Publikationen des Instituts

Einen Überblick über die Publikationen des Instituts finden Sie im MPG PublicationRepository (PuRe). Neben der Anzeige sämtlicher Institutspublikationen gibt es auch die Möglichkeit, nach den Abteilungen zu sortieren oder nach einzelnen Wissenschaftler:innen zu suchen.

MPG.PuRe: Empirische Ästhetik

 

2024

Koenders, E. A., Wesseldijk, L. W., Boomsma, D. I., Larsen, J. K., & Vink, J. M. (2024). Heritability of adult picky eating in the Netherlands. Appetite,195: 107230. doi:10.1016/j.appet.2024.107230.
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Christensen, J. F., Khorsandi, S., & Wald-Fuhrmann, M. (2024). Iranian classical dance as a subject for empirical research: An elusive genre (Ahead of Print). Annals of the New York Academy of Sciences. doi:10.1111/nyas.15098.
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Cabral-Calderin, Y., van Hinsberg, D., Thielscher, A., & Henry, M. J. (2024). Behavioral entrainment to rhythmic auditory stimulation can be modulated by tACS depending on the electrical stimulation field properties. eLife,12: RP87820. doi:10.7554/eLife.87820.3.
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Omigie, D., & Mencke, I. (2024). A model of time-varying music engagement. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895). doi:10.1098/rstb.2022.0421.
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Wald-Fuhrmann, M. (2024). Freude, Dankbarkeit, Mitleid: Empathie und Affekt-Erregung in oratorischen Leben-Jesu Oratorien. In W. W. Müller (Ed.), Das Leben Jesu: Theologische und musikalische Interpretationen (pp. 49-69). Ostfildern: Matthias-Grünewald.
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Menninghaus, W., Wagner, V., Schindler, I., Knoop, C. A., Blohm, S., Frieler, K., & Scharinger, M. (2024). Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction. Philosophical Transactions of the Royal Society of London, Series B: Biological Sciences,379(1895): 20220424. doi:10.1098/rstb.2022.0424.
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Barchet, A. V., Rimmele, J. M., & Pelofi, C. (2024). TenseMusic: An automatic prediction model for musical tension. PLOS ONE,19(1): e0296385. doi:10.1371/journal.pone.0296385.
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Larrouy-Maestri, P., Poeppel, D., & Pell, M. D. (2024). The sound of emotional prosody: Nearly 3 decades of research and future directions (Ahead of Print). Perspectives on Psychological Science. doi:10.1177/17456916231217722.
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Bignardi, G., Smit, D. J. A., Vessel, E. A., Trupp, M. D., Ticini, L. F., Fisher, S. E., & Polderman, T. J. C. (2024). Genetic effects on variability in visual aesthetic evaluations are partially shared across visual domains. Communications Biology,7: 55. doi:10.1038/s42003-023-05710-4.
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Grüny, C. (2024). Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z. PAJ: A Journal of Performance and Art,46(1(136)), 55-65. doi:10.1162/pajj_a_00696.
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2023

