Publikationen des Instituts

2019

Rimmele, J. M., Gudi-Mindermann, H., Nolte, G., Roeder, B., & Engel, K. A. (2019). Working memory training integrates visual cortex into beta-band networks in congenitally bind individuals. NeuroImage,194, 259-271. doi:10.1016/j.neuroimage.2019.03.003.
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Tavano, A., & Poeppel, D. (2019). A division of labor between power and phase coherence in encoding attention to stimulus streams. NeuroImage,193, 146-156. doi:10.1016/j.neuroimage.2019.03.018.
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Flinker, A., Doyle, W. K., Mehta, A. D., Devinsky, O., & Poeppel, D. (2019). Spectrotemporal modulation provides a unifying framework for auditory cortical asymmetries. Nature Human Behaviour,3(4), 393-405. doi:10.1038/s41562-019-0548-z.
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Doelling, K. B., Assaneo, M. F., Bevilacqua, D., Pesaran, B., & Poeppel, D. (2019). An oscillator model better predicts cortical entrainment to music. Proceedings of the National Academy of Sciences of the United States of America,116(20), 10113-10121. doi:10.1073/pnas.1816414116.
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van Dyck-Hemming, A., & Hemming, J. (Eds.). (2019).Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017:. Wiesbaden: Springer VS. doi:10.1007/978-3-658-23767-7.
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Wald-Fuhrmann, M. (2019). Komplement und Korrektiv: Empirie als Teil einer transdisziplinären Musikästhetik. Musik & Ästhetik,23(91), 84-88.
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Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung,28: e18. doi:10.5964/jbdgm.2018v28.18.
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Bevilacqua, D., Davidesco, I., Wan, L., Chaloner, K., Rowland, J., Ding, M., Poeppel, D., & Dikker, S. (2019). Brain-to-brain synchrony and learning outcomes vary by student-teacher dynamics: Evidence from a real-world classroom electroencephalography study. Journal of Cognitive Neuroscience,31(3), 401-411. doi:10.1162/jocn_a_01274.
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Omigie, D., Pearce, M., Lehongre, K., Hasboun, D., Navarro, V., Adam, C., & Samson, S. (2019). Intracranial recordings and computational modeling of music reveal the time course of prediction error signaling in frontal and temporal cortices. Journal of Cognitive Neuroscience,31(6), 855-873. doi:10.1162/jocn_a_01388.
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Knoop, C. A. (2019). Momentaufnahmen der Begegnung mit Literatur. Annäherung an einen Erlebnisbegriff für die empirische Literaturwissenschaft. In M. Lessau, & N. Zügel (Eds.), Rückkehr des Erlebnisses in die Geisteswissenschaften? Philosophische und literaturwissenschaftliche Perspektiven (pp. 59-76). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG.
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Schindler, I. (2019). Is it morally good to admire? Psychological perspectives on the potentials and limits of admiration and elevation. In A. Archer, & A. Grahle (Eds.), The moral psychology of admiration (pp. 181-199). London: Rowman & Littlefield.
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Ackermann, T. (2019).Disliked music: Merkmale, Gründe und Funktionen abgelehnter Musik (PhD Thesis, kassel university press, Kassel, 2019). doi:10.19211/KUP9783737650885.
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Wallot, S., Lee, J. T., & Kelty-Stephen, D. G. (2019). Switching between reading tasks leads to phase-transitions in reading times in L1 and L2 readers. PLOS ONE,14(2), e0211502. doi:10.1371/journal.pone.0211502.
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Fayn, K., Silvia, P. J., Dejonckheere, E., Verdonck, S., & Kuppens, P. (2019). Confused or curious? Openness/intellect predicts more positive interest-confusion relations. Journal of Personality and Social Psychology, Advance online publication. doi:10.1037/pspp0000257.
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Sonuga-Barke, E., Kennedy, M., Golm, D., Knights, N., Kovshoff, H., Kreppner, J., Kumsta, R., Maughan, B., O'Connor, T. G., & Schlotz, W. (2019). Adoptees’ responses to separation from, and reunion with, their adoptive parent at age 4 years is associated with long-term persistence of autism symptoms following early severe institutional deprivation. Development and Psychopathology, Advance online publication. doi:10.1017/S0954579419000506.
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Lewis, G. A., Poeppel, D., & Murphy, G. L. (2019). Contrasting semantic versus inhibitory processing in the angular gyrus: An fMRI study. Cerebral Cortex,29(6), 2470-2481. doi:10.1093/cercor/bhy118.
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Rowland, J., Kasdan, A., & Poeppel, D. (2019). There is music in repetition: Looped segments of speech and nonspeech induce the perception of music in a time-dependent manner. Psychonomic Bulletin & Review,26(2), 583-590. doi:10.3758/s13423-018-1527-5.
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Esteban, O., Markiewicz, C. J., Blair, R. W., Moodie, C. A., Isik, A. I., Erramuzpe, A., Kent, J. D., Goncalves, M., DuPre, E., Snyder, M., Oya, H., Ghosh, S. S., Wright, J., Durnez, J., Poldrack, R. A., & Gorgolewski, K. J. (2019). fMRIPrep: A robust preprocessing pipeline for functional MRI. Nature methods,16(1), 111-116. doi:10.1038/s41592-018-0235-4.
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Toelle, J., & Sloboda, J. A. (2019). The audience as artist? The audience’s experience of participatory music. Musicae Scientiae. doi:10.1177/1029864919844804.
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Kuijpers, M., Douglas, S., & Kuiken, D. (2019). Personality traits and reading habits that predict absorbed narrative fiction reading. Psychology of Aesthetics, Creativity, and the Arts,13(1), 74-88. doi:10.1037/aca0000168.
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Akkermans, J., Schapiro, R., Mullensiefen, D., Jakubowski, K., Shanahan, D., Baker, D., Busch, V., Lothwesen, K., Elvers, P., Fischinger, T., Schlemmer, K., & Frieler, K. (2019). Decoding emotions in expressive music performances: A multi-lab replication and extension study. Cognition & Emotion,33(6), 1099-1118. doi:10.1080/02699931.2018.1541312.
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Schlotz, W. (2019). Investigating associations between momentary stress and cortisol in daily life: What have we learned so far? Psychoneuroendocrinology,105, 105-116. doi:10.1016/j.psyneuen.2018.11.038.
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Fink, L. K., Lange, E. B., & Groner, R. (2019). The application of eye-tracking in music research. Journal of Eye Movement Research,11(2): 1. doi:10.16910/jemr.11.2.1.
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Wallot, S. (2019). Multidimensional Cross-Recurrence Quantification Analysis (MdCRQA) – A Method for Quantifying Correlation between Multivariate Time-Series. Multivariate Behavioral Research,54(2), 1-19. doi:10.1080/00273171.2018.1512846.
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Larrouy-Maestri, P., Harrison, P. M. C., & Müllensiefen, D. (2019). The mistuning perception test: A new measurement instrument. Behavior Research Methods,51(2), 663-675. doi:10.3758/s13428-019-01225-1.
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Menninghaus, W., Wagner, V., Kegel, V., Knoop, C. A., & Schlotz, W. (2019). Beauty, elegance, grace, and sexiness compared. PLOS ONE,14(6), e0218728. doi:10.1371/journal.pone.0218728.
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Mencke, I., Omigie, D., Wald-Fuhrmann, M., & Brattico, E. (2019). Atonal music: Can uncertainty lead to pleasure? Frontiers in Neuroscience,12: 979. doi:10.3389/fnins.2018.00979.
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Kappert, M. B., Wuttke-Linnemann, A., Schlotz, W., & Nater, U. M. (2019). The Aim Justifies the Means—Differences Among Musical and Nonmusical Means of Relaxation or Activation Induction in Daily Life. Frontiers in Human Neuroscience,13: 36. doi:10.3389/fnhum.2019.00036.
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Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2019). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Scientific Reports,9: 593. doi:10.1038/s41598-018-37561-z.
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Kraxenberger, M. (2019). Zum Stil einer digital geprägten Leserealität. Eine Untersuchung der Fifty Shades of Grey-Trilogie mittels Dargestelltem und Darstellung. Orbis Litterarum. Advance online publication.doi:10.1111/oli.12219.
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Greb, F., Steffens, J., & Schlotz, W. (2019). Modeling music-selection behavior in everyday life: A multilevel statistical learning approach and mediation analysis of experience sampling data. Frontiers in Psychology,10: 390. doi:10.3389/fpsyg.2019.00390.
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Wallot, S. (2019). A tutorial introduction to Recurrence Quantification Analysis (RQA) for key-logging data. In Advances in writing research using Key-logging (pp. 163-189). Leiden: Brill.
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Auracher, J., Scharinger, M., & Menninghaus, W. (2019). Contiguity-based sound iconicity: The meaning of words resonates with phonetic properties of their immediate verbal contexts. PLOS ONE,14(5), e0216930. doi:10.1371/journal.pone.0216930.
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Zschauer, A. (2019). Inter als aisthetische Qualität. Polylog: Zeitschrift für interkulturelles Philosophieren,40, 37-51.
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Kentner, G., & Franz, I. (2019). No evidence for prosodic effects on the syntactic encoding of complement clauses in German. Glossa: a journal of general linguistics,4(1), 1-29.
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Polak, R. (2019). Celebration. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture (pp. 476-480). Thousand Oaks, California: SAGE reference.
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Belfi, A. M., Vessel, E. A., Brielmann, A., Isik, A. I., Chatterjee, A., Leder, H., Pelli, D. G., & Starr, G. (2019). Dynamics of aesthetic experience are reflected in the default-mode network. NeuroImage,188, 584-597. doi:10.1016/j.neuroimage.2018.12.017.
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Kraxenberger, M. (2019). Erotic Romances: An Emerging Subgenre Succeeding Fifty Shades. In A. Brock, J. Pflaeging, & P. Schildhauer (Eds.), Genre Emergence (pp. 13-28). Berlin: Peter Lang.
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Menninghaus, W., Wagner, V., Wassiliwizky, E., Schindler, I., Hanich, J., Jacobsen, T., & Koelsch, S. (2019). What are aesthetic emotions? Psychological Review,126(2), 171-195. doi:10.1037/rev0000135.
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Lei, J., Conradi, N., Abel, C., Frisch, S., Brodski-Guerniero, A., Hildner, M., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2019). Cognitive effects of rhythmic auditory stimulation in Parkinson’s disease: A P300 study. Brain Research,1716, 70-79. doi:10.1016/j.brainres.2018.05.016.
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Menninghaus, W. (2019). Empirische Ästhetik der Sprache und Literatur: Was kann sie besser als die herkömmliche Literaturwissenschaft – und was nicht? [Gengo to bungaku no keikenbigaku: Kyūrai no bungaku kenkyū yori umaku syori dekirukoto, sosite dekinaikoto ha nanika?] (S. Ito, Trans.). In Y. Sakamoto, J. Tanaka, & Y. Takemine (Eds.), Image Studies Today: From Aby Warburg’s Mnemosyne Atlas to neurological Bildwissenschaft (pp. 433-454). Tokyo: University of Tokyo Press.
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Sakamoto, Y., Tanaka, J., & Takemine, Y. (Eds.). (2019).Image Studies Today: From Aby Warburg’s Mnemosyne Atlas to neurological Bildwissenschaft. Tokyo: University of Tokyo Press.
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Forster, F., Weinmann, T., Gerlich, J., Schlotz, W., Weinmayr, G., Genuneit, J., Windstetter, D., Vogelberg, C., von Mutius, E., Nowak, D., & Radon, K. (2019). Work-related stress and incident asthma and rhinitis: results from the SOLAR study. International Archives of Occupational and Environmental Health,92(5), 673-681.
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2018

