Publikationen des Instituts

Einen Überblick über die Publikationen des Instituts finden Sie im MPG PublicationRepository (PuRe). Neben der Anzeige sämtlicher Institutspublikationen gibt es auch die Möglichkeit, nach den Abteilungen zu sortieren oder nach einzelnen Wissenschaftler/innen zu suchen.

MPG.PuRe: Empirische Ästhetik



Wassiliwizky, E., & Menninghaus, W. (2021). Why and How Should Cognitive Science Care about Aesthetics? Trends in Cognitive Sciences,25(6), 437-449.

Idrissi, A., Mustafawi, E., Khwaileh, T., & Muralikrishnan, R. (2021). A neurophysiological study of noun-adjective agreement in Arabic: The impact of animacy and diglossia on the dynamics of language processing. Journal of Neurolinguistics,58: 100964. doi:10.1016/j.jneuroling.2020.100964.

Kraxenberger, M., Knoop, C. A., & Menninghaus, W. (2021). Who reads contemporary erotic novels and why? Humanities and Social Sciences Communications,8: 96. doi:10.1057/s41599-021-00764-3.

Wald-Fuhrmann, M., Egermann, H., Czepiel, A., O’Neill, K., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J., & Tröndle, M. (2021). Music listening in classical concerts: Theory, literature review, and research program. Frontiers in Psychology,12: 638783. doi:10.3389/fpsyg.2021.638783.

Haider, T. (2021). Metrical Tagging in the Wild: Building and Annotating Poetry Corpora with Rhythmic Features. In Proceedings of the 16th Conference of the European Chapter of the Association for Computational Linguistics (pp. 3715-3725).

Merrill, J., Czepiel, A., Fink, L. A., Toelle, J., & Wald-Fuhrmann, M. (2021). The aesthetic experience of live concerts: Self-reports and psychophysiology. Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000390.
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Kang, H., Auksztulewicz, R., An, H., Chacra, N. A., Sutter, M. L., & Schnupp, J. W. H. (2021). Neural correlates of auditory pattern learning in the auditory cortex. Frontiers in Neuroscience,15: 610978. doi:10.3389/fnins.2021.610978.

Sarkhosh, K., & Menninghaus, W. (2021). The Feel-Good Film: Genre Features and Emotional Rewards. Projections: The Journal for Movies and Mind,15(1), 55-77. doi:10.3167/proj.2021.150104.

Vroegh, T. P., Wiesmann, S. L., Henschke, S., & Lange, E. B. (2021). Manual motor reaction while being absorbed into popular music. Consciousness and Cognition,89: 103088. doi:10.1016/j.concog.2021.103088.

Toelle, J., & Sloboda, J. A. (2021). The audience as artist? The audience’s experience of participatory music. Musicae Scientiae,25(1), 67-91. doi:10.1177/1029864919844804.

Christensen, J. F., Vartanian, M., Sancho-Escanero, L., Khorsandi, S., Yazdi, S. H. N., Farahi, F., Borhani, K., & Gomila, A. (2021). A Practice-Inspired Mindset for Researching the Psychophysiological and Medical Health Effects of Recreational Dance (Dance Sport). Frontiers in Psychology,11: 588948. doi:10.3389/fpsyg.2020.588948.

Henin, S., Turk-Browne, N. B., Friedman, D., Liu, A., Dugan, P., Flinker, A., Doyle, W., Devinsky, O., & Melloni, L. (2021). Learning hierarchical sequence representations across human cortex and hippocampus. Science Advances,7(8): eabc4530. doi:10.1126/sciadv.abc4530.

Buren, V., Müllensiefen, D., Roeske, T. C., & Degé, F. (2021). What makes a child musical? Conceptions of musical ability in childhood (Ahead-of-print). Early Child Development and Care, 1-16. doi:10.1080/03004430.2020.1866566.

Dikker, S., Michalareas, G., Oostrik, M., Serafimaki, A., Kahraman, H. M., Struiksma, M. E., & Poeppel, D. (2021). Crowdsourcing neuroscience: Inter-brain coupling during face-to-face interactions outside the laboratory. NeuroImage,227: 117436. doi:10.1101/822320.

Harrison, P. M. C. (2021). Three questions concerning consonance perception. Music Perception,38(3), 337-339. doi:10.1525/mp.2021.38.3.337.

