Publikationen des Instituts

Einen Überblick über die Publikationen des Instituts finden Sie im MPG PublicationRepository (PuRe). Neben der Anzeige sämtlicher Institutspublikationen gibt es auch die Möglichkeit, nach den Abteilungen zu sortieren oder nach einzelnen Wissenschaftler:innen zu suchen.

MPG.PuRe: Empirische Ästhetik

 

2024

Pöhls, R. L. V. (2024). Representations of political kinship: Connecting through political affinities in contemporary migration literature. In L. Espinoza Garrido, C. Gebauer, & J. Wewior (Eds.), Mobility, agency, kinship: Representations of migration beyond victimhood (pp. 175-201). Cham: Palgrave Macmillan Cham. doi:10.1007/978-3-031-60754-7_8.
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Fink, L., Fiehn, H., & Wald-Fuhrmann, M. (2024). The role of audiovisual congruence in aesthetic appreciation of contemporary music and visual art. Scientific Reports,14: 20923. doi:10.1038/s41598-024-71399-y.
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Mosing, M. A., Verweij, K. J. H., Hambrick, D. Z., Pedersen, N. L., & Ullén, F. (2024). Testing the deliberate practice theory: Does practice reduce the heritability of musical expertise? Journal of Intelligence,12(9): 87. doi:10.3390/jintelligence12090087.
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Lange, E. B., & Frieler, K. (2024). Systematische Effekte bei der Evaluierung von Musik durch unterschiedliche, verbale Fragebögenformen. In F. C. Thiesen (Ed.), Digitalisierung in der Musikpsychologie: Abstract-Band zur Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (pp. 56-57). Freiburg: Deutsche Gesellschaft für Musikpsychologie e.V.
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Gernandt, E., Lange, E. B., & Merrill, J. (2024). Die Ästhetik des Musikgeschmacks. In F. C. Thiesen (Ed.), Digitalisierung in der Musikpsychologie: Abstract-Band zur Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (pp. 89-90). Freiburg: Deutsche Gesellschaft für Musikpsychologie e.V.
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Frieler, K. (2024). Keynote-Workshop: Mother‘s little helpers: Digitale Werkzeuge für die Musikpsychologie. In F. C. Thiesen (Ed.), Digitalisierung in der Musikpsychologie: Abstract-Band zur Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (pp. 33-33). Freiburg: Deutsche Gesellschaft für Musikpsychologie e.V.
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Buren, V., Müllensiefen, D., & Degé, F. (2024). Reliabilität und Validität des Child Musicality Screenings zur Erfassung kindlicher Musikalität. In F. C. Thiesen (Ed.), Digitalisierung in der Musikpsychologie: Abstract-Band zur Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (pp. 79-80). Freiburg: Deutsche Gesellschaft für Musikpsychologie e.V.
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Wojtecki, L., Cont, C., Stute, N., Galli, A., Schulte, C., & Trenado, C. (2024). Electrical brain networks before and after transcranial pulsed shockwave stimulation in Alzheimer’s patients. GeroScience. doi:10.1007/s11357-024-01305-x.
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Christensen, J. F., Vartanian, M., Manias, B. C., Golestani, R., Khorsandi, S., & Frieler, K. (2024). Enculturation-acculturation screening tools for empirical aesthetics research: A proof of principle study. Journal of Cognition and Culture,24(3-4), 325-372. doi:10.1163/15685373-12340192.
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Gernandt, E., & Merrill, J. (2024). Schlager vs. Techno: Style-specific rationales for musical taste. Music & Science,7. doi:10.1177/20592043241268726.
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Perizonius, S., Wesseldijk, L. W., Clifton, J. D., Ullén, F., & Mosing, M. A. (2024). The world as I see it: Genetic and environmental influences on primal world beliefs in a large Swedish twin sample. The Journal of Positive Psychology. doi:10.1080/17439760.2024.2387340.
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Eitel, M., Ruth, N., Harrison, P., Frieler, K., & Müllensiefen, D. (2024). Perception of chord sequences modeled with prediction by partial matching, voice-leading distance, and spectral pitch-class similarity: A new approach for testing individual differences in harmony perception. Music & Science. doi:10.1177/205920432412576.
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Sarafoglou, A., Hoogeveen, S., van den Bergh, D., Aczel, B., Albers, C. J., Althoff, T., Botvinik-Nezer, R., Busch, N. A., Cataldo, A. M., Devezer, B., van Dongen, N. N. N., Dreber, A., Fried, E. I., Hoekstra, R., Hoffman, S., Holzmeister, F., Huber, J., Huntington-Klein, N., Ioannidis, J., Johannesson, M., Kirchler, M., Loken, E., Mangin, J.-F., Matzke, D., Menkveld, A. J., Nilsonne, G., van Ravenzwaaij, D., Schweinsberg, M., Schulz-Kuempel, H., Shanks, D. R., Simons, D. J., Spellman, B. A., Stoevenbelt, A. H., Szaszi, B., Trübutschek, D., Tuerlinckx, F., Uhlmann, E. L., Vanpaemel, W., Wicherts, J., & Wagenmakers, E.-J. (2024). Subjective evidence evaluation survey for many-analysts studies. Royal Society Open Science. doi:10.1098/rsos.240125.
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Teng, X., Larrouy-Maestri, P., & Poeppel, D. (2024). Segmenting and predicting musical phrase structure exploits neural gain modulation and phase precession. The Journal of Neuroscience,44(30): e1331232024. doi:10.1523/JNEUROSCI.1331-23.2024.
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Menninghaus, W. (2024). Poesie der Grammatik in Klopstocks Ode Die Sommernacht. In L. Hagestedt, & A. Nebrig (Eds.), „Wer wird nicht einen Klopstock loben?“: Friedrich Gottlieb Klopstocks poetische Innovationen und ihre produktive Rezeption (pp. 275-286). Berlin: J.B. Metzler.
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Tschacher, W., Greenwood, S., Weining, C., Wald-Fuhrmann, M., Ramakrishnan, C., Seibert, C., & Tröndle, M. (2024). Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes. Scientific Reports,14: 16412. doi:10.1038/s41598-024-67455-2.
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Wesseldijk, L. W., Mosing, M. A., & Ullén, F. (2024). Gene-environment interaction in expertise acquisition: Practice effects on musical expertise vary by polygenic scores for cognitive performance. Heliyon, e34264, pp. 10-14. doi:10.1016/j.heliyon.2024.e34264.
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Gulati, M., Muralikrishnan, R., & Choudhary, K. K. (2024). An ERP study on the processing of subject-verb and object-verb gender agreement in Punjabi. Journal of Psycholinguistic Research,53: 59. doi:10.1007/s10936-024-10095-4.
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Wald-Fuhrmann, M. (2024). Music in Christian services as a means to induce religious feelings. In G. Corbett, & S. Moerman (Eds.), Music and spirituality: Theological approaches, empirical methods, and Christian worship (pp. 273-284). Cambridge, UK: Open Book Publishers. doi:10.11647/obp.0403.13.
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Nuttall, T., Serra, X., & Pearson, L. (2024). Svara-forms and coarticulation in Carnatic music: an investigation using deep clustering. In D. M. Weigl (Ed.), DLfM '24: Proceedings of the 11th International Conference on Digital Libraries for Musicology (pp. 15-22). New York, United States: Association for Computing Machinery. doi:10.1145/3660570.3660580.