Penn, L. R., Ayasse, N. D., Wingfield, A., & Ghitza, O. (2018). The possible role of brain rhythms in perceiving fast speech: Evidence from adult aging. The Journal of the Acoustical Society of America,144(4), 2088-2094. doi:10.1121/1.5054905.

Auksztulewicz, R., Schwiedrzik, C. M., Thesen, T., Doyle, W., Devinsky, O., Nobre, A. C., Schroeder, C. E., Friston, K. J., & Melloni, L. (2018). Not all predictions are equal: "What" and "when" predictions modulate activity in auditory cortex through different mechanisms. The Journal of Neuroscience,38(40), 8680-8693. doi:10.1523/JNEUROSCI.0369-18.2018.

Getz, H., Ding, N., Newport, E. L., & Poeppel, D. (2018). Cortical tracking of constituent structure in language acquisition. Cognition,181, 135-140. doi:10.1016/j.cognition.2018.08.019.

Gudi-Mindermann, H., Rimmele, J. M., Nolte, G., Bruns, P., Engel, A. K., & Röder, B. (2018). Working memory training in congenitally blind individuals results in an integration of occipital cortex in functional networks. Behavioural Brain Research,348, 31-41. doi:10.1016/j.bbr.2018.04.002.

Vessel, E. A., Maurer, N., Denker, A. H., & Starr, G. G. (2018). Stronger shared taste for natural aesthetic domains than for artifacts of human culture. Cognition,179, 121-131. doi:10.1016/j.cognition.2018.06.009.

Akkermans, J., Schapiro, R., Mullensiefen, D., Jakubowski, K., Shanahan, D., Baker, D., Busch, V., Lothwesen, K., Elvers, P., Fischinger, T., Schlemmer, K., & Frieler, K. (2019). Decoding emotions in expressive music performances: A multi-lab replication and extension study. Cognition & Emotion,33(6), 1099-1118. doi:10.1080/02699931.2018.1541312.

Belfi, A. M., Vessel, E. A., Brielmann, A., Isik, A. I., Chatterjee, A., Leder, H., Pelli, D. G., & Starr, G. (2019). Dynamics of aesthetic experience are reflected in the default-mode network. NeuroImage,188, 584-597. doi:10.1016/j.neuroimage.2018.12.017.

Herrera, R., Markevych, I., Berger, U., Genuneit, J., Gerlich, J., Nowak, D., Schlotz, W., Vogelberg, C., von Mutius, E., Weinmayr, G., Windstetter, D., Weigl, M., Heinrich, J., & Radon, K. (2018). Greenness and job-related chronic stress in young adults: A prospective cohort study in Germany. BMJ Open,8: e021599. doi:10.1136/bmjopen-2018-021599.

Larrouy-Maestri, P., & Pfordresher, P. Q. (2018). Pitch perception in music: Do scoops matter? Journal of Experimental Psychology: Human Perception and Performance,44(10), 1523-1541. doi:10.1037/xhp0000550.

Belfi, A. M., Kasdan, A., Rowland, J., Vessel, E. A., Starr, G. G., & Poeppel, D. (2018). Rapid timing of musical aesthetic judgments. Journal of Experimental Psychology: General,147(10), 1531-1543. doi:10.1037/xge0000474.

Gwilliams, L., Linzen, T., Poeppel, D., & Marantz, A. (2018). In spoken word recognition, the future predicts the past. The Journal of Neuroscience,38(35), 7585-7599. doi:10.1523/JNEUROSCI.0065-18.2018.

Bosker, H. R., & Ghitza, O. (2018). Entrained theta oscillations guide perception of subsequent speech: Behavioural evidence from rate normalisation. Language, Cognition and Neuroscience,33(8), 955-967. doi:10.1080/23273798.2018.1439179.

Polak, R., Jacoby, N., Fischinger, T., Goldberg, D., Holzapfel, A., & London, J. (2018). Rhythmic prototypes across cultures: A comparative study of tapping synchronization. Music Perception,36(1), 1-23. doi:10.1525/mp.2018.36.1.1.

Tian, X., Ding, N., Teng, X., Bai, F., & Poeppel, D. (2018). Imagined speech influences perceived loudness of sound. Nature Human Behaviour,2(3), 225-234. doi:10.1038/s41562-018-0305-8.

Esteban, O., Markiewicz, C. J., Blair, R. W., Moodie, C. A., Isik, A. I., Erramuzpe, A., Kent, J. D., Goncalves, M., DuPre, E., Snyder, M., Oya, H., Ghosh, S. S., Wright, J., Durnez, J., Poldrack, R. A., & Gorgolewski, K. J. (2019). fMRIPrep: A robust preprocessing pipeline for functional MRI. Nature methods,16(1), 111-116. doi:10.1038/s41592-018-0235-4.

Liu, A., Vöröslakos, M., Kronberg, G., Henin, S., Krause, M. R., Huang, Y., Opitz, A., Mehta, A., Pack, C. C., Krekelberg, B., Berényi, A., Parra, L. C., Melloni, L., Devinsky, O., & Buzsáki, G. (2018). Immediate neurophysiological effects of transcranial electrical stimulation. Nature Communications,9: 5092. doi:10.1038/s41467-018-07233-7.

Wallot, S., & Leonardi, G. (2018). Analyzing multivariate dynamics using Cross-Recurrence Quantification Analysis (CRQA), Diagonal-Cross-Recurrence Profiles (DCRP), and Multidimensional Recurrence Quantification Analysis (MdRQA) – A tutorial in R. Frontiers in Psychology, 9:2232. doi:10.3389/fpsyg.2018.02232.

Schwiedrzik, C. M., Melloni, L., & Schurger, A. (2018). Mooney face stimuli for visual perception research. PLoS One,13(7): e0200106. doi:10.1371/journal.pone.0200106.

Lei, J., Conradi, N., Abel, C., Frisch, S., Brodski-Guerniero, A., Hildner, M., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2019). Cognitive effects of rhythmic auditory stimulation in Parkinson’s disease: A P300 study. Brain Research,1716, 70-79. doi:10.1016/j.brainres.2018.05.016.

Menninghaus, W., Wagner, V., Knoop, C. A., & Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. PLoS One,13(11), e0205980. doi:10.1371/journal.pone.0205980.

Rimmele, J. M., Gross, J., Molholm, S., & Keitel, A. (2018). Editorial: Brain oscillations in human communication. Frontiers in Human Neuroscience, 12:39. doi:10.3389/fnhum.2018.00039.

Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.

Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.

Blohm, S., Wagner, V., Schlesewsky, M., & Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. Poetics,69, 41-56. doi:10.1016/j.poetic.2018.04.005.

Thissen, B. A. K., Menninghaus, W., & Schlotz, W. (2018). Measuring Optimal Reading Experiences: The Reading Flow Short Scale. Frontiers in Psychology,9: 2542. doi:10.3389/fpsyg.2018.02542.

Rimmele, J. M., Morillon, B., Poeppel, D., & Arnal, L. H. (2018). Proactive sensing of periodic and aperiodic auditory patterns. Trends in Cognitive Sciences [Special Issue: Time in the Brain],22(10), 870-882. doi:10.1016/j.tics.2018.08.003.

Wallot, S., & Menninghaus, W. (2018). Ambiguity effects of rhyme and meter. Journal of Experimental Psychology: Learning, Memory, and Cognition.,44(12), 1947-1954. doi:10.1037/xlm0000557.

Assaneo, M. F., & Poeppel, D. (2018). The coupling between auditory and motor cortices is rate-restricted: Evidence for an intrinsic speech-motor rhythm. Science Advances,4(2): eaao3842. doi:10.1126/sciadv.aao3842.

Raz, C. (2018). An Eighteenth-Century theory of musical cognition? John Holden's essay towards a rational system of music (1770). Journal of Music Theory,62(2), 205-248. doi:10.1215/00222909-7127670.

Greb, F. (2018). Determinants of music-selection behaviour: Development of a model. PhD Thesis, TU Berlin, Berlin. doi:10.14279/depositonce-7241.

Wallot, S., & Mønster, D. (2018). Calculation of Average Mutual Information (AMI) and False-Nearest Neighbors (FNN) for the Estimation of Embedding Parameters of Multidimensional Time Series in Matlab. Frontiers in Psychology,9: 1679. doi:10.3389/fpsyg.2018.01679.

Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.