An, H., Kei, S. H., Auksztulewicz, R., & Schnupp, J. W. H. (2021). Do auditory mismatch responses differ between acoustic features? Frontiers in Human Neuroscience,15: 613903. doi:10.3389/fnhum.2021.613903.

Blohm, S., Schlesewsky, M., Menninghaus, W., & Scharinger, M. (2021). Text type attribution modulates pre-stimulus alpha power in sentence reading. Brain and Language,214: 104894. doi:10.1016/j.bandl.2020.104894.

Fink, L., Warrenburg, L., Howlin, C., Randall, W., Hansen, N., & Wald-Fuhrmann, M. (2021). Viral tunes: Changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown (preprint). PsyArXiv. doi:10.31234/

Sokoliuk, R., Degano, G., Banellis, L., Melloni, L., Hayton, T., Sturman, S., Veenith, T., Yakoub, K. M., Belli, A., Noppeney, U., & Cruse, D. (2021). Covert speech comprehension predicts recovery from acute unresponsive states (early view). Annals of Neurology. doi:10.1002/ana.25995.

Degé, F. (2021). Music lessons and cognitive abilities in children: How far transfer could be possible. Frontiers in Psychology,11: 557807. doi:10.3389/fpsyg.2020.557807.

Grüny, C. (2021). Erdrückende Tradition? Musik in der Gegenwart. Merkur,75(860), 47-58.

Peviani, V. C., Magnani, F. G., Bottini, G., & Melloni, L. (2021). Metric biases in body representation extend to objects. Cognition,206: 104490. doi:10.1016/j.cognition.2020.104490.

An, H., Auksztulewicz, R., Kang, H., & Schnupp, J. W. H. (2021). Cortical mapping of mismatch responses to independent acoustic features. Hearing Research,399: 107894. doi:10.1016/j.heares.2020.107894.

Christensen, J. F., Azevedo, R. T., & Tsakiris, M. (2021). Emotion matters: Different psychophysiological responses to expressive and non-expressive full-body movements. Acta Psychologica,212: 103215. doi:10.1016/j.actpsy.2020.103215.

Malmierca, M. S., & Auksztulewicz, R. (2021). Stimulus-specific adaptation, MMN and predictive coding. Hearing Research,399: 108076. doi:10.1016/j.heares.2020.108076.


Lubinus, C., Orpella, J., Keitel, A., Gudi-Mindermann, H., Engel, A. K., Roeder, B., & Rimmele, J. M. (2020). Data-driven classification of spectral profiles reveals brain region-specific plasticity in blindness. Cerebral Cortex, bhaa370. doi:10.1093/cercor/bhaa370.

Merrill, J., & Ackermann, T. (2020). “Like static noise in a beautiful landscape”: A mixed-methods approach to rationales and features of disliked voices in popular music (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000376.

Rother, D., Haider, T., & Eger, S. (2020). CMCE at SemEval-2020 Task 1: Clustering on Manifolds of Contextualized Embeddings to Detect Historical Meaning Shifts. In Proceedings of the Fourteenth Workshop on Semantic Evaluation at COLING 2020 (pp. 187-193).

Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an object of empirical aesthetics. In M. Tröndle (Ed.), Classical concert studies: A companion to contemporary research and performance (pp. 351-360). London: Routledge.

Liashenko, A., Dizaji, A. S., Melloni, L., & Schwiedrzik, C. M. (2020). Memory guidance of value-based decision making at an abstract level of representation. Scientific Reports,10: 21496. doi:10.1038/s41598-020-78460-6.

Pöhls, R. L. V. (2020). Engaging Literature - Emotions as Route to political and Societal Engagement? In P. Ekardt, F. Fehrenbach, & C. Zumbusch (Eds.), Politische Emotionen in den Künsten - Mnemosyne. Schriften des internationalen Warburg-Kollegs (pp. 219-240). Berlin, Boston: de Gruyter. doi:10.1515/9783110725384-013.

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2020). The pleasures of reading fiction explained by flow, presence, identification, suspense, and cognitive involvement. Psychology of Aesthetics, Creativity, and the Arts, Advance online publication. doi:10.1037/aca0000367.

Pöhls, V., & Schirrmacher, S. (2020). Über den Gehalt der Lehre. Undercurrents - Literatur lehren,15, Retrieved from
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Sharma, N. K., Krishnamohan, V., Ganapathy, S., Gangopadhayay, A., & Fink, L. (2020). Acoustic and linguistic features influence talker changedetection. The Journal of the Acoustical Society of America,148(5), EL414-EL419. doi:10.1121/10.0002462.