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Christensen, J. F., Fernández, A., Smith, R. A., Michalareas, G., Yazdi, S. H. N., Farahi, F., Schmidt, E.-M., Roig, G., & Bahmanian, N. (2024). EMOKINE: A software package and computational framework for scaling up the creation of highly controlled emotional full-body movement datasets. Behavior Research Methods. doi:10.3758/s13428-024-02433-0.
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Will, J., Roeske, T. C., & Degé, F. (2024). Development of tonality and consonance categorization ability and preferences in 4- to 6-year-old children. Frontiers in Psychology,15: 1270114. doi:10.3389/fpsyg.2024.1270114.
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Ibanez, A., Melloni, L., Świeboda, P., Hynes, W., Ikiz, B., Ayadi, R., Thioye, M., Walss-Bass, C., Güntekin, B., Mishra, J., Salama, M., Dunlop, S., Duran-Aniotz, C., & Eyre, H. A. (2024). Neuroecological links of the exposome and one health. Neuron,112(12), 1905-1910. doi:10.1016/j.neuron.2024.04.016.
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van Welzen, K., Ullén, F., & de Manzano, Ö. (2024). Does divergent thinking relate to expertise? Introducing a novel test of creative ideation in music (Online First Posting). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000715.
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Degé, F., Frischen, U., & Schwarzer, G. (2024). Musikunterricht und kognitive Entwicklung. In G. Bernatzky, & G. Kreutz (Eds.), Musik und Medizin: Chancen für Therapie, Prävention, Rehabilitation und Bildung (2, pp. 515-538). Berlin, Heidelberg: Springer. doi:10.1007/978-3-662-67506-9_27.
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Henry, S., Baker, W., Bratko, D., Jern, P., Kandler, C., Tybur, J. M., de Vries, R. E., Wesseldijk, L. W., Zapko-Willmes, A., Booth, T., & Mõttus, R. (2024). Nuanced HEXACO: A meta-analysis of HEXACO cross-rater agreement, heritability, and rank-order stability (OnlineFirst). Personality and Social Psychology Bulletin. doi:10.1177/014616722412536.
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Chis-Ciure, R., Melloni, L., & Northoff, G. (2024). A measure centrality index for systematic empirical comparison of consciousness theories. Neuroscience & Biobehavioral Reviews,161: 105670. doi:10.1016/j.neubiorev.2024.105670.
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Tan, Y., Sun, Z., Teng, X., Larrouy-Maestri, P., Duan, F., & Aoki, S. (2024). Effective network analysis in music listening based on electroencephalogram. Computers and Electrical Engineering,117: 109191. doi:10.1016/j.compeleceng.2024.109191.
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Forman, R. K. C., & Wald-Fuhrmann, M. (2024). The body of “the Body of Christ”: An introduction to hyperscanning research and a discussion of its possible implications for understanding social experiences during religious gatherings. Pastoral Psychology. doi:10.1007/s11089-024-01142-x.
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Egermann, H., Siebrasse, A., Weining, C., O’Neill, K., Tröndle, M., & Wald-Fuhrmann, M. (2024). Developing digital classical concert stream offerings: A typology of audience preferences. The Journal of Arts Management, Law, and Society,54(3), 125-141. doi:10.1080/10632921.2024.2347397.
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Sammler, D. (2024). Signatures of speech and song: “Universal” links despite cultural diversity. Science Advances,10(20): eadp9620. doi:10.1126/sciadv.adp9620.
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Ozaki, Y., Tierney, A., Pfordresher, P. Q., McBride, J., Benetos, E., Proutskova, P., Chiba, G., Liu, F., Jacoby, N., Purdy, S. C., Opondo, P., Fitch, W. T., Hegde, S., Rocamora, M., Thorne, R., Nweke, F., Sadaphal, D. P., Sadaphal, P. M., Hadavi, S., Fujii, S., Choo, S., Naruse, M., Ehara, U., Sy, L., Parselelo, M. L., Anglada-Tort, M., Hansen, N. C., Haiduk, F., Færøvik, U., Magalhães, V., Krzyżanowski, W., Shcherbakova, O., Hereld, D., Barbosa, B. S., Correa Varella, M. A., Van Tongeren, M., Dessiatnitchenko, P., Zar Zar, S., El Kahla, I., Muslu, O., Troy, J., Lomsadze, T., Kurdova, D., Tsope, C., Fredriksson, D., Arabadjiev, A., Sarbah, J. P., Arhine, A., Meachair, T. Ó., Silva-Zurita, J., Soto-Silva, I., Millalonco, N. E. M., Ambrazevičius, R., Loui, P., Ravignani, A., Jadoul, Y., Larrouy-Maestri, P., Bruder, C., Teyxokawa, T. P., Kuikuro, U., Natsitsabui, R., Sagarzazu, N. B., Raviv, L., Zeng, M., Varnosfaderani, S. D., Gómez-Cañón, J. S., Kolff, K., Vanden Bos der Nederlanden, C., Chhatwal, M., David, R. M., I. Putu Gede, S., Lekakul, G., Borsan, V. N., Nguqu, N., & Savage, P. E. (2024). Globally, songs and instrumental melodies are slower, higher, and use more stable pitches than speech: A registered report. Science Advances,10(20): eadm9797. doi:10.1126/sciadv.adm9797.
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van Rijn, P., Mertes, S., Janowski, K., Weitz, K., Jacoby, N., & André, E. (2024). Giving robots a voice: Human-in-the-loop voice creation and open-ended labeling. In F. F. Mueller, P. Kyburz, J. R. Williamson, C. Sas, M. L. Wilson, P. T. Dugas, & I. Shklovski (Eds.), CHI '24: Proceedings of the CHI Conference on Human Factors in Computing Systems (pp. 1-34). doi:10.1145/3613904.3642038.
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Grassi, F., Kulke, L., Lepauvre, A., & Schacht, A. (2024). Relevance acquisition through motivational incentives: Modeling the time-course of associative learning and the role of visual features. Imaging Neuroscience,2, 1-20. doi:10.1162/imag_a_00162.
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Christensen, J. F., Wesseldijk, L. W., Mosing, M. A., Fayn, K., Schmidt, E.-M., Blattmann, M., Sancho-Escanero, L., & Ullén, F. (2024). The dancer personality: Comparing dancers and non-dancers in Germany and Sweden. Personality and Individual Differences,222: 112603. doi:10.1016/j.paid.2024.112603.
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Bruder, C., Poeppel, D., & Larrouy-Maestri, P. (2024). Perceptual (but not acoustic) features predict singing voice preferences. Scientific Reports,14: 8977. doi:10.1038/s41598-024-58924-9.
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Meinel, L. S., Bullerjahn, C., Lindau, A., & Wald-Fuhrmann, M. (2024). Capturing differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument. Frontiers in Psychology,15: 1339168. doi:10.3389/fpsyg.2024.1339168.
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Gómez Varela, I., Orpella, J., Poeppel, D., Ripolles, P., & Assaneo, M. F. (2024). Syllabic rhythm and prior linguistic knowledge interact with individual differences to modulate phonological statistical learning. Cognition,245: 105737. doi:10.1016/j.cognition.2024.105737.
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Nguyen, T., Lagacé-Cusiac, R., Everling, J. C., Henry, M. J., & Grahn, J. A. (2024). Audiovisual integration of rhythm in musicians and dancers. Attention, Perception & Psychophysics. doi:10.3758/s13414-024-02874-x.
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Koenders, E. A., Wesseldijk, L. W., Boomsma, D. I., Larsen, J. K., & Vink, J. M. (2024). Heritability of adult picky eating in the Netherlands. Appetite,195: 107230. doi:10.1016/j.appet.2024.107230.
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Wesseldijk, L. W., Henechowicz, T. L., Baker, D. J., Bignardi, G., Karlsson, R., Gordon, R. L., Mosing, M. A., Ullén, F., & Fisher, S. E. (2024). Notes from Beethoven’s genome. Current Biology,34(6), R233-R234. doi:10.1016/j.cub.2024.01.025.