Greb, F., Steffens, J., & Schlotz, W. (2018). Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors. Music & Science,1, 1-17. doi:10.1177/2059204318755950.

Tavano, A., & Poeppel, D. (2019). A division of labor between power and phase coherence in encoding attention to stimulus streams. NeuroImage,193, 146-156. doi:10.1016/j.neuroimage.2019.03.018.

Kraxenberger, M., Menninghaus, W., Roth, A., & Scharinger, M. (2018). Prosody-Based Sound-Emotion Associations in Poetry. Frontiers in Psychology,9: 1284. doi:10.3389/fpsyg.2018.01284.

Schwiedrzik, C. M., Sudmann, S. S., Thesen, T., Wang, X., Groppe, D. M., Megevand, P., Doyle, W., Mehta, A. D., Devinsky, O., & Melloni, L. (2018). Medial prefrontal cortex supports perceptual memory. Current Biology,28(18), R1094-R1095. doi:10.1016/j.cub.2018.07.066.

Raz, C., & Finger, S. (2018). Musical glasses, metal reeds and broken hearts: Two cases of melancholia treated by new musical instruments. In P. Gouk, J. Kennaway, & P. Jacomien (Eds.), The Routledge companion to music, mind, and well-being (pp. 77-91). New York: Routledge.

Dannecker, K. P., & Wald-Fuhrmann, M. (2018). Wirkungsästhetik: Ein neuer Ansatz für eine transdisziplinäre empirische Liturgieforschung. Liturgisches Jahrbuch: Vierteljahreshefte für Fragen des Gottesdienstes,68(2), 83-108.

Kaufmann, M. (2018). The nymph's voice as an acoustic reflection of the self. In K. A. E. Engelke, & A. Traninger (Eds.), The figure of the nymph in early modern culture (pp. 396-418). Leiden: Brill. doi:10.1163/9789004364356_014.

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2018). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Annals of Neurology,84(S22), S235-S236.

Vroegh, T. P. (2018). The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. PhD Thesis, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt.

Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds.), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler.

Zschauer, A. (2018). Kulturbegegnung als Bildbegegnung: Zum hermeneutischen Potential der Bilder vom Anderen. In S. Seitz, A. Graneß, & G. Stenger (Eds.), Facetten gegenwärtiger Bildtheorie: Interkulturelle und interdisziplinäre Perspektiven (pp. 261-283). Wiesbaden: Springer VS.

Mencke, I., Omigie, D., Wald-Fuhrmann, M., & Brattico, E. (2019). Atonal music: Can uncertainty lead to pleasure? Frontiers in Neuroscience,12: 979. doi:10.3389/fnins.2018.00979.

Henin, S., Shankar, A., Hasulak, N., Friedman, D., Dugan, P., Melloni, L., Flinker, A., Sarac, C., Fang, M., Doyle, W., Tcheng, T., Devinsky, O., Davachi, L., & Liu, A. (2019). Hippocampal gamma predicts associative memory performance as measured by acute and chronic intracranial EEG. Scientific Reports,9: 593. doi:10.1038/s41598-018-37561-z.

Kentner, G. (2018). Jan Michalsky. 2017. Frageintonation im Deutschen. Zur intonatorischen Markierung von Interrogativität und Fragehaltigkeit (Linguistische Arbeiten 566). Zeitschrift für Rezensionen zur germanistischen Sprachwissenschaft,10(1-2), 155-160. doi:10.1515/zrs-2018-0019.

Teng, X., Sun, Y., & Poeppel, D. (2018). Temporal order judgment reveals local-global auditory processes. SI,104(5), 817-820. doi:10.3813/AAA.919231.

Ayoub, M.-R., Larrouy-Maestri, P., & Morsomme, D. (2018). The effect of smoking on the fundamental frequency of the speaking voice. Journal of Voice. doi:10.1016/j.jvoice.2018.04.001.

Toelle, J. (2018). Mission soundscapes: Demons, Jesuits and sounds in Antonio Ruiz de Montoya’s Conquista Espiritual (1639). In D. Hacke, & P. Musselwhite (Eds.), Empire of the senses: Sensory practices of colonialism in early America (pp. 67-87). Leiden: Brill. doi:10.1163/9789004340640_004.

Caletti, E., Delvecchio, G., Andreella, A., Finos, L., Perlini, C., Tavano, A., Lasalvia, A., Bonetto, C., Cristofalo, D., Lamonaca, D., Ceccato, E., Pileggi, F., Mazzi, F., Santonastaso, P., Ruggeri, M., Bellani, M., & Brambilla, P. (2018). Prosody abilities in a large sample of affective and non-affective first episode psychosis patients. Comprehensive Psychiatry,86, 31-38. doi:10.1016/j.comppsych.2018.07.004.

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Elvers, P., Fischinger, T., & Steffens, J. (2018). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music,46(3), 307-325. doi:10.1177/0305735617707354.

Roeske, T. C., Kelty-Stephen, D., & Wallot, S. (2018). Multifractal analysis reveals music-like dynamic structure in songbird rhythms. Scientific Reports,8: 4570. doi:10.1038/s41598-018-22933-2.

Kokinous, J., Tavano, A., Kotz, S. A., & Schröger, E. (2017). Perceptual integration of faces and voices depends on the interaction of emotional content and spatial frequency. Biological Psychology,123, 155-165. doi:10.1016/j.biopsycho.2016.12.007.

Sarkhosh, K. (2017). Wenn die Wirklichkeit aus den Fugen gerät. Über das konfliktbeladene Aufeinandertreffen inkompatibler Glaubens- und Erkenntnissysteme in drei britischen fantastischen Filmen des Jahres 1973 (›The Legend of Hell House‹, ›Don’t Look Now‹, ›The Wicker Man‹). In S. Klimek, T. Lambrecht, & T. Kindt (Eds.), Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945 (pp. 77-101). Heidelberg: Universitätsverlag Winter.

Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.

Gudi-Mindermann, H., Rimmele, J. M., Nolte, G., Bruns, P., Engel, A. K., & Röder, B. (2018). Working memory training in congenitally blind individuals results in an integration of occipital cortex in functional networks. Behavioural Brain Research,348, 31-41. doi:10.1016/j.bbr.2018.04.002.

Poeppel, D. (2017). The influence of Chomsky on the neuroscience of language. In J. A. McGilvray (Ed.), The Cambridge companion to Chomsky (2, pp. 155-174). Cambridge: Cambridge University Press.

Omigie, D. (2017). Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies,8(1-2), 35-38. doi:10.4407/jims.2016.12.101.

Kaufmann, M. (2017). Flavius Magnus Aurelius Cassiodor: Institutiones. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 81-83). Kassel; Stuttgart: Bärenreiter; Metzler.

Merrill, J. (2017). Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica,89(1), 95-117.

Vessel, E. A., Maurer, N., Denker, A. H., & Starr, G. G. (2018). Stronger shared taste for natural aesthetic domains than for artifacts of human culture. Cognition,179, 121-131. doi:10.1016/j.cognition.2018.06.009.

Wassiliwizky, E. (2018). At the root of the paradox: Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al. Physics of Life Reviews,25, 136-138. doi:10.1016/j.plrev.2017.12.008.

Haider, T., & Palmer, A. (2017). Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In Proceedings of the Workshop on Stylistic Variation, EMNLP 2017 (pp. 74-84). Copenhagen, Stroudsburg, PA: Association for Computational Linguistics.

Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.

Ding, N., Melloni, L., Yang, A., Wang, Y., Zhang, W., & Poeppel, D. (2017). Characterizing neural entrainment to hierarchical linguistic units using electroencephalography (EEG). Frontiers in Human Neuroscience,11: 481. doi:10.3389/fnhum.2017.00481.

Ishizu, T., & Sakamoto, Y. (2017). Ugliness as the fourth wall-breaker: Comment on “Move me, astonish me.. delight my eyes and brain: The Vienna Integrated Model of top-down and bottom-up processes in Art Perception (VIMAP) and corresponding affective, evaluative, and neurophysiological correlates” by Matthew Pelowski et al. Physics of Life Reviews,21, 138-139. doi:10.1016/j.plrev.2017.06.003.

Kaufmann, M. (2017). Euklid: Sectio Canonis. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 129-131). Kassel; Stuttgart: Bärenreiter; Metzler.

Reichert, M., Tost, H., Reinhard, I., Schlotz, W., Zipf, A., Salize, H. J., Meyer-Lindenberg, A., & Ebner-Priemer, U. W. (2017). Exercise versus nonexercise activity: E-diaries unravel distinct effects on mood. Medicine & Science in Sports & Exercise,49(4), 763-773. doi:10.1249/mss.0000000000001149.

Frieler, K., & Lange, E. B. (2017). Chancen und Risiken des Computereinsatzes in der Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 187-191.

Scharinger, M. (2017). Are there brain bases for phonological markedness? In B. D. Samuels (Ed.), Beyond Markedness in Formal Phonology (pp. 191-218). Amsterdam/Philadelphia: John Benjamins Publishing Company.

Lei, J., Conradi, N., Abel, C., Frisch, S., Brodski-Guerniero, A., Hildner, M., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2019). Cognitive effects of rhythmic auditory stimulation in Parkinson’s disease: A P300 study. Brain Research,1716, 70-79. doi:10.1016/j.brainres.2018.05.016.

Wassiliwizky, E., Jacobsen, T., Heinrich, J., Schneiderbauer, M., & Menninghaus, W. (2017). Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology,8: 41. doi:10.3389/fpsyg.2017.00041.

Hanich, J., & Menninghaus, W. (2017). Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies,56(4), 76-101. doi:10.1353/cj.2017.0041.

Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences,40: e347. doi:10.1017/S0140525X17000309.

Kaufmann, M. (2017). Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft,11(2), 185-195.

Elvers, P. (2017). Nikomachos von Gerasa: Encheiridion. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 348-349). Kassel; Stuttgart: Bärenreiter; Metzler.

Larrouy-Maestri, P. (2017). The influence of non-musical variables on the evaluation of vocal pitch accuracy. CFMAE Interdisciplinary Journal for Music and Art Pedagogy, Special Issue on Singing & Voice,9, 123-141.