Hartley, C. A., & Poeppel, D. (2020). Beyond the stimulus: A neurohumanities approach to language, music, and emotion. Neuron,108(4), 597-599. doi:10.1016/j.neuron.2020.10.021.

Menninghaus, W. (2020).Darwin igo no bigaku: Geijutsu no kigen to kinou no fukugousei (= Japanese translation of Aesthetics after Darwin - The multiple origins and functions of the arts). (S. Ito, Trans.). Tokyo: Hosei University Press.

Scharinger, M. (2020). Sprache und Musik aus der Sicht der Neurokognition: Sprechen, Singen und Melodie als verbindendes Element. In U. Omonsky, & C. Philipsen (Eds.), Das Melodram in Geschichte und Aufführungspraxis. Augsburg: Wißner-Verlag.

Mungan, E., & Kaya, E. (2020). Some time violations go less noticed: Gestalt grouping? A brief report. Timing & Time Perception,8(3-4), 350-362. doi:10.1163/22134468-bja10010.

Harrison, P. M. C., Bianco, R., Chait, M., & Pearce, M. T. (2020). PPM-Decay: A computational model of auditory prediction with memory decay. PLoS Computational Biology,16(11): e1008304. doi:10.1371/journal.pcbi.1008304.

Dikker, S., Haegens, S., Bevilacqua, D., Davidesco, I., Wan, L., Kaggen, L., McClintock, J., Chaloner, K., Ding, M., West, T., & Poeppel, D. (2020). Morning brain: Real-world neural evidence that high school class times matter. Social Cognitive and Affective Neuroscience,14(11), 1193-1202. doi:10.1093/scan/nsaa142.

García‐Rosales, F., López‐Jury, L., González‐Palomares, E., Cabral‐Calderín, Y., Kössl, M., & Hechavarria, J. C. (2020). Phase‐amplitude coupling profiles differ in frontal and auditory cortices of bats (Early View). European Journal of Neuroscience. doi:10.1111/ejn.14986.

Polak, R. (2020). Wozu polychrone Pulsation? Funktionalistische Perspektiven auf metrische Strukturen in malischer Musik. In M. Sharif, & K. Stepputat (Eds.), Understanding musics: Festschrift on the occasion of Gerd Grupe's 65th birthday (pp. 19-36). Düren: Shaker.

Assaneo, M. F., Rimmele, J. M., Sanz Perl, Y., & Poeppel, D. (2020). Speaking rhythmically can shape hearing. Nature Human Behaviour. doi:10.1038/s41562-020-00962-0.

Auracher, J., Menninghaus, W., & Scharinger, M. (2020). Sound Predicts Meaning: Cross-Modal Associations Between Formant Frequency and Emotional Tone in Stanzas. Cognitive Science,44(10): e12906. doi:10.1111/cogs.12906.

Meyer, L., Sun, Y., & Martin, A. E. (2020). “Entraining” to speech, generating language? Language, Cognition and Neuroscience,35(9), 1138-1148. doi:10.1080/23273798.2020.1827155.

Pearson, L. (2020). A socially situated approach to aesthetics: Games and challenges in Karnatak music. In A. Hamilton, & L. Pearson (Eds.), The aesthetics of imperfection in music and the arts: Spontaneity, flaws and the unfinished (pp. 61-72). London: Bloomsbury Academic.
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Grüny, C. (2020). Grenzen des Rationalen: Klang und Theorie. In B. Giesecke von Bergh, & V. Helbing (Eds.), ›Klang‹. Wundertüte oder Stiefkind der Musiktheorie: 16. Jahreskongress der Gesellschaft für Musiktheorie (GMTH) (pp. 15-35). doi:10.31751/p.1.

Polak, R. (2020). Non-isochronous meter is not irregular: A review of theory and evidence. In M. Aydintan, F. Edler, R. Graybill, & L. Krämer (Eds.), Gegliederte Zeit: 15. Jahreskongress der Gesellschaft für Musiktheorie Berlin 2015 (pp. 365-379). Hildesheim: Georg Olms.

Blanco-Elorrieta, E., Ding, N., Pylkkänen, L., & Poeppel, D. (2020). Understanding requires tracking: Noise and knowledge interact in bilingual comprehension. Journal of Cognitive Neuroscience,32(10), 1975-1983. doi:10.1162/jocn_a_01610.

