This project traces the role of music in theories of the mind and body, as well as the ways in which understandings of the mind and body have been historically applied to explain the effects of music during the period bookended by Descartes and Charcot.
Heraclitus, invoking the tensed string of a bow, conceived harmony as the stasis and equilibrium of conflicting forces held in continuing tension. Plato in the Symposium rejects this view in favor of a concept of harmony in which all conflict must already have been resolved.
This book project focuses on the emergence of a proto-cognitivist strain of music theory in late eighteenth-century Scotland. It examines theories of music (and approaches to musical cognition) advanced by John Holden (1729-1771) and Walter Young (1745-1814)...
The great composer of the French Baroque, Jean-Philippe Rameau, was also the most influential music theorist since the Middle Ages: the inaugurator, in his epochal Traité de l’harmonie (1722) and in many subsequent writings, of the modern theory of harmony. This monograph proposes a revision of the widely accepted view of Rameau’s harmonic theory as a product of Enlightenment thought.