Larrouy-Maestri, P., & Pfordresher, P. Q. (2018). Pitch perception in music: Do scoops matter? Journal of Experimental Psychology: Human Perception and Performance,44(10), 1523-1541. doi:10.1037/xhp0000550.

Fischinger, T., & van Dyck-Hemming, A. (2017). A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review,12(3-4), 316-320. doi:10.18061/emr.v12i3-4.6382.

Ackermann, T., Fiedler, D., & Schaal, N. (2017). 14th International Conference on Music Perception and Cognition (ICMPC), 05.-09. Juli 2016; San Francisco, USA. Musikpsycholoie: Akustik und musikalische Hörwahrnhemung [Monograph]. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,27, 234-238.

Sarkhosh, K. (2017). Trash, Boom, Bang: Ein Forschungsüberblick. In J. Nesselhauf, & M. Schleich (Eds.), Banal, trivial, phänomenal. Spielarten des Trash (pp. 11-42). Darmstadt: Büchner.

Håkonsson, D. D., Mitkidis, P., & Wallot, S. (2017). Team Emotions and Team Learning. In L. Argote, & J. M. Levine (Eds.), The Oxford Handbook of Group and Organizational Learning. Advance online publication. Oxford, GB: Oxford University Press. doi:10.1093/oxfordhb/9780190263362.013.14.

Greb, F., Schlotz, W., & Steffens, J. (2018). Personal and situational influences on the functions of music listening. Psychology of Music,46(6), 763-794. doi:10.1177/0305735617724883.

Lange, E. B., & Frieler, K. (2018). Challenges and opportunities of predicting musical emotions with perceptual and automatized features. Music Perception,36(2), 217-242. doi:10.1525/MP.2018.36.2.217.

Wald-Fuhrmann, M. (2017). Ursprungsmythen als Wesensbestimmungen in der Musik. In S. Wegner (Ed.), Über den Ursprung von Musik: Mythen, Legenden und Geschichtsschreibungen (pp. 39-48). Würzburg: Königshausen & Neumann.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences,40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.

Greb, F., Elvers, P., & Fischinger, T. (2017). Trends in empirical aesthetics: A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the Arts,35(1), 3-26. doi:10.1177/0276237415625258.

Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207.

Elvers, P. (2017). Aristides Quintilianus: De musica. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 28-30). Kassel; Stuttgart: Bärenreiter; Metzler.

Kaufmann, M. (2017). Giovanni Battista Doni: Compendio del trattato. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 119-122). Kassel; Stuttgart: Bärenreiter; Metzler.

Elvers, P. (2017). Aristoxenos von Tarent: Elementa harmonica. In U. Scheideler, & F. Wörner (Eds.), Musiktheorie von der Antike bis zur Gegenwart (pp. 30-32). Kassel; Stuttgart: Bärenreiter; Metzler.

Grimm, H., & Wald-Fuhrmann, M. (Eds.). Lexikon Schriften über Musik. Kassel; Stuttgart: Bärenreiter; Metzler.

Sarkhosh, K. (2017). Confectioning World Literature. Reader’s Guides and the Uniformity of Taste. In A. Tomiche (Ed.), Le comparatisme comme approche critique/Comparative literature as a critical approach (pp. 63-72). Paris: Classiques Garnier.

Larrouy-Maestri, P. (2018). “I know it when I hear it”: On listeners’ perception of mistuning. Music & Science,1, 1-17. doi:10.1177/2059204318784582.

Belfi, A. M., Kasdan, A., Rowland, J., Vessel, E. A., Starr, G. G., & Poeppel, D. (2018). Rapid timing of musical aesthetic judgments. Journal of Experimental Psychology: General,147(10), 1531-1543. doi:10.1037/xge0000474.

Kuijpers, M. M., & Hakemulder, F. (2018). Understanding and Appreciating Literary Texts Through Rereading. Discourse Processes,55(7), 619-641. doi:10.1080/0163853X.2017.1390352.

2016

Kokinous, J., Tavano, A., Kotz, S. A., & Schröger, E. (2017). Perceptual integration of faces and voices depends on the interaction of emotional content and spatial frequency. Biological Psychology,123, 155-165. doi:10.1016/j.biopsycho.2016.12.007.

Scharinger, M., Domahs, U., Klein, E., & Domahs, F. (2016). Mental representations of vowel features asymmetrically modulate activity in superior temporal sulcus. Brain and Language,163, 42-49. doi:10.1016/j.bandl.2016.09.002.

Ding, N., Melloni, L., Tian, X., & Poeppel, D. (2017). Rule-based and statistics-based processing of language: Insights from neuroscience. Language, Cognition and Neuroscience,32(5), 570-575. doi:10.1080/23273798.2016.1215477.

Teng, X., Tian, X., & Poeppel, D. (2016). Testing multi-scale processing in the auditory system. Scientific Reports,6: 34390. doi:10.1038/srep34390.

Conradi, N., Abel, C., Frisch, S., Kell, C. A., Kaiser, J., & Schmidt-Kassow, M. (2016). Actively but not passively synchronized motor activity amplifies predictive timing. NeuroImage,139, 211-217. doi:10.1016/j.neuroimage.2016.06.033.

Merrill, J., Bangert, M., Sammler, D., & Friederici, A. D. (2016). Classifying song and speech: Effects of focal temporal lesions and musical disorder. Neurocase,22(6), 496-504. doi:10.1080/13554794.2016.1237660.

Zhou, H., Melloni, L., Poeppel, D., & Ding, N. (2016). Interpretations of frequency domain analyses of neural entrainment: Periodicity, fundamental frequency, and harmonics. Frontiers in Human Neuroscience,10: 274. doi:10.3389/fnhum.2016.00274.

Tian, X., Zarate, J. M., & Poeppel, D. (2016). Mental imagery of speech implicates two mechanisms of perceptual reactivation. Cortex,77, 1-12. doi:10.1016/j.cortex.2016.01.002.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Kennedy, M., Kreppner, J., Knights, N., Kumsta, R., Maughan, B., Golm, D., Rutter, M., Schlotz, W., & Sonuga‐Barke, E. J. S. (2016). Early severe institutional deprivation is associated with a persistent variant of adult attention‐deficit/hyperactivity disorder: clinical presentation, developmental continuities and life circumstances in the English and Romanian Adoptees study. Journal of Child Psychology and Psychiatry, and Allied Disciplines,57(10), 1113-1125. doi:10.1111/jcpp.12576.

Scharinger, M., Monahan, P. J., & Idsardi, W. J. (2016). Linguistic category structure influences early auditory processing: Converging evidence from mismatch responses and cortical oscillations. NeuroImage,128, 293-301. doi:10.1016/j.neuroimage.2016.01.003.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H. R., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2016). Effects of empathic social responses on the emotions of the recipient. Brain and Cognition,103, 50-61. doi:10.1016/j.bandc.2015.11.004.

O'Brien, B. A., & Wallot, S. (2016). Silent reading fluency and comprehension in bilingual children. Frontiers in Psychology,7: 1265. doi:10.3389/fpsyg.2016.01265.

Kraxenberger, M., & Menninghaus, W. (2017). Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology,7: 2051. doi:10.3389/fpsyg.2016.02051.

Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement. Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.

Knoop, C. A., Wagner, V., Jacobsen, T., & Menninghaus, W. (2016). Mapping the aesthetic space of literature “from below”. Poetics,56, 35-49. doi:10.1016/j.poetic.2016.02.001.

Sarkhosh, K., & Menninghaus, W. (2016). Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions. Poetics,57, 40-54. doi:10.1016/j.poetic.2016.04.002.

Elvers, P. (2016). Zum Verhältnis von Musik und Sprache in der griechischen Antike. Rhetorik,35(1), 9-24. doi:10.1515/rhet.2016.003.

Ullrich, S., Aryani, A., Kraxenberger, M., Jacobs, A. M., & Conrad, M. (2017). On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology,7: 2073. doi:10.3389/fpsyg.2016.02073.

Lyby, M., Mehlsen, M. Y., Wallot, A., & Wallot, S. (2016). Perspektiver inden for teknologisk-assisteret indsamling af data i psykologisk forandring - rammesat af den synergetiske psykologi [Möglichkeiten der technologiegestützten Datenerfassung psychischer Veränderungsprozesse – Methoden der synergetischen Psychologie]. Psyke & Logos,37, 144-170.

Neuhoff, H., Polak, R., & Fischinger, T. (2017). Perception and evaluation of timing patterns in drum ensemble music from Mali. Music Perception,34(4), 438-451. doi:10.1525/mp.2017.34.4.438.

Toelle, J. (2016). Todas las naciones han de oyrla: Bells in the Jesuit reducciones of Early Modern Paracuaria. Journal of Jesuit Studies,3(3), 437-450. doi:10.1163/22141332-00303005.

Steinberg Lowe, M., Lewis, G. A., & Poeppel, D. (2016). Effects of part- and whole-object primes on early MEG responses to Mooney faces and houses. Frontiers in Psychology, 7:147. doi:10.3389/fpsyg.2016.00147.

Auracher, J. (2017). Sound iconicity of abstract concepts: Place of articulation is implicitly associated with abstract concepts of size and social dominance. PLOS ONE,12(11): e0187196. doi:10.1371/journal.pone.0187196.

Greb, F., Schlotz, W., & Steffens, J. (2016). How do the functions of music listening vary across situations and persons? In B. Burger, J. Bamford, & E. Carlson (Eds.), Proceedings of the International Conference of Students of Systematic Musicology 16: Programme, abstracts & proceedings. Jyväskylä: Department of Music, University of Jyväskylä & Finnish Centre for Interdisciplinary Music Research.

Sarkhosh, K. (2016). Rezension zu Jeff Thoss: When Storyworlds Collide. Metalepsis in Popular Fiction, Film and Comics (Studies in Intermediality 7) Leiden/Boston: Brill-Rodopi, 2015. Arbeiten aus Anglistik und Amerikanistik,41(2), 93-97.