Ha, J., Baek, S.-C., Lim, Y., & Chung, J. H. (2023). Validation of cost-efficient EEG experimental setup for neural tracking in an auditory attention task. Scientific Reports,13: 22682. doi:10.1038/s41598-023-49990-6.
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (Eds.). (2023). Musikwissenschaftliche Gesellschaften und Zeitschriften [Special Issue]. Die Musikforschung,76(4).
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Wald-Fuhrmann, M., & van Dyck-Hemming, A. (2023). Musikwissenschaftliche Gesellschaften und Zeitschriften: Zur Einführung. Die Musikforschung,76(4). doi:10.52412/mf.2023.H4.3109.
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Knoop, C. A., Kegel, V., Methner, S., Rothbart, S., & Vasilieva, J. (2023). Manual for the Annotation of Parallelisms und Deviations in Rhymed and Metered Texts. PsyArXiv Preprints https://doi.org/10.31234/osf.io/xvrdu.
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O’Rourke, R. (2023). Armida on the beach: A cinquecento rhetorical model of the emotions and its musical reception. Journal of the American Musicological Society,76(3), 587-644. doi:10.1525/jams.2023.76.3.587.
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Wörner, F. (2023). Schönberg und die Musiktheorie. In M. Frank, T. Muxeneder, & U. Scheideler (Eds.), Schönberg-Handbuch (pp. 433-446). Heidelberg: J.B. Metzler Stuttgart. doi:10.1007/978-3-476-05965-9_21.
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Kreuzer, M., Wald-Fuhrmann, M., Weining, C., Meier, D., O’Neill, K., Tschacher, W., Tröndle, M., & Egermann, H. (2023). Digital concert experience: An online research project on live streaming during the Pandemic. In S. Lepa, R. Müller-Lindenberg, & H. Egermann (Eds.), Classical music and opera during and after the COVID-19 Pandemic: Empirical research on the digital transformation of socio-cultural institutions and aesthetic forms (pp. 95-112). Cham: Springer. doi:10.1007/978-3-031-42975-0_6.
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Merrill, J., Ackermann, T.-I., & Czepiel, A. (2023). Effects of disliked music on psychophysiology. Scientific Reports,13: 20641. doi:10.1038/s41598-023-46963-7.
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Tchernichovski, O., Frey, S., Jacoby, N., & Conley, D. (2023). Incentivizing free riders improves collective intelligence in social dilemmas. Proceedings of the National Academy of Sciences of the United States of America,120(46): e2311497120. doi:10.1073/pnas.2311497120.
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Frieler, K. (2023). Did melody become a Schrödinger Cat? Commentary on Clark & Arthur. Empirical Musicology Review,17(2), 150-153. doi:10.18061/emr.v17i2.9548.
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Kazanina, N., & Tavano, A. (2023). Reply to ‘When linguistic dogma rejects a neuroscientific hypothesis’. Nature Reviews Neuroscience,24, 726-727. doi:10.1038/s41583-023-00739-0.
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Kazanina, N., & Tavano, A. (2023). Reply to ‘What oscillations can do for syntax depends on your theory of structure building’. Nature Reviews Neuroscience,24: 724. doi:10.1038/s41583-023-00735-4.
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Wassiliwizky, E., Wontorra, P., & Ullén, F. (2023). How being perceived to be an artist boosts feelings of attraction in others. Scientific Reports,13: 18747. doi:10.1038/s41598-023-45952-0.
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Bruder, C., & Larrouy-Maestri, P. (2023). Classical singers are also proficient in non-classical singing. Frontiers in Psychology,14: 1215370. doi:10.3389/fpsyg.2023.1215370.
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Ericsson, M., Finch, B., Karlsson, I. K., Gatz, M., Reynolds, C. A., Pedersen, N. L., & Mosing, M. A. (2023). Educational influences on late-life health: Genetic propensity and attained education (Accepted manuscripts). Journals of Gerontology: Series B, Psychological Sciences and Social Sciences, gbad153. doi:10.1093/geronb/gbad153.
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Zhang, F., Zhang, C., Pu, Y., & Kong, X.-Z. (2023). Modeling the functional network for spatial navigation in the human brain. JoVE journal: Neuroscience, e65150. doi:10.3791/65150.
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Nave, K., Carrillo, C., Jacoby, N., Trainor, L., & Hannon, E. (2023). The development of rhythmic categories as revealed through an iterative production task. Cognition,242: 105634. doi:10.1016/j.cognition.2023.105634.
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Floridou, G. A., Mencke, I., Caprini, F., & Müllensiefen, D. (2023). The genesis of a tune in the mind: An interview study about novel involuntary musical imagery repetition. Music & Science,6. doi:10.1177/20592043231202331.
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Tschacher, W., Greenwood, S., Ramakrishnan, S., Tröndle, M., Wald-Fuhrmann, M., Seibert, C., Weining, C., & Meier, D. (2023). Audience synchronies in live concerts illustrate the embodiment of music experience. Scientific Reports,13: 14843. doi:10.1038/s41598-023-41960-2.
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Zheng, Z.-F., Huang, S.-Y., Lu, S., & Cai, Y.-C. (2023). Interaction between top-down decision-driven congruency effect and bottom-up input-driven congruency effect is correlated with conscious awareness (Advanced online publication). Journal of Experimental Psychology: General. doi:10.1037/xge0001483.
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Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2023). Aesthetic and physiological effects of naturalistic multimodal music listening. Cognition,239: 105537. doi:10.1016/j.cognition.2023.105537.
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Michalareas, G., Rudwan, I. M., Lehr, C., Gessini, P., Tavano, A., & Grabenhorst, M. (2023). A scalable and robust system for audience EEG recordings. Heliyon,9(10): e20725. doi:10.1016/j.heliyon.2023.e20725.
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Langley, M. D., & McBeath, M. K. (2023). Vertical attention bias for tops of objects and bottoms of scenes. Journal of Experimental Psychology: Human Perception and Performance,49(10), 1281-1295. doi:10.1037/xhp0001117.
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Merrill, J., & Ackermann, T.-I. (2023). “Like static noise in a beautiful landscape”: A mixed-methods approach to rationales and features of disliked voices in popular music. Psychology of Aesthetics, Creativity, and the Arts,17(5), 562-580. doi:10.1037/aca0000376.
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Czepiel, A. (2023).Assessing real-world music listening in concerts: Aesthetic experiences and peripheral physiological responses (PhD Thesis, Maastricht University, Maastrich, 2023). doi:10.26481/dis.20231002ac.
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Kazanina, N., & Tavano, A. (2023). Reply to ‘Low-frequency neural parsing of hierarchical linguistic structures’. Nature Reviews Neuroscience. doi:10.1038/s41583-023-00750-5.
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Jokisch, J. (Ed.). (2023).Identities and representations: Reaching one another language as interface and performance. Mainz: Gutenberg Open Science. doi:10.25358/openscience-8988.
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Jokisch, J. (2023). Should you let your computer do the reading?: A discussion on the benefits of distant reading for literary studies, with a quantitative study on the development of stage directions in European Drama. In J. Jokisch (Ed.), Identities and representations: Reaching one another language as interface and performance (pp. 43-67). Mainz: Gutenberg Open Science.
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Schmidt, E.-M., Smith, R. A., Fernández, A., Emmermann, B., & Christensen, J. F. (2023). Mood induction through imitation of full-body movements with different affective intentions (Early View). British Journal of Psychology. doi:10.1111/bjop.12681.
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Cappotto, D., Luo, D., Lai, H. W., Peng, F., Melloni, L., Schnupp, J. W. H., & Auksztulewicz, R. (2023). “What” and “when” predictions modulate auditory processing in a mutually congruent manner. Frontiers in Neuroscience,17: 1180066. doi:10.3389/fnins.2023.1180066.
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Trenado, C., Trauberg, P., Elben, S., Dimenshteyn, K., Folkerts, A.-K., Witt, K., Weiss, D., Liepelt-Scarfone, I., Kalbe, E., & Wojtecki, L. (2023). Resting state EEG as biomarker of cognitive training and physical activity’s joint effect in Parkinson’s patients with mild cognitive impairment. Neurological Research and Practice,5: 46. doi:10.1186/s42466-023-00273-5.
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Wallot, S., Irmer, J. P., Tschense, M., Kuznetsov, N., Højlund, A., & Dietz, M. (2023). A Multivariate method for dynamic system analysis: Multivariate detrended fluctuation analysis using generalized variance (Early View). Topics in Cognitive Science. doi:10.1111/tops.12688.
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Wassiliwizky, E. (2023). Book review: The Routledge International Handbook of Neuroaesthetics by Martin Skov and Marcos Nadal (OnlineFirst). Perception. doi:10.1177/03010066231196840.
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Wesseldijk, L. W., Ullén, F., & Mosing, M. A. (2023). Music and genetics. Neuroscience & Biobehavioral Reviews,152: 105302. doi:10.1016/j.neubiorev.2023.105302.
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Grande, J., & Raz, C. (Eds.). (2023).Sound and sense in British Romanticism. Cambridge: Cambridge University Press.
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Vessel, E. A., Pasqualette, L., Uran, C., Koldehoff, S., Bignardi, G., & Vinck, M. (2023). Self-relevance predicts the aesthetic appeal of real and synthetic artworks generated via neural style transfer. Psychological Science,34(9), 1007-1023. doi:10.1177/09567976231188107.
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Pearson, L., & Ramanujacharyulu, T. K. V. (2023). Handwritten notation in Karnatak music: Memory and the mediation of social relations. In F. Celestini, & S. Lutz (Eds.), Musikalische Schreibszenen (pp. 285-303). Paderborn: Brill | Fink. doi:10.30965/9783846767146_012.
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Coretta, S., Casillas, J. V., Roessig, S., Franke, M., Ahn, B., Al-Hoorie, A. H., Al-Tamimi, J., Alotaibi, N. E., AlShakhori, M. K., Altmiller, R. M., Arantes, P., Athanasopoulou, A., Baese-Berk, M. M., Bailey, G., Sangma, C. B. A., Beier, E. J., Benavides, G. M., Benker, N., BensonMeyer, E. P., Benway, N. R., Berry, G. M., Bing, L., Bjorndahl, C., Bolyanatz, M., Braver, A., Brown, V. A., Brown, A. M., Brugos, A., Buchanan, E. M., Butlin, T., Buxó-Lugo, A., Caillol, C., Cangemi, F., Carignan, C., Carraturo, S., Caudrelier, T., Chodroff, E., Cohn, M., Cronenberg, J., Crouzet, O., Dagar, E. L., Dawson, C., Diantoro, C. A., Dokovova, M., Drake, S., Du, F., Dubuis, M., Duême, F., Durward, M., Egurtzegi, A., Elsherif, M. M., Esser, J., Ferragne, E., Ferreira, F., Fink, L., Finley, S., Foster, K., Foulkes, P., Franzke, R., Frazer-McKee, G., Fromont, R., García, C., Geller, J., Grasso, C. L., Greca, P., Grice, M., Grose-Hodge, M. S., Gully, A. J., Halfacre, C., Hauser, I., Hay, J., Haywood, R., Hellmuth, S., Hilger, A. I., Holliday, N., Hoogland, D., Huang, Y., Hughes, V., Isasa, A. I., Ilchovska, Z. G., Jeon, H.-S., Jones, J., Junges, M. N., Kaefer, S., Kaland, C., Kelley, M. C., Kelly, N. E., Kettig, T., Khattab, G., Koolen, R., Krahmer, E., Krajewska, D., Krug, A., Kumar, A. A., Lander, A., Lentz, T. O., Li, W., Li, Y., Lialiou, M., Lima, R. M. J., Lo, J. J. H., Otero, J. C. L., Mackay, B., MacLeod, B., Mallard, M., McConnellogue, C.-A.-M., Moroz, G., Murali, M., Nalborczyk, L., Nenadić, F., Nieder, J., Nikolić, D., Nogueira, F. G. S., Offerman, H. M., Passoni, E., Pélissier, M., Perry, S. J., Pfiffner, A. M., Proctor, M., Rhodes, R., Rodríguez, N., Roepke, E., Röer, J. P., Sbacco, L., Scarborough, R., Schaeffler, F., Schleef, E., Schmitz, D., Shiryaev, A., Sóskuthy, M., Spaniol, M., Stanley, J. A., Strickler, A., Tavano, A., Tomaschek, F., Tucker, B. V., Turnbull, R., Ugwuanyi, K. O., Urrestarazu-Porta, I., van de Vijver, R., Engen, K. J. V., van Miltenburg, E., Wang, B. X., Warner, N., Wehrle, S., Westerbeek, H., Wiener, S., Winters, S., Wong, S.-G.-J., Wood, A., Wottawa, J., Xu, C., Zárate-Sández, G., Zellou, G., Zhang, C., Zhu, J., & Roettger, T. B. (2023). Multidimensional signals and analytic fexibility: Estimating degrees of freedom in human-speech analyses. Advances in Methods and Practices in Psychological Science,6(3). doi:10.1177/25152459231162567.
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Saxena, S., Fink, L., & Lange, E. B. (2023). Deep learning models for webcam eye tracking in online experiments. Behavior Research Methods. doi:10.3758/s13428-023-02190-6.
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Fink, L. (2023). Eye movement patterns when playing from memory: Examining consistency across repeated performances and the relationship between eyes and audio. In M. Tsuzaki, M. Sadakata, S. Ikegami, T. Matsui, M. Okano, & H. Shoda (Eds.), The e-proceedings of the 17th International Conference on Music Perception and Cognition and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music.
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Gibbs, H. J., Czepiel, A., & Egermann, H. (2023). Physiological synchrony and shared flow state in Javanese gamelan: Positively associated while improvising, but not for traditional performance. Frontiers in Psychology,14: 1214505. doi:10.3389/fpsyg.2023.1214505.
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Baltes, F., Chemnitz, L., & Lange, E. B. (2023). Pleasantness of nonlinear distortion in isolated triads of synthetic timbre. The Journal of the Acoustical Society of America,154: 2, pp. 1028-1040. doi:10.1121/10.0020667.
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Kentner, G., Franz, I., Knoop, C. A., & Menninghaus, W. (2023). Prosodic Boundary Strenght and Phrase-Initial Syllable Duration. In R. Skarnitzl, & J. Volín (Eds.), Proceedings of the 20th International Congress of Phonetic Sciences, ICPhS 2023. Prague. (pp. 1440-1443).
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Patterson, J. D., Merseal, H. M., Johnson, D. R., Agnoli, S., Baas, M., Baker, B. S., Barbot, B., Benedek, M., Borhani, K., Chen, Q., Christensen, J. F., Corazza, G. E., Forthmann, B., Karwowski, M., Kazemian, N., Kreisberg-Nitzav, A., Kenett, Y. N., Link, A., Lubart, T., Mercier, M., Miroshnik, K., Ovando-Tellez, M., Primi, R., Puente-Díaz, R., Said-Metwaly, S., Stevenson, C., Meghedi, V., Volle, E., van Hell, J. G., & Beaty, R. E. (2023). Multilingual semantic distance: Automatic verbal creativity assessment in many languages. Psychology of Aesthetics, Creativity, and the Arts,17(4), 495-507. doi:10.1037/aca0000618.
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Langley, M. D., Van Houghton, K., McBeath, M. K., & Lucca, K. (2023). Children and adults exhibit a common vertical attention bias for object tops and scene bottoms. Developmental Psychology,59(8), 1377-1388. doi:10.1037/dev0001553.
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Trübutschek, D., & Melloni, L. (2023). Stable perceptual phenotype of the magnitude of history biases even in the face of global task complexity. Journal of Vision,23(8): 4. doi:10.1167/jov.23.8.4.
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Ossandón, J. P., Stange, L., Gudi-Mindermann, H., Rimmele, J. M., Sourav, S., Bottari, D., Kekunnaya, R., & Röder, B. (2023). The development of oscillatory and aperiodic resting state activity is linked to a sensitive period in humans. NeuroImage,275: 120171. doi:10.1016/j.neuroimage.2023.120171.
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Larrouy-Maestri, P., Wang, X., Nunes, R. V., & Poeppel, D. (2023). Are you your own best judge? On the self-evaluation of singing. Journal of Voice,37(4), 633.e7-633.e14. doi:10.1016/j.jvoice.2021.03.028.
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Bürgel, M., Mencke, I., Benjamin, A., Dechert, M., Derks, D., Gerdes, K., Hake, R., Jacobsen, S., & Siedenburg, K. (2023). Unifying concert research and science outreach (OnlineFirst). Musicae Scientiae. doi:10.1177/10298649231182078.
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Lange, E. B., & Fink, L. (2023). Eye blinking, musical processing, and subjective states—A methods account (Earlly view). Psychophysiology, e14350. doi:10.1111/psyp.14350.
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Plaja-Roglans, G., Nuttall, T., Pearson, L., Serra, X., & Miron, M. (2023). Repertoire-specific vocal pitch data generation for improved melodic analysis of Carnatic music. Transactions of the International Society for Music Information Retrieval,6(1), 13-26. doi:10.5334/tismir.137.
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Fink, L., Simola, J., Tavano, A., Lange, E. B., Wallot, S., & Laeng, B. (2023). From pre-processing to advanced dynamic modeling of pupil data. Behavior Research Methods. doi:10.3758/s13428-023-02098-1.
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Merrill, J., & Niedecken, T. (2023). Music and boredom: A first insight into an unexplored relationship. Music & Science,6. doi:10.1177/20592043231181215.
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Frieler, K., Zaddach, W.-G., & Meyer, S. (2023). Künstliche Intelligenz in der Musikproduktion. In P. Moormann, & N. Ruth (Eds.), Musik und Internet: Aktuelle Phänomene populärer Kulturen (pp. 3-27). Wiesbaden: Springer VS. doi:10.1007/978-3-658-39145-4_1.
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Pausch, V., Harrison, P. M. C., Höger, F., Müllensiefen, D., & Frieler, K. (2023). psychTestR – Ein R-Paket für (musik-)psychologische Tests und Fragebogeninventare. In P. Moormann, & N. Ruth (Eds.), Musik und Internet: Aktuelle Phänomene populärer Kulturen (pp. 249-259). Wiesbaden: Springer VS. doi:10.1007/978-3-658-39145-4_16.
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Kalustian, K. (2023). Spotify Charts Scraper: Vorstellung einer Web-App zur Abrufung von täglichen Top 200 Spotify-Charts inklusive Audio-Features in Echtzeit. In P. Moormann, & N. Ruth (Eds.), Musik und Internet: Aktuelle Phänomene populärer Kulturen (pp. 215-222). Wiesbaden: Springer VS. doi:10.1007/978-3-658-39145-4_12.
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Siebrasse, A., & Wald-Fuhrmann, M. (2023). You don’t know a person(’s taste) when you only know which genre they like: taste differences within five popular music genres based on sub-genres and sub-styles. Frontiers in Psychology,14: 1062146. doi:10.3389/fpsyg.2023.1062146.
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Park, J. J., Baek, S.-C., Suh, M.-W., Choi, J., Kim, S. J., & Lim, Y. (2023). The effect of topic familiarity and volatility of auditory scene on selective auditory attention. Hearing Research,433: 108770. doi:10.1016/j.heares.2023.108770.
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Zhang, F., Chen, M., Pu, Y., & Kong, X.-Z. (2023). Individual differences in spatial navigation: A multi-scale perspective. Advances in Psychological Science,31(9), 1642-1664. doi:10.3724/SP.J.1042.2023.01642.
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Christensen, J. F., Bruhn, L., Schmidt, E.-M., Bahmanian, N., Yazdi, S. H. N., Farahi, F., Sancho-Escanero, L., & Menninghaus, W. (2023). A 5-emotions stimuli set for emotion perception research with full-body dance movements. Scientific Reports,13(1): 8757. Retrieved from https://doi.org/10.1038/s41598-023-33656-4.
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Cohen, D. E. (2023). "A body composed of many parts": The concept of harmony in Leonardo da Vinci’s Paragone. In C. Henry, & T. Shephard (Eds.), Music and visual culture in Renaissance Italy. London: Routledge Taylor & Francis Ltd.
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Abuduaini, Y., Pu, Y., Thompson, P. M., & Kong, X.-Z. (2023). Significant heterogeneity in structural asymmetry of the habenula in the human brain: A systematic review and meta-analysis (Early View). Human Brain Mapping. doi:10.1002/hbm.26337.
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Ringer, H., Schröger, E., & Grimm, S. (2023). Perceptual learning of random acoustic patterns: Impact of temporal regularity and attention (Early View). European Journal of Neuroscience. doi:10.1101/2023.03.13.532336.
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Anglada-Tort, M., Lee, H., Krause, A. E., & North, A. C. (2023). Here comes the sun: music features of popular songs reflect prevailing weather conditions. Royal Society Open Science,10(5). doi:10.1098/rsos.221443.
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Raz, C. (2023). Of sound minds and tuning forks: Neuroscience’s vibratory histories. In E. H. Margulis, P. Loui, & D. Loughridge (Eds.), The science-music borderlands: Reckoning with the past and imagining the future (pp. 115-129). Cambridge, Massachusetts: The MIT Press. doi:10.7551/mitpress/14186.003.0011.
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Feld, S., Jacoby, N., Loughridge, D., Loui, P., & Margulis, E. H. (2023). Conversations with Steven Feld. In E. H. Margulis, P. Loui, & D. Loughridge (Eds.), The science-music borderlands: Reckoning with the past and imagining the future (pp. 367-383). Cambridge, Massachusetts: The MIT Press. doi:10.7551/mitpress/14186.003.0033.
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Savage, P. E., Jacoby, N., Margulis, E. H., Daikoku, H., Anglada-Tort, M., Castelo-Branco, S.-E.-S., Nweke, F. E., Fujii, S., Hegde, S., Chuan-Peng, H., Jabbour, J., Lew-Williams, C., Mangalagiu, D., McNamara, R., Müllensiefen, D., Opondo, P., Patel, A. D., & Schippers, H. (2023). Building sustainable global collaborative networks: Recommendations from music studies and the social sciences. In E. H. Margulis, P. Loui, & D. Loughridge (Eds.), The science-music borderlands: Reckoning with the past and imagining the future (pp. 347-365). Cambridge, Massachusetts: The MIT Press. doi:10.7551/mitpress/14186.003.0032.
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Kasten, K., Jacoby, N., & Ahissar, M. (2023). Poor synchronization yet adequate tempo-keeping in adults with autism (Early View). Autism Research. doi:10.1002/aur.2926.
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Steffens, J., & Anglada-Tort, M. (2023). The effect of visual recognition on listener choices when searching for music in playlists (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000562.
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Pearson, L. (2021). A socially situated aesthetics: Arguments from anthropology and neuroaesthetics. In R. Polak, R. Caro Repetto, A. Holzapfel, & L. Pearson (Eds.), Proceedings of the first Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS) (pp. 32-34). doi:10.5281/zenodo.5514167.
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Vishne, G., Jacoby, N., Malinovitch, T., Epstein, T., Frenkel, O., & Ahissar, M. (2021). Slow update of internal representations impedes synchronization in autism. Nature Communications,12: 5439. doi:10.1038/s41467-021-25740-y.
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Peviani, V. C., Haun, A., Tononi, G., & Melloni, L. (2021). Training-induced contraction of visual space is retinotopic, not spatiotopic. Cognitive Processing,22(SUPPL 1), 29-30.