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Kaya, E., Kotz, S. A., & Henry, M. J. (2024). A novel method for estimating properties of attentional oscillators reveals an age-related decline in flexibility. eLife. doi:10.7554/eLife.90735.2.
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Bär, C. (2024). Musikdiskurse: Sprachliche Muster, Dichte, Diversität im Sound populärer Musikrezensionen. PhD Thesis, De Gruyter, Berlin. doi:10.1515/9783111323930.
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Gaston, E., Ullén, F., Wesseldijk, L. W., & Mosing, M. A. (2024). Can flow proneness be protective against mental and cardiovascular health problems? A genetically informed prospective cohort study. Translational Psychiatry,14: 144. doi:10.1038/s41398-024-02855-6.
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Simonsson, O., Mosing, M. A., Osika, W., Ullén, F., Larsson, H., Lu, Y., & Wesseldijk, L. W. (2024). Adolescent Psychedelic Use and Psychotic or Manic Symptoms. JAMA Psychiatry. doi:10.1001/jamapsychiatry.2024.0047.
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Christensen, J. F., Khorsandi, S., & Wald-Fuhrmann, M. (2024). Iranian classical dance as a subject for empirical research: An elusive genre. Annals of the New York Academy of Sciences,1533(1), 51-72. doi:10.1111/nyas.15098.
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Kazemian, N., Borhani, K., Golbabaei, S., & Christensen, J. F. (2024). Some effects of sex and culture on creativity, no effect of incubation (Online First). Empirical Studies of the Arts. doi:10.1177/0276237423121763.
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Jacoby, N., Polak, R., Grahn, J. A., Cameron, D. J., Lee, K. M., Godoy, R., Undurraga, E. A., Huanca, T., Thalwitzer, T., Doumbia, N., Goldberg, D., Margulis, E. H., Wong, P. C. M., Jure, L., Rocamora, M., Fujii, S., Savage, P. E., Ajimi, J., Konno, R., Oishi, S., Jakubowski, K., Holzapfel, A., Mungan, E., Kaya, E., Rao, P., Rohit, M. A., Alladi, S., Tarr, B., Anglada-Tort, M., Harrison, P. M. C., McPherson, M. J., Dolan, S., Durango, A., & McDermott, J. H. (2024). Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries. Nature Human Behaviour. doi:10.1038/s41562-023-01800-9.
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Marjieh, R., Jacoby, N., Peterson, J. C., & Griffiths, T. L. (2024). The universal law of generalization holds for naturalistic stimuli. Journal of Experimental Psychology: General,153(3), 573-589. doi:10.1037/xge0001533.
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Wald-Fuhrmann, M., & Fuhrmann, W. (2024). Carl Dahlhaus’ Dissertation über Josquins Messen: Zeit- und fachgeschichtlicher Kontext und Forschungsbeitrag. Jahrbuch für Renaissancemusik: troja,19(2021), 77-101. doi:10.25371/troja.v20213866.
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Wei, H., Sammler, D., Scharinger, M., & Domahs, U. (2024). Effects of lexical tone on the prosodic marking of vocal emotions in Mandarin Chinese. In Sprache & Einstellung (pp. 90-90). Bochum: Ruhr Universität Bochum.
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Cabral-Calderin, Y., van Hinsberg, D., Thielscher, A., & Henry, M. J. (2024). Behavioral entrainment to rhythmic auditory stimulation can be modulated by tACS depending on the electrical stimulation field properties. eLife,12: RP87820. doi:10.7554/eLife.87820.3.
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Omigie, D., & Mencke, I. (2024). A model of time-varying music engagement. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895). doi:10.1098/rstb.2022.0421.
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Wald-Fuhrmann, M. (2024). Freude, Dankbarkeit, Mitleid: Empathie und Affekt-Erregung in oratorischen Leben-Jesu Oratorien. In W. W. Müller (Ed.), Das Leben Jesu: Theologische und musikalische Interpretationen (pp. 49-69). Ostfildern: Matthias-Grünewald.
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Menninghaus, W., Wagner, V., Schindler, I., Knoop, C. A., Blohm, S., Frieler, K., & Scharinger, M. (2024). Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895): 20220424. doi:10.1098/rstb.2022.0424.
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Barchet, A. V., Rimmele, J. M., & Pelofi, C. (2024). TenseMusic: An automatic prediction model for musical tension. PLOS ONE,19(1): e0296385. doi:10.1371/journal.pone.0296385.
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Larrouy-Maestri, P., Poeppel, D., & Pell, M. D. (2024). The sound of emotional prosody: Nearly 3 decades of research and future directions (Ahead of Print). Perspectives on Psychological Science. doi:10.1177/17456916231217722.
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Bignardi, G., Smit, D. J. A., Vessel, E. A., Trupp, M. D., Ticini, L. F., Fisher, S. E., & Polderman, T. J. C. (2024). Genetic effects on variability in visual aesthetic evaluations are partially shared across visual domains. Communications Biology,7: 55. doi:10.1038/s42003-023-05710-4.
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Grüny, C. (2024). Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z. PAJ: A Journal of Performance and Art,46(1(136)), 55-65. doi:10.1162/pajj_a_00696.
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Ericsson, M., Finch, B., Karlsson, I. K., Gatz, M., Reynolds, C. A., Pedersen, N. L., & Mosing, M. A. (2024). Educational influences on late-life health: Genetic propensity and attained education. Journals of Gerontology: Series B, Psychological Sciences and Social Sciences,79(1): gbad153. doi:10.1093/geronb/gbad153.
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Kadavá, Š., Pearson, L., Trujillo, J., & Pouw, W. (2024). Towards a movement science of communication. In L. K. Samuelson, S. L. Frank, M. Toneva, A. Mackey, & E. Hazeltine (Eds.), Proceedings of the Annual Meeting of the Cognitive Science Society (pp. 18-19).
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Van Geert, E., & Jacoby, N. (2024). Using Gibbs Sampling with people to characterize perceptual and aesthetic evaluations in multidimensional visual stimulus space. In L. K. Samuelson, S. L. Frank, M. Toneva, A. Mackey, & E. Hazeltine (Eds.), Proceedings of the Annual Meeting of the Cognitive Science Society (pp. 1204-1211).
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Zheng, Z.-F., Huang, S.-Y., Lu, S., & Cai, Y.-C. (2024). Interaction between top-down decision-driven congruency effect and bottom-up input-driven congruency effect is correlated with conscious awareness. Journal of Experimental Psychology: General,153(1), 102-121. doi:10.1037/xge0001483.
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Georgakopoulou, N., Kosti, M. V., Diplaris, S., Benayoun, M., Camurri, A., de Gelder, B., Wald-Fuhrmann, M., Koulali, P., Valsamidou, K., Bronner, K., Wanner, L., Gaki, F., Vrochidis, S., & Kompatsiaris, I. (2024). ReSilence: Retune the soundscape of future cities through art and science collaboration. In E. Tibloux (Ed.), Proceedings: ISEA2023 SYMBIOSIS (pp. 421-431). Paris: École des Arts Décoratifs.
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Urano, Y., Marjieh, R., Griffiths, T. L., & Jacoby, N. (2024). The influence of social information and presentation interface on aesthetic evaluations. In L. K. Samuelson, S. L. Frank, M. Toneva, A. Mackey, & E. Hazeltine (Eds.), Proceedings of the Annual Meeting of the Cognitive Science Society (pp. 5334-5340).
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2023