Drews, H. J., Wallot, S., Weinhold, S. L., Mitkidis, P., Baier, P. C., Roepstorff, A., & Goeder, R. (2017). "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders,2017: 8140672, pp. 5. doi:10.1155/2017/8140672.

Sakamoto, Y. (2016). Shinkeikei Jinbungaku Josetu [= Einführung in die neuronalen Geisteswissenschaften]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 6-18.

Toelle, J. (2016). Das Baumol’sche Gesetz (Fallstudie "Opernbetrieb"). In V. Kalisch (Ed.), Musiksoziologie (pp. 79-86). Laaber: Laaber-Verlag.

Grimm, H. (2016). Lobgesang: Eine Symphonie-Cantate nach Worten der Heiligen Schrift op. 52. In M. Geuting (Ed.), Felix Mendelssohn Bartholdy: Interpretationen seiner Werke (Vol. 2) (pp. 130-149). Laaber: Laaber.

Ruccius, A. (2016). Phonomorphie von Klang und Bild: Drei Motive in den Klangskulpturen Stephan von Huenes. In A. Symanczyk, D. Wagner, & M. Wendling (Eds.), Klang - Kontakte: Kommunikation, Konstruktion und Kultur von Klängen (pp. 175-190). Berlin: Reimer.

Vessel, E. A., Biederman, I., Subramaniam, S., & Greene, M. R. (2016). Effective signaling of surface boundaries by L-vertices reflect the consistency of their contrast in natural images. Journal of Vision,16(9): 15. doi:doi:10.1167/16.9.15.

Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.

Seibert, C. (2016).Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft.

Almeida, D., Poeppel, D., & Corina, D. (2016). The processing of biologically plausible and implausible forms in American Sign Language: Evidence for perceptual tuning. Language, Cognition and Neuroscience,31(3), 361-374. doi:10.1080/23273798.2015.1100315.

Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (Eds.), Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA.

Greb, F., Schlotz, W., & Steffens, J. (2016). Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 834).

Menninghaus, W. (2016).Disgusto. Teoria e storia di una sensazione forte. (= Italian translation of Ekel. Theorie und Geschichte einer starken Empfindung). A Cura di Serena Feloj. Milano: Mimesis.

van Dyck-Hemming, A., & Wald-Fuhrmann, M. (2016). Vom Datum zum historischen Zusammenhang: Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank. In S. Bolz, M. Kelber, I. Knoth, & A. Langenbruch (Eds.), Wissenskulturen der Musikwissenschaft. Generationen – Netzwerke – Denkstrukturen (pp. 261-278). Bielefeld: transcript.

Lanwermeyer, M., Henrich, K., Rocholl, M. J., Schnell, H. T., Werth, A., Herrgen, J., & Schmidt, J. E. (2016). Dialect Variation Influences the Phonological and Lexical-Semantic Word Processing in Sentences. Electrophysiological Evidence from a Cross-Dialectal Comprehension Study. Frontiers in Psychology,7: 739. doi:10.3389/fpsyg.2016.00739.

Belfi, A. M., Vessel, E. A., & Starr, G. G. (2018). Individual ratings of vividness predict aesthetic appeal in poetry. Psychology of Aesthetics, Creativity, and the Arts,12(3), 341-350. doi:10.1037/aca0000153.

Steffens, J., Greb, F., & Schlotz, W. (2016). Why listen to music right now?: Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition (pp. 842).

Kraxenberger, M., & Menninghaus, W. (2016). Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading. Scientific Study of Literature,6(2), 298-313. doi:10.1075/ssol.6.2.06kra.

Kraxenberger, M., & Menninghaus, W. (2016). Mimological reveries? Disconfirming the hypothesis of phono-emotional iconicity in poetry. Frontiers in Psychology,7: 1779. doi:10.3389/fpsyg.2016.01779.

Larrouy-Maestri, P., Morsomme, D., Magis, D., & Poeppel, D. (2017). Lay listeners can evaluate the pitch accuracy of operatic voices. Music Perception,34(4), 489-495. doi:10.1525/mp.2017.34.4.489.

Wallot, S., Mitkidis, P., McGraw, J. J., & Roepstorff, A. (2016). Beyond synchrony: Joint action in a complex production task reveals beneficial effects of decreased interpersonal synchrony. PLOS ONE,11(12): e0168306. doi:10.1371/journal.pone.0168306.

Ding, N., Melloni, L., Zhang, H., Tian, X., & Poeppel, D. (2016). Cortical tracking of hierarchical linguistic structures in connected speech. Nature Neuroscience,19(1), 158-164. doi:10.1038/nn.4186.

Scharinger, M. (2016). Ungestörte Lautverarbeitung. In U. Domahs, & B. Primus (Eds.), Handbuch Laut, Gebärde, Buchstabe (pp. 163-181). Berlin: Mouton de Gruyter.

Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.

Kaiser, J., Rieder, M., Abel, C., Peters, B., & Bledowski, C. (2017). Pre-encoding gamma-band activity during auditory working memory. Scientific Reports,7: 42599. doi:10.1038/srep42599.

Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., & Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLOS ONE,12(6), e0178899. doi:10.1371/journal.pone.0178899.

Larrouy-Maestri, P. (2016). Justesse en voix chantée: Bien évaluer pour bien guider. In C. Klein-Dallant (Ed.), De la voix parlée au chant (pp. 515-522).

Wallot, S., Roepstorff, A., & Mønster, D. (2016). Multidimensional Recurrence Quantification Analysis (MdRQA) for the analysis of multidimensional time-series: A software implementation in MATLAB and its application to group-level data in joint action. Frontiers in Psychology,7: 1835. doi:10.3389/fpsyg.2016.01835.

Teng, X., Tian, X., Rowland, J., & Poeppel, D. (2017). Concurrent temporal channels for auditory processing: Oscillatory neural entrainment reveals segregation of function at different scales. PLoS Biology,15(11): e2000812. doi:10.1371/journal.pbio.2000812.

Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.

Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in the brain. Journal of Comparative Neurology. doi:10.1002/cne.23854.

Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.

Booth, C. R., Brown, H. L., Eason, E. G., Wallot, S., & Kelty-Stephen, D. G. (2018). Expectations on hierarchical scales of discourse: Multifractality predicts both short- and long-range effects of violating gender expectations in text reading. Discourse Processes,55(1), 12-30. doi:10.1080/0163853X.2016.1197811.

Futterlieb, K., & Schoof, K. (2016). That special place. In K. Umlauf, K. U. Werner, & A. Kaufmann (Eds.), Strategien für die Bibliothek als Ort: Festschrift für Petra Hauke (pp. 189-202). Berlin: De Gruyter Saur.

Menninghaus, W. (2016). Caprices of fashion in culture and biology: Charles Darwin’s aesthetics of "ornament". In G. Matteucci, & S. Marino (Eds.), Philosophical Perspectives on Fashion (pp. 137-150). London, New York: Bloomsbury Academic.

Poeppel, D. (2016). Sprache hören und verstehen. In H. Böttger, & M. Sambanis (Eds.), Focus on evidence: Fremdsprachendidaktik trifft Neurowissenschaften (pp. 53-76). Tübingen: Narr Francke Attempto.

Merrill, J. (2016).Die Sprechstimme in der Musik: Komposition, Notation, Transkription. Wiesbaden: Springer VS.

Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.

Jäger, F., & Sakamoto, Y. (2016). Shikoukeitai to Bunkahyoushou toshite no Imēji (= Japanese Translation of "Denken heißt Formen, Formen heißt Denken. Interview mit Horst Bredekamp"). Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 19-33.

Dikker, S., Wan, L., Davidesco, I., Kaggen, L., Oostrik, M., McClintock, J., Rowland, J., Michalareas, G., Van Bavel, J. J., Ding, M., & Poeppel, D. (2017). Brain-to-brain synchrony tracks real-world dynamic group interactions in the classroom. Current Biology,27(9), 1375-1380. doi:10.1016/j.cub.2017.04.002.

Menninghaus, W., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Knoop, C. A. (2017). The emotional and aesthetic powers of parallelistic diction. Poetics,63, 47-59. doi:10.1016/j.poetic.2016.12.001.

Futterlieb, K., & Schoof, K. (2016). That special place. In K. Umlauf, K. U. Werner, & A. Kaufmann (Eds.), Strategien für die Bibliothek als Ort: Festschrift für Petra Hauke zum 70. Geburtstag (pp. 189-202). Berlin: de Gruyter.

Ding, N., Patel, A., Chen, L., Butler, H., Luo, C., & Poeppel, D. (2017). Temporal modulations in speech and music. Neuroscience & Biobehavioral Reviews,81(Part B), 181-187. doi:10.1016/j.neubiorev.2017.02.011.

Knoop, C. A. (2016). Ausgangspunkte neu erzählen: Der Raum der Herkunft in Jean Genets Journal du Voleur. In M. Benz, & K. Dennerlein (Eds.), Literarische Räume der Herkunft. Fallstudien zu einer historischen Narratologie (pp. 311-335). Berlin, Boston: De Gruyter.

Knoop, C. A. (2016). Criticism or ressentiment? Literary studies and the politics of interdisciplinarity. In J. Riou, & M. Gallagher (Eds.), Re-thinking ressentiment. On the limits of criticism and the limits of its critics (pp. 149-166). Bielefeld: transcript.

Wald-Fuhrmann, M. (2016). "Instar Bibliothecae instructissimae": Zum enzyklopädischen Zugriff auf Musik im 16. und frühen 17. Jahrhundert. Musiktheorie: Zeitschrift für Musikwissenschaft,31(1), 78-90.

Greb, F., Elvers, P., & Fischinger, T. (2017). Trends in empirical aesthetics: A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the Arts,35(1), 3-26. doi:10.1177/0276237415625258.

Sakamoto, Y. (2016). Hifu, Soshite Bisyouhyoushou he no Tabi [= Grenzgänge der Wahrnehmung. Zur Neurologie der petites perceptions.]. Iwanami Shi-Sou, 1104, Shinkeikei Jinbungaku [= Neural Humanities], 51-75.