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Grund, S., Schoof, K., & Warmbrunn, J. (2021). 75 Jahre gemeinsame Interessenvertretung und enge Kooperation: Vergangenheit, Gegenwart und Zukunft der Arbeitsgemeinschaft der Spezialbibliotheken (AspB). BuB: Forum Bibliothek und Information,73(8-9), 480-483.
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Gordon, I., Wallot, S., & Berson, Y. (2021). Group-level physiological synchrony and individual-level anxiety predict positive affective behaviors during a group decision-making task. Psychophysiology,58(9): e13857. doi:10.1111/psyp.13857.
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Sokoliuk, R., Degano, G., Melloni, L., Noppeney, U., & Cruse, D. (2021). The influence of auditory attention on rhythmic speech tracking: Implications for studies of unresponsive patients. Frontiers in Human Neuroscience,15: 702768. doi:10.3389/fnhum.2021.702768.
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Vilas, M. G., Auksztulewicz, R., & Melloni, L. (2021). Active inference as a computational framework for consciousness. Review of Philosophy and Psychology. doi:10.1007/s13164-021-00579-w.
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Wald-Fuhrmann, M. (2021). Empirische Ansätze zur Erforschung musikalischen Ausdrucks. In J. Stolzenberg (Ed.), Ausdruck in der Musik: Theorien und Formationen (pp. 56-82). München: Edition Text + Kritik.
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Knoop, C. A., Blohm, S., Kraxenberger, M., & Menninghaus, W. (2021). How perfect are imperfect rhymes? Effects of phonological similarity and verse context on rhyme perception. Psychology of Aesthetics, Creativity, and the Arts,15(3), 560-572. doi:10.1037/aca0000277.
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Muralikrishnan, R., & Idrissi, A. (2021). Salience-weighted agreement feature hierarchy modulates language comprehension. Cortex,141, 168-189. doi:10.1016/j.cortex.2021.03.029.
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Durojaye, C., Knowles, K. L., Patten, K. J., Garcia, M. J., & McBeath, M. K. (2021). When music speaks: An aoustic study of the speech surrogacy of the Nigerian Dùndún Talking Drum. Frontiers in Communication,6: 652690. doi:10.3389/fcomm.2021.652690.
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Fink, L., Warrenburg, L., Howlin, C., Randall, W., Hansen, N., & Wald-Fuhrmann, M. (2021). Viral tunes: Changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown. Humanities and Social Sciences Communications,8: 180. doi:10.1057/s41599-021-00858-y.
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Isik, A. I., & Vessel, E. A. (2021). From visual perception to aesthetic appeal: Brain responses to aesthetically appealing natural landscape movies. Frontiers in Human Neuroscience,15: 676032. doi:10.3389/fnhum.2021.676032.
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Luo, D., Li, K., An, H., Schnupp, J. W., & Auksztulewicz, R. (2021). Learning boosts the decoding of sound sequences in rat auditory cortex. Current Research in Neurobiology,2: 100019. doi:10.1016/j.crneur.2021.100019.
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Crivelli, D., Peviani, V. C., Salvato, G., & Bottini, G. (2021). Exploring the interaction between handedness and body parts ownership by means of the Implicit Association Test. Frontiers in Human Neuroscience,15: 681904. doi:10.3389/fnhum.2021.681904.
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Rimmele, J. M., Poeppel, D., & Ghitza, O. (2021). Acoustically driven cortical delta oscillations underpin prosodic chunking. eNeuro,8(4): ENEURO.0562-20.2021. doi:10.1523/ENEURO.0562-20.2021.
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Cappotto, D., Auksztulewicz, R., Kang, H., Poeppel, D., Melloni, L., & Schnupp, J. (2021). Decoding the content of auditory sensory memory across species. Cerebral Cortex,31(7), 3226-3236. doi:10.1093/cercor/bhab002.
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Franz, I., Kentner, G., & Domahs, F. (2021). The impact of animacy and speech rhythm on the word order of conjuncts in German preschoolers and adults. Laboratory Phonology: Journal of the Association for Laboratory Phonology,12(1): 12. doi:10.5334/labphon.254.
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Hammerschmidt, D., Frieler, K., & Wöllner, C. (2021). Spontaneous motor tempo: Investigating psychological, chronobiological, and demographic factors in a large-scale online tapping experiment. Frontiers in Psychology,12: 677201. doi:10.3389/fpsyg.2021.677201.
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Cocoa, M. I., Mønster, D., Leonardi, G., Rick, D., & Wallot, S. (2021). Unidimensional and multidimensional methods for recurrence quantification analysis with crqa. The R Journal,13(1), 145-163. doi:10.32614/RJ-2021-062.
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Vroegh, T. P. (2021). Visual imagery in the listener’s mind: A network analysis of absorbed consciousness. Psychology of Consciousness: Theory, Research, and Practice, Advanced Online. doi:10.1037/cns0000274.
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Peviani, V. C., Scarpa, P., & Bottini, G. (2021). The Mini-Mental State Pediatric Examination: A cognitive screening test for Italian children. In C. R. Martin, V. R. Preedy, & R. Rajendram (Eds.), Diagnosis, management and modeling of neurodevelopmental disorders: The neuroscience of development (pp. 345-354). London: Academic Press. doi:10.1016/B978-0-12-817988-8.00030-0.
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Keitel, C., Obleser, J., Jessen, S., & Henry, M. J. (2021). Frequency-specific effects in infant electroencephalograms do not require entrained neural oscillations: A commentary on Köster et al. (2019). Psychological Science, (6), 966-971. doi:10.1177/09567976211001317.
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Polak, R. (2021). Presenting yourself through dance: Participatory and presentational aspects of dance Performance at local festivities in southern Mali. In V. Apjok, K. Povedák, V. Szőnyi, & S. Varga (Eds.), Dance, age and politics: Proceedings of the 30th Symposium of the ICTM Study Group on Ethnochoreology (pp. 67-82). Szeged: University of Szeged.
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Wassiliwizky, E., & Menninghaus, W. (2021). Why and how should cognitive science care about aesthetics? Trends in Cognitive Sciences,25(6), 437-449. doi:10.1016/j.tics.2021.03.008.
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Beermann, U., Hosoya, G., Schindler, I., Scherer, K. R., Eid, M., Wagner, V., & Menninghaus, W. (2021). Dimensions and clusters of aesthetic emotions: A semantic profile analysis. Frontiers in Psychology,12: 667173. doi:10.3389/fpsyg.2021.667173.
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Melloni, L., Mudrik, L., Pitts, M., & Koch, C. (2021). Making the hard problem of consciousness easier. Science,372(6545), 911-912. doi:10.1126/science.abj3259.
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Durojaye, C., Fink, L., Roeske, T. C., Wald-Fuhrmann, M., & Larrouy-Maestri, P. (2021). Perception of Nigerian Dùndún talking drum performances as speech-like vs. music-like: The role of familiarity and acoustic cues. Frontiers in Psychology,12: 652673. doi:10.3389/fpsyg.2021.652673.
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Welke, D., Purton, I., & Vessel, E. A. (2021). Inspired by art: Higher aesthetic appeal elicits increased felt inspiration in a creative writing task (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000393.
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Holz, N., Larrouy-Maestri, P., & Poeppel, D. (2021). The paradoxical role of emotional intensity in the perception of vocal affect. Scientific Reports,11: 9663. doi:10.1038/s41598-021-88431-0.
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Roeske, T. C., Rothenberg, D., & Gammon, D. E. (2021). Mockingbird morphing music: Structured transitions in a complex bird song. Frontiers in Psychology,12: 630115. doi:10.3389/fpsyg.2021.630115.
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Bruder, C., & Wöllner, C. (2021). Subvocalization in singers: Laryngoscopy and surface EMG effects when imagining and listening to song and text. Psychology of Music,49(3), 567-580. doi:10.1177/0305735619883681.
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Idrissi, A., Mustafawi, E., Khwaileh, T., & Muralikrishnan, R. (2021). A neurophysiological study of noun-adjective agreement in Arabic: The impact of animacy and diglossia on the dynamics of language processing. Journal of Neurolinguistics,58: 100964. doi:10.1016/j.jneuroling.2020.100964.
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Omigie, D., Frieler, K., Bär, C., Muralikrishnan, R., Wald-Fuhrmann, M., & Fischinger, T. (2021). Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates. Psychology of Aesthetics, Creativity, and the Arts,15(2), 197-215. doi:10.1037/aca0000271.
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van Leeuwen, T. M., Sauer, A., Jurjut, A.-M., Wibral, M., Uhlhaas, P. J., Singer, W., & Melloni, L. (2021). Perceptual gains and losses in synesthesia and schizophrenia. Schizophrenia Bulletin,47(3), 722-730. doi:10.1093/schbul/sbaa162.
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Lubinus, C., Orpella, J., Keitel, A., Gudi-Mindermann, H., Engel, A. K., Roeder, B., & Rimmele, J. M. (2021). Data-driven classification of spectral profiles reveals brain region-specific plasticity in blindness. Cerebral Cortex,31(5), 2505-2522. doi:10.1093/cercor/bhaa370.
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Kraxenberger, M., Knoop, C. A., & Menninghaus, W. (2021). Who reads contemporary erotic novels and why? Humanities and Social Sciences Communications,8: 96. doi:10.1057/s41599-021-00764-3.
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Wald-Fuhrmann, M., Egermann, H., Czepiel, A., O’Neill, K., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J., & Tröndle, M. (2021). Music listening in classical concerts: Theory, literature review, and research program. Frontiers in Psychology,12: 638783. doi:10.3389/fpsyg.2021.638783.
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Tchernichovski, O., Frey, S., Jacoby, N., & Conley, D. (2021). Experimenting with online governance. Frontiers in human dynamics,3: 629285. doi:10.3389/fhumd.2021.629285.
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Mellmann, K. (2021). [Review of Matthias Grüne's "Realistische Narratologie".]. Arbitrium,39(1), 102-104. doi:10.1515/arb-2020-0035.
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Kiai, A. (2021). Steven Pinker. In T. K. Shackelford, & V. A. Weekes-Shackelford (Eds.), Encyclopedia of evolutionary psychological science (pp. 7976-7979). Cham: Springer. doi:10.1007/978-3-319-16999-6_632-1.
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Kiai, A. (2021). Pinker’s (1994) The Language Instinct. In T. K. Shackelford, & V. A. Weekes-Shackelford (Eds.), Encyclopedia of evolutionary psychological science (pp. 6007-6010). Cham: Springer. doi:10.1007/978-3-319-16999-6_633-1.
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Yu, C.-S.-P., McBeath, M. K., & Glenberg, A. M. (2021). The gleam-glum effect: /i:/ versus /λ/ phonemes generically carry emotional valence. Journal of Experimental Psychology: Learning, Memory, and Cognition,47(7), 1173-1185. doi:10.1037/xlm0001017.
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Haider, T. (2021). Metrical Tagging in the Wild: Building and Annotating Poetry Corpora with Rhythmic Features. In Proceedings of the 16th Conference of the European Chapter of the Association for Computational Linguistics (pp. 3715-3725).
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Grabenhorst, M., Maloney, L. T., Poeppel, D., & Michalareas, G. (2021). Two sources of uncertainty independently modulate temporal expectancy. Proceedings of the National Academy of Sciences of the United States of America,118(16): e2019342118. doi:10.1073/pnas.2019342118.
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Salgaro, M., Wagner, V., & Menninghaus, W. (2021). A good, a bad, and an evil character: Who renders a novel most enjoyable? Poetics,87: 101550. doi:10.1016/j.poetic.2021.101550.
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Wagner, V., Scharinger, M., Knoop, C. A., & Menninghaus, W. (2021). Effects of continuous self-reporting on aesthetic evaluation and emotional responses. Poetics,85: 101497. doi:10.1016/j.poetic.2020.101497.
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Sokoliuk, R., Degano, G., Banellis, L., Melloni, L., Hayton, T., Sturman, S., Veenith, T., Yakoub, K. M., Belli, A., Noppeney, U., & Cruse, D. (2021). Covert speech comprehension predicts recovery from acute unresponsive states. Annals of Neurology, 646-656. doi:10.1002/ana.25995.
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Menninghaus, W., & Wallot, S. (2021). What the eyes reveal about (reading) poetry. Poetics,85: 101526. doi:10.1016/j.poetic.2020.101526.
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Raz, C. (2021). Séances, “sperrits,” and self-playing accordions: Musical instruments in Victorian spiritualism. Journal of Musicology,38(2), 230-259. doi:10.1525/jm.2021.38.2.230.
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Mutch, C. (2021). Canons and contestable cadences in Brahms's Op. 118 No. 4. Music Theory and Analysis,8(1), 143-152. doi:10.11116/MTA.8.1.7.
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Langlois, T. A., Jacoby, N., Suchow, J. W., & Griffiths, T. L. (2021). Serial reproduction reveals the geometry of visuospatial representations. Proceedings of the National Academy of Sciences of the United States of America,118(13): e2012938118. doi:10.1073/pnas.2012938118.
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Merrill, J., Czepiel, A., Fink, L. A., Toelle, J., & Wald-Fuhrmann, M. (2021). The aesthetic experience of live concerts: Self-reports and psychophysiology. Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000390.
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Chirico, A., Clewis, R., Yaden, D. B., & Gaggioli, A. (2021). Nature versus art as elicitors of the sublime: A virtual reality study. PLoS One,16(3): e0233628. doi:10.1371/journal.pone.0233628.
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Kang, H., Auksztulewicz, R., An, H., Chacra, N. A., Sutter, M. L., & Schnupp, J. W. H. (2021). Neural correlates of auditory pattern learning in the auditory cortex. Frontiers in Neuroscience,15: 610978. doi:10.3389/fnins.2021.610978.
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Vroegh, T. P., Wiesmann, S. L., Henschke, S., & Lange, E. B. (2021). Manual motor reaction while being absorbed into popular music. Consciousness and Cognition,89: 103088. doi:10.1016/j.concog.2021.103088.
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Sarkhosh, K., & Menninghaus, W. (2021). The Feel-Good Film: Genre Features and Emotional Rewards. Projections: The Journal for Movies and Mind,15(1), 55-77. doi:10.3167/proj.2021.150104.
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Toelle, J., & Sloboda, J. A. (2021). The audience as artist? The audience’s experience of participatory music. Musicae Scientiae,25(1), 67-91. doi:10.1177/1029864919844804.
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Blohm, S., Schlesewsky, M., Menninghaus, W., & Scharinger, M. (2021). Text type attribution modulates pre-stimulus alpha power in sentence reading. Brain and Language,214: 104894. doi:10.1016/j.bandl.2020.104894.
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Christensen, J. F., Vartanian, M., Sancho-Escanero, L., Khorsandi, S., Yazdi, S. H. N., Farahi, F., Borhani, K., & Gomila, A. (2021). A practice-inspired mindset for researching the psychophysiological and medical health effects of recreational dance (dance sport). Frontiers in Psychology,11: 588948. doi:10.3389/fpsyg.2020.588948.
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Henin, S., Turk-Browne, N. B., Friedman, D., Liu, A., Dugan, P., Flinker, A., Doyle, W., Devinsky, O., & Melloni, L. (2021). Learning hierarchical sequence representations across human cortex and hippocampus. Science Advances,7(8): eabc4530. doi:10.1126/sciadv.abc4530.
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Riedinger, M., Nagels, A., Werth, A., & Scharinger, M. (2021). Asymmetries in Accessing Vowel Representations Are Driven by Phonological and Acoustic Properties: Neural and Behavioral Evidence From Natural German Minimal Pairs. Frontiers in Human Neuroscience,15: 612345. doi:10.3389/fnhum.2021.612345.
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Dikker, S., Michalareas, G., Oostrik, M., Serafimaki, A., Kahraman, H. M., Struiksma, M. E., & Poeppel, D. (2021). Crowdsourcing neuroscience: Inter-brain coupling during face-to-face interactions outside the laboratory. NeuroImage,227: 117436. doi:10.1016/j.neuroimage.2020.117436.
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Menninghaus, W. (2021). Empirical Aesthetics of Language and Literature: Its Strengths and Weaknesses Compared to the Humanist Scholarship of Literature. Letteratura e Letterature,15, 113-127.
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Suna, L., & Muralikrishnan, R. (2021). Play it by ear? An ERP study of Chinese polysemous verb yǒu. Lingua,251: 103014. doi:10.1016/j.lingua.2020.103014.
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An, H., Kei, S. H., Auksztulewicz, R., & Schnupp, J. W. H. (2021). Do auditory mismatch responses differ between acoustic features? Frontiers in Human Neuroscience,15: 613903. doi:10.3389/fnhum.2021.613903.
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Harrison, P. M. C. (2021). Three questions concerning consonance perception. Music Perception,38(3), 337-339. doi:10.1525/mp.2021.38.3.337.
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Shrestha, M., Lee, H. S., Nöth, U., & Deichmann, R. (2021). A novel sequence to improve auditory functional MRI with variable silent delays. Magnetic Resonance in Medicine,85(2), 883-896. doi:10.1002/mrm.28479.
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Wörner, F. (2021). Bewegung – Bewegungsbild – Form: Energetik in der Musiktheorie Ernst Kurths. In K. Eggers, & A. Stollberg (Eds.), Energie: Kräftespiel in den Künsten (pp. 353-365). Würzburg: Königshausen & Neumann.
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Schindler, I., & Berg, C. A. (2021). Collaborative Problem Solving, Crises, and Well-Being. In F. Maggino (Ed.), Encyclopedia of Quality of Life and Well-Being Research (2nd ed.). Cham: Springer International Publishing. doi:10.1007/978-3-319-69909-7_3908-2.
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Degé, F. (2021). Music lessons and cognitive abilities in children: How far transfer could be possible. Frontiers in Psychology,11: 557807. doi:10.3389/fpsyg.2020.557807.
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Teng, X., Meng, Q., & Poeppel, D. (2021). Modulation spectra capture EEG responses to speech signals and drive distinct temporal response functions. eNeuro,8(1): ENEURO.0399-20.2020. doi:10.1523/ENEURO.0399-20.2020.
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Assaneo, M. F., Rimmele, J. M., Sanz Perl, Y., & Poeppel, D. (2021). Speaking rhythmically can shape hearing. Nature Human Behaviour,5, 71-82. doi:10.1038/s41562-020-00962-0.
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Grüny, C. (2021). Digitale Unruhe. Journal Phänomenologie,55, 54-58.
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Grüny, C. (2021). Dezentrierung, Rezentrierung und »Musik«. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft,66(2), 9-19. doi:10.28937/9783787342006_2.
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Christensen, J. F., Azevedo, R. T., & Tsakiris, M. (2021). Emotion matters: Different psychophysiological responses to expressive and non-expressive full-body movements. Acta Psychologica,212: 103215. doi:10.1016/j.actpsy.2020.103215.
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Grüny, C. (2021). Erdrückende Tradition? Musik in der Gegenwart. Merkur,75(860), 47-58.
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Harrison, P. M. C., Marjieh, R., Adolfi, F., van Rijn, P., Anglada-Tort, M., Tchernichovski, O., Larrouy-Maestri, P., & Jacoby, N. (2021). Gibbs sampling with people. In H. Larochelle, M. Ranzato, R. Hadsell, M. Balcan, & H. Lin (Eds.), 34th Conference on Neural Information Processing Systems (NeurIPS 2020) (pp. 10659-10671). Red Hook, NY: Curran Associates. doi:10.17605/OSF.IO/RZK4S.
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Schiller, D., Mertes, S., van Rijn, P., & André, E. (2021). Analysis by synthesis: Using an expressive TTS Model as feature extractor for paralinguistic speech classification. In Proceedings Interspeech 2021 (pp. 486-490). doi:10.21437/Interspeech.2021-1587.
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Malmierca, M. S., & Auksztulewicz, R. (2021). Stimulus-specific adaptation, MMN and predictive coding. Hearing Research,399: 108076. doi:10.1016/j.heares.2020.108076.
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van Rijn, P., Mertes, S., Schiller, D., Harrison, P. M. C., Larrouy-Maestri, P., André, E., & Jacoby, N. (2021). Exploring emotional prototypes in a high dimensional TTS latent space. In Proceedings Interspeech 2021 (pp. 3870-3874). Baixas: ISCA. doi:10.21437/Interspeech.2021-1538.
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An, H., Auksztulewicz, R., Kang, H., & Schnupp, J. W. H. (2021). Cortical mapping of mismatch responses to independent acoustic features. Hearing Research,399: 107894. doi:10.1016/j.heares.2020.107894.
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Lee, H., Höger, F., Schoenwiesner, M., Park, M., & Jacoby, N. (2021). Cross-cultural mood perception in pop songs and its alignment with mood detection algorithms. In Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR 2021.
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Nuttall, T., Plaja, G., Pearson, L., & Serra, X. (2021). The Matrix profile for motif discovery in audio - an example application in Carnatic music. In T. Kitahara, M. Aramaki, & R. Kronland-Martinet (Eds.), Music in the AI Era: Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research (pp. 109-118).
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Todorovic, A., & Auksztulewicz, R. (2021). Dissociable neural effects of temporal expectations due to passage of time and contextual probability. Hearing Research,399: 107871. doi:10.1016/j.heares.2019.107871.
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Peviani, V. C., Magnani, F. G., Bottini, G., & Melloni, L. (2021). Metric biases in body representation extend to objects. Cognition,206: 104490. doi:10.1016/j.cognition.2020.104490.
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Takarae, Y., McBeath, M. K., & Krynen, R. C. (2021). Perception of dynamic point light facial expression. The American Journal of Psychology,134(4), 373-384. doi:10.5406/amerjpsyc.134.4.0373.
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Feige, D. M., & Grüny, C. (2021). Gibt es ›Musik‹? Einführung in ein Problemfeld. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft,66(2), 5-8. doi:10.28937/9783787342006_1.
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Gehring, P., Grüny, C., & Schnell, M. W. (Eds.). (2021). Journal Phänomenologie [Special Issue]. Digitalität und Erfahrung,55.
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2020–2013