Pearson, L., & Manickavasakan, B. (2023). Annotating Karnataka music: Encounters between a musical tradition and computational tools. In F. Bonini Baraldi (Ed.), Proceedings of the Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS) (pp. 23-27). Lisbon, Portugal: Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-md), Faculty of Social and Human Sciences, NOVA University.
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Ha, J., Baek, S.-C., Lim, Y., & Chung, J. H. (2023). Validation of cost-efficient EEG experimental setup for neural tracking in an auditory attention task. Scientific Reports,13: 22682. doi:10.1038/s41598-023-49990-6.
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (Eds.). (2023). Musikwissenschaftliche Gesellschaften und Zeitschriften [Special Issue]. Die Musikforschung,76(4).
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (2023). Musikwissenschaftliche Gesellschaften und Zeitschriften: Zur Einführung. Die Musikforschung,76(4). doi:10.52412/mf.2023.H4.3109.
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Knoop, C. A., Kegel, V., Methner, S., Rothbart, S., & Vasilieva, J. (2023). Manual for the Annotation of Parallelisms und Deviations in Rhymed and Metered Texts. PsyArXiv Preprints https://doi.org/10.31234/osf.io/xvrdu.
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O’Rourke, R. (2023). Armida on the beach: A cinquecento rhetorical model of the emotions and its musical reception. Journal of the American Musicological Society,76(3), 587-644. doi:10.1525/jams.2023.76.3.587.
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Wörner, F. (2023). Schönberg und die Musiktheorie. In M. Frank, T. Muxeneder, & U. Scheideler (Eds.), Schönberg-Handbuch (pp. 433-446). Heidelberg: J.B. Metzler Stuttgart. doi:10.1007/978-3-476-05965-9_21.
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Merrill, J., Ackermann, T.-I., & Czepiel, A. (2023). Effects of disliked music on psychophysiology. Scientific Reports,13: 20641. doi:10.1038/s41598-023-46963-7.
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Meier, D., O’Neill, K., Tschacher, W., Tröndle, M., & Egermann, H. (2023). Digital concert experience: An online research project on live streaming during the Pandemic. In S. Lepa, R. Müller-Lindenberg, & H. Egermann (Eds.), Classical music and opera during and after the COVID-19 Pandemic: Empirical research on the digital transformation of socio-cultural institutions and aesthetic forms (pp. 95-112). Cham: Springer. doi:10.1007/978-3-031-42975-0_6.
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Tchernichovski, O., Frey, S., Jacoby, N., & Conley, D. (2023). Incentivizing free riders improves collective intelligence in social dilemmas. Proceedings of the National Academy of Sciences of the United States of America,120(46): e2311497120. doi:10.1073/pnas.2311497120.
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Frieler, K. (2023). Did melody become a Schrödinger Cat? Commentary on Clark & Arthur. Empirical Musicology Review,17(2), 150-153. doi:10.18061/emr.v17i2.9548.
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Cappotto, D., Auksztulewicz, R., Kang, H., Poeppel, D., Melloni, L., & Schnupp, J. (2021). Decoding the content of auditory sensory memory across species. Cerebral Cortex,31(7), 3226-3236. doi:10.1093/cercor/bhab002.
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Franz, I., Kentner, G., & Domahs, F. (2021). The impact of animacy and speech rhythm on the word order of conjuncts in German preschoolers and adults. Laboratory Phonology: Journal of the Association for Laboratory Phonology,12(1): 12. doi:10.5334/labphon.254.
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Hammerschmidt, D., Frieler, K., & Wöllner, C. (2021). Spontaneous motor tempo: Investigating psychological, chronobiological, and demographic factors in a large-scale online tapping experiment. Frontiers in Psychology,12: 677201. doi:10.3389/fpsyg.2021.677201.
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Cocoa, M. I., Mønster, D., Leonardi, G., Rick, D., & Wallot, S. (2021). Unidimensional and multidimensional methods for recurrence quantification analysis with crqa. The R Journal,13(1), 145-163. doi:10.32614/RJ-2021-062.
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Vroegh, T. P. (2021). Visual imagery in the listener’s mind: A network analysis of absorbed consciousness. Psychology of Consciousness: Theory, Research, and Practice, Advanced Online. doi:10.1037/cns0000274.
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Peviani, V. C., Scarpa, P., & Bottini, G. (2021). The Mini-Mental State Pediatric Examination: A cognitive screening test for Italian children. In C. R. Martin, V. R. Preedy, & R. Rajendram (Eds.), Diagnosis, management and modeling of neurodevelopmental disorders: The neuroscience of development (pp. 345-354). London: Academic Press. doi:10.1016/B978-0-12-817988-8.00030-0.
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Keitel, C., Obleser, J., Jessen, S., & Henry, M. J. (2021). Frequency-specific effects in infant electroencephalograms do not require entrained neural oscillations: A commentary on Köster et al. (2019). Psychological Science, (6), 966-971. doi:10.1177/09567976211001317.
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Wassiliwizky, E., & Menninghaus, W. (2021). Why and how should cognitive science care about aesthetics? Trends in Cognitive Sciences,25(6), 437-449. doi:10.1016/j.tics.2021.03.008.
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Polak, R. (2021). Presenting yourself through dance: Participatory and presentational aspects of dance Performance at local festivities in southern Mali. In V. Apjok, K. Povedák, V. Szőnyi, & S. Varga (Eds.), Dance, age and politics: Proceedings of the 30th Symposium of the ICTM Study Group on Ethnochoreology (pp. 67-82). Szeged: University of Szeged.
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Beermann, U., Hosoya, G., Schindler, I., Scherer, K. R., Eid, M., Wagner, V., & Menninghaus, W. (2021). Dimensions and clusters of aesthetic emotions: A semantic profile analysis. Frontiers in Psychology,12: 667173. doi:10.3389/fpsyg.2021.667173.
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Melloni, L., Mudrik, L., Pitts, M., & Koch, C. (2021). Making the hard problem of consciousness easier. Science,372(6545), 911-912. doi:10.1126/science.abj3259.
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Durojaye, C., Fink, L., Roeske, T. C., Wald-Fuhrmann, M., & Larrouy-Maestri, P. (2021). Perception of Nigerian Dùndún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic cues. Frontiers in Psychology,12: 652673. doi:10.3389/fpsyg.2021.652673.
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Welke, D., Purton, I., & Vessel, E. A. (2021). Inspired by art: Higher aesthetic appeal elicits increased felt inspiration in a creative writing task (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000393.
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Holz, N., Larrouy-Maestri, P., & Poeppel, D. (2021). The paradoxical role of emotional intensity in the perception of vocal affect. Scientific Reports,11: 9663. doi:10.1038/s41598-021-88431-0.
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Roeske, T. C., Rothenberg, D., & Gammon, D. E. (2021). Mockingbird morphing music: Structured transitions in a complex bird song. Frontiers in Psychology,12: 630115. doi:10.3389/fpsyg.2021.630115.
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Omigie, D., Frieler, K., Bär, C., Muralikrishnan, R., Wald-Fuhrmann, M., & Fischinger, T. (2021). Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates. Psychology of Aesthetics, Creativity, and the Arts,15(2), 197-215. doi:10.1037/aca0000271.
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Bruder, C., & Wöllner, C. (2021). Subvocalization in singers: Laryngoscopy and surface EMG effects when imagining and listening to song and text. Psychology of Music,49(3), 567-580. doi:10.1177/0305735619883681.
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Idrissi, A., Mustafawi, E., Khwaileh, T., & Muralikrishnan, R. (2021). A neurophysiological study of noun-adjective agreement in Arabic: The impact of animacy and diglossia on the dynamics of language processing. Journal of Neurolinguistics,58: 100964. doi:10.1016/j.jneuroling.2020.100964.
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Lubinus, C., Orpella, J., Keitel, A., Gudi-Mindermann, H., Engel, A. K., Roeder, B., & Rimmele, J. M. (2021). Data-driven classification of spectral profiles reveals brain region-specific plasticity in blindness. Cerebral Cortex,31(5), 2505-2522. doi:10.1093/cercor/bhaa370.
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van Leeuwen, T. M., Sauer, A., Jurjut, A.-M., Wibral, M., Uhlhaas, P. J., Singer, W., & Melloni, L. (2021). Perceptual gains and losses in synesthesia and schizophrenia. Schizophrenia Bulletin,47(3), 722-730. doi:10.1093/schbul/sbaa162.
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Kraxenberger, M., Knoop, C. A., & Menninghaus, W. (2021). Who reads contemporary erotic novels and why? Humanities and Social Sciences Communications,8: 96. doi:10.1057/s41599-021-00764-3.
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Wald-Fuhrmann, M., Egermann, H., Czepiel, A., O’Neill, K., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J., & Tröndle, M. (2021). Music listening in classical concerts: Theory, literature review, and research program. Frontiers in Psychology,12: 638783. doi:10.3389/fpsyg.2021.638783.
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Tchernichovski, O., Frey, S., Jacoby, N., & Conley, D. (2021). Experimenting with online governance. Frontiers in human dynamics,3: 629285. doi:10.3389/fhumd.2021.629285.
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Mellmann, K. (2021). [Review of Matthias Grüne's "Realistische Narratologie".]. Arbitrium,39(1), 102-104. doi:10.1515/arb-2020-0035.
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Kiai, A. (2021). Pinker’s (1994) The Language Instinct. In T. K. Shackelford, & V. A. Weekes-Shackelford (Eds.), Encyclopedia of evolutionary psychological science (pp. 6007-6010). Cham: Springer. doi:10.1007/978-3-319-16999-6_633-1.
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Kiai, A. (2021). Steven Pinker. In T. K. Shackelford, & V. A. Weekes-Shackelford (Eds.), Encyclopedia of evolutionary psychological science (pp. 7976-7979). Cham: Springer. doi:10.1007/978-3-319-16999-6_632-1.
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Yu, C.-S.-P., McBeath, M. K., & Glenberg, A. M. (2021). The gleam-glum effect: /i:/ versus /λ/ phonemes generically carry emotional valence. Journal of Experimental Psychology: Learning, Memory, and Cognition,47(7), 1173-1185. doi:10.1037/xlm0001017.
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Haider, T. (2021). Metrical Tagging in the Wild: Building and Annotating Poetry Corpora with Rhythmic Features. In Proceedings of the 16th Conference of the European Chapter of the Association for Computational Linguistics (pp. 3715-3725).
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Grabenhorst, M., Maloney, L. T., Poeppel, D., & Michalareas, G. (2021). Two sources of uncertainty independently modulate temporal expectancy. Proceedings of the National Academy of Sciences of the United States of America,118(16): e2019342118. doi:10.1073/pnas.2019342118.