Hamilton, A., & Pearson, L. (Eds.). (2020).The aesthetics of imperfection in music and the arts: Spontaneity, flaws and the unfinished. London: Bloomsbury Academic.

Roeske, T. C., Tchernichovski, O., Poeppel, D., & Jacoby, N. (2020). Categorical rhythms are shared between songbirds and humans. Current Biology,30(18), 3544-3555.e6. doi:10.1016/j.cub.2020.06.072.

Wald-Fuhrmann, M., Boenneke, S., Vroegh, T. P., & Dannecker, K. P. (2020). “He Who Sings, Prays Twice”? Singing in Roman catholic mass leads to spiritual and social experiences that are predicted by religious and musical attitudes. Frontiers in Psychology,11: 570189. doi:10.3389/fpsyg.2020.570189.

Sicorello, M., Dieckmann, L., Moser, D., Lux, V., Luhmann, M., Neubauer, A. B., Schlotz, W., & Kumsta, R. (2020). Highs and lows: Genetic susceptibility to daily events. PLoS One,15(8): e023700. doi:10.1371/journal.pone.0237001.

Anglada-Tort, M., & Skov, M. (2020). What counts as Aaesthetics in science? A bibliometric analysis and visualization of the scientific literature from 1970 to 2018 (Online First Posting). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000350.

Shrestha, M., Lee, H. S., Nöth, U., & Deichmann, R. (2020). A novel sequence to improve auditory functional MRI with variable silent delays (Early View). Magnetic Resonance in Medicine. doi:10.1002/mrm.28479.

Menninghaus, W., & Blohm, S. (2020). Empirical Aesthetics of Poetry. In M. Nadal, & O. Vartanian (Eds.), The Oxford Handbook of Empirical Aesthetics (pp. 1-20). Oxford University Press. doi:10.1093/oxfordhb/9780198824350.013.33.

Merrill, J., Omigie, D., & Wald-Fuhrmann, M. (2020). Locus of emotion influences psychophysiological reactions to music. PLoS One,15(8): e0237641. doi:10.1371/journal.pone.0237641.

Sakamoto, Y. (2020). Was sind Neuronale Geisteswissenschaften?: Eine Sondierung. In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 177-194 ). Berlin: De Gruyter. doi:10.1515/9783110582406-016.

Sakamoto, Y., Jäger, F., & Tanaka, J. (Eds.). (2020).Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland. Berlin: De Gruyter. doi:10.1515/9783110582406.

Menninghaus, W. (2020). Empirische Ästhetik der Sprache und Literatur- Was kann sie besser als die herkömmliche Literaturwissenschaft – und was nicht? In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen - Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 195-214). Berlin, Boston: De Gruyter.

Horst Bredekamp im Gespräch mit Felix Jäger und Yasuhiro Sakamoto: „Formen heißt Denken, Denken heißt Formen“. Die Zukunft der Bildwissenschaft und die Kulturfrage. (2020). In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 13-28). Berlin: De Gruyter. doi:10.1515/9783110582406-002.

Kraxenberger, M., & Knoop, C. A. (2020). Grundriss der empirischen Literaturwissenschaft- Eine Gebrauchsanweisung. In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen - Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 215-220). Berlin, Boston: De Gruyter.

Sakamoto, Y., Jäger, F., & Tanaka, J. (2020). Editorial. In Y. Sakamoto, F. Jäger, & J. Tanaka (Eds.), Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland (pp. 9-12). Berlin: De Gruyter. doi:10.1515/9783110582406-001.

Schlotz, W., Wallot, S., Omigie, D., Masucci, M. D., Hoelzmann, S. C., & Vessel, E. A. (2020). The Aesthetic Responsiveness Assessment (AReA): A screening tool to assess individual differences in responsiveness to art in English and German (Online First Posting). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000348.

He, Y., Luell, S., Muralikrishnan, R., Straube, B., & Nagels, A. (2020). Gesture's body orientation modulates the N400 for visual sentences primed by gestures (Early view). Human Brain Mapping. doi:10.1002/hbm.25166.

Poeppel, D., & Adolfi, F. (2020). Against the epistemological primacy of the hardware: The brain from inside out, turned upside down. eNeuro,7(4): 0215-20.2020. doi:10.1523/ENEURO.0215-20.202.