Uppenkamp, B., & Wald-Fuhrmann, M. (Eds.). (2016).Musikalische Kunst: Ein Führer durch die Staatlichen Museen zu Berlin. Kön: Böhlau.

Bálint, K., Hakemulder, F., Kuijpers, M. M., Doicaru, M., & Tan, E. S. (2016). Reconceptualizing foregrounding: Identifying response strategies to deviation in absorbing narratives. Scientific Study of Literature,6(2), 176-207.

Auracher, J., & Bosch, H. (2016). Showing with words. Scientific Study of Literature,6(2), 208-242. doi:10.1075/ssol.6.2.03aur.

Tal, I., Large, E. W., Rabinovitch, E., Wei, Y., Schroeder, C. E., Poeppel, D., & Golumbic, E. Z. (2017). Neural entrainment to the beat: The “Missing-Pulse” phenomenon. The Journal of Neuroscience,37(26), 6331-6341. doi:10.1523/JNEUROSCI.2500-16.2017.

2015

Arnal, L. H., Flinker, A., Kleinschmidt, A., Giraud, A.-L., & Poeppel, D. (2015). Human screams occupy a privileged niche in the communication soundscape. Current Biology,25(15), 2051-2056. doi:10.1016/j.cub.2015.06.043.

Fischinger, T., Frieler, K., & Louhivuori, J. (2015). Influence of virtual room acoustics on choir singing. Psychomusicology,25(3), 208-218. doi:10.1037/pmu0000117.

Overath, T., McDermott, J. H., Zarate, J. M., & Poeppel, D. (2015). The cortical analysis of speech-specific temporal structure revealed by responses to sound quilts. Nature Neuroscience,18 (6), 903-911. doi:10.1038/nn.4021.

Lewis, G. A., Poeppel, D., & Murphy, G. L. (2015). The neural bases of taxonomic and thematic conceptual relations: An MEG study. Neuropsychologia,68, 176-189. doi:10.1016/j.neuropsychologia.2015.01.011.

Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.

Omigie, D. (2016). Basic, specific, mechanistic? Conceptualizing musical emotions in the brain. Journal of Comparative Neurology. doi:10.1002/cne.23854.

Hemming, J., & Merrill, J. (2015). On the distinction between involuntary musical imagery, musical hallucinosis, and musical hallucinations. Psychomusicology,25(4), 435-442. doi:10.1037/pmu0000112.

Koelsch, S., Jacobs, A. M., Menninghaus, W., Liebal, K., Klann-Delius, G., von Scheve, C., & Gebauer, G. (2015). The quartet theory of human emotions: An integrative and neurofunctional model. Physics of Life Reviews, (13), 1-27. doi:10.1016/j.plrev.2015.03.001.

Almeida, D., Poeppel, D., & Corina, D. (2016). The processing of biologically plausible and implausible forms in American Sign Language: Evidence for perceptual tuning. Language, Cognition and Neuroscience,31(3), 361-374. doi:10.1080/23273798.2015.1100315.

Doelling, K. B., & Poeppel, D. (2015). Cortical entrainment to music and its modulation by expertise. Proceedings of the National Academy of Sciences of the United States of America,112(45), E6233-E6242. doi:10.1073/pnas.1508431112.

Omigie, D. (2015). Music and literature: Are there shared empathy and predictive mechanisms underlying their affective impact? Frontiers in Psychology,6: 1250. doi:10.3389/fpsyg.2015.01250.

Larrouy-Maestri, P., Magis, D., Grabenhorst, M., & Morsomme, D. (2015). Layman versus professional musician: Who makes the better judge? PLoS One,10(8): e0135394. doi:10.1371/journal.pone.0135394.

Powell, D. J., Moss-Morris, R., Liossi, C., & Schlotz, W. (2015). Circadian cortisol and fatigue severity in relapsing-remitting multiple sclerosis. Psychoneuroendocrinology,56, 120-131. doi:10.1016/j.psyneuen.2015.03.010.

Ding, N., Melloni, L., Zhang, H., Tian, X., & Poeppel, D. (2016). Cortical tracking of hierarchical linguistic structures in connected speech. Nature Neuroscience,19(1), 158-164. doi:10.1038/nn.4186.

Chait, M., Greenberg, S., Arai, T., Simon, J. Z., & Poeppel, D. (2015). Multi-time resolution analysis of speech: Evidence from psychophysics. Frontiers in Neuroscience,9: 214. doi:10.3389/fnins.2015.00214.

Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers in Psychology,6: 1252. doi:10.3389/fpsyg.2015.01252.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal. pone.0128451.

Tavano, A., & Scharinger, M. (2015). Prediction in speech and language processing. Cortex,68, 1-7. doi:10.1016/j.cortex.2015.05.001.

Omigie, D. (2015). Dopamine and epistemic curiosity in music listening. Cognitive Neuroscience,6(4), 222-224. doi:10.1080/17588928.2015.1051013.

Rimmele, J., Zion Golumbic, E., Schröger, E., & Poeppel, D. (2015). The effects of selective attention and speech acoustics on neural speech-tracking in a multi-talker scene. Cortex,68, 144-154. doi:10.1016/j.cortex.2014.12.014.

Pfordresher, P. Q., & Larrouy-Maestri, P. (2015). On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience,9: 271. doi:10.3389/fnhum.2015.00271.

Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5). doi:10.1371/journal.pone.0124550.

Poeppel, D., & Hickock, G. (2015). Electromagnetic recording of the auditory system. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 245-255). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00014-7.

Muralikrishnan, R., Schlesewsky, M., & Bornkessel-Schlesewsky, I. (2015). Animacy-based predictions in language comprehension are robust: Contextual cues modulate but do not nullify them. Brain Research,1608, 108-137. doi:10.1016/j.brainres.2014.11.046.

Sarkhosh, K. (2015). Schuld, Geld und Vergeltung in Arthur Schnitzlers Traumnovelle und Stanley Kubricks Eyes Wide Shut. Arcadia: International journal of literary culture,50(2), 366-388. doi:10.1515/arcadia-2015-0026.

Tian, X., Zarate, J. M., & Poeppel, D. (2016). Mental imagery of speech implicates two mechanisms of perceptual reactivation. Cortex,77, 1-12. doi:10.1016/j.cortex.2016.01.002.

Wassiliwizky, E., Wagner, V., Jacobsen, T., & Menninghaus, W. (2015). Art-elicited chills indicate states of being moved. Psychology of Aesthetics, Creativity, and the Arts,9(4), 405-416. doi:10.1037/aca0000023.

Zarate, J. M., Tian, X., Woods, K. J., & Poeppel, D. (2015). Multiple levels of linguistic and paralinguistic features contribute to voice recognition. Scientific Reports,5: 11475. doi:10.1038/srep11475.

Arnal, L. H., Poeppel, D., & Giraud, A.-l. (2015). Temporal coding in the auditory cortex. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 85-98). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00005-6.

Poeppel, D. (2015). Speech perception. In M. Liebermann, & A. W. Toga (Eds.), Brain mapping: An encyclopedic reference (pp. 429-434). Amsterdam: Elsevier. doi:10.1016/B978-0-12-397025-1.00264-5.

Hickok, G., & Poeppel, D. (2015). Neural basis of speech perception. In G. G. Celesia, & G. Hickock (Eds.), The human auditory system: Fundamental organization and clinical disorder (pp. 149-160). Edinburgh: Elsevier. doi:10.1016/B978-0-444-62630-1.00008-1.

Wald-Fuhrmann, M. (2015). „Musica veteris specimen": Falsche und fehlende Exempla in der Musik. In K. Zimmer (Ed.), Rezeption, Zeitgeist, Fälschung – Umgang mit Antike(n): Akten des Internationalen Kolloquiums am 31. Januar und 1. Februar 2014 in Tübingen (pp. 155-166). Rahden, Westf.: Leidorf.

Sarkhosh, K. (2015). Review zu Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin:Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia: international journal of literary culture,50(1), 227-233.

Elliott, M. T., & Fischinger, T. (2015). Editorial of the Special Issue on Rhythm Production and Perception. Timing & Time Perception,3(1-2), 1-2. doi:10.1163/22134468-00002044.

Gemma, M. L., Glorieux, F., & Ganascia, J.-G. (2017). Operationalizing the colloquial style: Repetition in 19th-century American fiction. Digital Scholarship in the Humanities,32(2), 312-335. doi:10.1093/llc/fqv066.

Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.

Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.

Larrouy-Maestri, P. (2015). Influence du stress sur la voix parlée et chantée. Langage et Pratiques,56, 33-42.

Cogan, G. B., Kirshenbaum, S. R., Walker, J., & Poeppel, D. (2015). A kiss is not a kiss: Visually evoked neuromagnetic fields reveal differential sensitivities to brief presentations of kissing couples. NeuroReport,26(14), 850-855. doi:10.1097/wnr.0000000000000435.

Elvers, P. (2015). Zwischen Philosophie und Naturwissenschaft: Entwicklungsschritte einer interdisziplinären Erkenntnistheorie. Erwägen, Wissen, Ethik,26(1), 28-30.

Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.

Gagliardi, C., Brenna, V., Romaniello, R., Arrigoni, F., Tavano, A., Romani, M., Valente, E. M., & Borgatti, R. (2015). Cognitive rehabilitation in a child with Joubert Syndrome: Developmental trends and adaptive changes in a single case report. Research in Developmental Disabilities,47, 375-384. doi:10.1016/j.ridd.2015.09.013.

Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.

Elvers, P., & Greb, F. (2015). 13th International Conference on Music Perception and Cognition (ICMPC) & 5th Conference for the Asian-Pacific Society for Cognitive Sciences of Music (APSCOM), 04.-08. August 2014; Seoul, Südkorea. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,25, 279-282.

Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.

Elvers, P. (2016). Songs for the ego: Theorizing musical self-enhancement. Frontiers in Psychology,7: 2. doi:10.3389/fpsyg.2016.00002.