2020

Rother, D., Haider, T., & Eger, S. (2020). CMCE at SemEval-2020 Task 1: Clustering on Manifolds of Contextualized Embeddings to Detect Historical Meaning Shifts. In Proceedings of the Fourteenth Workshop on Semantic Evaluation at COLING 2020 (pp. 187-193).
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Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an object of empirical aesthetics. In M. Tröndle (Ed.), Classical concert studies: A companion to contemporary research and performance (pp. 351-360). London: Routledge.
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Liashenko, A., Dizaji, A. S., Melloni, L., & Schwiedrzik, C. M. (2020). Memory guidance of value-based decision making at an abstract level of representation. Scientific Reports,10: 21496. doi:10.1038/s41598-020-78460-6.
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Pöhls, R. L. V. (2020). Engaging Literature - Emotions as Route to political and Societal Engagement? In P. Ekardt, F. Fehrenbach, & C. Zumbusch (Eds.), Politische Emotionen in den Künsten - Mnemosyne. Schriften des internationalen Warburg-Kollegs (pp. 219-240). Berlin, Boston: de Gruyter. doi:10.1515/9783110725384-013.
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He, Y., Luell, S., Muralikrishnan, R., Straube, B., & Nagels, A. (2020). Gesture's body orientation modulates the N400 for visual sentences primed by gestures. Human Brain Mapping,41(17), 4901-4911. doi:10.1002/hbm.25166.
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Zhai, Y.-Y., Auksztulewicz, R., Song, P.-R., Sun, Z.-H., Gong, Y.-M., Du, X.-Y., He, J., & Yu, X. (2020). Synaptic adaptation contributes to stimulus-specific adaptation in the Thalamic Reticular Nucleus (Letter to the Editor). Neuroscience Bulletin,36(12), 1538-1541. doi:10.1007/s12264-020-00536-0.
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Pöhls, V., & Schirrmacher, S. (2020). Über den Gehalt der Lehre. Undercurrents - Literatur lehren,15, Retrieved from https://undercurrentsforum.com/index.php/undercurrents/article/view/122.
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Larrouy-Maestri, P. (2020). Evaluation tools in singing education: A comparison of human and technological measures. In H. R. Gudmundsdottir, C. Beynon, K. M. Ludke, & A. J. Cohen (Eds.), The Routledge Companion to interdisciplinary studies in singing (Vol. 2: Education) (pp. 253-267). New York: Routledge. doi:10.4324/9781315162607-21.
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Wald-Fuhrmann, M. (2020). Positive Aspekte des gemeinschaftlichen Singens: Ein Forschungsüberblick. In M. Wald-Fuhrmann, K.-P. Dannecker, & S. Boenneke (Eds.), Wirkungsästhetik der Liturgie: Transdisziplinäre Perspektiven (pp. 191-214). Regensburg: Verlag Friedrich Pustet.
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Wald-Fuhrmann, M. (2020). Liturgische Aufführungsbestimmungen zwischen Semiotik und Ästhetik: Ein Durchgang durch die „Allgemeine Einführung in das Römische Meßbuch“. In M. Wald-Fuhrmann, K.-P. Dannecker, & S. Boenneke (Eds.), Wirkungsästhetik der Liturgie: Transdisziplinäre Perspektiven (pp. 143-164). Regensburg: Verlag Friedrich Pustet.
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Peviani, V. C., Liotta, J., & Bottini, G. (2020). The motor system (partially) deceives body representation biases in absence of visual correcting cues. Acta Psychologica,203: 103003. doi:10.1016/j.actpsy.2020.103003.
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Haider, T., Eger, S., Kim, E., Klinger, R., & Menninghaus, W. (2020). PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry. In International Conference on Language Resources and Evaluation (LREC).
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Ghitza, O. (2020). “Acoustic-driven oscillators as cortical pacemaker”: a commentary on Meyer, Sun & Martin (2019). Language, Cognition and Neuroscience,35(9: Meyer Forum), 1100-1105. doi:10.1080/23273798.2020.1737720.
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Willemsen, S. P., & Kiss, M. (2020). Keeping Track of Time: the role of spatial and embodied cognition in the comprehension of non-linear storyworlds. Advance online publication. Style,54(2). doi:10.5325/style.54.2.0172.
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Meyer, L., Sun, Y., & Martin, A. E. (2020). Synchronous, but not entrained: Exogenous and endogenous cortical rhythms of speech and language processing. Language, Cognition and Neuroscience,35(9), 1089-1099. doi:10.1080/23273798.2019.1693050.
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Raz, C. (2020). How the sheng became a harp. Sound studies,6(2), 239-256. doi:10.1080/20551940.2020.1794648.
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2019

Grabenhorst, M., Michalareas, G., Maloney, L. T., & Poeppel, D. (2019). The anticipation of events in time. Nature Communications,10: 5802. doi:10.1038/s41467-019-13849-0.
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Appelhoff, S., Sanderson, M., Brooks, T. L., van Vliet, M., Quentin, R., Holdgraf, C., Chaumon, M., Mikulan, E., Tavabi, K., Höchenberger, R., Welke, D., Brunner, C., Rockhill, A. P., Larson, E., Gramfort, A., & Jas, M. (2019). MNE-BIDS: Organizing electrophysiological data into the BIDS format and facilitating their analysis. The Journal of Open Source Software,4(44): 1896. doi:10.21105/joss.01896.
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Auksztulewicz, R., Myers, N. E., Schnupp, J. W., & Nobre, A. C. (2019). Rhythmic temporal expectation boosts neural activity by increasing neural gain. The Journal of Neuroscience,39(49), 9806-9817. doi:10.1523/JNEUROSCI.0925-19.2019.
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Gabriel, P. G., Chen, K. J., Alasfour, A., Pailla, T., Doyle, W. K., Devinsky, O., Friedman, D., Dugan, P., Melloni, L., Thesen, T., Gonda, D., Sattar, S., Wang, S. G., & Gilja, V. (2019). Neural correlates of unstructured motor behaviors. Journal of Neural Engineering,16(6): 066026. doi:10.1088/1741-2552/ab355c.
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Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung,28: e18, pp. 53-85. doi:10.5964/jbdgm.2018v28.18.
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Fayn, K., Silvia, P. J., Dejonckheere, E., Verdonck, S., & Kuppens, P. (2019). Confused or curious? Openness/intellect predicts more positive interest-confusion relations. Journal of Personality and Social Psychology,117(5), 1016-1033. doi:10.1037/pspp0000257.
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Mehr, S. A., Singh, M., Knox, D., Ketter, D. M., Pickens-Jones, D., Atwood, S., Lucas, C., Jacoby, N., Egner, A. A., Hopkins, E. J., Howard, R. M., Hartshorne, J. K., Jennings, M. V., Simson, J., Bainbridge, C. M., Pinker, S., O’Donnell, T. J., Krasnow, M. M., & Glowacki, L. (2019). Universality and diversity in human song. Science,366(6468): eaax0868. doi:10.1126/science.aax0868.
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Teng, X., Cogan, G., & Poeppel, D. (2019). Speech fine structure contains critical temporal cues to support speech segmentation. NeuroImage,202: 116152. doi:10.1016/j.neuroimage.2019.116152.
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Czoschke, S., Henschke, S., & Lange, E. B. (2019). On-item fixations during serial encoding do not affect spatialworking memory. Attention, Perception & Psychophysics,81(8), 2766-2787. doi:10.3758/s13414-019-01786-5.
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García-Rosales, F., Röhrig, D., Weineck, K., Röhm, M., Lin, Y.-H., Cabral-Calderin, Y., Kössl, M., & Hechavarria, J. C. (2019). Laminar specificity of oscillatory coherence in the auditory cortex. Brain Structure and Function,224(8), 2907-2924. doi:10.1007/s00429-019-01944-3.
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Henin, S., Borges, H., Shankar, A., Sarac, C., Melloni, L., Friedman, D., Flinker, A., Parra, L. C., Buzsaki, G., Devinsky, O., & Liu, A. (2019). Closed-loop acoustic stimulation enhances sleep oscillations but not memory performance. eNeuro,6(6): 0306-19.2019. doi:10.1523/ENEURO.0306-19.2019.
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Pryss, R., John, D., Schlee, W., Schlotz, W., Schobel, J., Kraft, R., Spiliopoulou, M., Langguth, B., Reicher, M., O'Rourke, T., Peters, H., Pieh, C., Lahmann, C., & Probst, T. (2019). Exploring the time trend of stress levels while using the crowdsensing Mobile Health Platform, TrackYourStress, and the influence of perceived stress reactivity: Ecological momentary assessment pilot study. JMIR Mhealth Uhealth,7(10): e13978. doi:10.2196/13978.
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Gross, J., & Poeppel, D. (2019). Neural oscillations and their role in speech and language processing. In P. Hagoort (Ed.), Human language: From genes and brains to behavior (pp. 393-407). Cambridge: MIT Press.
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Melloni, L., Buffalo, E. A., Dehaene, S., Friston, K. J., Ghazanfar, A. A., Giraud, A.-L., Grafton, S. T., Haegens, S., Pesaran, B., Petkov, C. I., & Poeppel, D. (2019). Computation and its neural implementation in human cognition. In W. Singer, T. J. Sejnowski, & P. Rakic (Eds.), The neocortex (pp. 323-346). Cambridge, Massachusetts: The MIT Press.
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Isik, A. I., & Vessel, E. A. (2019). Continuous ratings of movie watching reveal idiosyncratic dynamics of aesthetic enjoyment. PLoS One,14(10): e0223896. doi:10.1371/journal.pone.0223896.
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Pallavicini, C., Vilas, M. G., Villarreal, M., Zamberlan, F., Muthukumaraswamy, S., Nutt, D., Carhart-Harris, R., & Tagliazucchi, E. (2019). Spectral signatures of serotonergic psychedelics and glutamatergic dissociatives. NeuroImage,200, 281-291. doi:10.1016/j.neuroimage.2019.06.053.
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Kiai, A. (2019). To protect credibility in science, banish “publish or perish”. Nature Human Behaviour,3, 1017-1018. doi:10.1038/s41562-019-0741-0.
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Wald-Fuhrmann, M. (2019). Die private Muse? Zur weltlichen Musik am Mecklenburg-Schweriner Hof unter Friedrich II. und Friedrich Franz I. In S. Avischag Müller, & A. Waczkat (Eds.), Utopie und Idylle: Der Mecklenburg-Schweriner Hof in Ludwigslust (1764-1837) (pp. 221-258). Hildesheim: Olms.
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Pöhls, V. (2019). Literatur und Zensur: Transnationale Implikationen. In D. Bischoff, & S. Komfort-Hein (Eds.), Handbuch Literatur & Transnationalität - Handbücher zur kulturwissenschaftlichen Philologie 7 (pp. 216-228). Berlin: de Gruyter.
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Vessel, E. A., Isik, A. I., Belfi, A. M., Stahl, J. L., & Starr, a. G. G. (2019). The default-mode network represents aesthetic appeal that generalizes across visual domains. Proceedings of the National Academy of Sciences of the United States of America. doi:10.1073/pnas.1902650116.
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Raz, C. (2019). Operatic fantasies in early nineteenth-century psychiatry. In D. Trippett, & B. Walton (Eds.), Nineteenth-Century opera and the scientific imagination (pp. 63-83). Cambridge: Cambridge University Press. doi:10.1017/9781316275863.004.
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Gehrig, J., Michalareas, G., Forster, M.-T., Lei, J., Hok, P., Laufs, H., Senft, C., Seifert, V., Schoffelen, J.-M., Hanslmayr, S., & Kell, C. A. (2019). Low-frequency oscillations code speech during verbal working memory. The Journal of Neuroscience,39(33), 6498-6512. doi:10.1523/JNEUROSCI.0018-19.2019.
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Brittan, F., & Raz, C. (2019). Introduction to: Colloquy. Attention, anxiety, and audition's histories. Journal of the American Musicological Society,72(2), 541-546. doi:10.1525/jams.2019.72.2.541.
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Knoop, C. A. (2019). Empirische Zugänge zur Erforschung sprachlicher Rhythmen in der Literatur. In P. Nicklas (Ed.), Literatur und Musik im Künstevergleich. Empirische und hermeneutische Methoden (pp. 58-76). Berlin, Boston: de Gruyter.
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Assaneo, M. F., Rimmele, J. M., Orpella, J., Ripollés, P., de Diego-Balaguer, R., & Poeppel, D. (2019). The lateralization of speech-brain coupling is differentially modulated by intrinsic auditory and top-down mechanisms. Frontiers in Integrative Neuroscience,13: 28. doi:10.3389/fnint.2019.00028.
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Wald-Fuhrmann, M. (2019). Komplement und Korrektiv: Empirie als Teil einer transdisziplinären Musikästhetik. Musik & Ästhetik,23(91), 84-88.
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Forster, F., Weinmann, T., Gerlich, J., Schlotz, W., Weinmayr, G., Genuneit, J., Windstetter, D., Vogelberg, C., von Mutius, E., Nowak, D., & Radon, K. (2019). Work-related stress and incident asthma and rhinitis: Results from the SOLAR study. International Archives of Occupational and Environmental Health,92(5), 673-681. doi:10.1007/s00420-019-01402-x.
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Lewis, G. A., Poeppel, D., & Murphy, G. L. (2019). Contrasting semantic versus inhibitory processing in the angular gyrus: An fMRI study. Cerebral Cortex,29(6), 2470-2481. doi:10.1093/cercor/bhy118.
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Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2019). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Scientific Reports,9: 593. doi:10.1038/s41598-018-37561-z.
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van Dyck-Hemming, A., & Hemming, J. (Eds.). (2019).Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017. Wiesbaden: Springer VS. doi:10.1007/978-3-658-23767-7.
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Mencke, I., Omigie, D., Wald-Fuhrmann, M., & Brattico, E. (2019). Atonal music: Can uncertainty lead to pleasure? Frontiers in Neuroscience,12: 979. doi:10.3389/fnins.2018.00979.
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Merrill, J. (2019).Stimmen – schön schrecklich oder schrecklich schön?: Beschreibung, Bewertung und Wirkung des vokalen Ausdrucks in der Musik. Kassel: Kassel University Press. doi:10.19211/KUP9783737650878.
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Haider, T., & Eger, S. (2019). Semantic Change and Emerging Tropes In a Large Corpus of New High German Poetry. In Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change, Florence. https://www.aclweb.org/anthology/W19-4727 (pp. 216-222).
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Zschauer, A. (2019). Inter als aisthetische Qualität. Polylog: Zeitschrift für interkulturelles Philosophieren,40, 37-51.
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Vesker, M., Bahn, D., Degé, F., Kauschke, C., & Schwarzer, G. (2019). Identification of emotional facial expressions in a lab and over the internet. Psychology: Journal of the Higher School of Economics,16(3), 571-583. doi:10.17323/1813-8918-2019-3-571-583.
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Schindler, I. (2019). Bewunderung und Verehrung aus psychologischer Sicht. In H. Kappelhoff, J.-H. Bakels, H. Lehmann, & C. Schmitt (Eds.), Emotionen: Ein interdisziplinäres Handbuch (pp. 215-219). Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-05353-4_33.
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Sarkhosh, K. (2019). Woher kommt die Lust an billigen Trash-Horrorfilmen? Empirische Befunde im Licht des Distancing-Embracing-Modells. In E. Brock, & T. Lerchner (Eds.), Denken des Horrors, Horror des Denkens: Erschreckendes, Monströses und Unheimliches aus philosophischer Perspektive (pp. 199-214). Würzburg: Königshausen & Neumann.
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Esteban, O., Markiewicz, C. J., Blair, R. W., Moodie, C. A., Isik, A. I., Erramuzpe, A., Kent, J. D., Goncalves, M., DuPre, E., Snyder, M., Oya, H., Ghosh, S. S., Wright, J., Durnez, J., Poldrack, R. A., & Gorgolewski, K. J. (2019). fMRIPrep: A robust preprocessing pipeline for functional MRI. Nature methods,16(1), 111-116. doi:10.1038/s41592-018-0235-4.
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Haider, T. (2019). Diachronic Topics in New High German Poetry. Proceedings of the International Digital Humanities Conference DH2019, Utrecht, https://dev.clariah.nl/files/dh2019/boa/1031.html.
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Birnbaum, D. J., Bories, A.-S., Haider, T., & Sarv, M. (2019). Plotting Poetry 3. Conference Report. Studia Metrica et Poetica,6(2), 150-161. doi:10.12697/smp.2019.6.2.05.
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Ackermann, T. (2019).Disliked music: Merkmale, Gründe und Funktionen abgelehnter Musik (PhD Thesis, kassel university press, Kassel, 2019). doi:10.19211/KUP9783737650885.
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2018

