- The history of music and embodied cognition
- The ontology of stylistic change
- The interaction between instrumental performance and polyphonic composition, 1550–1650
- The history of instrumental timbre
Ph.D., Music History and Literature, University of California, Berkeley
Co-Advisors: Profs. Kate van Orden and James Q. Davies
|2006–2008||M.A., Music History and Literature, University of California, Berkeley|
|2003–2004||M.M., Organ Performance, Arizona State University|
|1999–2003||B.Mus.(Hons.), Organ Performance and History & Literature of Music, Memorial University of Newfoundland|
|Seit 2020||Visiting Postdoctoral Fellow, "Histories of Music, Mind, and Body," Research Group Max Planck Institute for Empirical Aesthetics|
|2019–2020||Postdoctoral Fellow, Humboldt University, Berlin, Research Group “Epistemic Dissonances. Objects and Tools of Early Modern Acoustics” of the Collaborative Research Center 980|
|2019–2020||Visiting Postdoctoral Fellow, Max Planck Institute for the History of Science|
|2016–2019||Postdoctoral Fellow, Research Group “Materiality of Musical Instruments: New Approaches to a Cultural History of Organology,” Research Institute for the History of Science and Technology, Deutsches Museum, Munich|
|2015–2016||Fellow of the Italian Academy for Advanced Studies in America, Columbia University|
Leon Chisholm, “Rethinking the Beginnings of Basso Continuo: A Materialist Defense of Redundancy,” Musiktheorie. Zeitschrift für Musikwissenschaft (special issue: Materialität – Musik und ihre Objekte) 34.1 (2019): 43-54.
Leon Chisholm, “William McGibbon and the Vernacularization of Corelli’s Sonatas, Op. 5,” Eighteenth-Century Music 15.2 (2018): 143-76.
Leon Chisholm, “The Keyboard as a Musical Interface: Materiality, Experience, Idiom,” Keyboard Perspectives 12 (2019) [forthcoming].
Leon Chisholm, ed. “The Keyboard as a Musical Interface: Experience, Materiality, Idiom,” special issue of Keyboard Perspectives 12 (2019) [forthcoming].
Ki Adams, Leon Chisholm, & Andrea Rose, eds. Sharing the Voices: The Phenomenon of Singing IV: Proceedings of the International Symposium, St. John's, Newfoundland, Canada, June 26-29, 2003. St. John’s, NL, Canada: Memorial University of Newfoundland, 2005.
Andrea Rose, Ki Adams, & Leon Chisholm, eds. Sharing the Voices: The Phenomenon of Singing III: Proceedings of the International Symposium, St. John's, Newfoundland, Canada, June 28-July 1, 2001 (Andrea Rose, Ki Adams, & Leon Chisholm, eds.). St. John’s, NL, Canada: Memorial University of Newfoundland, 2002.
Leon Chisholm, “Microtonal Keyboard Instruments in the Early Modern Period” (Sound & Science: Digital Histories, Max Planck Institute for the History of Science). acoustics.mpiwgberlin. mpg.de/contributor-essays/microtonal-keyboard-instruments-early-modern-europe
Leon Chisholm, William McGibbon: Complete Sonatas, edited by Elizabeth C. Ford (2018), Eighteenth-Century Music 17(1) (2020) [forthcoming].
Leon Chisholm, Smith & Handel, Julian Perkins (harpsichord), Chandos 0807 (2015), Eighteenth-Century Music 14(2) (2017): 318-20.
Leon Chisholm, Entanglements: Conversations on the Human Traces of Science, Technology, and Sound by Simone Tosoni with Trevor Pinch (2017), ICON [journal of the International Committee for the History of Technology] 23 (2017): 195-97.
Brandywine Baroque. Arcangelo Corelli Violin Sonatas Op. 5, Nos. 1-6. Plectra PL21002-CD, 2010.
Stipendien und Preise
|2017||Travel Grant, Society for Seventeenth-Century Music|
|2014–15||Berkeley Connect Fellowship, UC Berkeley|
|2013–14||Visiting Fellowship, Harvard University|
|2012–13||Townsend Dissertation Fellowship, UC Berkeley|
|2012||Barrie Cabena Music Scholarship, Royal Canadian College of Organists|
|2011–12||Centro Vittore Branca Fellowship, Fondazione Cini, Venice, Italy|
|2011–12||Alfred Hertz Traveling Scholarship (to study cembalo cromatico [19-note/octave harpsichord])|
|2006–11||University Predoctoral Humanities Fellowship for Graduate Study, UC Berkeley|
|2003–4||Graduate College Award for Tuition, Arizona State University|
|2003||University Medal for Academic Excellence in Music, Memorial University of Newfoundland|