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Salgaro, M., Wagner, V., & Menninghaus, W. (2021). A good, a bad, and an evil character: Who renders a novel most enjoyable? Poetics,87: 101550. doi:10.1016/j.poetic.2021.101550.
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Wagner, V., Scharinger, M., Knoop, C. A., & Menninghaus, W. (2021). Effects of continuous self-reporting on aesthetic evaluation and emotional responses. Poetics,85: 101497. doi:10.1016/j.poetic.2020.101497.
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Sokoliuk, R., Degano, G., Banellis, L., Melloni, L., Hayton, T., Sturman, S., Veenith, T., Yakoub, K. M., Belli, A., Noppeney, U., & Cruse, D. (2021). Covert speech comprehension predicts recovery from acute unresponsive states. Annals of Neurology, 646-656. doi:10.1002/ana.25995.
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Menninghaus, W., & Wallot, S. (2021). What the eyes reveal about (reading) poetry. Poetics,85: 101526. doi:10.1016/j.poetic.2020.101526.
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Mutch, C. (2021). Canons and contestable cadences in Brahms's Op. 118 No. 4. Music Theory and Analysis,8(1), 143-152. doi:10.11116/MTA.8.1.7.
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Raz, C. (2021). Séances, “sperrits,” and self-playing accordions: Musical instruments in Victorian spiritualism. Journal of Musicology,38(2), 230-259. doi:10.1525/jm.2021.38.2.230.
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Langlois, T. A., Jacoby, N., Suchow, J. W., & Griffiths, T. L. (2021). Serial reproduction reveals the geometry of visuospatial representations. Proceedings of the National Academy of Sciences of the United States of America,118(13): e2012938118. doi:10.1073/pnas.2012938118.
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Merrill, J., Czepiel, A., Fink, L. A., Toelle, J., & Wald-Fuhrmann, M. (2021). The aesthetic experience of live concerts: Self-reports and psychophysiology. Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000390.
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Chirico, A., Clewis, R., Yaden, D. B., & Gaggioli, A. (2021). Nature versus art as elicitors of the sublime: A virtual reality study. PLoS One,16(3): e0233628. doi:10.1371/journal.pone.0233628.
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Kang, H., Auksztulewicz, R., An, H., Chacra, N. A., Sutter, M. L., & Schnupp, J. W. H. (2021). Neural correlates of auditory pattern learning in the auditory cortex. Frontiers in Neuroscience,15: 610978. doi:10.3389/fnins.2021.610978.
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Vroegh, T. P., Wiesmann, S. L., Henschke, S., & Lange, E. B. (2021). Manual motor reaction while being absorbed into popular music. Consciousness and Cognition,89: 103088. doi:10.1016/j.concog.2021.103088.
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Sarkhosh, K., & Menninghaus, W. (2021). The Feel-Good Film: Genre Features and Emotional Rewards. Projections: The Journal for Movies and Mind,15(1), 55-77. doi:10.3167/proj.2021.150104.
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Toelle, J., & Sloboda, J. A. (2021). The audience as artist? The audience’s experience of participatory music. Musicae Scientiae,25(1), 67-91. doi:10.1177/1029864919844804.
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Blohm, S., Schlesewsky, M., Menninghaus, W., & Scharinger, M. (2021). Text type attribution modulates pre-stimulus alpha power in sentence reading. Brain and Language,214: 104894. doi:10.1016/j.bandl.2020.104894.
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Christensen, J. F., Vartanian, M., Sancho-Escanero, L., Khorsandi, S., Yazdi, S. H. N., Farahi, F., Borhani, K., & Gomila, A. (2021). A practice-inspired mindset for researching the psychophysiological and medical health effects of recreational dance (dance sport). Frontiers in Psychology,11: 588948. doi:10.3389/fpsyg.2020.588948.
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Henin, S., Turk-Browne, N. B., Friedman, D., Liu, A., Dugan, P., Flinker, A., Doyle, W., Devinsky, O., & Melloni, L. (2021). Learning hierarchical sequence representations across human cortex and hippocampus. Science Advances,7(8): eabc4530. doi:10.1126/sciadv.abc4530.
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Riedinger, M., Nagels, A., Werth, A., & Scharinger, M. (2021). Asymmetries in Accessing Vowel Representations Are Driven by Phonological and Acoustic Properties: Neural and Behavioral Evidence From Natural German Minimal Pairs. Frontiers in Human Neuroscience,15: 612345. doi:10.3389/fnhum.2021.612345.
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Dikker, S., Michalareas, G., Oostrik, M., Serafimaki, A., Kahraman, H. M., Struiksma, M. E., & Poeppel, D. (2021). Crowdsourcing neuroscience: Inter-brain coupling during face-to-face interactions outside the laboratory. NeuroImage,227: 117436. doi:10.1016/j.neuroimage.2020.117436.
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Menninghaus, W. (2021). Empirical Aesthetics of Language and Literature: Its Strengths and Weaknesses Compared to the Humanist Scholarship of Literature. Letteratura e Letterature,15, 113-127.
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Suna, L., & Muralikrishnan, R. (2021). Play it by ear? An ERP study of Chinese polysemous verb yǒu. Lingua,251: 103014. doi:10.1016/j.lingua.2020.103014.
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An, H., Kei, S. H., Auksztulewicz, R., & Schnupp, J. W. H. (2021). Do auditory mismatch responses differ between acoustic features? Frontiers in Human Neuroscience,15: 613903. doi:10.3389/fnhum.2021.613903.
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Shrestha, M., Lee, H. S., Nöth, U., & Deichmann, R. (2021). A novel sequence to improve auditory functional MRI with variable silent delays. Magnetic Resonance in Medicine,85(2), 883-896. doi:10.1002/mrm.28479.
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Harrison, P. M. C. (2021). Three questions concerning consonance perception. Music Perception,38(3), 337-339. doi:10.1525/mp.2021.38.3.337.
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Wörner, F. (2021). Bewegung – Bewegungsbild – Form: Energetik in der Musiktheorie Ernst Kurths. In K. Eggers, & A. Stollberg (Eds.), Energie: Kräftespiel in den Künsten (pp. 353-365). Würzburg: Königshausen & Neumann.
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Schindler, I., & Berg, C. A. (2021). Collaborative Problem Solving, Crises, and Well-Being. In F. Maggino (Ed.), Encyclopedia of Quality of Life and Well-Being Research (2nd ed.). Cham: Springer International Publishing. doi:10.1007/978-3-319-69909-7_3908-2.
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Degé, F. (2021). Music lessons and cognitive abilities in children: How far transfer could be possible. Frontiers in Psychology,11: 557807. doi:10.3389/fpsyg.2020.557807.
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Teng, X., Meng, Q., & Poeppel, D. (2021). Modulation spectra capture EEG responses to speech signals and drive distinct temporal response functions. eNeuro,8(1): ENEURO.0399-20.2020. doi:10.1523/ENEURO.0399-20.2020.
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Grüny, C. (2021). Dezentrierung, Rezentrierung und »Musik«. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft,66(2), 9-19. doi:10.28937/9783787342006_2.
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Grüny, C. (2021). Digitale Unruhe. Journal Phänomenologie,55, 54-58.
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Christensen, J. F., Azevedo, R. T., & Tsakiris, M. (2021). Emotion matters: Different psychophysiological responses to expressive and non-expressive full-body movements. Acta Psychologica,212: 103215. doi:10.1016/j.actpsy.2020.103215.
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Assaneo, M. F., Rimmele, J. M., Sanz Perl, Y., & Poeppel, D. (2021). Speaking rhythmically can shape hearing. Nature Human Behaviour,5, 71-82. doi:10.1038/s41562-020-00962-0.
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Harrison, P. M. C., Marjieh, R., Adolfi, F., van Rijn, P., Anglada-Tort, M., Tchernichovski, O., Larrouy-Maestri, P., & Jacoby, N. (2021). Gibbs sampling with people. In H. Larochelle, M. Ranzato, R. Hadsell, M. Balcan, & H. Lin (Eds.), 34th Conference on Neural Information Processing Systems (NeurIPS 2020) (pp. 10659-10671). Red Hook, NY: Curran Associates. doi:10.17605/OSF.IO/RZK4S.
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Grüny, C. (2021). Erdrückende Tradition? Musik in der Gegenwart. Merkur,75(860), 47-58.
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Malmierca, M. S., & Auksztulewicz, R. (2021). Stimulus-specific adaptation, MMN and predictive coding. Hearing Research,399: 108076. doi:10.1016/j.heares.2020.108076.
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van Rijn, P., Mertes, S., Schiller, D., Harrison, P. M. C., Larrouy-Maestri, P., André, E., & Jacoby, N. (2021). Exploring emotional prototypes in a high dimensional TTS latent space. In Proceedings Interspeech 2021 (pp. 3870-3874). Baixas: ISCA. doi:10.21437/Interspeech.2021-1538.
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Schiller, D., Mertes, S., van Rijn, P., & André, E. (2021). Analysis by synthesis: Using an expressive TTS Model as feature extractor for paralinguistic speech classification. In Proceedings Interspeech 2021 (pp. 486-490). doi:10.21437/Interspeech.2021-1587.
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Nuttall, T., Plaja, G., Pearson, L., & Serra, X. (2021). The Matrix profile for motif discovery in audio - an example application in Carnatic music. In T. Kitahara, M. Aramaki, & R. Kronland-Martinet (Eds.), Music in the AI Era: Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research (pp. 109-118).
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Todorovic, A., & Auksztulewicz, R. (2021). Dissociable neural effects of temporal expectations due to passage of time and contextual probability. Hearing Research,399: 107871. doi:10.1016/j.heares.2019.107871.
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An, H., Auksztulewicz, R., Kang, H., & Schnupp, J. W. H. (2021). Cortical mapping of mismatch responses to independent acoustic features. Hearing Research,399: 107894. doi:10.1016/j.heares.2020.107894.
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Lee, H., Höger, F., Schoenwiesner, M., Park, M., & Jacoby, N. (2021). Cross-cultural mood perception in pop songs and its alignment with mood detection algorithms. In Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR 2021.
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Peviani, V. C., Magnani, F. G., Bottini, G., & Melloni, L. (2021). Metric biases in body representation extend to objects. Cognition,206: 104490. doi:10.1016/j.cognition.2020.104490.
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Feige, D. M., & Grüny, C. (2021). Gibt es ›Musik‹? Einführung in ein Problemfeld. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft,66(2), 5-8. doi:10.28937/9783787342006_1.
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Gehring, P., Grüny, C., & Schnell, M. W. (Eds.). (2021). Journal Phänomenologie [Special Issue]. Digitalität und Erfahrung,55.
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Takarae, Y., McBeath, M. K., & Krynen, R. C. (2021). Perception of dynamic point light facial expression. The American Journal of Psychology,134(4), 373-384. doi:10.5406/amerjpsyc.134.4.0373.
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2020–2013