Larrouy-Maestri, P., Morsomme, D., Magis, D., & Poeppel, D. (2017). Lay listeners can evaluate the pitch accuracy of operatic voices. Music Perception,34(4), 489-495. doi:10.1525/mp.2017.34.4.489.

Lubrich, O., Knoop, C. A., & Jacobs, A. (2015). Jean Genet und die Ästhetisierung des Abweichenden. Ein interdisziplinäres Experiment. In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 393-411). Gifkendorf: Merlin.

Kaufmann, M. (2015). Leichtes und Flaches im Winzerfest: Die Dramaturgie eines Publikumserfolgs. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761–1817): Gattungen. Werke. Kontexte. (pp. 166-188). Köln; Wien: Böhlau.

Scharinger, M., Bendixen, A., Herrmann, B., Henry, M. J., Mildner, T., & Obleser, J. (2016). Predictions interact with missing sensory evidence in semantic processing areas. Human Brain Mapping,37(2), 704-716. doi:10.1002/hbm.23060.

Sarkhosh, K. (2015). Claudia Hillebrandt/Elisabeth Kampmann (Hrsg.): Sympathie und Literatur. Zur Relevanz des Sympathiekonzeptes für die Literaturwissenschaft. Berlin: Erich Schmidt, 2014 (= Allgemeine Literaturwissenschaft; 19), 308 Seiten. Arcadia,50(1), 227-233.

Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.

Wald-Fuhrmann, M. (2015). Modell Orpheus: Die Erfindung des virtuosen Instrumentalisten aus den Bedingungen der Spiritus-Konzeption. In S. Schneider (Ed.), Aisthetics of the spirits: Spirits in early modern science, religion, literature and music (pp. 213-243). Göttingen: V&R unipress.

Wald-Fuhrmann, M. (2015). Die Gefährdung der Geselligkeit durch die Musik: Weltflucht, Entrückung und absolute Musik. In G. Oesterle, & T. Valk (Eds.), Riskante Geselligkeit: Spielarten des Sozialen um 1800 (pp. 293-310). Würzburg: Königshausen & Neuman.

Wald-Fuhrmann, M. (2015). Der beste Song oder der kleinste gemeinsame Nenner?: Das kollektive Werten beim ESC. Österreichische Musikzeitschrift,70(4), 56-58.

Wald-Fuhrmann, M. (2015). Zwischen Volkston und musikalischer Lyrik: Kunzens Liedschaffen. In M. Wald-Fuhrmann, & C. Wiesenfeldt (Eds.), Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817): Gattungen. Werke. Kontexte. (pp. 189-212). Köln; Wien: Böhlau.

Obermeier, C., Kotz, S. A., Jessen, S., Raettig, T., von Koppenfels, M., & Menninghaus, W. (2016). Aesthetic appreciation of poetry correlates with ease of processing in event-related potentials. Cognitive, Affective, & Behavioral Neuroscience,16(2), 362-373. doi:10.3758/s13415-015-0396-x.

Aryani, A., Kraxenberger, M., Ullrich, S., Jacobs, A. M., & Conrad, M. (2016). Measuring the basic affective tone of poems via phonological saliency and iconicity. Psychology of Aesthetics, Creativity, and the Arts,10(2), 191-204. doi:10.1037/aca0000033.

Wald-Fuhrmann, M., & Wiesenfeldt, C. (Eds.). (2015).Der Komponist Friedrich Ludwig Aemilius Kunzen (1761-1817) Gattungen. Werke. Kontexte. Köln: Böhlau.

Schneider, S., Wald-Fuhrmann, M., & Watzka, C. (Eds.). epiFaNIen - Frühe Neuzeit interdisziplinär. Göttingen: V & R Unipress.

Grimm, H. (2015). Lob der Musik – Anmerkungen zur Ästhetik der Kantate von August Gottlieb Meißner und Joseph Schuster. In G. Poppe, & S. Voss (Eds.), Joseph Schuster in der Musik des ausgehenden 18. Jahrhunderts (pp. 285-306). Beeskow: Ortus-Musikverlag.

Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., & Jacobsen, T. (2016). Anger Framed: A Field Study on Emotion, Pleasure, and Art. Psychology of Aesthetics, Creativity, and the Arts,10(2), 134-146. doi:10.1037/aca0000029.

Wald-Fuhrmann, M. (2015). Musik in der Buchkultur: Sammeln, Musizieren, Präsentieren. In N. Schwindt (Ed.), Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse (pp. 363-397). Laaber: Laaber.

Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.

Skoluda, N., Strahler, J., Schlotz, W., Niederberger, L., Marques, S., Fischer, S., Thoma, M. V., Spoerri, C., Ehlert, U., & Nater, U. M. (2015). Intra-individual psychological and physiological responses to acute Iabaratory stressors of different intensity. Psychoneuroendocrinology,51, 227-236. doi:10.1016/j.psyneuen.2014.10.002.

Knoop, C. A., & Nehrlich, T. (2015). Wunder als minimal kontraintuitive Konzepte. Ein Beitrag zur Klassifikation von Erfahrungswidrigkeit in den Grimm'schen Kinder- und Hausmärchen. In Märchen, Mythen und Moderne 200 Jahre Kinder- und Hausmärchen der Brüder Grimm Teil 1 und 2 (pp. 703-720). Frankfurt am Main: Peter Lang GmbH Internationaler Verlag der Wissenschaften.

Sarkhosh, K. (2015). Die Macht der Filmbilder. Literaturgeschichte(n) und visuelle Evidenz im Kontext des populären Buchmarktes. In A. Hölter, & M. Schmitz-Emans (Eds.), Literaturgeschichte und Bildmedien (HERMEIA) (pp. 203-230). Heidelberg: Synchron Publishers GmbH.

Steinberg Lowe, M., Lewis, G. A., & Poeppel, D. (2016). Effects of part- and whole-object primes on early MEG responses to Mooney faces and houses. Frontiers in Psychology, 7:147. doi:10.3389/fpsyg.2016.00147.

Fischinger, T. (Ed.). (2015). Special Issue on Rhythm Production and Perception [Special Issue]. Timing & Time Perception,3(1-2).

Knoop, C. A. (2015). Haben Gender und Queer Studies mit Genet ein Problem? In M. N. Lorenz, & O. Lubrich (Eds.), Jean Genet und Deutschland (pp. 217-239). Gifkendorf: Merlin.

Merrill, J. (2015). Musik und Sprache im Gehirn und in der Therapie. Sprechen: Zeitschrift für Sprechwissenschaft, Sprechpädagogik, Sprechtherapie, Sprechkunst,60, 39-51.

Poeppel, D. (2015). On Giacometti’s sculpture Chariot. Gilded Birds.

Muralikrishnan, R., & Idrissi, A. (2015).Look before you leap: Careful incremental processing of idiosyncratic grammaticalised partial-agreement: ERP and self-paced reading evidence from Arabic. Poster presented at 7th Annual Society for the Neurobiology of Language Conference, Chicago, Illinois.

2014

Rimmele, J., Zion Golumbic, E., Schröger, E., & Poeppel, D. (2015). The effects of selective attention and speech acoustics on neural speech-tracking in a multi-talker scene. Cortex,68, 144-154. doi:10.1016/j.cortex.2014.12.014.

Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.

Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., & Menninghaus, W. (2014). Being moved: Linguistic representation and conceptual structure. Frontiers in Psychology,5: 1242. doi:10.3389/fpsyg.2014.01242.

Schmidt-Kassow, M., Zink, N., Mock, J., Thiel, C., Vogt, L., Abel, C., & Kaiser, J. (2014). Treadmill walking during vocabulary encoding improves verbal long-term memory. Behavioral and brain functions,10(1): 24. doi:10.1186/1744-9081-10-24.

Zimmerer, F., Scharinger, M., & Henning, R. (2014). Phonological and morphological constraints on German /t/-deletions. Journal of Phonetics,45(0), 64-75. doi:10.1016/j.wocn.2014.03.006.

Skoluda, N., Strahler, J., Schlotz, W., Niederberger, L., Marques, S., Fischer, S., Thoma, M. V., Spoerri, C., Ehlert, U., & Nater, U. M. (2015). Intra-individual psychological and physiological responses to acute Iabaratory stressors of different intensity. Psychoneuroendocrinology,51, 227-236. doi:10.1016/j.psyneuen.2014.10.002.

Omigie, D., & Samson, S. (2014). A protective effect of musical expertise on cognitive outcome following brain damage? Neuropsychology Review,24(4), 445-460. doi:10.1007/s11065-014-9274-5.

Schlotz, W., & Powell, D. J. (2014). Ambulatory Assessment in Neuropsychology Applications in Multiple Sclerosis Research. Zeitschrift für Neuropsychologie,25(4), 239-251. doi:10.1024/1016-264X/a000140.

Schoof, K. (2014). Ethnografische Methoden in der bibliothekarischen Aus- und Fortbildung. Bibliothek Forschung und Praxis,38(2), 208-212. doi:10.1515/bfp-2014-0025.

Poeppel, D. (2014). The neuroanatomic and neurophysiological infrastructure for speech and language. Current Opinion in Neurobiology,28, 142-149. doi:10.1016/j.conb.2014.07.005.

Toelle, J. (2014). „Da indessen die Mohren den Psalm: Lobet den Herrn alle Heiden! abgesungen“: Musik und Klang im Kontext der Mission im México der Frühen Neuzeit. Historische Anthropologie,22(3), 334-349. doi:10.7788/ha-2014-0304.

Omigie, D., Dellacherie, D., Hasboun, D., Clément, S., Baulac, M., Adam, C., & Samson, S. (2015). Intracranial markers of emotional valence processing and judgments in music. Cognitive Neuroscience,6(1), 16-23. doi:10.1080/17588928.2014.988131.

Versace, S. (2014). A Bracketed Grid account of the Italian endecasillabo meter. Lingua,143(0), 1-19. doi:10.1016/j.lingua.2014.01.001.

Sakamoto, Y., & Meyer-Kalkus, R. (Eds.). (2014).Bild - Ton - Rhythmus Kunsthistorisches Jahrbuch für Bildkritik : Bildwelten des Wissens (10,2). Berlin: De Gruyter.

