten
aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (
Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht,
Entrückung und absolute Musik. In G. Oesterle, & T. Valk (
Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb
Meißner und Joseph Schuster. In G. Poppe, & S. Voss (
Poeppel, D. (2015). On Giacometti’s sculpture Chariot. Gilded Birds.
Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs.
In M. Wald-Fuhrmann, & C. Wiesenfeldt (
Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen.
In M. Wald-Fuhrmann, & C. Wiesenfeldt (
Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.
Wald-Fuhrmann, M. (2015). „Musiace veteris specimen": Falsche und fehlende Exempla
in der Musik. In K. Zimmer (
Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren.
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Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie. Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60, 39-51.
Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.
Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.
Poeppel, D., & Hickock, G. (2015). Electromagnetic recording of the auditory system.
In G. G. Celesia, & G. Hickock (
Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.
Poeppel, D. (2015). Speech perception. In M. Liebermann, & A. W. Toga (
Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.
Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.
Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.
2014
Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.
Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins.
In C. Storch (
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Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.
Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.
Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.
Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.
Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.
Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.
Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene
in komponierte Musik. In W. G. Schmidt (
Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des
zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (
Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.
Ruccius, A. (2014). Empirical studies including noise of two leading journals in music
research: A review. In A. Kozbelt (
Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics:
A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (
Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014).
„Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (
Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation.
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Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.
Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.
Ruccius, A. (2014). The history of musical iconography and the influence of art history:
Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (
Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45, 64-75. doi:10.1016/j.wocn.2014.03.006.
Schmidt-Kassow, M., Zink, N., Mock, J., Thiel, C., Vogt, L., Abel, C., & Kaiser, J. (2014). Treadmill walking during vocabulary encoding improves verbal long-term memory. Behavioral and brain functions,10: 24. doi:10.1186/1744-9081-10-24.
Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in
Magdeburg. In L. Lütteken (
Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.
Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.
Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.
Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.
Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.
Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.
Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.
van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.
Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs.
In E. Aschermann, & M. Kaiser-el-Safti (
Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu
instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann
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Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis.
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Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.
2013
Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.
Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.
Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.
Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (
Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.
Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli,
A. Minelli, & T. Pievani (
Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.
Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260. doi:10.3389/fpsyg.2013.00260.
Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek
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Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.
Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.
Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 23).
Pietschmann, K., & Wald-Fuhrmann, M. (