2020

Rother, D., Haider, T., & Eger, S. (2020). CMCE at SemEval-2020 Task 1: Clustering on Manifolds of Contextualized Embeddings to Detect Historical Meaning Shifts. In Proceedings of the Fourteenth Workshop on Semantic Evaluation at COLING 2020 (pp. 187-193).
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Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an object of empirical aesthetics. In M. Tröndle (Ed.), Classical concert studies: A companion to contemporary research and performance (pp. 351-360). London: Routledge.
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Liashenko, A., Dizaji, A. S., Melloni, L., & Schwiedrzik, C. M. (2020). Memory guidance of value-based decision making at an abstract level of representation. Scientific Reports,10: 21496. doi:10.1038/s41598-020-78460-6.
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Pöhls, R. L. V. (2020). Engaging Literature - Emotions as Route to political and Societal Engagement? In P. Ekardt, F. Fehrenbach, & C. Zumbusch (Eds.), Politische Emotionen in den Künsten - Mnemosyne. Schriften des internationalen Warburg-Kollegs (pp. 219-240). Berlin, Boston: de Gruyter. doi:10.1515/9783110725384-013.
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He, Y., Luell, S., Muralikrishnan, R., Straube, B., & Nagels, A. (2020). Gesture's body orientation modulates the N400 for visual sentences primed by gestures. Human Brain Mapping,41(17), 4901-4911. doi:10.1002/hbm.25166.
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Zhai, Y.-Y., Auksztulewicz, R., Song, P.-R., Sun, Z.-H., Gong, Y.-M., Du, X.-Y., He, J., & Yu, X. (2020). Synaptic adaptation contributes to stimulus-specific adaptation in the Thalamic Reticular Nucleus (Letter to the Editor). Neuroscience Bulletin,36(12), 1538-1541. doi:10.1007/s12264-020-00536-0.
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Pöhls, V., & Schirrmacher, S. (2020). Über den Gehalt der Lehre. Undercurrents - Literatur lehren,15, Retrieved from https://undercurrentsforum.com/index.php/undercurrents/article/view/122.
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Hartley, C. A., & Poeppel, D. (2020). Beyond the stimulus: A neurohumanities approach to language, music, and emotion. Neuron,108(4), 597-599. doi:10.1016/j.neuron.2020.10.021.
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Sharma, N. K., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020). Acoustic and linguistic features influence talker changedetection. The Journal of the Acoustical Society of America,148(5), EL414-EL419. doi:10.1121/10.0002462.
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Menninghaus, W. (2020).Darwin igo no bigaku: Geijutsu no kigen to kinou no fukugousei (= Japanese translation of Aesthetics after Darwin - The multiple origins and functions of the arts). (S. Ito, Trans.). Tokyo: Hosei University Press.
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Scharinger, M. (2020). Sprache und Musik aus der Sicht der Neurokognition: Sprechen, Singen und Melodie als verbindendes Element. In U. Omonsky, & C. Philipsen (Eds.), Das Melodram in Geschichte und Aufführungspraxis (pp. 335-374). Augsburg: Wißner-Verlag.
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van Dyck-Hemming, A., Eberhardt, J., & Wald-Fuhrmann, M. (2020). Ansätze zur Analyse historischer Netzwerke mit Neo4j® – Aus der Projekt-Werkstatt der Datenbank zur Fachgeschichte der Musikwissenschaft. In S. Acquavella-Rauch, A. Münzmay, & J. Veit (Eds.), Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation (pp. 191-198 ). doi:10.25366/2020.107.
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Mungan, E., & Kaya, E. (2020). Some time violations go less noticed: Gestalt grouping? A brief report. Timing & Time Perception,8(3-4), 350-362. doi:10.1163/22134468-bja10010.
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Harrison, P. M. C., Bianco, R., Chait, M., & Pearce, M. T. (2020). PPM-Decay: A computational model of auditory prediction with memory decay. PLoS Computational Biology,16(11): e1008304. doi:10.1371/journal.pcbi.1008304.
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Dikker, S., Haegens, S., Bevilacqua, D., Davidesco, I., Wan, L., Kaggen, L., McClintock, J., Chaloner, K., Ding, M., West, T., & Poeppel, D. (2020). Morning brain: Real-world neural evidence that high school class times matter. Social Cognitive and Affective Neuroscience,14(11), 1193-1202. doi:10.1093/scan/nsaa142.
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Polak, R. (2020). Wozu polychrone Pulsation? Funktionalistische Perspektiven auf metrische Strukturen in malischer Musik. In M. Sharif, & K. Stepputat (Eds.), Understanding musics: Festschrift on the occasion of Gerd Grupe's 65th birthday (pp. 19-36). Düren: Shaker.
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Auracher, J., Menninghaus, W., & Scharinger, M. (2020). Sound Predicts Meaning: Cross-Modal Associations Between Formant Frequency and Emotional Tone in Stanzas. Cognitive Science,44(10): e12906. doi:10.1111/cogs.12906.
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Meyer, L., Sun, Y., & Martin, A. E. (2020). “Entraining” to speech, generating language? Language, Cognition and Neuroscience,35(9), 1138-1148. doi:10.1080/23273798.2020.1827155.
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Clewis, R. (2020). What is Kant's theory of humor? In S. A. Benko (Ed.), Ethics in comedy: Essays on crossing the line (pp. 40-56). Jefferson, NC: McFarland & Co.
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Blanco-Elorrieta, E., Ding, N., Pylkkänen, L., & Poeppel, D. (2020). Understanding requires tracking: Noise and knowledge interact in bilingual comprehension. Journal of Cognitive Neuroscience,32(10), 1975-1983. doi:10.1162/jocn_a_01610.
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Polak, R. (2020). Non-isochronous meter is not irregular: A review of theory and evidence. In M. Aydintan, F. Edler, R. Graybill, & L. Krämer (Eds.), Gegliederte Zeit: 15. Jahreskongress der Gesellschaft für Musiktheorie Berlin 2015 (pp. 365-379). Hildesheim: Georg Olms.
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Pearson, L. (2020). A socially situated approach to aesthetics: Games and challenges in Karnatak music. In A. Hamilton, & L. Pearson (Eds.), The aesthetics of imperfection in music and the arts: Spontaneity, flaws and the unfinished (pp. 61-72). London: Bloomsbury Academic.
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2018

Raz, C., & Finger, S. (2018). Musical glasses, metal reeds and broken hearts: Two cases of melancholia treated by new musical instruments. In P. Gouk, J. Kennaway, & P. Jacomien (Eds.), The Routledge companion to music, mind, and well-being (pp. 77-91). New York: Routledge.

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2018). Measuring Optimal Reading Experiences: The Reading Flow Short Scale. Frontiers in Psychology,9: 2542. doi:10.3389/fpsyg.2018.02542.

Knoop, C. A. (2018).Franz Kafka. Baden-Baden: Tectum-Verlag.

Wallot, S., & Leonardi, G. (2018). Analyzing multivariate dynamics using Cross-Recurrence Quantification Analysis (CRQA), Diagonal-Cross-Recurrence Profiles (DCRP), and Multidimensional Recurrence Quantification Analysis (MdRQA) – A tutorial in R. Frontiers in Psychology,9: 2232. doi:10.3389/fpsyg.2018.02232.

Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds.), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler.

Getz, H., Ding, N., Newport, E. L., & Poeppel, D. (2018). Cortical tracking of constituent structure in language acquisition. Cognition,181, 135-140. doi:10.1016/j.cognition.2018.08.019.

Wallot, S., & Menninghaus, W. (2018). Ambiguity effects of rhyme and meter. Journal of Experimental Psychology: Learning, Memory, and Cognition.,44(12), 1947-1954. doi:10.1037/xlm0000557.

Bosker, H. R., & Ghitza, O. (2018). Entrained theta oscillations guide perception of subsequent speech: Behavioural evidence from rate normalisation. Language, Cognition and Neuroscience,33(8), 955-967. doi:10.1080/23273798.2018.1439179.

Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.

Urbanek, N., & Wald-Fuhrmann, M. (Eds.). (2018).Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie. Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-04654-3.

Liu, A., Vöröslakos, M., Kronberg, G., Henin, S., Krause, M. R., Huang, Y., Opitz, A., Mehta, A., Pack, C. C., Krekelberg, B., Berényi, A., Parra, L. C., Melloni, L., Devinsky, O., & Buzsáki, G. (2018). Immediate neurophysiological effects of transcranial electrical stimulation. Nature Communications,9: 5092. doi:10.1038/s41467-018-07233-7.

Kentner, G. (2018). Jan Michalsky. 2017. Frageintonation im Deutschen. Zur intonatorischen Markierung von Interrogativität und Fragehaltigkeit (Linguistische Arbeiten 566). Zeitschrift für Rezensionen zur germanistischen Sprachwissenschaft,10(1-2), 155-160. doi:10.1515/zrs-2018-0019.

Menninghaus, W., Wagner, V., Knoop, C. A., & Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. PLoS One,13(11): e0205980. doi:10.1371/journal.pone.0205980.

Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences on the functions of music listening. Psychology of Music,46(6), 763-794. doi:10.1177/0305735617724883.

Booth, C. R., Brown, H. L., Eason, E. G., Wallot, S., & Kelty-Stephen, D. G. (2018). Expectations on hierarchical scales of discourse: Multifractality predicts both short- and long-range effects of violating gender expectations in text reading. Discourse Processes,55(1), 12-30. doi:10.1080/0163853X.2016.1197811.

Polak, R., Tarsitani, S., & Clayton, M. (2018). IEMP Malian Jembe. Open Science Framework. doi:10.17605/OSF.IO/M652X.

Auksztulewicz, R., Schwiedrzik, C. M., Thesen, T., Doyle, W., Devinsky, O., Nobre, A. C., Schroeder, C. E., Friston, K. J., & Melloni, L. (2018). Not all predictions are equal: "What" and "when" predictions modulate activity in auditory cortex through different mechanisms. The Journal of Neuroscience,38(40), 8680-8693. doi:10.1523/JNEUROSCI.0369-18.2018.

Vessel, E. A., Maurer, N., Denker, A. H., & Starr, G. G. (2018). Stronger shared taste for natural aesthetic domains than for artifacts of human culture. Cognition,179, 121-131. doi:10.1016/j.cognition.2018.06.009.

Larrouy-Maestri, P., & Pfordresher, P. Q. (2018). Pitch perception in music: Do scoops matter? Journal of Experimental Psychology: Human Perception and Performance,44(10), 1523-1541. doi:10.1037/xhp0000550.

Caletti, E., Delvecchio, G., Andreella, A., Finos, L., Perlini, C., Tavano, A., Lasalvia, A., Bonetto, C., Cristofalo, D., Lamonaca, D., Ceccato, E., Pileggi, F., Mazzi, F., Santonastaso, P., Ruggeri, M., Bellani, M., & Brambilla, P. (2018). Prosody abilities in a large sample of affective and non-affective first episode psychosis patients. Comprehensive Psychiatry,86, 31-38. doi:10.1016/j.comppsych.2018.07.004.