Harrison, P. M. C., Marjieh, R., Adolfi, F., van Rijn, P., Anglada-Tort, M., Tchernichovski, O., Larrouy-Maestri, P., & Jacoby, N. (2020). Gibbs sampling with people. arXiv. doi:10.17605/OSF.IO/RZK4S.

Pu, Y., Cornwell, B. R., Cheyne, D., & Johnson, B. W. (2020). Gender differences in navigation performance are associated with differential theta and high-gamma activities in the hippocampus and parahippocampus. Behavioural Brain Research,391: 112664. doi:10.1016/j.bbr.2020.112664.

Peviani, V. C., & Bottini, G. (2020). Proprioceptive errors in the localization of hand landmarks: What can be learnt about the hand metric representation? PLoS One,15(7): e0236416. doi:10.1371/journal.pone.0236416.

Haider, T., & van Dyck-Hemming, A. (2020). Extracting a Social Network of Musicologists. In Proceedings of the Digital Humanities Conference DH2020 in Ottawa.

Plecháč, P., & Haider, T. (2020). Mapping Topic Evolution Across Poetic Traditions. In Proceedings of the Digital Humanities Conference DH2020 in Ottawa.

Kentner, G., & Kremers, J. (Eds.). (2020).Prosody in Syntactic Encoding. Berlin, Boston: De Gruyter.

Kim, S., Poeppel, D., & Overath, T. (2020). Modulation change detection in human auditory cortex: Evidence for asymmetric, non‐linear edge detection. European Journal of Neuroscience: European Neuroscience Association,52(2), 2889-2904. doi:10.1111/ejn.14707.

Pu, Y., Cheyne, D., Sun, Y., & Johnson, B. W. (2020). Theta oscillations support the interface between language and memory. NeuroImage,215: 116782. doi:10.1016/j.neuroimage.2020.116782.

Müllensiefen, D., & Harrison, P. M. C. (2020). The impact of music on adolescents’ cognitive and socio-emotional learning. In J. Harrington, J. Beale, A. Fancourt, & C. Lutz (Eds.), The 'BrainCanDo' handbook of teaching and learning: Practical strategies to bring psychology and neuroscience into the classroom. London: CRC Press.

Fischinger, T., Kaufmann, M., & Schlotz, W. (2020). If it’s Mozart, it must be good? The influence of textual information and age on musical appreciation. Psychology of Music,48(4), 579-597. doi:10.1177/0305735618812216.

Menninghaus, W., Schindler, I., Wagner, V., Wassiliwizky, E., Hanich, J., Jacobsen, T., & Koelsch, S. (2020). Aesthetic Emotions Are a Key Factor in Aesthetic Evaluation: Reply to Skov and Nadal (2020). Psychological Review,127(4), 650-654. doi:10.1037/rev0000213.

Wald-Fuhrmann, M. (2020). Die Bedeutung von Musiksammlungen für die Entstehung der Musikwissenschaft. In SLUB Dresden (Ed.), Sammeln – Musizieren – Forschen. Zur Dresdner höfischen Musik des 18. Jahrhunderts: Bericht über das internationale Kolloquium vom 21. bis 23. Januar 2016 (pp. 1-16). Dresden. doi:10.25366/2020.32.

MacCann, C., Erbas, Y., Dejonckheere, E., Minbashian, A., Kuppens, P., & Fayn, K. (2020). Emotional intelligence relates to emotions, emotion dynamics, and emotion complexity: A meta-analysis and experience sampling study. European Journal of Psychological Assessment,36(3), 460-470. doi:10.1027/1015-5759/a000588.

Drews, H., Wallot, S., Brysch, P., Berger-Johannsen, H., Mitkidis, P., Baier, P., Lechinger, J., Roepstorff, A., & Göder, R. (2020). Bed-Sharing in Couples Is Associated With Increased and Stabilized REM Sleep and Sleep-Stage Synchronization. Frontiers in Psychiatry,11: 583. doi:10.3389/fpsyt.2020.00583.

Vilas, M. G., & Melloni, L. (2020). A challenge for predictive coding: Representational or experiential diversity? Behavioral and Brain Sciences,43: e150. doi:10.1017/S0140525X19003157.

Zhai, Y.-Y., Auksztulewicz, R., Song, P.-R., Sun, Z.-H., Gong, Y.-M., Du, X.-Y., He, J., & Yu, X. (2020). Synaptic adaptation contributes to stimulus-specific adaptation in the Thalamic Reticular Nucleus (Letter to the Editor). Neuroscience Bulletin. doi:10.1007/s12264-020-00536-0.

