Robert R. Clewis, PhD

Forschungsgebiet:

Das Erhabene nach Kant 

Vita

Ausbildung

2004PhD in Philosophie,  Boston College, MA, USA
2004M.A. in Wirtschaftswissenschaften, Universität  Bologna, Italien
2000M. A. in Philosophie,  Boston College, MA, USA
1998B.A. in Philosophie,  Wake Forest University, NC, USA
1998B.A. in Französisch, Wake Forest University, NC, USA

Akademische Tätigkeiten 

Seit 07/2019Stipendiat am Max-Planck Institut für emprische Ästhetik, Frankfurt am Main
2016Professor für Philosophie (tenure), Gwynedd Mercy University, PA, USA
2015Direktor, Honors Program, Gwynedd Mercy University, PA, USA
2010-2016Associate Professor für Philosophie, Philosophy Program Director, Gwynedd Mercy University, PA, USA
2016Senior Research Associate, for Critique and Contemporary Kantian Philosophy (in Kooperation mit der Nordamerikanischen Kant Gesellschaft)
2005-2010Assistant Professor für Philosophie, Gwynedd Mercy University, PA, USA

Publikationen

Zeitschriftenartikel (peer-reviewed)

Clewis, R. R. (2018). Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty. Journal of the History of Philosophy, 56 (2), 305-335.  doi:10.1353/hph.2018.0025

Clewis, R. R. (2018). Nature, Religion, and Imagination: comments on Images of History. History and Theory, 57 (3), 419-425.  doi:10.1111/hith.12074

Clewis, R. R. (2018). Kant’s Physical Geography and the Critical Philosophy in advance. Epoché: A Journal for the History of Philosophy, 22 (2), 411-427.  doi:10.5840/epoche201819109

Clewis, R. R. (2017). Does Kantian Ethics Condone Mood and Cognitive Enhancement? Neuroethics, 10 (3), 349-361. doi:10.1007/s12152-017-9302-2

Clewis, R. R. (2016). What's the Big Idea? On Emily Brady's Sublime. [The sublime in modern philosophy: Aesthetics, Ethics, and Nature, Emily Brady]. The Journal of Aesthetic Education, 50 (2), 104-118.  doi:10.5406/jaesteduc.50.2.0104

Clewis, R. R. (2015). “The Place of the Sublime in Kant’s Project”. Studi Kantiani, 28, 149-168.

Clewis, R. R. (2016). Kant’s Natural Teleology? The Case of Physical Geography. Kant-Studien, 107 (2), 314-342.  doi:10.1515/kant-2016-0018

Clewis, R. R. (2014). What Can Hume Teach Us About Film Evaluation. Aisthema, 1 (2), 1-22.

Clewis, R. R. (2014). Kant’s Empiricist Rationalism of the Mid-1760s. Eighteenth-Century Thought, 5, 179-225.

Clewis, R. R. (2012). Film Evaluation and the Enjoyment of Dated Films. Projections - The Journal for Movies and Mind, 6 (2), 42.  doi:10.3167/proj.2012.060204

Clewis, R. R. (2011). How to Move Forward: Points of Convergence between Analytic and Continental Philosophy. Balkan Journal of Philosophy, 3, 153-162.  doi:10.5840/bjp2011321

Clewis, R. R. (2010). A Case for Kantian Artistic Sublimity: A Response to Abaci. The Journal of Aesthetics and Art Criticism, 68 (2), 167-170.

Clewis, R. R. (2008). Greenberg, Kant, and Aesthetic Judgments of Modernist Art. AE: Canadian Aesthetics Journal, 18.

Clewis, R. R. (2006). Kant's consistency regarding the regime change in France. Philosophy & Social Criticism, 32 (4), 443-460.  doi:10.1177/0191453706064019

Clewis, R. R. (2003). Heideggerean Wonder in Terence Malick's The Thin Red Line. Film and Philosophy, 7, 22-36. 

 

Monographien

Clewis, R. R. (Ed.) (2018). The Sublime Reader: Bloomsbury Publishing.

Clewis, R. R. (Ed.) (2015). Reading Kant's Lectures: De Gruyter.

Clewis, R. R. (2009). The Kantian Sublime and the Revelation of Freedom: Cambridge University Press.

 

Buchkapitel

Clewis, R. R. (2018). Towards a Theory of the Sublime and Aesthetic Awe. In R. R. Clewis (Ed.), The Sublime Reader (pp. 340-354). London: Bloomsbury Publishing.

Clewis, R. R. (2018). The Feeling of Enthusiasm. In D. Williamson & K. Sorensen (Eds.), Kant and the Faculty of Feeling (pp. 184-207). Cambridge: Cambridge University Press.

Clewis, R. R. (2015). Kant’s Natural Teleology?  The Case of Physical Geography. In R. R. Clewis (Ed.), Reading Kant's Lectures (pp. 526-552). Berlin: De Gruyter.

Clewis, R. R. (2017). A Theory of the Sublime is Possible. In L. Aagaard-Mogensen (Ed.), The Possibility of the Sublime (pp. 45-68). Newcastle upon Tyne: Cambridge Scholar Publishing.

Clewis, R. R. (2015). A Court Conversation. In D. Baggett (Ed.), Tennis and Philosophy: What the Racket is All About (pp. 142-163). Lexington: University Press of Kentucky.

Clewis, R. R. (2012). Should We Curb Our Enthusiasm? In M. Ralkowski (Ed.), Curb Your Enthusiasm and Philosophy: Awaken the Social Assassin Within (pp. 205-220). Chicago: Open Court.

Clewis, R. R. (2012). Kant’s distinction between true and false sublimity. In R. Velkley & S. M. Shell (Eds.), Kant's Observations and Remarks: A Critical Guide (pp. 116-143). Cambridge: Cambridge University Press.

Clewis, R. R. (2008). A Spielbergian Ethics of the Family in Saving Private Ryan and The Color Purple. In D. Kowalski (Ed.), Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book (pp. 129-149). Lexington: University Press of Kentucky.

 

Auszeichnungen & Stipendien

Auszeichnungen und Stipendien

2018Wilfrid Sellars Prize für die Publikation:  “Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty
seit 2012Stipendiat der Alexander-von-Humboldt Stiftung