Dr. Manuel Anglada-Tort
Main Research Areas
Auditory Perception and Cognition
Cultural Evolution
Empirical Aesthetics
Sonic Testing and Audiobranding
Vita
Education
| 2017–present | PhD in Psychology, Summa Cum Laude, Audio communication group, Technische Universität Berlin |
| 2014–2015 | MSc in Music, Mind & Brain, Goldsmiths, University of London |
| 2009–2013 | BA in Psychology, Universitat Rovira i Virgili, Tarragona, Spain |
Career
| 2018–2019 | Lecturer in Music Psychology and Research Methods, Humboldt-Universität zu Berlin |
| 2015–2017 | Special Needs Teacher, The Garden School, London, UK |
| 2012–2013 | Research Assistant, Psycholinguistics Research Group, Universitat Rovira i Virgili, Tarragona, Spain |
Publications
Anglada-Tort, M., Harrison, P. M. C., & Jacoby, N. (2022): Studying the effect of oral transmission on melodic structure using online iterated singing experiments. bioRxiv preprint doi: https://doi.org/10.1101/2022.05.10.491366
Anglada-Tort, M., Schofield, K., Trahan, T., & Müllensiefen, D. (2022): I’ve heard that brand before: the role of music recognition on consumer choice. International Journal of Advertising, 1-20. doi: https://doi.org/10.1080/02650487.2022.2060568
Anglada-Tort, M., Harrison, P. M. C., & Jacoby, N. (2022): REPP: A robust cross-platform solution for online sensorimotor synchronization experiments. Behavior Research Methods, 1-15. doi: https://doi.org/10.3758/s13428-021-01722-2
Niarchou, Gustavson, Sathirapongsasuti, Anglada-Tort, Eising, Bell, McArthur, Straub, 23andMe Research Team, McAuley, Capra, Ullén, Creanza, Mosing, Hinds, Davis*, Jacoby*, & Gordon* (under review, Nature Human Behaviour): Unravelling the genetic architecture of musical rhythm: a large-scale genome-wide association study of beat synchronization. bioRxiv 836197. 2021 Preprint doi: https://doi.org/10.1101/836197
Harrison, P. M. C., Marjieh, R., Adolfi, F., van Rijn, P., Anglada-Tort, M., Tchernichovski, O., Larrouy-Maestri, P., & Jacoby, N.(2020). Gibbs Sampling with People. 34th Conference on Neural Information Processing Systems (NeurIPS 2020). https://arxiv.org/abs/2008.02595
Anglada-Tort, M., & Skov, M. (2020): What counts as Aesthetics in Science? A bibliometric Analysis and Visualization of the Scientific Literature from 1970 to 2018. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. dx.doi.org/10.1037/aca0000350
Anglada-Tort, M., Keller, S., Steffens, J., & Müllensiefen, D. (2020): The impact of source effects on the evaluation of music for advertising: Are there differences in how advertising professionals and consumers judge music? Journal of Advertising Research. doi: 10.2501/JAR-2020-016
Anglada-Tort, M. (2019): Measuring stereotypes in music: A commentary on Susino and Schubert (2019). Empirical Musicology Review, 14(1-2), 16-21. http://dx.doi.org/10.18061/emr.v13i1-2.6387
Anglada-Tort, M., Krause, E. A., & North, A. C. (2019): Popular music lyrics and musician’s gender over time: A computational approach. Psychology of Music, 29(1), 46-55. https://doi.org/10.1177/0305735619871602
Anglada-Tort, M., Thueringer, H., & Omigie, D. (2019): The busking experiment: A field study measuring behavioural responses to street music performances. Psychomusicology: Music, Mind, and Brain, 29(1), 46-55. http://dx.doi.org/10.1037/pmu0000236
Anglada-Tort, M., & Sanfilippo, K.R.M. (2019): Visualizing music psychology: A bibliometric analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017”, Music & Science, 2, 2059204318811786. https://doi.org/10.1177/2059204318811786
Anglada-Tort, M. (2018): Commentary on Canonne (2018): Listening to improvisation. Empirical Musicology Review.http://dx.doi.org/10.18061/emr.v13i1-2.6387
Anglada-Tort, M., Baker, T., & Müllensiefen, D. (2018): False memories in music listening: Exploring the misinformation effect and individual difference factors in auditory memory. Memory, 1-16.https://doi.org/10.1080/09658211.2018.1545858
Anglada-Tort, M., Steffens, J., & Müllensiefen, D. (2018): Names and titles matter: The impact of linguistic fluency and the affect heuristic on aesthetics and value judgements of music. Psychology of Aesthetics, Creativity, and the Arts, 13 (3), 277-292, https://dx.doi.org/10.1037/aca0000172
Anglada-Tort, M., & Müllensiefen, D. (2017): The repeated recording illusion: The effects of extrinsic and individual difference factors on musical judgments. Music Perception, 35(1), 94-117. https://doi.org/10.1525/mp.2017.35.1.94
Ferré., P., Anglada-Tort, M., Guasch, M. (2017): “Processing of emotional words in bilinguals: Testing the effects of Word concreteness, task type and language status”, Second Language Research, 1- 24, https://doi.org/10.1177/0267658317744008
Grants and Awards
| 2017–2020 | Doctoral studentship “Studienstiftung des Deutschen Volkes” (Bonn, Germany) |
| 2014, 2017, 2019 | Travel grant, Society for Education and Music Psychology Research (SEMPRE) |
| 2018 | Travel grant, Deutsche Gesellschaft für Musikpsychologie e.V. (DGM) |
Audio Branding
2018–2019 | SONOS - Wireless speakers and home sound systems: "The science of listening: How briliant sound makes for better living. https://blog.sonos.com/en/brilliant-sound-survey/ Aldi (UK): “The sound of Aldi: Finding a new sonic identity for Aldi UK and identify optimal songs through SoundOUT’s music tool kit”. https://www.dlmdd.com/aldi |
2016–2017 | Cadbury Chocolate: “An examination of crossmodally congruent relationships between sound, flavour and mood”. http://ivaudiobranding.com/portfolio_cadbury.php Adam & Eve DDB (London, UK) and Goldsmiths, University of London (UK): “Brand equity, the Halo Effect and their effect on music preferences”, master thesis by Björn Thorleifsoon (2016) |