Raz, C., & Finger, S. (2018). Musical glasses, metal reeds and broken hearts: Two cases of melancholia treated by new musical instruments. In P. Gouk, J. Kennaway, & P. Jacomien (Eds.), The Routledge companion to music, mind, and well-being (pp. 77-91). New York: Routledge.

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2018). Measuring Optimal Reading Experiences: The Reading Flow Short Scale. Frontiers in Psychology,9: 2542. doi:10.3389/fpsyg.2018.02542.

Knoop, C. A. (2018).Franz Kafka. Baden-Baden: Tectum-Verlag.

Wallot, S., & Leonardi, G. (2018). Analyzing multivariate dynamics using Cross-Recurrence Quantification Analysis (CRQA), Diagonal-Cross-Recurrence Profiles (DCRP), and Multidimensional Recurrence Quantification Analysis (MdRQA) – A tutorial in R. Frontiers in Psychology,9: 2232. doi:10.3389/fpsyg.2018.02232.

Getz, H., Ding, N., Newport, E. L., & Poeppel, D. (2018). Cortical tracking of constituent structure in language acquisition. Cognition,181, 135-140. doi:10.1016/j.cognition.2018.08.019.

Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds.), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler.

Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.

Wallot, S., & Menninghaus, W. (2018). Ambiguity effects of rhyme and meter. Journal of Experimental Psychology: Learning, Memory, and Cognition.,44(12), 1947-1954. doi:10.1037/xlm0000557.

Bosker, H. R., & Ghitza, O. (2018). Entrained theta oscillations guide perception of subsequent speech: Behavioural evidence from rate normalisation. Language, Cognition and Neuroscience,33(8), 955-967. doi:10.1080/23273798.2018.1439179.

Urbanek, N., & Wald-Fuhrmann, M. (Eds.). (2018).Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie. Stuttgart: J.B. Metzler. doi:10.1007/978-3-476-04654-3.

Liu, A., Vöröslakos, M., Kronberg, G., Henin, S., Krause, M. R., Huang, Y., Opitz, A., Mehta, A., Pack, C. C., Krekelberg, B., Berényi, A., Parra, L. C., Melloni, L., Devinsky, O., & Buzsáki, G. (2018). Immediate neurophysiological effects of transcranial electrical stimulation. Nature Communications,9: 5092. doi:10.1038/s41467-018-07233-7.

Kentner, G. (2018). Jan Michalsky. 2017. Frageintonation im Deutschen. Zur intonatorischen Markierung von Interrogativität und Fragehaltigkeit (Linguistische Arbeiten 566). Zeitschrift für Rezensionen zur germanistischen Sprachwissenschaft,10(1-2), 155-160. doi:10.1515/zrs-2018-0019.

Menninghaus, W., Wagner, V., Knoop, C. A., & Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. PLoS One,13(11): e0205980. doi:10.1371/journal.pone.0205980.

Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences on the functions of music listening. Psychology of Music,46(6), 763-794. doi:10.1177/0305735617724883.

Booth, C. R., Brown, H. L., Eason, E. G., Wallot, S., & Kelty-Stephen, D. G. (2018). Expectations on hierarchical scales of discourse: Multifractality predicts both short- and long-range effects of violating gender expectations in text reading. Discourse Processes,55(1), 12-30. doi:10.1080/0163853X.2016.1197811.

Polak, R., Tarsitani, S., & Clayton, M. (2018). IEMP Malian Jembe. Open Science Framework. doi:10.17605/OSF.IO/M652X.

Auksztulewicz, R., Schwiedrzik, C. M., Thesen, T., Doyle, W., Devinsky, O., Nobre, A. C., Schroeder, C. E., Friston, K. J., & Melloni, L. (2018). Not all predictions are equal: "What" and "when" predictions modulate activity in auditory cortex through different mechanisms. The Journal of Neuroscience,38(40), 8680-8693. doi:10.1523/JNEUROSCI.0369-18.2018.

Larrouy-Maestri, P., & Pfordresher, P. Q. (2018). Pitch perception in music: Do scoops matter? Journal of Experimental Psychology: Human Perception and Performance,44(10), 1523-1541. doi:10.1037/xhp0000550.

Vessel, E. A., Maurer, N., Denker, A. H., & Starr, G. G. (2018). Stronger shared taste for natural aesthetic domains than for artifacts of human culture. Cognition,179, 121-131. doi:10.1016/j.cognition.2018.06.009.

Caletti, E., Delvecchio, G., Andreella, A., Finos, L., Perlini, C., Tavano, A., Lasalvia, A., Bonetto, C., Cristofalo, D., Lamonaca, D., Ceccato, E., Pileggi, F., Mazzi, F., Santonastaso, P., Ruggeri, M., Bellani, M., & Brambilla, P. (2018). Prosody abilities in a large sample of affective and non-affective first episode psychosis patients. Comprehensive Psychiatry,86, 31-38. doi:10.1016/j.comppsych.2018.07.004.

Penn, L. R., Ayasse, N. D., Wingfield, A., & Ghitza, O. (2018). The possible role of brain rhythms in perceiving fast speech: Evidence from adult aging. The Journal of the Acoustical Society of America,144(4), 2088-2094. doi:10.1121/1.5054905.

Kuijpers, M. M., & Hakemulder, F. (2018). Understanding and Appreciating Literary Texts Through Rereading. Discourse Processes,55(7), 619-641. doi:10.1080/0163853X.2017.1390352.

Raz, C. (2018). An Eighteenth-Century theory of musical cognition? John Holden's essay towards a rational system of music (1770). Journal of Music Theory,62(2), 205-248. doi:10.1215/00222909-7127670.

Belfi, A. M., Kasdan, A., Rowland, J., Vessel, E. A., Starr, G. G., & Poeppel, D. (2018). Rapid timing of musical aesthetic judgments. Journal of Experimental Psychology: General,147(10), 1531-1543. doi:10.1037/xge0000474.

Teng, X., Tian, X., Doelling, K., & Poeppel, D. (2018). Theta band oscillations reflect more than entrainment: Behavioral and neural evidence demonstrates an active chunking process. European Journal of Neuroscience: European Neuroscience Association,48(8), 2770-2782. doi:10.1111/ejn.13742.

Rimmele, J. M., Morillon, B., Poeppel, D., & Arnal, L. H. (2018). Proactive sensing of periodic and aperiodic auditory patterns. Trends in Cognitive Sciences [Special Issue: Time in the Brain],22(10), 870-882. doi:10.1016/j.tics.2018.08.003.

Raz, C. (2018). Anne Young’s introduction to music (1803): Pedagogical, speculative, and ludic music theory. SMT-V: The Society for Music Theory Videocast Journal, 4.3. doi:10.30535/smtv.4.3.

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2018). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Annals of Neurology,84(S22), S235-S236.

Kraxenberger, M. (2018). Gelesen wie gesprochen: Überlegungen zur Gedichtrezeption als prosodisches (Text-)Gerede im Inneren. In D.-C. Assmann, & N. Menzel (Eds.), TEXTGEREDE Interferenzen Von Mündlichkeit und Schriftlichkeit in der Gegenwartsliteratur (pp. 147-160). Paderborn: Fink.

Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.

Wallot, S., & Mønster, D. (2018). Calculation of Average Mutual Information (AMI) and False-Nearest Neighbors (FNN) for the Estimation of Embedding Parameters of Multidimensional Time Series in Matlab. Frontiers in Psychology,9: 1679. doi:10.3389/fpsyg.2018.01679.

Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018). Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.

Teng, X., Sun, Y., & Poeppel, D. (2018). Temporal order judgment reveals local-global auditory processes. Acta acustica united with Acustica,104(5), 817-820. doi:10.3813/AAA.919231.

Schwiedrzik, C. M., Sudmann, S. S., Thesen, T., Wang, X., Groppe, D. M., Megevand, P., Doyle, W., Mehta, A. D., Devinsky, O., & Melloni, L. (2018). Medial prefrontal cortex supports perceptual memory. Current Biology,28(18), R1094-R1095. doi:10.1016/j.cub.2018.07.066.

Raz, C. (2018). Anne Young’s musical games (1801): Music theory, gender, and game design. SMT-V: The Society for Music Theory Videocast Journal, 4.2. doi:10.30535/smtv.4.2.

Cohen, D. E. (2018). Rhythm, number, and Heraclitus’ river. History of Music Theory.

Gwilliams, L., Linzen, T., Poeppel, D., & Marantz, A. (2018). In spoken word recognition, the future predicts the past. The Journal of Neuroscience,38(35), 7585-7599. doi:10.1523/JNEUROSCI.0065-18.2018.

Wallot, S., & Leonardi, G. (2018). Deriving inferential statistics from recurrence plots: A recurrence-based test of differences between sample distributions and its comparison to the two-sample Kolmogorov-Smirnov test. Chaos: An interdisciplinary journal of nonlinear science,28(8): 085712. doi:10.1063/1.5024915.

Kraxenberger, M., & Menninghaus, W. (2018). Mimologische Träumereien? Über ikonische Assoziationen von Klang und Gefühlswahrnehmung in Gedichten. In D. Scherf, & A. Bertschi-Kaufmann (Eds.), Ästhetische Rezeptionsprozesse aus didaktischer Perspektive (pp. 72-88). Weinheim, Basel: Beltz Juventa.

Lange, E. B., Pieczykolan, A., Trukenbrod, H. A., & Huestegge, L. (2018). The rhythm of cognition: Effects of an auditory beat on oculomotor control in reading and sequential scanning. Journal of Eye Movement Research,11(2): 9. doi:10.16910/jemr.11.2.9.

Greb, F. (2018). Determinants of music-selection behaviour: Development of a model. PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.

Wassiliwizky, E. (2018). At the root of the paradox: Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al. Physics of Life Reviews,25, 136-138. doi:10.1016/j.plrev.2017.12.008.

Blohm, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. Poetics,69, 41-56. doi:10.1016/j.poetic.2018.04.005.

Gudi-Mindermann, H., Rimmele, J. M., Nolte, G., Bruns, P., Engel, A. K., & Röder, B. (2018). Working memory training in congenitally blind individuals results in an integration of occipital cortex in functional networks. Behavioural Brain Research,348, 31-41. doi:10.1016/j.bbr.2018.04.002.

Belfi, A. M., Vessel, E. A., & Starr, G. G. (2018). Individual ratings of vividness predict aesthetic appeal in poetry. Psychology of Aesthetics, Creativity, and the Arts,12(3), 341-350. doi:10.1037/aca0000153.

Kraxenberger, M., Menninghaus, W., Roth, A., & Scharinger, M. (2018). Prosody-Based Sound-Emotion Associations in Poetry. Frontiers in Psychology,9: 1284. doi:10.3389/fpsyg.2018.01284.