Kuijpers, M. M., & Hakemulder, F. (2018). Understanding and Appreciating Literary Texts Through Rereading. Discourse Processes,55(7), 619-641. doi:10.1080/0163853X.2017.1390352.

Penn, L. R., Ayasse, N. D., Wingfield, A., & Ghitza, O. (2018). The possible role of brain rhythms in perceiving fast speech: Evidence from adult aging. The Journal of the Acoustical Society of America,144(4), 2088-2094. doi:10.1121/1.5054905.

Raz, C. (2018). An Eighteenth-Century theory of musical cognition? John Holden's essay towards a rational system of music (1770). Journal of Music Theory,62(2), 205-248. doi:10.1215/00222909-7127670.

Rimmele, J. M., Morillon, B., Poeppel, D., & Arnal, L. H. (2018). Proactive sensing of periodic and aperiodic auditory patterns. Trends in Cognitive Sciences [Special Issue: Time in the Brain],22(10), 870-882. doi:10.1016/j.tics.2018.08.003.

Teng, X., Tian, X., Doelling, K., & Poeppel, D. (2018). Theta band oscillations reflect more than entrainment: Behavioral and neural evidence demonstrates an active chunking process. European Journal of Neuroscience: European Neuroscience Association,48(8), 2770-2782. doi:10.1111/ejn.13742.

Raz, C. (2018). Anne Young’s introduction to music (1803): Pedagogical, speculative, and ludic music theory. SMT-V: The Society for Music Theory Videocast Journal, 4.3. doi:10.30535/smtv.4.3.

Belfi, A. M., Kasdan, A., Rowland, J., Vessel, E. A., Starr, G. G., & Poeppel, D. (2018). Rapid timing of musical aesthetic judgments. Journal of Experimental Psychology: General,147(10), 1531-1543. doi:10.1037/xge0000474.

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2018). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Annals of Neurology,84(S22), S235-S236.

Kraxenberger, M. (2018). Gelesen wie gesprochen: Überlegungen zur Gedichtrezeption als prosodisches (Text-)Gerede im Inneren. In D.-C. Assmann, & N. Menzel (Eds.), TEXTGEREDE Interferenzen Von Mündlichkeit und Schriftlichkeit in der Gegenwartsliteratur (pp. 147-160). Paderborn: Fink.

Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.

Wallot, S., & Mønster, D. (2018). Calculation of Average Mutual Information (AMI) and False-Nearest Neighbors (FNN) for the Estimation of Embedding Parameters of Multidimensional Time Series in Matlab. Frontiers in Psychology,9: 1679. doi:10.3389/fpsyg.2018.01679.

Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018). Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.

Teng, X., Sun, Y., & Poeppel, D. (2018). Temporal order judgment reveals local-global auditory processes. Acta acustica united with Acustica,104(5), 817-820. doi:10.3813/AAA.919231.

Schwiedrzik, C. M., Sudmann, S. S., Thesen, T., Wang, X., Groppe, D. M., Megevand, P., Doyle, W., Mehta, A. D., Devinsky, O., & Melloni, L. (2018). Medial prefrontal cortex supports perceptual memory. Current Biology,28(18), R1094-R1095. doi:10.1016/j.cub.2018.07.066.

Raz, C. (2018). Anne Young’s musical games (1801): Music theory, gender, and game design. SMT-V: The Society for Music Theory Videocast Journal, 4.2. doi:10.30535/smtv.4.2.

Cohen, D. E. (2018). Rhythm, number, and Heraclitus’ river. History of Music Theory.

Gwilliams, L., Linzen, T., Poeppel, D., & Marantz, A. (2018). In spoken word recognition, the future predicts the past. The Journal of Neuroscience,38(35), 7585-7599. doi:10.1523/JNEUROSCI.0065-18.2018.

Wallot, S., & Leonardi, G. (2018). Deriving inferential statistics from recurrence plots: A recurrence-based test of differences between sample distributions and its comparison to the two-sample Kolmogorov-Smirnov test. Chaos: An interdisciplinary journal of nonlinear science,28(8): 085712. doi:10.1063/1.5024915.

Kraxenberger, M., & Menninghaus, W. (2018). Mimologische Träumereien? Über ikonische Assoziationen von Klang und Gefühlswahrnehmung in Gedichten. In D. Scherf, & A. Bertschi-Kaufmann (Eds.), Ästhetische Rezeptionsprozesse aus didaktischer Perspektive (pp. 72-88). Weinheim, Basel: Beltz Juventa.

Lange, E. B., Pieczykolan, A., Trukenbrod, H. A., & Huestegge, L. (2018). The rhythm of cognition: Effects of an auditory beat on oculomotor control in reading and sequential scanning. Journal of Eye Movement Research,11(2): 9. doi:10.16910/jemr.11.2.9.

Greb, F. (2018). Determinants of music-selection behaviour: Development of a model. PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.

Wassiliwizky, E. (2018). At the root of the paradox: Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al. Physics of Life Reviews,25, 136-138. doi:10.1016/j.plrev.2017.12.008.

Blohm, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. Poetics,69, 41-56. doi:10.1016/j.poetic.2018.04.005.

Gudi-Mindermann, H., Rimmele, J. M., Nolte, G., Bruns, P., Engel, A. K., & Röder, B. (2018). Working memory training in congenitally blind individuals results in an integration of occipital cortex in functional networks. Behavioural Brain Research,348, 31-41. doi:10.1016/j.bbr.2018.04.002.

Belfi, A. M., Vessel, E. A., & Starr, G. G. (2018). Individual ratings of vividness predict aesthetic appeal in poetry. Psychology of Aesthetics, Creativity, and the Arts,12(3), 341-350. doi:10.1037/aca0000153.

Kraxenberger, M., Menninghaus, W., Roth, A., & Scharinger, M. (2018). Prosody-Based Sound-Emotion Associations in Poetry. Frontiers in Psychology,9: 1284. doi:10.3389/fpsyg.2018.01284.

Larrouy-Maestri, P. (2018). “I know it when I hear it”: On listeners’ perception of mistuning. Music & Science,1, 1-17. doi:10.1177/2059204318784582.

Schwiedrzik, C. M., Melloni, L., & Schurger, A. (2018). Mooney face stimuli for visual perception research. PLoS One,13(7): e0200106. doi:10.1371/journal.pone.0200106.

Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (Eds.), Facetten gegenwärtiger Bildtheorie: Interkulturelle und interdisziplinäre Perspektiven (pp. 261-283). Wiesbaden: Springer VS.

Nix, S., & Schoof, K. (2018). Spitzenservice für Experten: Spezialbibliotheken im digitalen Zeitalter. Politik & Kultur,4, 7.

Toelle, J. (2018). Applaus. In D. Morat, & H. Ziemer (Eds.), Handbuch Sound: Geschichte - Begriffe - Ansätze (pp. 178-182). Stuttgart: J.B. Metzler.

Herrera, R., Markevych, I., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., Heinrich, J., & Radon, K. (2018). Greenness and job-related chronic stress in young adults: A prospective cohort study in Germany. BMJ Open,8: e021599. doi:10.1136/bmjopen-2018-021599.

Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (Ed.), Das Konzert II: Beiträge zum Forschungsfeld der Concert Studies (pp. 425-447). Bielefeld: Transcript.

Wallot, S., & Kelty-Stephen, D. G. (2018). Interaction-dominant causation in mind and brain, and Its implication for questions of generalization and replication. Minds and machines: journal for artificial intelligence, philosophy and cognitive science,28(2), 353-374. doi:10.1007/s11023-017-9455-0.

Wieland, L. M., Grunschel, C., Limberger, M. F., Schlotz, W., Ferrari, J. R., & Ebner-Priemer, U. W. (2018). The ecological momentary assessment of procrastination in daily life: Psychometric properties of a five-item short scale. North American journal of psychology,20(2), 315-339.

Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.

Pearson, L. (2018). Cultural heritage, sustainability and innovation in South Indian art music. In B. Norton, & N. Matsumoto (Eds.), Music as heritage: Historical and ethnographic perspectives (pp. 238-257). London: Routledge.

Werth, A., Rocholl, M. J., Henrich, K., Lanwermeyer, M., Schnell, H., Domahs, U., Herrgen, J., & Schmidt, J.-E. (2018). The Interaction of vowel quantity and tonal cues in Cognitive processing: An MMN-study concerning dialectal and standard varieties. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (Linguistische Arbeiten 567) (pp. 183-211). Berlin: de Gruyter.

Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.

Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors. Music & Science,1, 1-17. doi:10.1177/2059204318755950.

Hoshi, H., & Menninghaus, W. (2018). The eye tracks the aesthetic appeal of sentences. Journal of Vision,18(3), 1-22. doi:10.1167/18.3.19.

Scharinger, M. (2018). Neural bases of phonological representations: Empirical approaches and methods. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (pp. 241-272). Berlin, Boston: Walter de Gruyter GmbH. doi:10.1515/9783110542899-010.

Kaufmann, M. (2018). The nymph's voice as an acoustic reflection of the self. In K. A. E. Engelke, & A. Traninger (Eds.), The figure of the nymph in early modern culture (pp. 396-418). Leiden: Brill. doi:10.1163/9789004364356_014.