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Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.

Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.

Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.

Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.

Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.

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Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.

Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.

Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.

Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.

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Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761–1817): Gattungen. Werke. Kontexte. (pp. 166-188). Köln; Wien: Böhlau.

Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (Ed.), Aisthetics of the spirits: Spirits in early modern science, religion, literature and music (pp. 213-243). Göttingen: V&R unipress.

Poeppel, D., & Hickock, G. (2015). Electromagnetic recording of the auditory system. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 245-255). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00014-7.

Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht, Entrückung und absolute Musik. In G. Oesterle, & T. Valk (Eds.), Riskante Geselligkeit: Spielarten des Sozialen um 1800 (pp. 293-310). Würzburg: Königshausen & Neuman.

Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817): Gattungen. Werke. Kontexte. (pp. 189-212). Köln; Wien: Böhlau.

Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.

Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb Meißner und Joseph Schuster. In G. Poppe, & S. Voss (Eds.), Joseph Schuster in der Musik des ausgehenden 18. Jahrhunderts (pp. 285-306). Beeskow: Ortus-Musikverlag.

Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (Eds.). epiFaNIen - Frühe Neuzeit interdisziplinär. Göttingen: V & R Unipress.

Wald-Fuhrmann, M. (2015). „Musiace veteris specimen": Falsche und fehlende Exempla in der Musik. In K. Zimmer (Ed.), Rezeption, Zeitgeist, Fälschung – Umgang mit Antike(n): Akten des Internationalen Kolloquiums am 31. Januar und 1. Februar 2014 in Tübingen (pp. 155-166). Rahden, Westf.: Leidorf.


Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.

Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins. In C. Storch (Ed.), Die Musik- und Theaterpraxis der Jesuiten im kolonialen Amerika: Grundlagen, Desiderate, Forschungsperspektiven (pp. 75-92). Sinzig: Studiopunkt Verlag.

Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik : Bildwelten des Wissens (10,2). Berlin: De Gruyter.

Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.

Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.

Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.

Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.

Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.

Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.

Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene in komponierte Musik. In W. G. Schmidt (Ed.), Faszinosum 'Klang': Anthropologie - Medialität - kulturelle Praxis (pp. 136-155). Berlin: De Gruyter.

Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (Ed.), Musikalische Performanz und päpstliche Repräsentation in der Renaissance (pp. 139-155). Kassel: Bärenreiter.

Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.

Ruccius, A. (2014). Empirical studies including noise of two leading journals in music research: A review. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 568-570 ).

Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414).

Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 78-84).

Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 238-243).

Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.

Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.

Ruccius, A. (2014). The history of musical iconography and the influence of art history: Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The Making of the Humanities: Vol. 3. The modern humanities (pp. 403-411). Amsterdam: Amsterdam University Press.

Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45(0), 64-75. doi:10.1016/j.wocn.2014.03.006.

Schmidt-Kassow, M., Zink, N., Mock, J., Thiel, C., Vogt, L., Abel, C., & Kaiser, J. (2014). Treadmill walking during vocabulary encoding improves verbal long-term memory. Behavioral and brain functions,10(1): 24. doi:10.1186/1744-9081-10-24.

Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.

Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in Magdeburg. In L. Lütteken (Ed.), Das ungeliebte Frühwerk: Richard Wagners Oper "Das Liebesverbot" (pp. 27-44). Würzburg: Königshausen & Neumann.

Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.

Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.

Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.

Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.

Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.

Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.

Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In E. Aschermann, & M. Kaiser-el-Safti (Eds.), Gestalt und Gestaltung in interdisziplinärer Perspektive (pp. 109-124). Frankfurt am Main: Peter Lang.

van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.

Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 93-106). Basel: Schwabe.

Wald-Fuhrmann, M. (Ed.). (2014).Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis. Basel: Schwabe.

Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 107-129). Basel: Schwabe.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.


Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.

Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.

Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.

Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (Eds.), Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte (pp. 371-386). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.

Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.

Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.

Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260, pp. 1-13. doi:10.3389/fpsyg.2013.00260.

Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek (Eds.), Historische Musikwissenschaft: Grundlagen und Perspektiven (pp. 289-306). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.

Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.

Pietschmann, K., & Wald-Fuhrmann, M. (Eds.). (2013).Der Kanon der Musik: Theorie und Geschichte: Ein Handbuch. München: edition text + kritik.

Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 22).