Larrouy-Maestri, P. (2018). “I know it when I hear it”: On listeners’ perception of mistuning. Music & Science,1, 1-17. doi:10.1177/2059204318784582.

Schwiedrzik, C. M., Melloni, L., & Schurger, A. (2018). Mooney face stimuli for visual perception research. PLoS One,13(7): e0200106. doi:10.1371/journal.pone.0200106.

Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (Eds.), Facetten gegenwärtiger Bildtheorie: Interkulturelle und interdisziplinäre Perspektiven (pp. 261-283). Wiesbaden: Springer VS.

Nix, S., & Schoof, K. (2018). Spitzenservice für Experten: Spezialbibliotheken im digitalen Zeitalter. Politik & Kultur,4, 7.

Toelle, J. (2018). Applaus. In D. Morat, & H. Ziemer (Eds.), Handbuch Sound: Geschichte - Begriffe - Ansätze (pp. 178-182). Stuttgart: J.B. Metzler.

Herrera, R., Markevych, I., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., Heinrich, J., & Radon, K. (2018). Greenness and job-related chronic stress in young adults: A prospective cohort study in Germany. BMJ Open,8: e021599. doi:10.1136/bmjopen-2018-021599.

Wieland, L. M., Grunschel, C., Limberger, M. F., Schlotz, W., Ferrari, J. R., & Ebner-Priemer, U. W. (2018). The ecological momentary assessment of procrastination in daily life: Psychometric properties of a five-item short scale. North American journal of psychology,20(2), 315-339.

Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (Ed.), Das Konzert II: Beiträge zum Forschungsfeld der Concert Studies (pp. 425-447). Bielefeld: Transcript.

Wallot, S., & Kelty-Stephen, D. G. (2018). Interaction-dominant causation in mind and brain, and Its implication for questions of generalization and replication. Minds and machines: journal for artificial intelligence, philosophy and cognitive science,28(2), 353-374. doi:10.1007/s11023-017-9455-0.

Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.

Pearson, L. (2018). Cultural heritage, sustainability and innovation in South Indian art music. In B. Norton, & N. Matsumoto (Eds.), Music as heritage: Historical and ethnographic perspectives (pp. 238-257). London: Routledge.

Werth, A., Rocholl, M. J., Henrich, K., Lanwermeyer, M., Schnell, H., Domahs, U., Herrgen, J., & Schmidt, J.-E. (2018). The Interaction of vowel quantity and tonal cues in Cognitive processing: An MMN-study concerning dialectal and standard varieties. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (Linguistische Arbeiten 567) (pp. 183-211). Berlin: de Gruyter.

Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.

Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors. Music & Science,1, 1-17. doi:10.1177/2059204318755950.

Hoshi, H., & Menninghaus, W. (2018). The eye tracks the aesthetic appeal of sentences. Journal of Vision,18(3), 1-22. doi:10.1167/18.3.19.

Scharinger, M. (2018). Neural bases of phonological representations: Empirical approaches and methods. In C. Ulbrich, A. Werth, & R. Wiese (Eds.), Empirical approaches to the phonological structure of words (pp. 241-272). Berlin, Boston: Walter de Gruyter GmbH. doi:10.1515/9783110542899-010.

Kaufmann, M. (2018). The nymph's voice as an acoustic reflection of the self. In K. A. E. Engelke, & A. Traninger (Eds.), The figure of the nymph in early modern culture (pp. 396-418). Leiden: Brill. doi:10.1163/9789004364356_014.

Tian, X., Ding, N., Teng, X., Bai, F., & Poeppel, D. (2018). Imagined speech influences perceived loudness of sound. Nature Human Behaviour,2(3), 225-234. doi:10.1038/s41562-018-0305-8.

Lakens, D., Adolfi, F., Albers, C. J., Anvari, F., Apps, M. A. J., Argamon, S. E., Baguley, T., Becker, R. B., Benning, S. D., Bradford, D. E., Buchanan, E. M., Caldwell, A. R., Calster, B. V., Carlsson, R., Chen, S.-C., Chung, B., Colling, L. J., Collins, G. S., Crook, Z., Cross, E. S., Daniels, S., Danielsson, H., DeBruine, L., Dunleavy, D. J., Earp, B. D., Feist, M. I., Ferrell, J. D., Field, J. G., Fox, N. W., Friesen, A., Gomes, C., Gonzalez-Marquez, M., Grange, J. A., Grieve, A. P., Guggenberger, R., Grist, J., van Harmelen, A.-L., Hasselman, F., Hochard, K. D., Hoffarth, M. R., Holmes, N. P., Ingre, M., Isager, P. M., Isotalus, H. K., Johansson, C., Juszczyk, K., Kenny, D. A., Khalil, A. A., Konat, B., Lao, J., Larsen, E. G., Lodder, G. M. A., Lukavský, J., Madan, C. R., Manheim, D., Martin, S. R., Martin, A. E., Mayo, D. G., McCarthy, R. J., McConway, K., McFarland, C., Nio, A. Q. X., Nilsonne, G., de Oliveira, C. L., de Xivry, J.-J.-O., Parsons, S., Pfuhl, G., Quinn, K. A., Sakon, J. J., Saribay, S. A., Schneider, I. K., Selvaraju, M., Sjoerds, Z., Smith, S. G., Smits, T., Spies, J. R., Sreekumar, V., Steltenpohl, C. N., Stenhouse, N., Świątkowski, W., Vadillo, M. A., Assen, M. A. L. M. V., Williams, M. N., Williams, S. E., Williams, D. R., Yarkoni, T., Ignazio, Z., & Zwaan, R. A. (2018). Justify your alpha. Nature Human Behaviour,2(3), 168-171. doi:10.1038/s41562-018-0311-x.

Sarkhosh, K. (2018). Kurz und kernig statt lang und erbärmlich? Einige Beobachtungen zum Verhältnis von Erfolg, Staffellaufzeiten und narrativer Dichte in aktuellen ›Quality TV‹-Serien. In M. Baßler, & M. Nies (Eds.), Short Cuts. Ein Verfahren zwischen Roman, Film und Serie (pp. 217-247). Marburg: Schüren.

Assaneo, M. F., & Poeppel, D. (2018). The coupling between auditory and motor cortices is rate-restricted: Evidence for an intrinsic speech-motor rhythm. Science Advances,4(2): eaao3842. doi:10.1126/sciadv.aao3842.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (2018). Editorial: Brain oscillations in human communication. Frontiers in Human Neuroscience, 12:39. doi:10.3389/fnhum.2018.00039.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (Eds.). (2018).Brain oscillations in human communication. Lausanne: Frontiers Media. doi:10.3389/978-2-88945-458-7.

Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte für Fragen des Gottesdienstes,68(2), 83-108.

Menninghaus, W. (2018).Sei no nakaba: Hoeldelin shigaku ni matsuwaru shiron (=Japanese translation of Hälfte des Lebens: Versuch über Hölderlins Poetik, Frankfurt: Suhrkamp, 2005). Translated by Yoshikazu Takemine. Tokio: Getsuyousha Limited.

Haider, T., & Kuhn, J. (2018). Supervised Rhyme Detection with Siamese Recurrent Networks. In B. Alex, S. Degaetano-Ortlieb, A. Feldman, A. Kazantseva, N. Reiter, & S. Szpakowicz (Eds.), Proceedings of the Second Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature (pp. 81-86).

Toelle, J. (2018). Mission soundscapes: Demons, Jesuits and sounds in Antonio Ruiz de Montoya’s Conquista Espiritual (1639). In D. Hacke, & P. Musselwhite (Eds.), Empire of the senses: Sensory practices of colonialism in early America (pp. 67-87). Leiden: Brill. doi:10.1163/9789004340640_004.

Fischinger, T. (2018). Vorreiter einer empirischen Ästhetik: Anmerkungen zur Studie «Die natürliche Stimmung in der modernen Vokalmusik» (1893) von Max Planck. Neue Zeitschrift für Musik, (1), 27-29.

2017

Kumsta, R., Schlotz, W., Golm, D., Moser, D., Kennedy, M., Knights, N., Kreppner, J., Maughan, B., Rutter, M., & Sonuga-Barke, E. (2017). HPA axis dysregulation in adult adoptees twenty years after severe institutional deprivation in childhood. Psychoneuroendocrinology,86, 196-202. doi:10.1016/j.psyneuen.2017.09.021.

Auracher, J., & Hirose, A. (2017). The influence of reader’s stereotypes on the assessment of fictional characters. Comparative Literature Studies,54(4), 795-823. doi:10.5325/complitstudies.54.4.0795.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences,40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.

Elvers, P., & Steffens, J. (2017). The sound of success: Investigating cognitive and behavioral effects of motivational music in sports. Frontiers in Psychology, 8:2026. doi:10.3389/fpsyg.2017.02026.

Blohm, S., Menninghaus, W., & Schlesewsky, M. (2017). Sentence-Level Effects of Literary Genre: Behavioral and Electrophysiological Evidence. Frontiers in Psychology,8: 1887. doi:10.3389/fpsyg.2017.01887.

Scharinger, M. (2017). Are there brain bases for phonological markedness? In B. D. Samuels (Ed.), Beyond Markedness in Formal Phonology (pp. 191-218). Amsterdam/Philadelphia: John Benjamins Publishing Company.

Teng, X., Tian, X., Rowland, J., & Poeppel, D. (2017). Concurrent temporal channels for auditory processing: Oscillatory neural entrainment reveals segregation of function at different scales. PLoS Biology,15(11): e2000812. doi:10.1371/journal.pbio.2000812.

Bauer, S., van Alphen, N., Becker, A., Chiocchetti, A., Deichmann, R., Deller, T., Freiman, T., Freitag, C. M., Gehrig, J., Hermsen, A. M., Jedlicka, P., Kell, C., Klein, K. M., Knake, S., Kullmann, D. M., Liebner, S., Norwood, B. A., Omigie, D., Plate, K., Reif, A., Reif, P. S., Reiss, Y., Roeper, J., Ronellenfitsch, M. W., Schorge, S., Schratt, G., Schwarzacher, S. W., Steinbach, J. P., Strzelczyk, A., Triesch, J., Wagner, M., Walker, M. C., von Wegner, F., & Rosenow, F. (2017). Personalized translational epilepsy research — Novel approaches and future perspectives: Part II: Experimental and translational approaches. Epilepsy & Behavior,76, 7-12. doi:10.1016/j.yebeh.2017.06.040.

Auracher, J. (2017). Sound iconicity of abstract concepts: Place of articulation is implicitly associated with abstract concepts of size and social dominance. PLoS One,12(11): e0187196. doi:10.1371/journal.pone.0187196.

Hosoya, G., Schindler, I., Beermann, U., Wagner, V., Menninghaus, W., Eid, M., & Scherer, K. (2017). Mapping the Conceptual Domain of Aesthetic Emotion Terms: A Pile-Sort Study. Psychology of Aesthetics, Creativity, and the Arts,11(4), 457-473. doi:10.1037/aca0000123.

Kennedy, M., Kreppner, J., Knights, N. H., Kumsta, R., Maughan, B., Golm, D., Hill, J., Rutter, M., Schlotz, W., & Sonuga-Barke, E. (2017). Adult disinhibited social engagement in adoptees exposed to extreme institutional deprivation: examination of its clinical status and functional impact. The British Journal of Psychiatry,211(5), 289-295. doi:10.1192/bjp.bp.117.200618.

Lafon, B., Henin, S., Huang, Y., Friedman, D., Melloni, L., Thesen, T., Doyle, W., Buzsáki, G., Devinsky, O., Parra, L. C., & Liu, A. A. (2017). Low frequency transcranial electrical stimulation does not entrain sleep rhythms measured by human intracranial recordings. Nature Communications,8: 1199. doi:10.1038/s41467-017-01045-x.

Herrera, R., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., & Radon, K. (2017). Chronic Stress in Young German Adults: Who Is Affected? A Prospective Cohort Study. International Journal of Environmental Research and Public Health,14(11): 1325. doi:10.3390/ijerph14111325.

Powell, D. J. H., Liossi, C., Schlotz, W., & Moss-Morris, R. (2017). Tracking daily fatigue fluctuations in multiple sclerosis: ecological momentary assessment provides unique insights. Journal of Behavioral Medicine,40(5), 772-783. doi:10.1007/s10865-017-9840-4.

Kelty-Stephen, D., & Wallot, S. (2017). Multifractality versus (mono)fractality in the narrative about nonlinear interactions across time scales: Disentangling the belief in nonlinearity from the diagnosis of nonlinearity. Ecological Psychology,29(4), 259-299. doi:10.1080/10407413.2017.1368355.

Lange, E. B., Zweck, F., & Sinn, P. (2017). Microsaccade-rate indicates absorption by music listening. Consciousness and Cognition,55, 59-78. doi:10.1016/j.concog.2017.07.009.

Ding, N., Patel, A., Chen, L., Butler, H., Luo, C., & Poeppel, D. (2017). Temporal modulations in speech and music. Neuroscience & Biobehavioral Reviews,81(Part B), 181-187. doi:10.1016/j.neubiorev.2017.02.011.

Ding, N., Melloni, L., Yang, A., Wang, Y., Zhang, W., & Poeppel, D. (2017). Characterizing neural entrainment to hierarchical linguistic units using electroencephalography (EEG). Frontiers in Human Neuroscience,11: 481. doi:10.3389/fnhum.2017.00481.

Merk, J., Schlotz, W., & Falter, T. (2017). The Motivational Value Systems Questionnaire (MVSQ): Psychometric Analysis Using a Forced Choice Thurstonian IRT Model. Frontiers in Psychology,8: 1626. doi:10.3389/fpsyg.2017.01626.

Menninghaus, W., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Knoop, C. A. (2017). The emotional and aesthetic powers of parallelistic diction. Poetics,63, 47-59. doi:10.1016/j.poetic.2016.12.001.

Scharinger, M., Steinberg, J., & Tavano, A. (2017). Integrating speech in time depends on temporal expectancies and attention. Cortex,93, 28-40. doi:10.1016/j.cortex.2017.05.001.

Wassiliwizky, E., Koelsch, S., Wagner, V., Jacobsen, T., & Menninghaus, W. (2017). The emotional power of poetry: Neural circuitry, psychophysiology, compositional principles. Social Cognitive and Affective Neuroscience,12(8), 1229-1240. doi:10.1093/scan/nsx069.

Sarkhosh, K. (2017). Trash, Boom, Bang: Ein Forschungsüberblick. In J. Nesselhauf, & M. Schleich (Eds.), Banal, trivial, phänomenal. Spielarten des Trash (pp. 11-42). Darmstadt: Büchner.

Tiihonen, M., Brattico, E., Maksimainen, J., Wikgren, J., & Saarikallio, S. (2017). Constituents of music and visual-art related pleasure: A critical integrative literature review. Frontiers in Psychology,8: 1218. doi:10.3389/fpsyg.2017.01218.

Merrill, J., & Larrouy-Maestri, P. (2017). Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire. Frontiers in Psychology, 8:1108. doi:10.3389/fpsyg.2017.01108.

Ishizu, T., & Sakamoto, Y. (2017). Ugliness as the fourth wall-breaker: Comment on “Move me, astonish me.. delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative, and neurophysiological correlates” by Matthew Pelowski et al. Physics of Life Reviews,21, 138-139. doi:10.1016/j.plrev.2017.06.003.