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., & Jacobsen, T. (2015). Towards a psychological construct of being moved. PLoS One,10(6): e0128451. doi:10.1371/journal. pone.0128451.

Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.

Bär, C. (2014). Verbalization of music and sound between poeticity and aesthetic evaluation. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 78-84).

Pfordresher, P. Q., & Larrouy-Maestri, P. (2015). On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience,9: 271. doi:10.3389/fnhum.2015.00271.

Lehne, M., Engel, P., Rohrmeier, M., Menninghaus, W., Jacobs, A. M., & Koelsch, S. (2015). Reading a suspenseful literary text activates brain areas related to social cognition and predictive inference. PLoS One,10(5). doi:10.1371/journal.pone.0124550.

Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.

Toelle, J. (2014). Fremdes oder eigenes Brot? Musik im Neuen Welt-Bott Joseph Stöckleins. In C. Storch (Ed.), Die Musik- und Theaterpraxis der Jesuiten im kolonialen Amerika: Grundlagen, Desiderate, Forschungsperspektiven (pp. 75-92). Sinzig: Studiopunkt Verlag.

Embick, D., & Poeppel, D. (2015). Towards a computational(ist) neurobiology of language: Correlational, integrated and explanatory neurolinguistics. Language, Cognition and Neuroscience,30(4), 357-366. doi:10.1080/23273798.2014.980750.

Tian, X., & Poeppel, D. (2015). Dynamics of self-monitoring and error detection in speech production: Evidence from mental imagery and MEG. Journal of Cognitive Neuroscience,27(2), 352-364. doi:10.1162/jocn_a_00692.

van der Hoven, L., & Wald-Fuhrmann, M. (2014).La musique, c'est moi!: Friedrichs II. klingender Weg zur historischen Größe. Berlin: Vergangenheitsverlag.

Prehn, K., Korn, C. W., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., & Heekeren, H. R. (2015). The neural correlates of emotion alignment in social interaction. Social, Cognitive and Affective Neuroscience,10(3), 435-443. doi:10.1093/scan/nsu066.

Ruccius, A. (2014). A house full of music. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 115-116.

Sakamoto, Y. (2014). Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus (10,2, pp. 53-63). Berlin: Akademie Verlag.

Ruccius, A. (2014). The history of musical iconography and the influence of art history: Pictures as sources and interpreters of musical history. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The Making of the Humanities: Vol. 3. The modern humanities (pp. 403-411). Amsterdam: Amsterdam University Press.

Menninghaus, W. (2014).A cosa serve l'arte? L'estetica dopo Darwin [=Italian translation of Wozu Kunst? Ästhetik nach Darwin]. Verona: Grafiche Fiorini s.a.s.

Ruccius, A. (2014). Empirical studies including noise of two leading journals in music research: A review. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 568-570 ).

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.

Powell, D. J., Moss-Morris, R., Liossi, C., & Schlotz, W. (2015). Circadian cortisol and fatigue severity in relapsing-remitting multiple sclerosis. Psychoneuroendocrinology,56, 120-131. doi:10.1016/j.psyneuen.2015.03.010.

Lewis, G. A., Poeppel, D., & Murphy, G. L. (2015). The neural bases of taxonomic and thematic conceptual relations: An MEG study. Neuropsychologia,68, 176-189. doi:10.1016/j.neuropsychologia.2015.01.011.

Sarkhosh, K. (2014). Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien (pp. 657-669). Göttingen: V&R unipress.

Elvers, P. (2014). Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In E. Aschermann, & M. Kaiser-el-Safti (Eds.), Gestalt und Gestaltung in interdisziplinärer Perspektive (pp. 109-124). Frankfurt am Main: Peter Lang.

Toelle, J. (2014). "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 93-106). Basel: Schwabe.

Greb, F., Elvers, P., & Fischinger, T. (2014). Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 238-243).

Menninghaus, W., Bohrn, I. C., Knoop, C. A., Kotz, S. A., Schlotz, W., & Jacobs, A. M. (2015). Rhetorical features facilitate prosodic processing while handicapping ease of semantic comprehension. Cognition,143, 48-60. doi:10.1016/j.cognition.2015.05.026.

Ruccius, A. (2014). Musikvideo als audiovisuelle Synergie: Michel Gondrys Star Guitar für The Chemical Brothers. Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik,10(2), 98-106.

Wald-Fuhrmann, M. (2014). Natur und Kunst: Zum Transfer lebensweltlicher Klangphänomene in komponierte Musik. In W. G. Schmidt (Ed.), Faszinosum 'Klang': Anthropologie - Medialität - kulturelle Praxis (pp. 136-155). Berlin: De Gruyter.

Sarkhosh, K. (2014). Rezension: James Bond – Anatomie eines Mythos. Komparatistik: Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2013, 175-181.

Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414).

Muralikrishnan, R., Schlesewsky, M., & Bornkessel-Schlesewsky, I. (2015). Animacy-based predictions in language comprehension are robust: Contextual cues modulate but do not nullify them. Brain Research,1608, 108-137. doi:10.1016/j.brainres.2014.11.046.

Sarkhosh, K. (2014).Kino der Unordnung: Filmische Narration und Weltkonstitution bei Nicolas Roeg. Bielefeld: transcript Verlag.

Wald-Fuhrmann, M. (2014). Mit Pauken und Trompeten - Strategien und Dokumentation des zeremoniellen Einsatzes von Musik am Papsthof des ausgehenden 15. Jahrhunderts. In K. Pietschmann (Ed.), Musikalische Performanz und päpstliche Repräsentation in der Renaissance (pp. 139-155). Kassel: Bärenreiter.

Farbood, M. M., Rowland, J., Marcus, G., Ghitza, O., & Poeppel, D. (2015). Decoding time for the identification of musical key. Attention, Perception & Psychophysics,77(1), 28-35. doi:10.3758/s13414-014-0806-0.

Wald-Fuhrmann, M. (2014). Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In M. Wald-Fuhrmann (Ed.), Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis (pp. 107-129). Basel: Schwabe.

Wald-Fuhrmann, M. (2014). Zukunftsexperimente in Werk und Leben: Richard Wagner in Magdeburg. In L. Lütteken (Ed.), Das ungeliebte Frühwerk: Richard Wagners Oper "Das Liebesverbot" (pp. 27-44). Würzburg: Königshausen & Neumann.

Zarate, J. M., Tian, X., Woods, K. J., & Poeppel, D. (2015). Multiple levels of linguistic and paralinguistic features contribute to voice recognition. Scientific Reports,5: 11475. doi:10.1038/srep11475.

Kumschik, I. R., Beck, L., Eid, M., Witte, G., Klann-Delius, G., Heuser, I., Steinlein, R., & Menninghaus, W. (2014). READING and FEELING: the effects of a literature-based intervention designed to increase emotional competence in second and third graders. Frontiers in Psychology, (5): 1448. doi:10.3389/fpsyg.2014.01448.

Wald-Fuhrmann, M. (Ed.). (2014).Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis. Basel: Schwabe.

2013

Menninghaus, W., Bohrn, I. C., Altmann, U., Lubrich, O., & Jacobs, A. M. (2014). Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts,8(1), 71-76. doi:10.1037/a0035309.

Menninghaus, W. (2013). Darwin’s theory of music, rhetoric and poetry. In G. A. Danieli, A. Minelli, & T. Pievani (Eds.), Stephen J. Gould: The scientific legacy (pp. 169-176). Springer Milan.

Menninghaus, W. (2013). Walter Benjamin's variations of imagelessness. Critical Horizons,14(3), 407-428. doi:10.1179/1440991713Z.00000000016.

Rimmele, J., Sussman, E., & Poeppel, D. (2015). The role of temporal structure in the investigation of sensory memory, auditory scene analysis, and speech perception: A healthy-aging perspective. International Journal of Psychophysiology,95(2), 175-183. doi:10.1016/j.ijpsycho.2014.06.010.

Menninghaus, W. (2013).Saber de los umbrales: Walter Benjamin y el Pasaje del Mito. Buenos Aires: Biblos.

Menninghaus, W. (2013). Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione,29, 67-77.

Wald-Fuhrmann, M. (2013). Musikwissenschaft. In G. Rippl, & S. Winko (Eds.), Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte (pp. 371-386). Stuttgart: J. B. Metzler.

Wagner, V., Menninghaus, W., Hanich, J., & Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts,8(2), 120-129. doi:10.1037/a0036126.

Menninghaus, W. (2013).Bi no yakusoku (= Japanese translation of Das Versprechen der Schönheit). Tokyo: Gendaishichoshinsha.

Menninghaus, W. (2013).La Promessa della Bellezza (= Italian translation of Das Versprechen der Schönheit). Palermo: Aesthetica.

Seehausen, M., Kazzer, P., Bajbouj, M., Heekeren, H., Jacobs, A. M., Klann-Delius, G., Menninghaus, W., & Prehn, K. (2014). Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical,84(0), 951-961. doi:10.1016/j.neuroimage.2013.09.056.

Menninghaus, W. (2013). Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica,15(1), 249-280.

Elvers, P. (2013). Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen (pp. 22).

Fuhrmann, W., & Wald-Fuhrmann, M. (2013).Ahnung und Erinnerung: Die Dramaturgie der Leitmotive bei Richard Wagner. Kassel: Bärenreiter Verlag.

Wald-Fuhrmann, M. (2013). Musik und Subjektivität. In M. Calella, & N. Urbanek (Eds.), Historische Musikwissenschaft: Grundlagen und Perspektiven (pp. 289-306). Stuttgart: J. B. Metzler.

Pietschmann, K., & Wald-Fuhrmann, M. (Eds.). (2013).Der Kanon der Musik: Theorie und Geschichte: Ein Handbuch. München: edition text + kritik.

Matejka, M., Kazzer, P., Seehausen, M., Bajbouj, M., Klann-Delius, G., Menninghaus, W., Jacobs, A. M., Heekeren, H. R., & Prehn, K. (2013). Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology,4: 260, pp. 1-13. doi:10.3389/fpsyg.2013.00260.