Tian, X., Ding, N., Teng, X., Bai, F., & Poeppel, D. (2018). Imagined speech influences perceived loudness of sound. Nature Human Behaviour,2(3), 225-234. doi:10.1038/s41562-018-0305-8.

Lakens, D., Adolfi, F., Albers, C. J., Anvari, F., Apps, M. A. J., Argamon, S. E., Baguley, T., Becker, R. B., Benning, S. D., Bradford, D. E., Buchanan, E. M., Caldwell, A. R., Calster, B. V., Carlsson, R., Chen, S.-C., Chung, B., Colling, L. J., Collins, G. S., Crook, Z., Cross, E. S., Daniels, S., Danielsson, H., DeBruine, L., Dunleavy, D. J., Earp, B. D., Feist, M. I., Ferrell, J. D., Field, J. G., Fox, N. W., Friesen, A., Gomes, C., Gonzalez-Marquez, M., Grange, J. A., Grieve, A. P., Guggenberger, R., Grist, J., van Harmelen, A.-L., Hasselman, F., Hochard, K. D., Hoffarth, M. R., Holmes, N. P., Ingre, M., Isager, P. M., Isotalus, H. K., Johansson, C., Juszczyk, K., Kenny, D. A., Khalil, A. A., Konat, B., Lao, J., Larsen, E. G., Lodder, G. M. A., Lukavský, J., Madan, C. R., Manheim, D., Martin, S. R., Martin, A. E., Mayo, D. G., McCarthy, R. J., McConway, K., McFarland, C., Nio, A. Q. X., Nilsonne, G., de Oliveira, C. L., de Xivry, J.-J.-O., Parsons, S., Pfuhl, G., Quinn, K. A., Sakon, J. J., Saribay, S. A., Schneider, I. K., Selvaraju, M., Sjoerds, Z., Smith, S. G., Smits, T., Spies, J. R., Sreekumar, V., Steltenpohl, C. N., Stenhouse, N., Świątkowski, W., Vadillo, M. A., Assen, M. A. L. M. V., Williams, M. N., Williams, S. E., Williams, D. R., Yarkoni, T., Ignazio, Z., & Zwaan, R. A. (2018). Justify your alpha. Nature Human Behaviour,2(3), 168-171. doi:10.1038/s41562-018-0311-x.

Sarkhosh, K. (2018). Kurz und kernig statt lang und erbärmlich? Einige Beobachtungen zum Verhältnis von Erfolg, Staffellaufzeiten und narrativer Dichte in aktuellen ›Quality TV‹-Serien. In M. Baßler, & M. Nies (Eds.), Short Cuts. Ein Verfahren zwischen Roman, Film und Serie (pp. 217-247). Marburg: Schüren.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (2018). Editorial: Brain oscillations in human communication. Frontiers in Human Neuroscience, 12:39. doi:10.3389/fnhum.2018.00039.

Assaneo, M. F., & Poeppel, D. (2018). The coupling between auditory and motor cortices is rate-restricted: Evidence for an intrinsic speech-motor rhythm. Science Advances,4(2): eaao3842. doi:10.1126/sciadv.aao3842.

Menninghaus, W. (2018).Sei no nakaba: Hoeldelin shigaku ni matsuwaru shiron (=Japanese translation of Hälfte des Lebens: Versuch über Hölderlins Poetik, Frankfurt: Suhrkamp, 2005). Translated by Yoshikazu Takemine. Tokio: Getsuyousha Limited.

Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte für Fragen des Gottesdienstes,68(2), 83-108.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (Eds.). (2018).Brain oscillations in human communication. Lausanne: Frontiers Media. doi:10.3389/978-2-88945-458-7.

Haider, T., & Kuhn, J. (2018). Supervised Rhyme Detection with Siamese Recurrent Networks. In B. Alex, S. Degaetano-Ortlieb, A. Feldman, A. Kazantseva, N. Reiter, & S. Szpakowicz (Eds.), Proceedings of the Second Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature (pp. 81-86).

Toelle, J. (2018). Mission soundscapes: Demons, Jesuits and sounds in Antonio Ruiz de Montoya’s Conquista Espiritual (1639). In D. Hacke, & P. Musselwhite (Eds.), Empire of the senses: Sensory practices of colonialism in early America (pp. 67-87). Leiden: Brill. doi:10.1163/9789004340640_004.

Fischinger, T. (2018). Vorreiter einer empirischen Ästhetik: Anmerkungen zur Studie «Die natürliche Stimmung in der modernen Vokalmusik» (1893) von Max Planck. Neue Zeitschrift für Musik, (1), 27-29.

2017

Auracher, J., & Hirose, A. (2017). The influence of reader’s stereotypes on the assessment of fictional characters. Comparative Literature Studies,54(4), 795-823. doi:10.5325/complitstudies.54.4.0795.

Kumsta, R., Schlotz, W., Golm, D., Moser, D., Kennedy, M., Knights, N., Kreppner, J., Maughan, B., Rutter, M., & Sonuga-Barke, E. (2017). HPA axis dysregulation in adult adoptees twenty years after severe institutional deprivation in childhood. Psychoneuroendocrinology,86, 196-202. doi:10.1016/j.psyneuen.2017.09.021.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences,40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.

Elvers, P., & Steffens, J. (2017). The sound of success: Investigating cognitive and behavioral effects of motivational music in sports. Frontiers in Psychology, 8:2026. doi:10.3389/fpsyg.2017.02026.

Blohm, S., Menninghaus, W., & Schlesewsky, M. (2017). Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence. Frontiers in Psychology,8: 1887. doi:10.3389/fpsyg.2017.01887.

Scharinger, M. (2017). Are there brain bases for phonological markedness? In B. D. Samuels (Ed.), Beyond Markedness in Formal Phonology (pp. 191-218). Amsterdam/Philadelphia: John Benjamins Publishing Company.

Teng, X., Tian, X., Rowland, J., & Poeppel, D. (2017). Concurrent temporal channels for auditory processing: Oscillatory neural entrainment reveals segregation of function at different scales. PLoS Biology,15(11): e2000812. doi:10.1371/journal.pbio.2000812.

Auracher, J. (2017). Sound iconicity of abstract concepts: Place of articulation is implicitly associated with abstract concepts of size and social dominance. PLoS One,12(11): e0187196. doi:10.1371/journal.pone.0187196.

Bauer, S., van Alphen, N., Becker, A., Chiocchetti, A., Deichmann, R., Deller, T., Freiman, T., Freitag, C. M., Gehrig, J., Hermsen, A. M., Jedlicka, P., Kell, C., Klein, K. M., Knake, S., Kullmann, D. M., Liebner, S., Norwood, B. A., Omigie, D., Plate, K., Reif, A., Reif, P. S., Reiss, Y., Roeper, J., Ronellenfitsch, M. W., Schorge, S., Schratt, G., Schwarzacher, S. W., Steinbach, J. P., Strzelczyk, A., Triesch, J., Wagner, M., Walker, M. C., von Wegner, F., & Rosenow, F. (2017). Personalized translational epilepsy research — Novel approaches and future perspectives: Part II: Experimental and translational approaches. Epilepsy & Behavior,76, 7-12. doi:10.1016/j.yebeh.2017.06.040.

Kennedy, M., Kreppner, J., Knights, N. H., Kumsta, R., Maughan, B., Golm, D., Hill, J., Rutter, M., Schlotz, W., & Sonuga-Barke, E. (2017). Adult disinhibited social engagement in adoptees exposed to extreme institutional deprivation: examination of its clinical status and functional impact. The British Journal of Psychiatry,211(5), 289-295. doi:10.1192/bjp.bp.117.200618.

Hosoya, G., Schindler, I., Beermann, U., Wagner, V., Menninghaus, W., Eid, M., & Scherer, K. (2017). Mapping the Conceptual Domain of Aesthetic Emotion Terms: A Pile-Sort Study. Psychology of Aesthetics, Creativity, and the Arts,11(4), 457-473. doi:10.1037/aca0000123.

Herrera, R., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., & Radon, K. (2017). Chronic Stress in Young German Adults: Who Is Affected? A Prospective Cohort Study. International Journal of Environmental Research and Public Health,14(11): 1325. doi:10.3390/ijerph14111325.

Lafon, B., Henin, S., Huang, Y., Friedman, D., Melloni, L., Thesen, T., Doyle, W., Buzsáki, G., Devinsky, O., Parra, L. C., & Liu, A. A. (2017). Low frequency transcranial electrical stimulation does not entrain sleep rhythms measured by human intracranial recordings. Nature Communications,8: 1199. doi:10.1038/s41467-017-01045-x.

Powell, D. J. H., Liossi, C., Schlotz, W., & Moss-Morris, R. (2017). Tracking daily fatigue fluctuations in multiple sclerosis: ecological momentary assessment provides unique insights. Journal of Behavioral Medicine,40(5), 772-783. doi:10.1007/s10865-017-9840-4.

Kelty-Stephen, D., & Wallot, S. (2017). Multifractality versus (mono)fractality in the narrative about nonlinear interactions across time scales: Disentangling the belief in nonlinearity from the diagnosis of nonlinearity. Ecological Psychology,29(4), 259-299. doi:10.1080/10407413.2017.1368355.

Lange, E. B., Zweck, F., & Sinn, P. (2017). Microsaccade-rate indicates absorption by music listening. Consciousness and Cognition,