Wiesecke, J. (2017). Samuel Pepys and his experiences of music at Restoration theatres. In H. Barlow, & D. Rowland (Eds.), Listening to music: People, practices and experiences. Retrieved from http://ledbooks.org/proceedings2017/#sec_245_h1.

Tal, I., Large, E. W., Rabinovitch, E., Wei, Y., Schroeder, C. E., Poeppel, D., & Golumbic, E. Z. (2017). Neural entrainment to the beat: The “Missing-Pulse” phenomenon. The Journal of Neuroscience,37(26), 6331-6341. doi:10.1523/JNEUROSCI.2500-16.2017.

Isik, A. I., Naumer, M. J., Kaiser, J., Buschenlange, C., Wiesmann, S., Czoschke, S., & Yalachkov, Y. (2017). Automatized smoking-related action schemata are reflected by reduced fMRI activity in sensorimotor brain regions of smokers. NeuroImage: Clinical,15, 753-760. doi:10.1016/j.nicl.2017.06.021.

Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., & Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLoS One,12(6): e0178899. doi:10.1371/journal.pone.0178899.

Gemma, M. L., Glorieux, F., & Ganascia, J.-G. (2017). Operationalizing the colloquial style: Repetition in 19th-century American fiction. Digital Scholarship in the Humanities,32(2), 312-335. doi:10.1093/llc/fqv066.

Bonhage, C. E., Meyer, L., Gruber, T., Friederici, A. D., & Mueller, J. L. (2017). Oscillatory EEG dynamics underlying automatic chunking during sentence processing. NeuroImage,152, 647-657. doi:10.1016/j.neuroimage.2017.03.018.

Dikker, S., Wan, L., Davidesco, I., Kaggen, L., Oostrik, M., McClintock, J., Rowland, J., Michalareas, G., Van Bavel, J. J., Ding, M., & Poeppel, D. (2017). Brain-to-brain synchrony tracks real-world dynamic group interactions in the classroom. Current Biology,27(9), 1375-1380. doi:10.1016/j.cub.2017.04.002.

Elvers, P. (2017). Aristides Quintilianus: De musica. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 28-30). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Ernst Kurth: Romantische Harmonik. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 276-278). Kassel; Stuttgart: Bärenreiter; Metzler.

Kaufmann, M. (2017). Flavius Magnus Aurelius Cassiodor: Institutiones. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 81-83). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Rudolph Reti: Thematic process. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 408-410). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Giovanni Maria Lanfranco: Scintille di musica. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 278-281). Kassel; Stuttgart: Bärenreiter; Metzler.

Wörner, F. (2017). Victor Kofi Agawu: Playing with signs. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 6-7). Kassel; Stuttgart: Bärenreiter; Metzler.

Wald-Fuhrmann, M. (2017). Johannes Kepler: Harmonice mundi. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 254-256). Kassel; Stuttgart: Bärenreiter; Metzler.

Grimm, H., & Wald-Fuhrmann, M. (2017). Vorwort. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. vii-viii). Kassel; Stuttgart: Bärenreiter; Metzler.

Kaufmann, M. (2017). Giovanni Battista Doni: Compendio del trattato. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 119-122). Kassel; Stuttgart: Bärenreiter; Metzler.

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Sonuga-Barke, E. J. S., Kennedy, M., Kumsta, R., Knights, N., Golm, D., Rutter, M., Maughan, B., Schlotz, W., & Kreppner, J. (2017). Child-to-adult neurodevelopmental and mental health trajectories after early life deprivation: The young adult follow-up of the longitudinal English and Romanian Adoptees study. The Lancet,389(10078), 1539-1548. doi:10.1016/S0140-6736(17)30045-4.

Reichert, M., Tost, H., Reinhard, I., Schlotz, W., Zipf, A., Salize, H. J., Meyer-Lindenberg, A., & Ebner-Priemer, U. W. (2017). Exercise versus nonexercise activity: E-diaries unravel distinct effects on mood. Medicine & Science in Sports & Exercise,49(4), 763-773. doi:10.1249/mss.0000000000001149.

Mitkidis, P., Ayal, S., Shalvi, S., Heimann, K., Levy, G., Kyselo, M., Wallot, S., Ariely, D., & Roepstorff, A. (2017). The effects of extreme rituals on moral behavior: The performers-observers gap hypothesis. Journal of Economic Psychology,59, 1-7. doi:10.1016/j.joep.2016.12.007.

Larrouy-Maestri, P., Morsomme, D., Magis, D., & Poeppel, D. (2017). Lay listeners can evaluate the pitch accuracy of operatic voices. Music Perception,34(4), 489-495. doi:10.1525/mp.2017.34.4.489.

Neuhoff, H., Polak, R., & Fischinger, T. (2017). Perception and evaluation of timing patterns in drum ensemble music from Mali. Music Perception,34(4), 438-451. doi:10.1525/mp.2017.34.4.438.

Drews, H. J., Wallot, S., Weinhold, S. L., Mitkidis, P., Baier, P. C., Roepstorff, A., & Goeder, R. (2017). "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders,2017: 8140672. doi:10.1155/2017/8140672.

Kandylaki, K. D., Henrich, K., Nagels, A., Kircher, T., Domahs, U., Schlesewsky, M., Bornkessel-Schlesewsky, I., & Wiese, R. (2017). Where Is the Beat? The Neural Correlates of Lexical Stress and Rhythmical Well-formedness in Auditory Story Comprehension. Journal of Cognitive Neuroscience,29(7), 1119-1131.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences,40: e347. doi:10.1017/S0140525X17000309.

Kaiser, J., Rieder, M., Abel, C., Peters, B., & Bledowski, C. (2017). Pre-encoding gamma-band activity during auditory working memory. Scientific Reports,7: 42599. doi:10.1038/srep42599.

Wassiliwizky, E., Jacobsen, T., Heinrich, J., Schneiderbauer, M., & Menninghaus, W. (2017). Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology,8: 41. doi:10.3389/fpsyg.2017.00041.

Krakauer, J. W., Ghazanfar, A. A., Gomez-Marin, A., MacIver, M. A., & Poeppel, D. (2017). Neuroscience needs behavior: Correcting a reductionist bias. Neuron,93(3), 480-490. doi:10.1016/j.neuron.2016.12.041.

Kokinous, J., Tavano, A., Kotz, S. A., & Schröger, E. (2017). Perceptual integration of faces and voices depends on the interaction of emotional content and spatial frequency. Biological Psychology,123, 155-165. doi:10.1016/j.biopsycho.2016.12.007.

Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.

Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.

Larrouy-Maestri, P. (2017). The influence of non-musical variables on the evaluation of vocal pitch accuracy. CFMAE Interdisciplinary Journal for Music and Art Pedagogy, Special Issue on Singing & Voice,9, 123-141.

Hanich, J., & Menninghaus, W. (2017). Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies,56(4), 76-101. doi:10.1353/cj.2017.0041.

Poeppel, D. (2017). The influence of Chomsky on the neuroscience of language. In J. A. McGilvray (Ed.), The Cambridge companion to Chomsky (2, pp. 155-174). Cambridge: Cambridge University Press.

Haider, T., & Palmer, A. (2017). Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In Proceedings of the Workshop on Stylistic Variation, EMNLP 2017 (pp. 74-84). Copenhagen, Stroudsburg, PA: Association for Computational Linguistics.

Kaufmann, M. (2017). Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,11(2), 185-195.

Elvers, P. (2017). Nikomachos von Gerasa: Encheiridion. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 348-349). Kassel; Stuttgart: Bärenreiter; Metzler.

Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.

Sarkhosh, K. (2017). Wenn die Wirklichkeit aus den Fugen gerät. Über das konfliktbeladene Aufeinandertreffen inkompatibler Glaubens- und Erkenntnissysteme in drei britischen fantastischen Filmen des Jahres 1973 (›The Legend of Hell House‹, ›Don’t Look Now‹, ›The Wicker Man‹). In S. Klimek, T. Lambrecht, & T. Kindt (Eds.), Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945 (pp. 77-101). Heidelberg: Universitätsverlag Winter.

Omigie, D. (2017). Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies,8(1-2), 35-38. doi:10.4407/jims.2016.12.101.

Merrill, J. (2017). Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica,89(1), 95-117.

Kuijpers, M. M., & Hakemulder, F. (2017). Narrative absorption: Introduction and overview. In F. Hakemulder, M. M. Kuijpers, E. S. Tan, K. Bálint, & M. M. Doicaru (Eds.), Narrative Absorption (pp. 1-10). Amsterdam: John Benjamins Publishing.

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Kaufmann, M. (2017). Euklid: Sectio Canonis. In U. Scheideler, & F. Wörner (Eds.), Lexikon Schriften über Musik: Vol. 1. Musiktheorie von der Antike bis zur Gegenwart (pp. 129-131). Kassel; Stuttgart: Bärenreiter; Metzler.

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2016

Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. PLoS One,11(12): e0168306. doi:10.1371/journal.pone.0168306.

Uppenkamp, B., & Wald-Fuhrmann, M. (Eds.). (2016).Musikalische Kunst: Ein Führer durch die Staatlichen Museen zu Berlin. Kön: Böhlau.

Elvers, P. (2016). Zum Verhältnis von Musik und Sprache in der griechischen Antike. Rhetorik,35(1), 9-24. doi:10.1515/rhet.2016.003.

Menninghaus, W. (2016). Caprices of fashion in culture and biology: Charles Darwin’s aesthetics of "ornament". In G. Matteucci, & S. Marino (Eds.), Philosophical Perspectives on Fashion (pp. 137-150). London, New York: Bloomsbury Academic.

Scharinger, M., Domahs, U., Klein, E., & Domahs, F. (2016). Mental representations of vowel features asymmetrically modulate activity in superior temporal sulcus. Brain and Language,163, 42-49. doi:10.1016/j.bandl.2016.09.002.

Wallot, S., Roepstorff, A., & Mønster, D. (2016). Multidimensional Recurrence Quantification Analysis (MdRQA) for the analysis of multidimensional time-series: A software implementation in MATLAB and its application to group-level data in joint action. Frontiers in Psychology,7: 1835. doi:10.3389/fpsyg.2016.01835.

Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology,7: 1779. doi:10.3389/fpsyg.2016.01779.

Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase,22(6), 496-504. doi:10.1080/13554794.2016.1237660.

Teng, X., Tian, X., & Poeppel, D. (2016). Testing multi-scale processing in the auditory system. Scientific Reports,6: 34390. doi:10.1038/srep34390.

Kennedy, M., Kreppner, J., Knights, N., Kumsta, R., Maughan, B., Golm, D., Rutter, M., Schlotz, W., & Sonuga‐Barke, E. J. S. (2016). Early severe institutional deprivation is associated with a persistent variant of adult attention‐deficit/hyperactivity disorder: clinical presentation, developmental continuities and life circumstances in the English and Romanian Adoptees study. Journal of Child Psychology and Psychiatry, and Allied Disciplines,57(10), 1113-1125. doi:10.1111/jcpp.12576.

Conradi, N., Abel, C., Frisch, S., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2016). Actively but not passively synchronized motor activity amplifies predictive timing. NeuroImage,139, 211-217. doi:10.1016/j.neuroimage.2016.06.033.

Menninghaus, W. (2016).Disgusto. Teoria e storia di una sensazione forte. (= Italian translation of Ekel. Theorie und Geschichte einer starken Empfindung). A Cura di Serena Feloj. Milano: Mimesis.

O'Brien, B. A., & Wallot, S. (2016). Silent reading fluency and comprehension in bilingual children. Frontiers in Psychology,7: 1265. doi:10.3389/fpsyg.2016.01265.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Vessel, E. A., Biederman, I., Subramaniam, S., & Greene, M. R. (2016). Effective signaling of surface boundaries by L-vertices reflect the consistency of their contrast in natural images. Journal of Vision,16(9): 15. doi:doi:10.1167/16.9.15.

Scharinger, M. (2016). Ungestörte Lautverarbeitung. In U. Domahs, & B. Primus (Eds.), Handbuch Laut, Gebärde, Buchstabe (pp. 163-181). Berlin: Mouton de Gruyter. doi:10.1515/9783110295993-010.

Poeppel, D. (2016). Sprache hören und verstehen. In H. Böttger, & M. Sambanis (Eds.), Focus on evidence: Fremdsprachendidaktik trifft Neurowissenschaften (pp. 53-76). Tübingen: Narr Francke Attempto.

Zhou, H., Melloni, L., Poeppel, D., & Ding, N. (2016). Interpretations of frequency domain analyses of neural entrainment: Periodicity, fundamental frequency, and harmonics. Frontiers in Human Neuroscience,10: 274. doi:10.3389/fnhum.2016.00274.

Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in the brain. Journal of Comparative Neurology. Special Issue: Brain Circuits of Positive Emotions,524(8), 1676-1686. doi:10.1002/cne.23854.

Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics,56, 35-49. doi:10.1016/j.poetic.2016.02.001.

Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.

Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.

Tian, X., Zarate, J. M., & Poeppel, D. (2016). Mental imagery of speech implicates two mechanisms of perceptual reactivation. Cortex,77, 1-12. doi:10.1016/j.cortex.2016.01.002.

Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.

Auracher, J., & Bosch, H. (2016). Showing with words. Scientific Study of Literature,6(2), 208-242. doi:10.1075/ssol.6.2.03aur.

Scharinger, M., Monahan, P. J., & Idsardi, W. J. (2016). Linguistic category structure influences early auditory processing: Converging evidence from mismatch responses and cortical oscillations. NeuroImage,128, 293-301. doi:10.1016/j.neuroimage.2016.01.003.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H. R., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2016). Effects of empathic social responses on the emotions of the recipient. Brain and Cognition,103, 50-61. doi:10.1016/j.bandc.2015.11.004.

Steinberg Lowe, M., Lewis, G. A., & Poeppel, D. (2016). Effects of part- and whole-object primes on early MEG responses to Mooney faces and houses. Frontiers in Psychology,7: 147. doi:10.3389/fpsyg.2016.00147.

Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.

Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement. Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.

Merrill, J. (2016).Die Sprechstimme in der Musik: Komposition, Notation, Transkription. Wiesbaden: Springer VS.

Wald-Fuhrmann, M. (2016). "Instar Bibliothecae instructissimae": Zum enzyklopädischen Zugriff auf Musik im 16. und frühen 17. Jahrhundert. Musiktheorie: Zeitschrift für Musikwissenschaft,31(1), 78-90.

Sakamoto, Y. (2016). Hifu, Soshite Bisyouhyoushou he no Tabi [= Grenzgänge der Wahrnehmung. Zur Neurologie der petites perceptions.]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 51-75.

Larrouy-Maestri, P. (2016). Justesse en voix chantée: Bien évaluer pour bien guider. In C. Klein-Dallant (Ed.), De la voix parlée au chant (pp. 515-522).

Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.

Seibert, C. (2016).Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft.

Sakamoto, Y. (2016). Shinkeikei Jinbungaku Josetu [= Einführung in die neuronalen Geisteswissenschaften]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 6-18.

Toelle, J. (2016). Todas las naciones han de oyrla: Bells in the Jesuit reducciones of Early Modern Paracuaria. Journal of Jesuit Studies,3(3), 437-450. doi:10.1163/22141332-00303005.

Ding, N., Melloni, L., Zhang, H., Tian, X., & Poeppel, D. (2016). Cortical tracking of hierarchical linguistic structures in connected speech. Nature Neuroscience,19(1), 158-164. doi:10.1038/nn.4186.

Steffens, J., Greb, F., & Schlotz, W. (2016). Why listen to music right now?: Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 842).

Lanwermeyer, M., Henrich, K., Rocholl, M. J., Schnell, H. T., Werth, A., Herrgen, J., & Schmidt, J. E. (2016). Dialect Variation Influences the Phonological and Lexical-Semantic Word Processing in Sentences. Electrophysiological Evidence from a Cross-Dialectal Comprehension Study. Frontiers in Psychology,7: 739. doi:10.3389/fpsyg.2016.00739.

Knoop, C. A. (2016). Criticism or ressentiment? Literary studies and the politics of interdisciplinarity. In J. Riou, & M. Gallagher (Eds.), Re-thinking ressentiment. On the limits of criticism and the limits of its critics (pp. 149-166). Bielefeld: transcript.

Knoop, C. A. (2016). Ausgangspunkte neu erzählen: Der Raum der Herkunft in Jean Genets Journal du Voleur. In M. Benz, & K. Dennerlein (Eds.), Literarische Räume der Herkunft. Fallstudien zu einer historischen Narratologie (pp. 311-335). Berlin, Boston: De Gruyter.

van Dyck-Hemming, A., & Wald-Fuhrmann, M. (2016). Vom Datum zum historischen Zusammenhang: Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank. In S. Bolz, M. Kelber, I. Knoth, & A. Langenbruch (Eds.), Wissenskulturen der Musikwissenschaft. Generationen – Netzwerke – Denkstrukturen (pp. 261-278). Bielefeld: transcript.

Almeida, D., Poeppel, D., & Corina, D. (2016). The processing of biologically plausible and implausible forms in American Sign Language: Evidence for perceptual tuning. Language, Cognition and Neuroscience,31(3), 361-374. doi:10.1080/23273798.2015.1100315.

Skovgaard Lyby, M., Wallot, S., Wallot, A., & Mehlsen, M. Y. (2016). Perspektiver inden for teknologisk-assisteret indsamling af data i psykologisk forandring - rammesat af den synergetiske psykologi [Möglichkeiten der technologiegestützten Datenerfassung psychischer Veränderungsprozesse – Methoden der synergetischen Psychologie]. Psyke & Logos,37(1), 144-170.

Grimm, H. (2016). Lobgesang: Eine Symphonie-Cantate nach Worten der Heiligen Schrift op. 52. In M. Geuting (Ed.), Felix Mendelssohn Bartholdy: Interpretationen seiner Werke (Vol. 2) (pp. 130-149). Laaber: Laaber.

Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.

Greb, F., Schlotz, W., & Steffens, J. (2016). Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 834).

Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (Eds.), Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA.

Ruccius, A. (2016). Phonomorphie von Klang und Bild: Drei Motive in den Klangskulpturen Stephan von Huenes. In A. Symanczyk, D. Wagner, & M. Wendling (Eds.), Klang - Kontakte: Kommunikation, Konstruktion und Kultur von Klängen (pp. 175-190). Berlin: Reimer.

Greb, F., Schlotz, W., & Steffens, J. (2016). How do the functions of music listening vary across situations and persons? In B. Burger, J. Bamford, & E. Carlson (Eds.), Proceedings of the International Conference of Students of Systematic Musicology 16: Programme, abstracts & proceedings. Jyväskylä: Department of Music, University of Jyväskylä & Finnish Centre for Interdisciplinary Music Research.

Futterlieb, K., & Schoof, K. (2016). That special place. In K. Umlauf, K. U. Werner, & A. Kaufmann (Eds.), Strategien für die Bibliothek als Ort: Festschrift für Petra Hauke (pp. 189-202). Berlin: De Gruyter Saur.

Sarkhosh, K. (2016). Rezension zu Jeff Thoss: When Storyworlds Collide. Metalepsis in Popular Fiction, Film and Comics (Studies in Intermediality 7) Leiden/Boston: Brill-Rodopi, 2015. Arbeiten aus Anglistik und Amerikanistik,41(2), 93-97.

Toelle, J. (2016). Das Baumol’sche Gesetz (Fallstudie "Opernbetrieb"). In V. Kalisch (Ed.), Musiksoziologie (pp. 79-86). Laaber: Laaber-Verlag.

Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207. doi:10.1075/ssol.6.2.02bal.

2015

Doelling, K. B., & Poeppel, D. (2015). Cortical entrainment to music and its modulation by expertise. Proceedings of the National Academy of Sciences of the United States of America,112(45), E6233-E6242. doi:10.1073/pnas.1508431112.

Wassiliwizky, E., Wagner, V., Jacobsen, T., & Menninghaus, W. (2015). Art-elicited chills indicate states of being moved. Psychology of Aesthetics, Creativity, and the Arts,9(4), 405-416. doi:10.1037/aca0000023.

Sarkhosh, K. (2015). Schuld, Geld und Vergeltung in Arthur Schnitzlers Traumnovelle und Stanley Kubricks Eyes Wide Shut. Arcadia: International journal of literary culture,50(2), 366-388. doi:10.1515/arcadia-2015-0026.

Gagliardi, C., Brenna, V., Romaniello, R., Arrigoni, F., Tavano, A., Romani, M., Valente, E. M., & Borgatti, R. (2015). Cognitive rehabilitation in a child with Joubert Syndrome: Developmental trends and adaptive changes in a single case report. Research in Developmental Disabilities,47, 375-384. doi:10.1016/j.ridd.2015.09.013.

Hemming, J., & Merrill, J. (2015). On the distinction between involuntary musical imagery, musical hallucinosis, and musical hallucinations. Psychomusicology,25(4), 435-442. doi:10.1037/pmu0000112.

Sarkhosh, K. (2015). Die Macht der Filmbilder. Literaturgeschichte(n) und visuelle Evidenz im Kontext des populären Buchmarktes. In A. Hölter, & M. Schmitz-Emans (Eds.), Literaturgeschichte und Bildmedien (HERMEIA) (pp. 203-230). Heidelberg: Synchron Publishers GmbH.

Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.

Wald-Fuhrmann, M., & Wiesenfeldt, C. (Eds.). (2015).Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817) Gattungen. Werke. Kontexte. Köln: Böhlau.

Larrouy-Maestri, P., Magis, D., Grabenhorst, M., & Morsomme, D. (2015). Layman versus professional musician: Who makes the better judge? PLoS One,10(8): e0135394. doi:10.1371/journal.pone.0135394.

Omigie, D. (2015). Music and literature: Are there shared empathy and predictive mechanisms underlying their affective impact? Frontiers in Psychology,6: 1250. doi:10.3389/fpsyg.2015.01250.

Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers in Psychology,6: 1252. doi:10.3389/fpsyg.2015.01252.

Arnal, L. H., Flinker, A., Kleinschmidt, A., Giraud, A.-L., & Poeppel, D. (2015). Human screams occupy a privileged niche in the communication soundscape. Current Biology,25(15), 2051-2056. doi:10.1016/j.cub.2015.06.043.

Tavano, A., & Scharinger, M. (2015). Prediction in speech and language processing. Cortex,68, 1-7. doi:10.1016/j.cortex.2015.05.001.

Zarate, J. M., Tian, X., Woods, K. J., & Poeppel, D. (2015). Multiple levels of linguistic and paralinguistic features contribute to voice recognition. Scientific Reports,5: 11475. doi:10.1038/srep11475.

Chait, M., Greenberg, S., Arai, T., Simon, J. Z., & Poeppel, D. (2015). Multi-time resolution analysis of speech: Evidence from psychophysics. Frontiers in Neuroscience,9: 214. doi:10.3389/fnins.2015.00214.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal.pone.0128451.

Overath, T., McDermott, J. H., Zarate, J. M., & Poeppel, D. (2015). The cortical analysis of speech-specific temporal structure revealed by responses to sound quilts. Nature Neuroscience,18 (6), 903-911. doi:10.1038/nn.4021.

Koelsch, S., Jacobs, A. M., Menninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., & Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life Reviews, (13), 1-27. doi:10.1016/j.plrev.2015.03.001.

Powell, D. J., Moss-Morris, R., Liossi, C., & Schlotz, W. (2015). Circadian cortisol and fatigue severity in relapsing-remitting multiple sclerosis. Psychoneuroendocrinology,56, 120-131. doi:10.1016/j.psyneuen.2015.03.010.

Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.

Muralikrishnan, R., Schlesewsky, M., & Bornkessel-Schlesewsky, I. (2015). Animacy-based predictions in language comprehension are robust: Contextual cues modulate but do not nullify them. Brain Research,1608, 108-137. doi:10.1016/j.brainres.2014.11.046.

Pfordresher, P. Q., & Larrouy-Maestri, P. (2015). On drawing a line through the spectrogram: How do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience,9: 271. doi:10.3389/fnhum.2015.00271.

Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5): e0124550. doi:10.1371/journal.pone.0124550.

Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.

Lewis, G. A., Poeppel, D., & Murphy, G. L. (2015). The neural bases of taxonomic and thematic conceptual relations: An MEG study. Neuropsychologia,68, 176-189. doi:10.1016/j.neuropsychologia.2015.01.011.

Rimmele, J. M., Zion Golumbic, E., Schröger, E., & Poeppel, D. (2015). The effects of selective attention and speech acoustics on neural speech-tracking in a multi-talker scene. Cortex,68, 144-154. doi:10.1016/j.cortex.2014.12.014.

Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.

Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.

Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 393-411). Gifkendorf: Merlin.

Skoluda, N., Strahler, J., Schlotz, W., Niederberger, L., Marques, S., Fischer, S., Thoma, M. V., Spoerri, C., Ehlert, U., & Nater, U. M. (2015). Intra-individual psychological and physiological responses to acute Iabaratory stressors of different intensity. Psychoneuroendocrinology,51, 227-236. doi:10.1016/j.psyneuen.2014.10.002.

Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.

Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.

Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.

Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (Ed.), Aisthetics of the spirits: Spirits in early modern science, religion, literature and music (pp. 213-243). Göttingen: V&R unipress.

Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (Eds.). epiFaNIen - Frühe Neuzeit interdisziplinär. Göttingen: V & R Unipress.

Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.

Fischinger, T. (Ed.). (2015). Special Issue on Rhythm Production and Perception [Special Issue]. Timing & Time Perception,3(1-2).

Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.

Arnal, L. H., Poeppel, D., & Giraud, A.-l. (2015). Temporal coding in the auditory cortex. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 85-98). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00005-6.

Hickok, G., & Poeppel, D. (2015). Neural basis of speech perception. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 149-160). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00008-1.

Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 217-239). Gifkendorf: Merlin.

Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817): Gattungen. Werke. Kontexte. (pp. 189-212). Köln; Wien: Böhlau.

Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761–1817): Gattungen. Werke. Kontexte. (pp. 166-188). Köln; Wien: Böhlau.

Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.

Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb Meißner und Joseph Schuster. In G. Poppe, & S. Voss (Eds.), Joseph Schuster in der Musik des ausgehenden 18. Jahrhunderts (pp. 285-306). Beeskow: Ortus-Musikverlag.

Poeppel, D. (2015). On Giacometti’s sculpture Chariot. Gilded Birds.

Wald-Fuhrmann, M. (2015). „Musiace veteris specimen": Falsche und fehlende Exempla in der Musik. In K. Zimmer (Ed.), Rezeption, Zeitgeist, Fälschung – Umgang mit Antike(n): Akten des Internationalen Kolloquiums am 31. Januar und 1. Februar 2014 in Tübingen (pp. 155-166). Rahden, Westf.: Leidorf.

Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren. In N. Schwindt (Ed.), Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse (pp. 363-397). Laaber: Laaber.

Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie. Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60, 39-51.

Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht, Entrückung und absolute Musik. In G. Oesterle, & T. Valk (Eds.), Riskante Geselligkeit: Spielarten des Sozialen um 1800 (pp. 293-310). Würzburg: Königshausen & Neuman.

Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.

Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.

Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.

Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.

Poeppel, D., & Hickock, G. (2015). Electromagnetic recording of the auditory system. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 245-255). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00014-7.

Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.

Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.

Poeppel, D. (2015). Speech perception. In M. Liebermann, & A. W. Toga (Eds.), Brain mapping: An encyclopedic reference (pp. 429-434). Amsterdam: Elsevier. doi:10.1016/B978-0-12-397025-1.00264-5.

2014

Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.

Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins. In C. Storch (Ed.), Die Musik- und Theaterpraxis der Jesuiten im kolonialen Amerika: Grundlagen, Desiderate, Forschungsperspektiven (pp. 75-92). Sinzig: Studiopunkt Verlag.

Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik. Berlin: De Gruyter.

Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.

Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.

Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.

Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.

Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.

Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.

Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene in komponierte Musik. In W. G. Schmidt (Ed.), Faszinosum 'Klang': Anthropologie - Medialität - kulturelle Praxis (pp. 136-155). Berlin: De Gruyter.

Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (Ed.), Musikalische Performanz und päpstliche Repräsentation in der Renaissance (pp. 139-155). Kassel: Bärenreiter.

Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.

Ruccius, A. (2014). Empirical studies including noise of two leading journals in music research: A review. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 568-570 ).

Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 238-243).

Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414).

Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 78-84).

Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.

Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.

Ruccius, A. (2014). The history of musical iconography and the influence of art history: Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The Making of the Humanities: Vol. 3. The modern humanities (pp. 403-411). Amsterdam: Amsterdam University Press.

Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45, 64-75. doi:10.1016/j.wocn.2014.03.006.

Schmidt-Kassow, M., Zink, N., Mock, J., Thiel, C., Vogt, L., Abel, C., & Kaiser, J. (2014). Treadmill walking during vocabulary encoding improves verbal long-term memory. Behavioral and brain functions,10: 24. doi:10.1186/1744-9081-10-24.

Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in Magdeburg. In L. Lütteken (Ed.), Das ungeliebte Frühwerk: Richard Wagners Oper "Das Liebesverbot" (pp. 27-44). Würzburg: Königshausen & Neumann.

Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.

Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.

Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.

Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.

Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.

Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.

Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.

van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.

Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In E. Aschermann, & M. Kaiser-el-Safti (Eds.), Gestalt und Gestaltung in interdisziplinärer Perspektive (pp. 109-124). Frankfurt am Main: Peter Lang.

Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 93-106). Basel: Schwabe.

Wald-Fuhrmann, M. (Ed.). (2014).Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis. Basel: Schwabe.

Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 107-129). Basel: Schwabe.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.

2013

Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.

Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.

Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.

Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (Eds.), Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte (pp. 371-386). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.

Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.

Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.

Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260. doi:10.3389/fpsyg.2013.00260.

Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek (Eds.), Historische Musikwissenschaft: Grundlagen und Perspektiven (pp. 289-306). Stuttgart: J. B. Metzler.

Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.

Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.

Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 23).

Pietschmann, K., & Wald-Fuhrmann, M. (Eds.). (2013).Der Kanon der Musik: Theorie und Geschichte: Ein Handbuch. München: edition text + kritik.